The Bowery Presents

Archive for July, 2009

Jarvis Cocker Feeds and Charms Music Hall Crowd

Friday, July 31st, 2009

Jarvis Cocker - Music Hall of Williamsburg - July 30, 2009

Jarvis Cocker - Music Hall of Williamsburg - July 30, 2009
Mid-set last night at a sold-out Music Hall of Williamsburg, former Pulp frontman Jarvis Cocker reached into the pocket of his white blazer and pulled out a bunch of grapes. True gentleman that he is, he took a break from performing his witty songs to toss the fruit toward the hungry crowd, even attempting (unsuccessfully) to throw a few grapes up into the balcony. Cocker continued pelting us with grapes even as his band began playing the opening bars of the soulful, self- consciously sexy “I Never Said I Was Deep” from his latest album, Further Complications. Moments later, he stripped off his blazer to many squeals from the crowd. Then came his tie, first loosened, and then ripped off with abandon. The crowd squealed more, as if to say, “Hey, we never said we were deep either.”

Though he may excel in the role of unlikely sex symbol, Jarvis Cocker’s music is the real draw. The new album clearly bears the imprint of its producer, the legendary Steve Albini, who seems to have roughed up the songs a bit, adding a satisfying edge to Cocker’s often acerbic, tongue-in-cheek lyrics. Many of the songs on Further Complications have a retro pedigree, such as the saxophone-heavy “Homewrecker!” (wherein Cocker worked himself into a frenzy of flying limbs and twisted his voice into an incensed scream), which evokes a style that would not be out of place on a 1960s episode of Top of the Pops. Call it vintage rock by way of nouveau-Britpop. It’s a winning combination. —Alena Kastin

Photos courtesy of Gregg Greenwood | gregggreenwood.com

Pete Yorn - Webster Hall - July 30, 2009

Thursday, July 30th, 2009

Pete Yorn - Webster Hall - July 30, 2009

Photos courtesy of Gregg Greenwood | gregggreenwood.com

YES - The Wellmont Theatre - July 29, 2009

Wednesday, July 29th, 2009

YES - The Wellmont Theatre - July 29, 2009

Photos courtesy of Michael Jurick | music.jurick.net

Atmosphere - Webster Hall - July 27, 2009

Wednesday, July 29th, 2009

Atmosphere - Webster Hall - July 27, 2009

Photos courtesy of Morgan G. Harris | morgangharris.com

Five Questions with…Gavin Hayes

Wednesday, July 29th, 2009
Dredg

Dredg

Dredg is a four-man band straight out of Los Gatos, Calif. Since forming in the mid-’90s, the group’s music has been described, among other labels, as “agro,” “alternative,” “metal,” and “progressive.” In other words: they’re a rock band. They released their fourth studio album, the 18-track The Pariah, the Parrot, the Delusion, in June. And now they’re touring the country with RX Bandits. They hit The Bowery Ballroom on Friday, but Dredg singer-guitarist Gavin Hayes answered five questions for The House List in advance.

What band are you most ashamed to admit listening to?
The new Kanye West record.

What’s your favorite place in New York City to hang out? And do you ever feel like you could live here?
I love a falafel at Mamoun’s, a coffee at Abraco and a drink on the Lower East Side. I would love to live in New York.

Do you have to be depressed to write a sad song? Do you have to be in love to write a love song? Is a song better when it really happened to you?
I don’t think there are any limits or rules to writing a song, but for me, I feel that the more personal the material, the better.

Your after-party is at Hi-Fi, the Avenue A bar known for its endless jukebox, and The House List gives you a buck, what three songs are you playing?
The drinking song “The Wild Rover (No Nay Never),” “Shady Lane” by Pavement and “It’s a Great Day to Be Alive” by Travis Tritt.

It’s 4 a.m. and last call has come and gone. What’s your next move?
Vomit and then try to find a bar that is still serving. —R. Zizmor

Green Day - Madison Square Garden - July 27, 2009

Tuesday, July 28th, 2009

Green Day - Madison Square Garden - July 28, 2009

Photos courtesy of Michael Jurick | music.jurick.net

Grow a Pair: Win Free Tickets to See Dredg and RX Bandits on 7/31

Tuesday, July 28th, 2009

grow_a_pair_trans5

Dredg and RX Bandits, each a California four-piece and each with a new album—Dredg’s fourth studio album, The Pariah, the Parrot, the Delusion, came out last month, and RX Bandits’ sixth full-length effort, Mandala, came out last week—are barnstorming the country together. And this Friday that barn is the sold-out Bowery Ballroom. Missed out on tickets? Then try to Grow a Pair of them from The House List. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Dredg/RX Bandits, 7/31) and a brief message telling us what kind of bandit you would be if you could be. Eddie Bruiser, who doesn’t love bandits as much as you might think (his uncle was a cop), will notify the winner by noon on Friday, July 31st. Good luck.

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Deer Tick Ends Tour at The Bowery Ballroom

Monday, July 27th, 2009

Deer Tick - The Bowery Ballroom - July 24, 2009

Deer Tick

Deer Tick

Deer Tick had been on the road steadily since early June—including more than 20 dates with Dawes—before closing their tour in rowdy style at a sold-out Bowery Ballroom on Friday night. Playing tracks from their debut album, War Elephant, and their follow-up disc, Born on Flag Day, released about a month ago, Deer Tick began the show with a brief drums interlude and then firmly took hold of the audience with two hours of gritty, sweaty rock and roll.

Drummer Dennis Ryan, whose tour beard compared favorably to the Geico Caveman’s, his bassist brother, Chris, and guitarist Andy Tobiassen are talented musicians, but Deer Tick’s heart and soul is clearly John McCauley’s raspy, evocative voice. The frontman was chatty and affable throughout. (And possibly drunk. Although he’s not a haphazard drinker: He kept his beers cool in a koozie all night.) Before going into “Baltimore Blues No. 1,” McCauley said, “I wrote these fucking songs in my bedroom when I was 17 or 18 years old. And there were never this many people there. But if there were, we would’ve had a great time.” Those in the audience happily agreed as they stomped, clapped and sang along to songs like “These Old Shoes” and “Little White Lies,” plus a terrific cover of Tom Petty and the Heartbreakers’ “Breakdown.”

As the show—and tour—wound down, members of both opening bands, Dawes and These United States, who had been singing along from the side of the stage, joined Deer Tick onstage. The mood was loud and rambunctious, like rolling thunder, as they drank, hugged, danced and took turns trading solos on a ripping version of “La Bamba.” Many young bands’ live performances sound remarkably similar to their recorded work, but Deer Tick’s live show breathed new life into their already-heady stuff, turning earnest music into something dirtier (in a good way). Like the recorded takes were just the beginning, a blueprint to build on. Hopefully they will. They’re off to an awfully good start. —R. Zizmor

Five Questions with…Will Dailey

Monday, July 27th, 2009
Will Dailey

Will Dailey

Singer-songwriter Will Dailey showed how far he’s willing to go far for his passion when he sold his car to pay for his debut album. Dailey’s most recent album, Torrent, Vol. 1 and 2, is a combination of two digital EPs he released earlier this year—the first highlights ’60s- and ’70s-inspired music while the second focuses on acoustic work. But you can check out all of his influences when he makes his second-to-last stop on his current tour tomorrow night at Mercury Lounge. (And you can check him out, below, playing “How Can I Make You Happy” earlier this month on The Late Late Show with Craig Ferguson.) Last week Dailey checked in with The House List from the road to thoughtfully answer five questions.

What band are you most ashamed to admit listening to?
I have a hard time feeling guilty about things, but I am on the road right now and Meatloaf came on the radio. It was a long song, many twists and turns. Nobody suggested we change the station. Were we intrigued? Frozen with fear? Just when I was about to get really angry about someone calling himself Meatloaf, I found myself singing, “Let me sleep on it/ I’ll give you an answer in the morning.”

Which bands that you listened to growing up do you still listen to?
The Black Crowes, Grant Lee Phillips, R.E.M., Pearl Jam, Fugazi, but I also listened to a lot of classic rock, and I’m always looking for that great classic recording from that era. Just found an amazing female singer: Karen Dalton.

Do you have any crutches when writing a song—are there certain words or styles you feel you lean on too much?
Run-on sentences can get you. I haven’t analyzed my crutches, but now I will. Thanks. I have spent too much time wondering if I can write a song without prepositions. Truthfully, I find it a process and evolution that never stands still long enough to call it one thing or another. It will continue to grow and mutate and I hope to be the most surprised…and with no limp.

What’s your favorite place in New York City to hang out? And do you ever feel like you could live here?
My love for New York comes from visiting for long stretches and short, mad bursts. To live in New York might take away from our on-again, off-again relationship. My favorite spot post-show as of late has been the bar 2A.

Do you have to be depressed to write a sad song? Do you have to be in love to write a love song? Is a song better when it really happened to you?
I think no matter your emotional status, you need to be open and a good listener to everything around you to write a good song. If you can cry while writing, more power to ya. —R. Zizmor


See Deer Tick Tonight

Friday, July 24th, 2009


The earnest John McCauley-led Providence, R.I., band, Deer Tick, has released two fine albums—the second one, Born on Flag Day, came out just last month. And their most current tour brings them to The Bowery Ballroom tonight. You’re gonna want to see them. So check out this terrific Deer Tick cover of Bruce Springsteen’s lo-fi classic “Nebraska” from earlier this year and then get on down to The Bowery Ballroom tonight.

See Junior Boys Tomorrow Night

Thursday, July 23rd, 2009


Junior Boys, an electropop group out of Hamilton, Ont., released their third studio album, Begone Dull Care, earlier this year. They came to Webster Hall in May, but, unfortunately, had to cancel the show due to technical difficulties. Fortunately, they’re back at Webster Hall tomorrow night. It’s their second-to-last U.S. date before an August European tour. So check them out here playing “Parallel Lines”—off the new album—and then get your weekend started right by getting down with Junior Boys tomorrow night.

A Unique Night of Music at Mercury Lounge

Wednesday, July 22nd, 2009

Previously on Lost and Malajube - Mercury Lounge - July 21, 2009

previously-on-lostOnly in this post-post-postmodern world could Previously on Lost exist. For the uninitiated or unaware, POL is a band that does musical episode recaps of the television show Lost. It’s the ultimate in fanboy geekdom, but don’t let that scare you. Playing their greatest hits from seasons four and five at Mercury Lounge last night, Previously on Lost proved that they’re more than just a goof, although they’re plenty goofy.

With songs like “Sayid,” a porn-funk love-maker, “Will You Be My Constant,” a crooner ballad, the punkish rager “The Island Won’t Let You Die” and the countrified groove of “The War Is Gonna Come” (note: song titles are mine) POL appeals to your Lost lust as well as your love for great music. Sure, the lyrics are deep on Lost plot points and Internet speculation (“Jacob’s kaput/ Inside a foot”). Sure, the band and stage are decked out in island attire and stuffed polar bears occasionally get whacked on the guitar player’s head during a solo. Sure, almost every tune features a Theremin solo. Sure, the between-song banter is almost entirely—and hilariously—tongue-in-cheek. In the end, Lost fan or not, it’s got a great beat and you can dance to it.

MalajubeThe closing band was Malajube, a band that’s 75 percent mustachioed and 100 percent French Canadian. But no Eurotrash electropop here. This was pure American-style indie rock. The quartet enjoyed open-song structures: One section would lead into another, expanding in sound and shape but rarely doubling back into a verse/chorus convention. What began with a groovy bass-and-keys lead sound evolved into a more guitar-centric raging. The longer they went, the louder it got until the clean sound became a muddy incoherence, sometimes gloriously so. From Montreal to Budweiser to a straight shot of Jack. —A. Stein

Grow a Pair: Win Free Tickets to See Deer Tick on 7/24

Tuesday, July 21st, 2009

grow_a_pair_trans5
After putting out their second studio album, Born on Flag Day, last month, Deer Tick has been traveling across North America. They end their tour in style with the final show at The Bowery Ballroom this Friday. If you didn’t get tickets in advance, try to Grow a Pair of them from The House List. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Deer Tick, 7/24) and a brief message telling us why you’re not afraid of ticks. Eddie Bruiser, who loves Deer Tick but hates deer ticks, will notify the winner by noon on Friday, July 24th. Good luck.

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Band and Crowd Flatter Each Other

Monday, July 20th, 2009

The Clientele - Music Hall of Williamsburg - July 19, 2009

The Clientele
No sooner had London-based four-piece the Clientele stepped onstage last night at Music Hall of Williamsburg than frontman Alasdair MacLean was singing the crowd’s praises. He announced that he credits the band’s New York City fans for truly keeping the band going for all these years. Well, Mr. MacLean, flattery will get you everywhere. Of course by ensuring the band’s longevity, MacLean deadpanned, the fans are also responsible for the music’s gradual decline in quality. “We love you!” shouted a fan in reply. “You won’t be saying that in three songs’ time,” countered MacLean playfully.

Three songs into their set and, naturally, all in the crowd were swaying along with each note of the band’s dreamy ’60s-inspired psych pop. MacLean displayed more of his charmingly self-deprecating humor in between reverb-saturated favorites like “Saturday” and “Since K Got over Me.” Keyboardist Mel Draisey punctuated MacLean’s breathy, hushed vocals throughout with soft harmonies and delicate flourishes on violin and a variety of percussion instruments. New pieces from the Clientele’s forthcoming album, Bonfires on the Heath, seemed to maintain the group’s melancholy tendencies, save for the upbeat “I Wonder Who We Are,” which found MacLean’s fingers a blur with some quite jaunty strumming.

Once the show ended and the encore was over, those in the crowd planted their feet and essentially coaxed (forced?) the Clientele into a second encore. Though unclear whether they were humbled or perhaps annoyed by the show of devotion, the band slowly made their way back onstage to perform a cheeky Television Personalities cover. The audience may have been treated to a healthy serving of flattery at the show’s start, but I believe we managed to successfully return the compliment by night’s end. —Alena Kastin

The Dead Weather Lives Up to the Hype

Monday, July 20th, 2009

The Dead Weather - Terminal 5 - July 17, 2009

(Photo: Gregg Greenwood)

(Photo: Gregg Greenwood)

With the hype surrounding the Dead Weather’s heavily rock-pedigreed members, it’s easy to see how the band’s second stop in New York City could turn into an event. Attracting Jay-Z and Kanye West is a testament to the attention they’ve received with their only album barely on store shelves. Friday night’s show at Terminal 5 was added after the first night sold out, but the all-star rock group’s performance was no afterthought. They delivered on the buzz that has been building since their formation in March.

With only enough songs in their repertoire to fill a set lasting barely an hour, the Dead Weather relied on sheer performance to please the crowd. Frontwoman Alison Mosshart impressed as Jack White hunkered over his drum set, lurking in the background while the crowd waited for him to take the spotlight. That tension paid off in full as he crept out from behind the kit to finish the set with an all-out rock version of a Johnny-and-June-style duet with Mosshart on “Will There Be Enough Water?” The crowd erupted the moment White slid his guitar strap over his shoulder. And even the singer stepped to the side of the stage to watch as White ripped a guitar solo. She seemed as starry-eyed as those in the audience watching this growing rock legend.

As great as White’s moment in the spotlight was, the Dead Weather proved over the course of the rest of the set just how good they are as a band and not just as a Jack White side project. Upon returning to the stage for an encore, Mosshart stepped up her already electrically captivating performance and carried that energy until the finish of “New Pony,” nearly collapsing as the whole band screamed “How much? How much?”—fitting lyrics for a band with no end in sight. —Sean O’Kane

Three Chances to See Donavon Frankenreiter Next Week

Friday, July 17th, 2009

In the pursuit of a professional surfing career, a young Donavon Frankenreiter moved from his native California to Hawaii. Once there, he rented a room from a couple with a friendly son, Jack Johnson. The two surfed and played guitars together, and years later, Frankenreiter’s debut solo album came out on Johnson’s label, Brushfire Records. Why is any of this of consequence? Because Donavon Frankenreiter and his upbeat surfer music come to our fair town next week for a three-night residency with one show each at Mercury Lounge (Monday, 7/20), Music Hall of Williamsburg (Tuesday, 7/21) and The Bowery Ballroom (Thursday, 7/23). Check him out, above, rehearsing and playing the Band’s “The Weight” with ALO—because it’s one of the finest songs in the history of recorded music—and then, below, in the video for “It Don’t Matter” to get a sense of his easygoing vibe. And then go see him live next week.

Some Emergencies Are More Fun Than Others

Thursday, July 16th, 2009

Emergency Party - Mercury Lounge - July 15, 2009

emergency-party
Always get there for the opener. That was a lesson I learned a year and a half ago courtesy of Emergency Party, who reached across the threshold, caught me unawares and gave me a musical titty twister I won’t soon forget. Since then, catching another gig has been like trying to catch a firefly with chopsticks. So I didn’t hesitate when I saw they were playing the Merc this week, no matter how late it was on a weeknight. And despite the fact that the time it took to get the stage ready nearly equaled the 35-minute set time, it was well worth the effort.

That’s because Emergency Party is all-caps F-U-N. Imagine slurping up a milk shake that’s equal parts Frank Zappa and John Belushi through a punk rock straw and you have at least a starting reference for what an Emergency Party show is like…kinda. Splashing around in his own sweat, saliva and beer, guitarist and lead singer Gian Carlo Feleppa was a rock and roll tornado. With Jen Hoopes on bass acting like the straight man and the whiplash drums playing the enabling sidekick, Feleppa flailed across the stage, starting and stopping songs without warning. At one point he knocked his mike stand into his guitar, which dislodged the cord, rendering his axe mute for a moment in an unscripted bit of physical comedy. While the rhythm section chugged along, he plugged back in and atoned with a breakneck solo and a stay-with-me-if-you-can segue. Emergency Party oscillated between not taking itself seriously enough and taking itself much, much too seriously. Virtuosic guitar solos and surrealistic love songs. It was a flash of energy and then it was over: a lightning bug in a bottle. —A. Stein

© 2009

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