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The Rural Alberta Advantage Is Not a Band of One Moment

August 5th, 2009

The Rural Alberta Advantage – Music Hall of Williamsburg – August 5, 2009

(Photo: Marc Hodges)

It is the (bad) habit of live-music reviews (and reviewers) to reduce an evening to a singular moment. It is typically the first or last song, or the night’s loudest or quietest moment, wherein we substitute dynamics for substance. This crutch is as reductionist as it is useless. In the case of a band like the Rural Alberta Advantage, to reduce their live performance at Music Hall of Williamsburg to a single moment would be like an indie-rock Sophie’s Choice. There are bands that have one moment and there are bands that have many. The Rural Alberta Advantage is not a band of one moment.

In a peculiar rarity, last night’s show was both loaded and free. Escaping the contradictions, Rural Alberta, now a comfortable headliner, took the stage after 11, unloading their catalog on a waiting and studied audience. Running through album favorites “Frank AB,” “Don’t Haunt This Place,” and “Four Night Rider” in rapid succession, the band moved along in typically self-deprecating fashion. Lead singer Nils Edenloff, after an unsuccessful explanation of “Four Night Rider,” reflected, “Well, I guess I need to learn how to tell stories.” Later he added that they “can’t wait to come play here again.” It is exactly the type of magnanimity that Americans so secretly envy in their Canadian neighbors.

We won’t shrink the set down to these moments. Edenloff already tells great stories. It is we who need context. And we, along with greater and greater numbers, will have no choice but to see the Rural Alberta Advantage again. —Geoff Nelson

See Das Racist Tomorrow Night

August 5th, 2009


Das Racist, the Brooklyn rappers best known for “Chicken and Meat” (check out the video, above) and the repetitive-yet-somehow-catchy “Combination Pizza Hut and Taco Bell,” is made up of Queens-born Himanshu Kumar and Bay Area-reared Victor Vazquez, who met in “a minority dorm” in college. Their delicate balance of good-times vibes and social commentary has earned some local love recently with articles about them in The New York Times and New York magazine. Find out what the fuss is all about when the self-described “weed edge/Hare Krishne hardcore/art rap/freak folk music duo” plays The Bowery Ballroom tomorrow night.

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One Lineup, Two Bands

August 4th, 2009

The Start/Normandie – Mercury Lounge – August 3, 2009

The Start/Normandie - Mercury Lounge - August 3, 2009
Aimee Echo and Jamie Miller met in the late ’90s, when she was fronting Human Waste Project and he was drumming for Snot, and they seemingly haven’t left each other’s side since. Around that time, the two formed the Start—a dance-y, punky band that made its name as one of the forerunners of the New Wave revival (alongside such acts as the Faint and Le Tigre). Earlier this year, the Start announced news of a new project by Echo, Miller and powerhouse drummer Chelsea Davis called Normandie. Though both projects contain the same lineup, they are very different in style, as exhibited by last night’s Mercury Lounge sets.

Normandie—up first—had a much darker, more atmospheric sound, and Echo’s voice played as haunting. “Velvetine,” “Gloomer” and “Little Sister” were the standout tracks. Launching into the final song, Echo announced, “This is our last song as Normandie,” and as that came to a close, she crouched toward the floor (out of sight from those of us a couple rows back) and Normandie became the Start.

The Start’s first album, Shakedown!, is such a tremendous explosion of energy, and an amazing solidification of punk and dance music, that it’s a shame the band didn’t play more off of it. Although the newer material got great crowd reaction, it was the debut album’s lead track, “Shakedown!,” that showed not only Echo at her most rambunctious but the crowd in its most frenzied state. As an additional treat, Human Waste Project guitarist Mike Tempesta joined Echo and Davis onstage in a reunion of sorts to play HWP’s “Dog.” As evidenced last night, Echo’s ability to change herself and her voice for all three different bands shows her true talent as a frontwoman and a creative force. —Kirsten Housel

Photos courtesy of Kirsten Housel

Contest

Grow a Pair: Win Free Tickets to See Free Energy and Edward Sharp and the Magnetic Zeros on 8/7

August 4th, 2009

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If you’re thinking about hitting Free Energy and Edward Sharpe and the Magnetic Zeros this Friday at Mercury Lounge, you’re already too late because the show is sold out. Fortunately, you’ve still got a chance to Grow a Pair of free tickets from The House List. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Free Energy/Edward Sharpe, 8/7) and a brief message telling us why being at the Merc on Friday would be better than what you’ve already got planned. Eddie Bruiser, who loves a good plan, will notify the winner by noon on Friday, August 7th. Good luck.

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Live from T5 (JetBlue Edition)

August 3rd, 2009
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live from T5

As if JetBlue’s new Terminal Five at JFK airport isn’t already travel-friendly enough with its abundance of stores and restaurants (and security lanes), now, with the help of our friends at Superfly Productions, the airline is offering a Friday concert series of burgeoning musicians—plus bands chosen by vote—called Live from T5. And while it’s a surprising sensation at first, emerging from security to the sounds of live music is a welcoming feeling.

Justin Townes Earle, whose second album, Midnight at the Movies, came out earlier this year, performed onstage in the middle of the airy marketplace. He played two short sets, mixing passionate originals with a few cover tunes. And judging by the dancing moms and daughters, the smiling, nodding passersby and the woman up front singing along, Justin Townes Earle was a winning addition to their travel experience.

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Mercury Lounge Showcases Three Great Local Bands

August 3rd, 2009

Plushgun/Brian Bonz and the Dot Hongs/Nightmare of You – Mercury Lounge – July 31, 2009

Plushgun - Mercury Lounge - July 31, 2009
Plushgun had the room packed and dancing from their first note. The trio—singer-synthesizer player Dan Ingala, guitarist Taylor Armstrong and drummer Matt Bogdanow—play infectiously quirky, synth-pop tunes with titles like “A Crush to Pass the Time,” “Let Me Kiss You Now (And I’ll Fade Away)” and “Union Pool” (an homage to/mockery of the girls who frequent the Brooklyn hot spot). Their songs are part woe is me, part oh, look at you—and totally tooth-decayingly sweet in delivery. Although the band looked a little mismatched on stage: Ingala slightly resembles a much-more-attractive Seth Rogen, Armstrong looks like he walked off the set of a screamo band’s photoshoot, and Bogdanow channels sort of, I dunno, Johnny Knoxville in his supersize aviators. All that awkwardness was greatly endearing as they played out their heartaches and cool-kid snubs to a room full of dancing fans.

Up next, Brian Bonz, with the help of his backing band, the Dot Hongs, played similarly quirky pop ditties. In an early moment of guitar-strap failure, Bonz kept the air light by cracking a joke about his resemblance to Carrot Top and Louie Anderson and pretty much kept similar remarks coming all night.

Headliners and scene faves Nightmare of You celebrated the release of their new album, Infomaniac. Appearing as the elder statesmen of the night, dressed in monochromatic T-shirts and jeans, and looking more frightened than amused by the boisterous fans up front, the quartet solemnly rocked out a bunch of songs just as quirky as the night’s openers (like “I Want to Be Buried in Your Backyard” and the new single “I Think I’m Getting Older”) but with a much more stoic presence. —Kirsten Housel

Photos courtesy of Kirsten Housel