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Infected Mushroom Is Coming to Terminal 5

September 17th, 2009

Infected Mushroom is a psychedelic-trance and electronic-music band out of Haifa, Israel. Amit Duvadevani (Duvdev) and Erez Eisen (I.Zen) got their start playing Goa trance music, but they’ve consistently explored musical territory beyond psytrance, experimenting with R&B and rock and playing with other musicians at their shows. The duo relocated to L.A. in 2004, and their most recent album, Legend of the Black Shawarma, features Jonathan Davis, of Korn, and Perry Farrell as guest vocalists. (Check out Infected Mushroom and Davis performing “Smashing the Opponent,” above.) The album came out last week, and Infected Musroom—along with Jonathan Davis as a special guest—is playing Terminal 5 on Saturday, October 3rd.

The House List is giving away two pairs of tickets to this show. Try to win a pair, below, by listing your name, e-mail address, which show you’re trying to win tickets to (Infected Mushroom, 10/3) and a brief message telling us why electronic music makes you move. Eddie Bruiser will notify the winner by noon on Wednesday, September 23rd. Good luck.

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A Night of Style and Substance

September 16th, 2009

Miike Snow – Mercury Lounge – Septmeber 15, 2009

Miike Snow
The battle between aesthetics and content is certainly not dead. As Miike Snow took the stage in white plastic masks—one part MJ-tribute, one part Vanilla Sky and one part possible bank robbery—you could be forgiven for wondering on which side of the debate they land. This display would be concerning if it hadn’t been so cool. In the battle of style vs. substance, Miike Snow grabs from each pile with equal and effortless impact.

The most profound reveal about the band isn’t their navigation of competing artistic impulses, but how loud and explosive they sounded in person. The set opener, “Burial,” chimed out of a mess of knobs, loop pedals and instruments that crowded the stage. The band ripped off their masks after the second song and pounded out “Silvia,” with a massive closing kick, before rolling into a punched-up version of the radio single “Animal.”

“In Search Of,” a song just inches from explosion, closed the set. And the seething, sold-out crowd shuffled in approval. After establishing the loops that build the song, the band members left one by one and the instruments dropped out in kind, leaving nothing behind. This unlayering was the final moment of truth. While we focused on the style, the substance was still built piece by meaningful piece. And when it was gone, there was nothing left. —Geoff Nelson

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See Of Montreal This Friday

September 16th, 2009

Since forming back in 1997, Of Montreal’s lineup and sound have changed, but the one constant has been Kevin Barnes, who got the impetus to create the band following the end of a relationship with a girl from—you guessed right—Montreal. The group he founded has been active in the collaborative indie-pop community in Athens, Ga., and has been involved with the Elephant 6 Recording Company, a musicians collective.

Being surrounded by so much creativity has spurred Of Montreal to record music prolifically: They’ve released nine studio albums and six EPs. And as Barnes has gone through changes in life—getting married, moving to Norway to have a child, moving back to the U.S., briefly becoming separated from his wife and daughter before reuniting—so has the tone of the music. The band has incorporated synthesizers and different elements of funk, pop, psychedelia and rock into the songs Barnes writes. See Of Montreal, above, playing “Heimdalsgate Like a Promethean Curse,” from 2007’s Hissing Fauna, and then see them on Friday, September 18th at Terminal 5.

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Grow a Pair: Win Free Tickets to See Lucha Va Voom on 9/20

September 16th, 2009

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Lucha Va Voom, the madcap mix of burlesque, comedy and wrestling, is coming to Webster Hall this Sunday, and The House List is giving away two sets of tickets. So try to Grow a Pair by filling out the form below. Just list your name, e-mail address, which show you’re trying to win tickets to (Lucha Va Voom, 9/20) and a brief message telling us why you deserve to cut loose on a Sunday night for free. Eddie Bruiser, who cuts loose just about every night, will notify the winner by noon on Friday, September 18th. Good luck.

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Beware of Monsters of Folk!

September 15th, 2009

Monsters of Folk
Like Godzilla or that thing from Cloverfield emerging from the East River, the Monsters of Folk are descending upon our fair city (United Palace on November 6th and the Beacon Theatre on November 8th). Although these monsters—singer-songwriter and guitarist M. Ward, Bright Eyes’ singer-songwriter and guitarist Conor Oberst and multi-instrumentalist and producer Mike Mogis and My Morning Jacket’s singer-songwriter and guitarist Jim James—are far more talented than scary. This supergroup formed in 2004, and they finally have an album, Monsters of Folk, coming out next week. The tour begins next month, and you should expect at least a two-and-a-half-hour “musical event” consisting of well-crafted material from the album, covers and original My Morning Jacket, Bright Eyes and M. Ward tunes, plus a whole lot of guitar. But don’t just take out word for it, check out this American Songwriter interview with the four-headed beast. And if you want to get on this ride, get in line ’cause tickets are going fast.

(Check back with The House List next week for some more Monsters of Folk info.)

Fruit Bats Bring Folk Pop to Williamsburg

September 15th, 2009

Fruit Bats – Music Hall of Williamsburg – September 14, 2009

(Photo: Annie Beedy)

(Photo: Annie Beedy)

I’m not sure there is a more feeble way to describe a band than to say it “sounds like Dylan.” I mean that covers quite a bit of ground. That said, Fruit Bats sounded somewhat Dylanesque last night at Music Hall of Williamsburg, like Bob Dylan at his most electrified and countrified. Well, at the start of the show they did, with a solo number from frontman Eric Johnson—a rollicking version of “Primitive Man”—and a really smart, well-rehearsed segue from one of their newer songs into a reworked version of “Union Blanket.” But as the set progressed, things shuffled from smoldering singer-songwriter fare to something more along the lines of pop mastery.

There was a fun, freewheeling dichotomy in their repertoire: campfire tunes characterized by fat bass and up-tempo drums interspersed with groovier hits carried by Johnson’s crystal-clear vocals. Although it was plenty rocking, this was the most restraint you’ll find with three guitars onstage. The crowd was smallish but dedicated and pushed in close with “we get it” kind of shout-outs and plenty more dancing than you might have expected. Fruit Bats obliged their enthusiasm with a three-song encore that started with (surprise!) a cover of Dylan’s “You Ain’t Goin’ Nowhere” and ended with Johnson alone onstage once again—just his voice and his Stratocaster. It was Fruit Bats gone electric. —A. Stein

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White Lies Are Coming

September 15th, 2009


Things are really heating up for White Lies. Earlier this year, their debut album, To Lose My Life…, shot up to No. 1 on the UK albums chart. Then Mojo named them Breakthrough Artist of 2009 earlier this summer. They’ve got the single “Death” on the soundtrack of the Megan Fox comedy-horror flick, Jennifer’s Body, out this weekend. They’re performing at Austin City Limits next month. And if that weren’t enough, they’ll be the opening act for Kings of Leon this fall. But even better than all of that, White Lies are playing Webster Hall on September 25th. And The House List is giving away tickets. Try to win, below, by listing your name, e-mail address, which show you’re trying to win tickets to (White Lies, 9/25) and a brief message telling us why you want to see White Lies. Eddie Bruiser wants to know, and he will notify the winners by noon on Friday, September 18th. Good luck.

(Check out White Lies, above, playing “Death” last week on Jimmy Kimmel Live.)

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Grow a Pair: Win Free Tickets to See the Weakerthans on 9/18

September 15th, 2009

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This week, the Weakerthans, the Winnipeg band started by former Propaghandi bassist John K. Samson, are bringing their melodic blend of punk and folk to town for two nights. Friday’s Bowery Ballroom show is sold out—tickets are still available for Thursday’s show at Music Hall of Williamsburg—but you can try to Grow a Pair of free ones from The House List. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (the Weakerthans, 9/18) and a brief message telling us what makes you strong. Eddie Bruiser, who isn’t weaker than anyone, will notify the winner by noon on Friday, September 18th. Good luck.

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A Night of Rock and Roll in the Swamps of Jersey

September 14th, 2009

Kings of Leon – Izod Center – September 12, 2009

Kings of Leon
If many American music fans were late to the party that is Kings of Leon, it doesn’t feel evident at their live shows. Two songs into the band’s encore, and those in the sold-out Izod Center crowd sang as loudly to the moody, seven-minute “Knocked Up” as they did at the beginning of the night. Lead singer Caleb Followill noticed: “It makes me think you guys might have more than just the last record,” he posited, to cheers. “It’s about fucking time.”

Kings of Leon’s stellar performance on Saturday showcased the pinnacle of the band’s overdue rise to stardom in the United States—after becoming stars in the United Kingdom long ago. Playing to the newer fans, the Followills started their set with the two songs that open their newest album, Only by the Night, “Closer” and “Crawl.” But from there they moved backward through their discography, mixing songs like “Molly’s Chambers” (off their first album) with a heavy dose of their third album, Because of the Times. Both their strong radio singles and their coarser, Southern rock-influenced songs resonated with the crowd. The rest of their nearly two-hour set showed why Kings of Leon is one of the best live acts today, featuring moments like the chill-inducing “Revelry” and the sing-along chorus of “Sex on Fire,” which has become a must-see addition to any rock and roll bucket list. —Sean O’Kane

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Lucha Va Voom Is Coming to Webster Hall

September 14th, 2009

Lucha Va Voom—the acclaimed L.A.-based “home of sexo y violencia!”—has gone out on tour. This winning, comedic blend of masked Mexican wrestlers and burlesque dancers and performers (think trapeze and striptease) comes to Webster Hall next Sunday, September 20th. Check out the preview video above, but you really have to see this entertaining show live to believe it.

(Be on the lookout for the chance to win two tickets to see Lucha Va Voomat Webster Hall on September 20ththis Wednesday.)

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Telefon Tel Aviv Returns to NYC Stage

September 14th, 2009

Telefon Tel Aviv – Mercury Lounge – September 12, 2009

Telefon Tel Aviv
This past Saturday night, a sold-out crowd packed into Mercury Lounge for a late show by the Chicago-based electronic group Telefon Tel Aviv. On the surface, it was just another night, with people drinking and talking between sets and equipment being set up onstage. However, earlier this year, it seemed uncertain whether this show would ever happen. The tragic and untimely passing of Charles Cooper, one half of the duo, understandably put the group’s future in jeopardy. So as Telefon Tel Aviv founder Joshua Eustis, along with friend and tour mate Fredo Nogueira, took the stage before a crowded room, the scene felt especially meaningful. Despite all the odds, Telefon Tel Aviv was here, and we came out in strong support.

Touring behind its third LP, Immolate Yourself, Telefon Tel Aviv showed its musical range over the course of a concise set. Songs like “Your Mouth” and “You Are the Worst Thing in the World” channeled Depeche Mode’s dark ’80s dance anthems, while other songs lingered on hypnotic ambient drones. As we unwound and lingered in the more subdued moments, the duo knew precisely the right moment to drop a beat that slowly got us dancing again. As he sang, Eustis manipulated his vocals quite effectively, at times bringing them to the forefront of the music, confrontational and direct, and at other moments, chopping, splicing and obscuring them until they simply blended in to the music and floated away. I think we all felt lucky to experience this show. It was a night of beautiful, intricate and often emotional music, and for Telefon Tel Aviv, it was hopefully some form of catharsis. —Alena Kastin

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Spend Your Weekend with Method of Defiance

September 11th, 2009


When it comes to the world of music, multitalented downtown legend Bill Laswell has just about done it all as a performer, producer, record-label owner (Celluloid) and sideman. He’s worked with an astonishingly diverse cast of characters, including Afrika Bambaataa, George Clinton, Peter Gabriel, Herbie Hancock, Mick Jagger, Carlos Santana, Sting and, yes, even Yoko Ono. And while he’s known most for his work in funk, jazz, ambient and dub, he’s also dabbled in hardcore punk and heavy metal, plus he’s even backed William S. Burroughs’ spoken-word performances. The bottom line is this: The man has gotten around. In a good way.

His most recent creation, the DJ- and musician-fueled hard-edged mashup of dub, electronica, fusion and drums and bass, Method of Defiance, features, among others, out-there keyboardist Bernie Worrell (P-Funk) and DJ Krush. The band—or musical concept, if you will—rarely plays any U.S. dates, so it’s a real treat for them to be playing New York City twice in one weekend. So go see them tonight at Music Hall of Williamsburg or tomorrow at The Bowery Ballroom. And if you really know what’s good for you, go see them twice.

(Check out Bill Laswell Presents: Method of Defiance, above, playing “The Method” at last year’s Fuji Rock Festival.)

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Sondre Lerche – Music Hall of Williamsburg – September 9, 2009

September 10th, 2009

Sondre Lerche - Music Hall of Williamsburg - September 9, 2009

Photos courtesy of Mina K

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See Wild Beasts Tomorrow Night at Mercury Lounge

September 9th, 2009


Classmates Hayden Thorpe and Ben Little formed the guitar duo Fauve (French for wild beast)—with Thorpe singing—in 2002. In pursuit of a bigger sound, they eventually added Chris Talbot on drums and Tom Fleming on bass, took on the new name Wild Beasts (English for wild beasts) and moved the band from Kendal, England, to Leeds, where they quickly earned a loyal local following. After putting out three EPs, anchored by Thorpe’s soaring falsetto, Wild Beasts finally released their first full-length album, Limbo, Panto, in 2008. The follow-up album, Two Dancers, came out just last month. See them tomorrow night at Mercury Lounge (along with Roman Candle) before they cross the Atlantic for a European tour.

(Check out Wild Beasts, above, performing “The Dead’s Crayon,” off Limbo, Panto, at the BBC festival Electric Proms.)

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Mike Gordon Starts New Tour at Music Hall of Williamsburg

September 9th, 2009

Mike Gordon – Music Hall of Williamsburg – September 8, 2009

(Photo: Danny Clinch)

(Photo: Danny Clinch)

In the Breakfast Club taxonomy of Phish, Mike Gordon is probably Anthony Michael Hall’s character—the underappreciated geek. But headlining his own band last night, Gordon quickly showed the sold-out crowd at Music Hall of Williamsburg that he can be both the beefy jock and the most popular kid in school. Mere seconds after plugging in his five-string Modulus, we were transported to an alternate universe where kids play air bass, not air guitar, and Gordo reigns.

Opening with a strong couplet from last year’s Green Sparrow, Gordon put on a pyrotechnic display of bass playing—juicy, otherworldly sounds that may very well cure baldness, halitosis and other ailments. Gordon’s off-center worldview, often obscured in the arena grandeur of Phish, took center stage on tunes like “Dig Further Down” and “Radar Blip.” The rest of the band was along for the ride, but watching Gordon was like viewing a far-off star through a telescope. Sure, it might be the sun to a bunch of planets, but it’s shining much too bright to tell or even care. Gordon’s gravity overwhelmed everything in the room.

A nice stretch of brand-new songs—this was the first show of the tour—was highlighted by a groovy shuffle that evoked the Sea and Cake in its melody and rhythms. While every song had a launching point and plenty of solos, it wasn’t until deep into the set that the box was unwrapped and the true jamming began, as quirky ditties became Dead-/Phish-/Allmans-style forays. Mid-jam, local legends Joe Russo and Marco Benevento hopped onstage, seamlessly inserting themselves on the drums and keys. This was a “Remember when it was your band? Now it’s our band now” style of sit-in with the Duo guiding a dance-y expedition of in-your-face free-form. The clock was well past midnight and the show two-plus hours strong before the audience finally returned to a reality where guitar players are kings and bass players toil in anonymity…or did they? —A. Stein