Contest

Grow a Pair: Win Free Tickets to See From Good Homes on 12/19

December 17th, 2009

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Roots-rockers From Good Homes are reuniting after a 10-year layoff to play this Friday and Saturday at The Wellmont Theatre. It’s kind of a big deal, and The House List would like you to be there. So we’re giving away two tickets to Saturday’s sold-out show. Try to Grow a Pair by filling out the form below. List your name, e-mail address, which show you’re trying to win tickets to (From Good Homes, 12/19) and a brief message proving that you, too, are from a good home. Eddie Bruiser, who moved often as a child, will notify the winner by noon on Friday.

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Matisyahu – Music Hall of Williamsburg – December 16, 2009

December 17th, 2009

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Photos courtesy of Greg Notch | photography.notch.org/music

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Try to Win Tickets to See Fanfarlo

December 16th, 2009

Their reputation preceded them. Fanfarlo has earned comparisons to Arcade Fire and Broken Social scene, probably because they employ overlooked instruments in the indie-rock world, like the mandolin, trumpet and violin, and because of their swelling anthems. Simon Balthazar (vocals), Leon Beckenham (trumpet), Justin Finch (bass), Cathy Lucas (violin), Amos Memon (drums) and Mark West (guitar) came together as Fanfarlo mid-decade in London. And through a series of singles, the Internet and their frenetic live shows, word of mouth got out. So people knew to see the band before they’d even heard the band. Since their debut full-length album, Reservoir, came out this year, it’s even easier to hear the band. And now you can see them because Fanfarlo (above, playing “The Walls Are Coming Down”) plays Webster Hall on Friday.

They’re definitely worth checking out. And to prove it, The House List is giving away two tickets. Fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Fanfarlo, 12/18) and a brief message explaining why you deserve to cut loose for free on Friday night. The winner will be notified by noon on Friday. Good luck.

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The Antlers Finish the Year at Home

December 16th, 2009

The Antlers – The Bowery Ballroom – December 15, 2009

The Antlers - The Bowery Ballroom - December 15, 2009
As the year draws to a close, reflection is both natural and expected. The desire to contextualize events focuses our understanding of the past. Notably, in 2009, numerous bands rose to prominence by way of file sharing and blogs. These ever-expanding media outlets continue to expose music listeners to a host of new artists and groups. Among this year’s breakthrough performers, the Antlers, with their sophomore record, Hopsice, are an immediate standout.

With honest narratives and beautiful vocals, the album effectively captures the emotional toll involved with terminal illness. Consequently, the band and disc have garnered many fans and much praise. What is refreshing is that this does not appear to spoil the Brooklyn trio. During their packed show last night at The Bowery, frontman Peter Silberman earnestly and graciously proclaimed, “This is hands down the best year of my life.” It was abundantly clear that he and his bandmates, drummer Michael Lerner and keyboardist Darby Cicci, embraced their homecoming after a rigorous year of touring.

Admittedly, it felt a bit strange to see Silberman share such personal songs in the public realm. To go from the intimacy of experiencing the album on headphones to watching the Antlers live is a bit jarring. For their set, they carefully worked through the majority of Hospice, injecting distortion-saturated breaks between songs, which seemed overdone at times. But it appeared to engage the crowd throughout the show. The best moments came when Silberman’s vocals soared above the cymbal crashes and ambient melodies. The band transformed the folk-rock ballad “Two” into a powerful electric version, and much of the set shared this sonic quality, soft-to-loud musical movements. It is this dynamic that captures rise of the Antlers. —Jared Levy

Photos courtesy of Jen Macchiarelli | www.jennylow.com

Contest

Grow a Pair: Win Free Tickets to See Matisyahu on 12/19

December 15th, 2009

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Matisyahu’s fourth annual Festival of Light is currently in full swing, and The House List is giving away two tickets to his show at Music Hall of Williamsburg this Saturday. (Travis McCoy, of Gym Class Heroes, opens.) Want to go? Then try to Grow a Pair. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Matisyahu, 12/19) and a brief message explaining your interest in a mashup of Judaism, reggae and hip-hop. Eddie Bruiser, who patiently awaits your answers, will notify the winner by noon on Friday. Good luck.

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Don’t Try to Grab This Bull by Its Horns

December 14th, 2009

Fiery Furnaces – The Bowery Ballroom – December 12, 2009

Fiery Furnaces - The Bowery Ballroom - December 12, 2009
It’s impossible to successfully sing along to a Fiery Furnaces show. Like foolishly climbing aboard an electric bull at a bar, no matter how well you think you can hold on, eventually, you will get thrown off. On Saturday at The Bowery Ballroom, I heard it happen to someone during a tempo-change curveball on “Charmaine Champagne,” an upbeat track from the band’s recent release, I’m Going Away. It’s a feat to keep up at all with the Fiery Furnaces’ lyrics—full of SAT words, obscure references and intricate storylines. Along with their wacky instrumentation and experimentation with musical styles (’70s smooth rock, ’60s psychedelic, angular art rock), these idiosyncrasies are what draw some people to the band and similarly alienate others.

Though focusing primarily on material from I’m Going Away, the Fiery Furnaces also worked renditions of older favorites from Widow City, Blueberry Boat, and Gallowsbird Bark into their set. As they played, brother and sister Matthew and Eleanor Friedburger barely looked at each other. Perhaps their effortless ability to navigate the music’s twists and turns can be attributed to some uncanny sibling telepathy. Matthew, on guitar and occasionally on backing vocals, sported a poker face for most of the show, even while pulling off complex guitar solos. The more expressive Eleanor stared intensely at the crowd while singing, emphatically gesturing to punctuate certain moments and enunciating those wordy lyrics with impressive accuracy.

But toward the end of the set, in the middle of an older song, Eleanor stepped away from the microphone and asked Matthew something. When he shrugged, she looked out into the crowd and asked, “Who’s the guy who requested this song? Maybe he can tell me the words to this next part.” While that person never came forward, somehow Eleanor summoned the lyrics. It was a tiny lapse in an otherwise seamless set. But it proved that if Fiery Furnaces can barely keep up with themselves, you shouldn’t even try. —Alena Kastin

Photos courtesy of Mina K

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Dr. Dog – Brooklyn Bowl – December 11, 2009

December 14th, 2009

Dr. Dog - Brooklyn Bowl - December 11, 2009

Photos courtesy of Mina K

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A Sort of Homecoming

December 14th, 2009

The Gaslight Anthem – The Wellmont Theatre – December 12, 2009

The Gaslight Anthem - The Wellmont Theatre - December 12, 2009
Friday night’s Gaslight Anthem show at The Wellmont Theatre was a welcome homecoming for a band that had been on the road supporting its breakthrough album, 2008’s The ’59 Sound, for the better part of the past year. Having already hit other Bowery Presents venues three previous times in 2009 (Webster Hall once and Terminal 5 twice), these Garden State natives decided to end the year with a Jersey celebration that brought together family, friends and fans alike.

Though Gaslight has plans for a new record in 2010, the group’s set didn’t contain any of this new material—a fact that frontman Brian Fallon credited onstage to advances in technology. Regardless, for a band with such a solid (yet limited) back catalog playing pretty much a hometown gig, this didn’t take away anything from the show, as the Gaslight Anthem played most everything they’ve ever released. The audience responded in kind, from the howling woos of “Great Expectations” to raucously belting out “The ’59 Sound.” But the older songs, particularly those off the 2007 release Sink or Swim, elicited the most crowd response. The intensity behind the shouted “two step” refrain on “We Came to Dance” and the full-chorus sing-along to “We’re Getting a Divorce, You Keep the Diner” proved there were more than just new fans at The Wellmont. The band closed the show with “Backseats,” a song that perfectly demonstrates its members’ keen understanding of loud/soft dynamics and eased down the energy for a fitting close. —Kirsten Housel

Photos courtesy of Kirsten Housel

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Arctic Monkeys – Terminal 5 – December 10, 2009

December 11th, 2009

Arctic Monkeys - Terminal 5 - December 10, 2009

Photos courtesy of Gregg Greenwood | www.gregggreenwood.com

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Spend Monday Night with Lissy Trullie

December 11th, 2009

Her path toward a music career has been an unusual one. Elizabeth McChesney was born in Washington, D.C. But she moved to New York City in her teens and attended a performing-arts boarding school outside Boston before studying graphic design at Parsons. Somewhere along the way, she took the name Lissy Trullie and became an It girl, DJing at the infamous Beatrice Inn and dabbling in modeling. Time Out New York even referred to her as “Patti Smith crossed with Edie Sedgwick: a paragon of downtown arty cool.” But, truthfully, that’s just an interesting backstory (or not, depending on your view). What really matters is her music. Her EP, Self-Taught Learner, came out in February and was recently rereleased with a few added songs. She’s even got some famous fans in Courtney Love and Adam Green of the Moldy Peaches, with whom she covered Biz Markie’s “Just a Friend.” Check out Lissy Trullie, above, playing “Self-Taught Learner” and then see what all the fuss is about on Monday at Mercury Lounge.

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Mellow Mood

December 10th, 2009

AA Bondy – The Bowery Ballroom – December 9, 2009

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Prior to last night, I admittedly didn’t know much about AA Bondy other than that he was once the lead singer of the Southern grunge band Verbena, and that when they broke up, he went off on a solo career. His most recent album, When the Devil’s Loose, came out in September, and Bondy and his two accompanying musicians have been touring earnestly just about ever since. “This is how you go from Berlin to New York in 65 days, talking shit all the way,” said Bondy of the tour-ending show at The Bowery Ballroom.

Their first sounds were two minutes of a lush, ethereal instrumental opener. For the most part, Bondy and crew played intimate, well-written songs about dark topics—like on “Kill Myself When I Was Young” and “Vice Rag,” singing “Sweet, sweet cocaine/ Won’t you be all mine?” But by the third tune, a blast of harmonica, greeted with cheers, upped the room’s musical temperature. The Alabama-bred Bondy was chatty throughout. Between songs he said, “I do have to say the Crimson Tide are SEC champs, and Tim Tebow is crying at home.” Although he later admitted he didn’t care much about football except for the Tide’s “colors and Bear Bryant’s hat.”

Near the end of the set, the trio became just one as Bondy did several songs with just a guitar and harmonica. Often times, a quiet song at The Bowery is drowned out by loud conversations from the back bar. But this attentive crowd was remarkably still and silent, just taking it in. Bondy’s wingmen then returned and later Elvis Perkins in Dearland drummer Nick Kinsey, playing a marching bass drum with a cymbal attached, joined the mix. Bondy introduced “Oh the Vampyre” with: “Fuck Twilight. Having a werewolf and a vampire in the same movie is like mixing mayonnaise and Coke.” —R. Zizmor

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Two Chances to See the Fiery Furnaces

December 10th, 2009


This is the time of the year when people spend time—too much, perhaps—with their families. Well, imagine working with your sibling every day. That’s what brother and sister Matthew and Eleanor Friedberger do under the name the Fiery Furnaces. They grew up in a musical family in the suburbs of Chicago, but they started their band in, you guessed it, Brooklyn. Matthew handles the majority of the songwriting and in-studio instrumentation, while Eleanor is in charge of the vocals—but the group performs as a foursome in concert. Their debut album, Gallowsbird’s Bark, came out in 2003, and, with their garage-blues sound, the Fiery Furnaces instantly earned comparisons to the White Stripes. They’ve since released a handful of singles, a live disc and seven more studio albums (one featuring their grandmother), the two most recent of which, I’m Going Away and Take Me Round Again, came out in July and November, respectively. With plenty of new material, the Fiery Furnaces are spending their weekend in New York City, tomorrow at Music Hall of Williamsburg and on Saturday at The Bowery Ballroom. See them, above, playing “Ex Guru” in studio for KCRW and then go see them in person.

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Violens – Mercury Lounge – December 9, 2009

December 10th, 2009

Violens - Mercury Lounge - December 9, 2009

Photos courtesy of Jen Macchiarelli | www.jennylow.com

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See Rooney This Friday

December 9th, 2009


The L.A. pop-rock five-piece Rooney got started about a decade ago. Before ever releasing an album, they received plum spots opening for Weezer and the Strokes, in 2002. After more tours—with the Donnas and OK Go and then Pete Yorn and Grandaddy—Rooney’s self-titled debut disc finally came out in May of 2003. And, suddenly, the band that had previously been known for singer Robert Schwartzman’s famous lineage, was getting recognized for their fine music. They garnered even more attention when they performed on The O.C. in early 2004. A second album, Calling the World, followed the next year. And now Rooney is back with a new EP, Wild One. (Stream it here.) The album is only available for purchase at their shows, which works out well because they play Webster Hall on Friday.

(Check out Rooney, above, covering CCR’s “Lookin’ Out My Back Door” and the Band’s “The Weight” in a hotel room.)

Contest

Grow a Pair: Win Free Tickets to See the Gaslight Anthem on 12/11

December 9th, 2009

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The Gaslight Anthem rose up out of the New Brunswick, N.J., basement scene both literally and figuratively. And now they’re playing their final show of the year at The Wellmont Theatre on Friday. Want to go? Then try to Grow a Pair because The House List is giving away two tickets. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (the Gaslight Anthem, 12/11) and a brief message telling us what your favorite late-night sandwich is from one of the Rutgers grease trucks. Eddie Bruiser, who will eat just about anything fried, will notify the winner by noon on Friday. Good luck!

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