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Five Questions with…Tiombe Lockhart

January 29th, 2010

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The self-proclaimed “East Village spaced-out R&B acid-house revivalist outfit Cubic Zirconia” is known for what singer Tiombe Lockhart affectionately calls “soul white-boy nerdy disco dance house fun party-time music.” Nick Hook, who starts their music with a beat, says, “I like to write things that invite maximum participation.” Guitarist Todd Weinstock writes the chord progressions, and Tiombe comes up with lyrics and melodies. Although each person focuses on one aspect of songwriting, they all end up tinkering with each aspect. The next few days are big for Cubic Zirconia because their new single, “Josephine,” comes out on Tuesday on Don’t Cry Records—with remixes by Waajeed, Greenmoney, Egyptrixx and DJ Segaand they play Music Hall of Williamsburg tomorrow night. In advance of that show, Tiombe took the time to answer five questions for The House List.

Which bands that you listened to growing up do you still listen to?
Sarah Vaughan, Fela Kuti and Earth, Wind & Fire.

What’s the toughest part of playing New York City?
The guest list.

What music or song always makes you dance?
Anything with some heart.

Do you have to be depressed to write a sad song? Do you have to be in love to write a love song? Is a song better when it really happened to you?
You don’t need to be depressed or in love to write about those subjects. It does help to have experienced these things, whether in a mild or extreme capacity.

It’s 4 a.m. and last call has come and gone. What’s your next move?
Not going home probably. —R. Zizmor

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Two Nights of Mission of Burma at The Bowery Ballroom

January 29th, 2010

Mission of Burma began in 1979, but existed for just four years before intense hearing damage to lead guitarist Roger Miller gave them no choice but to call it quits. They left behind a few singles, an EP and their seminal album—Vs., a legacy of visceral guitar—to secure their legendary status, with bands like Sonic Youth to Nirvana citing them as an important influence on their own sound. Mission of Burma eluded a lot of rock and punk classifications in their early incarnation, taking an abrasive and extremely loud approach to experimental post-punk rock. They had no allegiances to any scene, and they were considered too punk for the New Wavers but too experimental for the faster hardcore set.

The most surprising and distinctive element of Mission of Burma’s sound was Martin Swope’s tape manipulations. It’s hard to imagine the physical effort it took in the early ’80s to sample the band’s own sound as it was being played live to a reel-to-reel recorder and then fed back into amps. He was the wizard behind the curtain who literally never appeared onstage, which was unheard of for a rock band. But Mission of Burma was this kind of amazing contradiction of esoteric arty garage rock. They were at the post-punk frontier. Fast forward to 2010: It’s not news that Burma has reunited to perform their groundbreaking material again, but rather that this reunion has resulted in three new albums, ONoffON (2004), The Obliterati (2006) and The Sound the Speed the Light (2009), proving that the band’s early brilliance was no accident.

With the help of Bob Weston, indie-rock engineer extraordinaire, in Swope’s role, Mission of Burma’s new material has shown that rock life after 40 can be more than greatest-hits compilations and benefit shows—experience and wisdom can bring innovation. It’s why October 4th was recently declared Mission of Burma day in Boston. This unlikely feat of endurance is on display at The Bowery Ballroom this Friday and Saturday. It’s more than a comeback, and please don’t forget to bring your own firing-range ear protection. —Jason Dean

(“1,2,3, Party!!” is the first single off The Sound the Speed the Light.)

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A Wonderful Midweek Memory

January 28th, 2010

Bear in Heaven – Mercury Lounge – January 27, 2010

Bear in Heaven - Mercury Lounge - January 27, 2010
It takes a particular assemblage of circumstances to sell out a concert on a Wednesday. You need appealing bands, an inviting space and good timing. Last night at Mercury Lounge these ingredients came together to create a fantastic show. Headliner Bear in Heaven is three months removed from the release of their critically acclaimed second album, Beast Rest Forth Mouth. While they have steadily built a fan base with their anthemic electronic sound, Beast marks the band’s expansion into more accessible pop songs. And, from the looks of last night’s show, this sonic shift is paying dividends.

Openers ArpLine and the Jaguar Club led the talent-soaked quadruple bill. Both bands are based in Brooklyn and show potential, but ArpLine’s excellent guitar work and contagious energy especially caught my attention. (Check them out at their free record-release show at Brooklyn Bowl on February 17th.) Oh No Ono, a psychedelic quintet from Copenhagen, followed—their first show in New York City. The band, both in appearance and song, carries themselves as a ’60s/’70s rock-revival act. Each member seems to stylistically embody a rock star of old. Most notably, lead singer and guitarist Malthe Fischer sports a crazy curly hairdo that could confuse him with Bob Dylan circa Blonde on Blonde. I thoroughly enjoyed Oh No Ono’s entire set, however their cover of Radiohead’s “Weird Fishes” clearly stood out. They captured Thom Yorke’s vocal part perfectly and added their own synth-heavy touch.

Bear in Heaven closed out the night with a tasty sampling of their catalog. The four-piece band, headed by frontman Jon Philpot, showcased their musical dexterity, constantly switching instruments and creating a full, rich sound. With the help of two female vocalists, the group ripped through their soon-to-be-classic take on youth angst, “Lovesick Teenagers,” followed by the rhythmically commanding “Beast in Peace.” As Bear in Heaven finished their set around midnight, Wednesday gave way to Thursday and the night’s performances solidified into a wonderful midweek memory. —Jared Levy

Photos courtesy of Jared Levy

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DJ Krush – The Bowery Ballroom – January 26, 2010

January 27th, 2010

DJ Krush - The Bowery Ballroom - January 26, 2010

Photos courtesy of Greg Notch | photography.notch.org/music

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State Radio at The Wellmont Theatre This Friday

January 26th, 2010


Singer-songwriter Chad Urmston was previously in Dispatch. But he disbanded that group when he wanted to focus more on singing and the guitar rather than jamming and switching instruments. The new band he started, State Radio, combines socially conscious songwriting with roots-reggae rhythms. The Boston trio put out their fourth full-length (and first available on vinyl) album, Let It Go, last September and is currently touring the country. And while the music has an upbeat injection of punk sound, the guys in State Radio are about more than just having a good time. They’ve done work with Oxfam International and have founded their own organization, Calling All Crows, to mobilize “musicians and their fans to promote human rights.” But don’t worry, when you see them on Friday at The Wellmont Theatre, you’ll still have a blast.

(State Radio, above, plays “People to People.”)

Contest

Grow a Pair: Win Free Tickets to See Cold War Kids on 1/29

January 26th, 2010

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Cold War Kids come to town this week for two shows in two boroughs. The bad news: There are no tickets available for either date. The Good news: The House List is giving away two of them to Friday’s show at Terminal 5. So try to Grow a Pair. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets for (Cold War Kids, 1/29) and a brief message explaining which past war is your favorite. Eddie Bruiser, who’s partial to the “Low Rider”-writing War, will notify the winner by noon on Friday. Good luck.

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White Rabbits – The Bowery Ballroom – January 24, 2010

January 25th, 2010

White Rabbits - The Bowery Ballroom - January 24, 2010

Photos courtesy of Jen Macchiarelli | www.jennylow.com

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From Haiti to Williamsburg

January 25th, 2010

Haiti Benefit – Music Hall of Williamsburg – January 23, 2010

Zach Galifianakis

Zach Galifianakis

In the wake of the earthquake that devastated the people and capital city of Haiti, individuals and organizations have responded with an outpouring of humanitarian aid. Telethons, tweets and texts have raised millions of dollars. However, a sustained effort on the part of global citizens is necessary as Haiti continues to recover and rebuild. Toward that end, The Bowery Presents and Brooklyn Vegan teamed up to assemble an incredible group of comedians and musicians for a Haiti benefit on Saturday night at the Music Hall of Williamsburg. The full lineup consisted of Zach Galifianakis, Britt Daniel (of Spoon), Justin Vernon (of Bon Iver), St. Vincent, Janeane Garofalo, Wyatt Cenac (of The Daily Show) and the live debut of John Shade. While each performer did an abbreviated set, the night featured some hilarious jokes and breathtaking songs.

Musicians and comedians alternated their sets with Leo Allen and Bobby Tisdale acting as MCs. Jokes ranged from Cenac making fun of PETA to just about every comedian ragging on Williamsburg hipsters. “This used to be a good neighborhood,” yelled Galifianakis during his show-stealing performance. The slovenly and unkempt comic kept the audience off-kilter with a barrage of absurdist one-liners. He even pulled off the difficult task of bringing satire to the night’s cause when he joked, “I was doing Haiti benefits before the earthquake.”

The musicians in attendance provided a bevy of incredibly heartfelt originals and covers. Daniel appeared with White Rabbits drummer Jamie Levinson and opened with a stripped-down, guitar version of John Lennon’s “Isolation.” His distinctive falsetto and off-the-cuff vocals also colored my favorite song on Spoon’s new album, Transference, “Who Makes Your Money.” St. Vincent followed with Jackson Browne’s “These Days” and the National’s “Mistaken for Strangers.” All stood transfixed by St. Vincent’s soft guitar work and lithe vocals. Vernon joined in for her song “The Party,” and the two collaborated on a crowd-pleasing rendition of Dolly Parton’s “Jolene.” For all in attendance, the event showed an outpouring of support and a gracious display of talent. —Jared Levy

Photos courtesy of Jen Macchiarelli | www.jennylow.com

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People Under the Stairs – The Bowery Ballroom – January 23, 2010

January 25th, 2010

People Under the Stairs - The Bowery Ballroom - January 23, 2010

Photos courtesy of Greg Notch | photography.notch.org/music

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What’s Old Is New on Friday Night in Williamsburg

January 25th, 2010

Free Energy – Brooklyn Bowl – January 22, 2010

Free Energy - Brooklyn Bowl - January 22, 2010
Historically speaking, Brooklyn Bowl is situated on a block that Eastern European immigrants built and is now home to a graveyard of low-lying and almost forgotten brick industrial architecture. It hearkens back to a place that Williamsburg used to be, a place that almost does not exist anymore. Inside Brooklyn Bowl, Free Energy took the stage in front of a crowd loosely packed back to the bar. The Philly band, a mixture of winking and willful influences to 1970s rock, took the stage with a confidence both thrown back in time and very much of the present.

Free Energy quickly dove into material from their coming full-length, Stuck on Nothing. Soon-to-be first single “Bang Pop,” a stomping and instantly memorable cut hung in the middle of the set like a vicious linchpin. Lead singer Paul Sprangers, in the simplest of gray sweatshirts, strutted around the stage like a wiry drum major, leading the crowd through the eponymous chorus: “Bang bang/ Pop pop.” It was rife with classic-rock derivation but, at that moment, no one seemed to notice. In the closing moments, the band played “Free Energy,” with its seminal battle cry of youth, “We are young and still alive/ Now the time is on our side,” and “Something in Common,” with a 4/4 time signature and enough inclusive language to make us feel like we had been through something together.

It was an interesting night: A bowling alley with a music venue inside, a neighborhood, both old and desperately new, and a band, with regard for the past, making music they are confident is enduring. Though it sounded like 40 years ago, we were still young and we were certainly alive. Time wasn’t necessarily on our side but it had been successfully removed from the equation. —Geoff Nelson

Photos courtesy of Jen Macchiarelli | www.jennylow.com

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Japanese Hip-Hop Comes to Delancey St.

January 22nd, 2010


Hideaki Ishi was born in Tokyo in 1962. He discovered hip-hop upon seeing Wild Style in the early ’80s. The next day he decided to become a DJ and—under the name DJ Krush—he became one of the pioneers of Japanese hip-hop. He formed the group Krush Posse in 1987 and then went solo when they disbanded in 1992. Soon enough, he earned his reputation as an artist, producer and turntablist on the international club scene, and he’s put out 12 albums since ’94, often dabbling in ambient music and trip-hop. DJ Krush continues to work as a producer, remixer and DJ, and he does plenty of music for TV shows, movies and commercials. But you can appreciate his multiple talents in person when he plays The Bowery Ballroom next Tuesday.

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A Big Band in a Small Room

January 22nd, 2010

Spoon
The sidewalk in front of Mercury Lounge was divided into two lines like some sort of downtown apartheid: One for those seeking to pay their way in to see Britt Daniel and the other for those with their names on the guest list. They were faced in opposite directions—the music-industry insiders and the morally righteous superfans willing to stand in the cold and pay real money for music. It was thus written on the street that something special was happening inside. A band that will play Radio City Music Hall in two months was playing this tiny sold-out venue.

Spoon took the stage just after 10 and, Daniel, in a brown fitted shirt (he wrote an entire song about this in 2001), was awkward in the way cool people can get away with being weird and compelling. He thanked us for coming, and the room buzzed with the sense that we should be thanking him. Spoon slipped into “Black Like Me,” maybe their most cerebral effort, before shifting into “Is Love Forever?,” off their latest album, Transference, a downstroke anthem that ends with a collision of reverb and the feeling of a pulled plug. Daniel played most of the new record, including “Who Makes Your Money” and “Nobody Gets Me but You,” in the first half of the set. The crowd, quite obviously a sea of personal and music-business connections, leaned close and the room approached the feeling of a birthday party where everyone was sure their invitation was genuine.

Daniel upped the ante in the set’s final third. Favorites “Cherry Bomb,” “I Summon You” and “Beast and Dragon, Adored,” appeared next to new cuts like “Mystery Zone,” “Written in Reverse” and the night’s closer, the propulsive “Got Nuffin.” Daniel thanked us again for standing in the cold and we silently replied that we mostly hadn’t. But some did, and for the feeling of a major event with a big band in a little room, this is exactly what counted. —Geoff Nelson

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Go Bowling with Heloise & the Savoir Faire Tomorrow Night

January 22nd, 2010


What began as Heloise Williams singing over prerecorded music with Sara Sweet Rabidoux and Joe Shepard dancing behind her in crazy costumes has turned into something bigger…and better. Heloise & the Savoir Faire, based out of Brooklyn, has blossomed into a full-on band, complete with James Bellizia on guitar, Jason Diamond on bass and Luke Hughett on drums. The band gained attention with the help of Elijah Wood’s Simian Records, and with their choreographed dance routines and debut album, Trash, Rats and Microphones, they continue to attract a wider audience. See for yourself when they play Brooklyn Bowl tomorrow night.

(Heloise & the Savoir Faire, above, plays “Odyle.”)

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Cut Loose with Free Energy

January 20th, 2010


From the city that brought you blunts and booed Santa Claus—Philadelphia—comes the rock quintet Free Energy. Two of its five members, frontman Paul Sprangers and guitarist Scott Wells, were formerly part of the group Hockey Night. Following that band’s demise, they recorded some demos and found themselves in a studio with DFA Records cofounder and LCD Soundsystem frontman James Murphy. After adding Geoff Bucknam, Nick Shuminksy and Evan Wells to the mix, they had a whole new band with a hook-laden sound reminiscent of ’70s standouts Cheap Trick and Thin Lizzy. “Dream City” earned a Pitchfork designation as one of the Best New Tracks of 2009, and Free Energy’s debut album is due out some time this year (you can stream three songs here). But you don’t need to wait for their disc to check out their sure-to-make-you-move music because they’re playing Brooklyn Bowl in just two days. So check out Free Energy, above, playing “Free Energy” and then go see them play live on Friday night.

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People Under the Stairs Play The Bowery Ballroom on Saturday

January 19th, 2010

People Under the Stairs came together when Mike Turner (Double K) and Chris Portugal (Thes One) met in mid-’90s Los Angeles and formed one of underground hip-hop’s most preeminent groups. Their relaxed sense of humor and a reliance on jazzy beats set them apart from their contemporaries. They’ve become well known for their live performances, and they continue to release new material, putting out seven full-length albums—beginning with their debut, The Next Step—since 1998. People Under the Stairs are currently amidst a U.S. tour, which brings them to The Bowery Ballroom on Saturday night (with Grieves with Budo and Kenan Bell opening). See them, above, playing “Acid Raindrops” and then head to the Lower East Side this weekend to find out why their tagline is “we make people dance.”