cat_preview

A Rowdy Night at Music Hall

March 31st, 2010

Lucero – Music Hall of Williamsburg – March 30, 2010

p1090553
Perhaps the best thing about going to a Lucero show is knowing exactly what you’re going to get—a rambunctious set of everyman tunes that makes you want to throw your arm around your best buddy and buy another round. Last night’s Music Hall of Williamsburg show was no different. The Memphis-based, whiskey-logged Southern soul-punkers played a set in support of their current release, last year’s 1372 Overton Park, an album that impressively adds horns to the band’s trademark sound. Played live, songs like album-opener “Smoke” and “What Are You Willing to Lose?” and “The Devil and Maggie Chascarillo” all benefited from the brass section, making them much more rock and less country, leading to lots of dancing in the crowd. However, it was singer Ben Nichols’ voice that provided some of the best moments, as was the case when Lucero played album-closer “Mom” (a heartfelt reassurance that though they may mistakes, they were raised right) and the always highly anticipated cover of Jawbreaker’s “Kiss the Bottle.” —Kirsten Housel

Photos courtesy of Kirsten Housel

She and Him and The Bowery Ballroom

March 31st, 2010

She & Him – The Bowery Ballroom – March 30, 2010

(Photo: Jennifer Macchiarelli)

(Photo: Jennifer Macchiarelli)

Generic doesn’t have to be a bad word. There can be great comfort in the familiar, standard and unadorned. With a band name like She & Him, the duo of M. Ward and Zooey Deschanel plays to this comfort. Last night they performed a standard 70-minute set (plus encore) of music from their two generically titled albums (Volume One and Volume Two) for a sold-out crowd at The Bowery Ballroom. Backed by a full band (“them”), they opened with “I Was Made for You” from One, followed quickly by “Thieves” from Two. Immediately the show was transported to an amorphous “then”—Deschanel singing her original songs about the familiar: loves past, present and future in a swirl of unadorned pre-Beatles pop.

As the show wore on, even the banter was vanilla flavored (“Where you from?” “What’s with all this rain?”). But the music easily transcended the blandness of black text on a white background. Ward’s guitar was a grease fire of quick solos and well-placed slide playing that stood out prominently in the mix and caused Deschanel to gleefully hop up and down in an endearing dance mimicked throughout the crowd. Above all else, her voice was a cozy, terry-cloth bathrobe—soft, comforting and warm, and just about perfect for a rainy night. In the middle of the set, the band left she and him alone, with Ward on acoustic and Deschanel in front of the microphone for a couple of songs, including a magnificent “Brand New Shoes.” It was stripped down and simple and as generic as it gets. It was also the most powerful moment of the night. —A. Stein

cat_previewContest

Win Tickets to See Girls on Saturday

March 31st, 2010


Girls, the lo-fi indie-rock quartet from San Francisco, have released a handful of singles and an album, Album, since forming in 2007. Their lyrics and sound are definitely influenced by singer Christopher Owen’s childhood spent in the Children of God cult. Find out how far that influence goes, when Girls (above, performing “”Lust for Life” on Pitchfork TV) play Webster Hall this Saturday with Dum Dum Girls and Leisure. Want to go but don’t have tickets? No worries. The House List is giving away two of them. Just fill out the form below, including your name, e-mail address, which show you’re trying to win tickets to (Girls, 4/3) and a brief message explaining why you deserve a free night with these Girls. The winner will be notified on Friday.

Your Name (required)

Your Email (required)

Subject

Your Message

See M.I.A. at Governors Island This Summer!

March 30th, 2010

1
Going to an outdoor concert in NYC in the summer is pretty cool. And this year, you can check out music in a new environment because Governors Island is no longer just reserved for bike rides and picnics. So head to the South Island Field at Governors Island on Saturday, July 24th for a full night of music beneath the stars. You’ll have the chance to see M.I.A., Sleigh Bells, 12th Planet, Destructo, Nguzunguzu, Borgore and a host of others as part of another great HARDNYC event. This is one of those events that makes New York City unique—don’t miss it!

cat_preview

Two Nights of Two Great Bands

March 30th, 2010

Parker Gispert (guitar, keys and vocals), Julian Dorio (drums) and Hank Sullivan (bass) formed the Whigs in the music hotbed of Athens, Ga., while attending the University of Georgia. They played live shows for about three years before finally recording their frenetic garage-rock sound on their first album, Give ’Em All a Big Fat Lip, in 2005. A year later, Rolling Stone suggested that they “may well be the best unsigned band in America.” Since then, the Whigs have released two more albums, including In the Dark, which came out just two weeks ago.

Emma Richardson (bass and vocals), Matt Hayward (drums) and Russell Marsden (guitar and vocals) also met in college, in Southampton, England. They soon formed a band, Fleeing New York, and played as many London nightclubs as possible. They later changed the group’s name to Band of Skulls and put out an attention-grabbing demo in 2008. The following year, they released their bluesy debut album, Baby Darling Doll Face Honey, and toured the world. And now they’re back in our corner of it because the Whigs (above, playing “Already Young” and “Like a Vibration” on Jimmy Kimmel Live!) and Band of Skulls (below, playing “I Know What I Am” also on Jimmy Kimmel Live!) will take turns headlining tomorrow at The Bowery Ballroom, which is sold out, and on Thursday at Music Hall of Williamsburg.

Contest

Win Free Tickets to See Drive-By Truckers on 4/1

March 30th, 2010

grow_03_sm

Drive-By Truckers bring their new album, The Big To-Do, intelligent lyrics and a whole lot of guitar to Webster Hall on Thursday. Despite the show being sold out, you’ve still got a chance to attend because The House List is giving away two tickets. Want to Grow a Pair? It’s easy. Just fill out the form below, including your name, e-mail address, which show you’re trying to win tickets to (Drive-By Truckers, 4/1) and a brief message explaining why Southern rock kicks so much ass. Eddie Bruiser, a lover of below-the-Mason-Dixon-Line rock, will notify the winner on Thursday. Good luck.

Your Name (required)

Your Email (required)

Subject

Your Message

cat_preview

Spoon – Radio City Music Hall – March 26, 2010

March 29th, 2010

Spoon - Radio City Music Hall - March 26, 2010

Photos courtesy of Greg Notch | photography.notch.org/music

New Grub at SummerStage

March 26th, 2010
(Photo: Elizabeth Lippman for The New York Times)

(Photo: Elizabeth Lippman for The New York Times)

Seeing a cool show on a beautiful night at Central Park’s SummerStage can be one of the great joys of living in NYC. But the food there? Not so much. Good news, though, because when you head to the park this summer to see bands like John Butler Trio and State Radio (6/15), the Flaming Lips (7/26), the Black Keys (7/27) and Hot Chip (8/4), new culinary treats will await you. According to The New York Times, the Brooklyn Flea will be curating the food this summer. So you can ditch the lame chicken sandwiches and not-so-soft pretzels and embrace the warm offerings of Asia Dog, Pizza Moto and the Red Hook Lobster Pound. A good thing just got better.

cat_preview

See Lucero Next Tuesday at Music Hall of Williamsburg

March 26th, 2010


The Memphis rock quintet Lucero’s sound converges at the badass intersection of country, punk and rock. They’ve been putting out quality music since 2000, and their sixth studio album, 1372 Overton Park, was released last October. Led by singer-guitarist Ben Nichols’ gravely, Jameson-soaked voice, Lucero is a tour de force live band—playing close to 200 shows a year—that shouldn’t be missed. So don’t. Come see Lucero (above, performing “Johnny Davis” on Fuel TV) next Tuesday at Music Hall of Williamsburg. Get yourself some brown liquor, say hello to Eddie Bruiser and see if you recognize Nichols from MTV.com’s $5 Cover.

cat_preview

Nada Surf – The Bowery Ballroom – March 25, 2010

March 26th, 2010

Nada Surf - The Bowery Ballroom - March 25, 2010

Photos courtesy of Greg Notch | photography.notch.org/music

cat_previewContest

Win Tickets to See the Big Pink at Webster Hall Next Tuesday

March 25th, 2010


The British electro-rock duo the Big Pink, which has nothing to do with the Band, got its start when multi-instrumentalists Milo Cordell and Robbie Furze began mixing sounds—nuance and noise—in a home studio. Once they realized they were on to something, they enlisted the help of others to play their music live, which they will do next Tuesday at Webster Hall. The Big Pink (above, playing “Velvet” on French TV) has released four singles and its first album, A Brief History of Love, came out last September.

Want to see this show? The House List is giving away two tickets. Just fill out the form below, including your name, e-mail address, which show you’re trying to win tickets to (the Big Pink, 3/30) and a brief message explaining why the Big East has faired so poorly in the NCAA tournament this year. The winner will be notified on Tuesday. Good luck.

Your Name (required)

Your Email (required)

Subject

Your Message

Experience Hendrix – The Wellmont Theatre – March 24, 2010

March 25th, 2010

Experience Hendrix - The Wellmont Theatre - March 24, 2010

Photos courtesy of Andy Keilen | spartanmarchingband.smugmug.com/Music

cat_previewContest

Win Tickets to See Shearwater at The Bowery Ballroom on Saturday

March 25th, 2010

Close to a decade ago, singer-songwriter-multi-instrumentalists Jonathan Meiburg and Will Sheff were in the talented Austin, Texas, band Okkervil River. Seeking an outlet for some of the quieter songs they’d written, the two founded Shearwater. That group’s first disc, The Dissolving Room, came out in 2001. Over the years, Meiburg’s now-ex-wife, bassist Kim Burke, and drummer-vibraphonist Thor Harris joined the band, and they’ve gone on to tour and release several more albums—the most recent of which, The Golden Archipelago, came out last month. Shearwater (above, playing “Leviathan, Bound”) comes to The Bowery Ballroom on Saturday, and The House List is giving away two tickets. Want to go? Then fill out the form below, including your name, e-mail address, which show you’re trying to win tickets to (Shearwater, 3/27) and a brief message explaining why you deserve to go. The winner will be notified on Friday.

Your Name (required)

Your Email (required)

Subject

Your Message

cat_preview

See VNV Nation Tonight at Music Hall of Williamsburg

March 24th, 2010

Ronan Harris and Mark Jackson, performing as the electronic project VNV (Victory Not Vengeance) Nation, have been successfully combining industrial music, synthpop and trance since 1990. They put out their first album, Advance and Follow, in 1995. And keeping with their motto—“One should strive to achieve, not sit in bitter regret”—the duo has steadily released studio albums, singles and EPs ever since. You can get a taste of their sound in person when VNV Nation (above, playing “The Great Divide”) comes to Music Hall of Williamsburg tonight.

cat_reviews

The Clientele Ends Tour in Style at The Bowery Ballroom

March 24th, 2010

The Clientele – The Bowery Ballroom – March 23, 2010

clientele-794212
“For me, every day is Monday,” said the Clientele frontman Alasdair MacLean in pure British deadpan near the start of Tuesday night’s Bowery Ballroom show. You can see how that’s true, with a sleepy “don’t wanna get out of bed” whisper permeating the songs during a stunning 80-minute set. There can be a lot of music in a whisper, though, and the Clientele seemed to explore it all with sophistication and an understated groove that wasn’t lost on the crowd. The band played in contrasts and complements with James Hornsey’s bass melodically rising and falling with MacLean’s voice and Mark Keen’s cymbals accenting and sharpening his guitar work. Mel Draisy rounded out the quartet with impressive fill-in-the-blanks work on keyboards, violins and xylophone—each bit found its spot and interlocked in near pop perfection. The overall effect was powerfully hypnotic.

Things picked up momentum a couple of songs in with an ecstatic “Never Anyone but You.” Bob Parins, of Vetiver, joined the quartet for enhanced versions of “These Days Nothing but Sunshine” and “I Wonder Who We Are.” The steel guitar and Draisy’s violin meshed with MacLean’s unique finger-plucked chords to create some awe-inspiring music. With plenty of oohs, la las and bop bops accented by Keen’s steady, Ringo-esque drumming, the set was Brit-pop left out in the sun, turned soft, mushy and slightly narcotic.

Later, the Ladybug Transistor’s Gary Olson joined in on trumpet for a tune that started in the same, blissful sway but stretched out from the thee-minute shackles into a blistering jam. It seemed to go on forever and continually build in strength in a raging, somewhat surprising departure from the rest of the set. Olson stayed on for “Harvest Time,” which was equally powerful, but comfortably back to the subtle pop. For the encore, the Clientele dedicated two songs, the first, a Big Star cover to Alex Chilton, and the second, “Bookshop Casanova,” cheekily, to the crowd before ending with a ramped-down soporific to put an impressive end to a fantastic show and a long tour. —A. Stein