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This Is Some Good Gossip

April 30th, 2010


Arkansans Beth Ditto (vocals) and Nathan “Brace Paine” Howdeshell (guitar) followed Kathy Mendonca (drums) out to Olympia, Wash., when she moved there for college. While living together, they formed the dance-friendly punk band the Gossip (although somewhere along the way they ditched the). They toured with the White Stripes and Sleater Kinney and put out a couple of albums and EPs, plus a live disc, but didn’t gain as much attention as they probably deserved. In 2003, Mendonca left the band to become a midwife and was replaced by Hanna Blilie. Three years later, upon the release of Standing in the Way of Control, the group finally gained some acclaim, making TV appearances and winning UK Gold Record status. So it’s safe to say they’re doing pretty well. Find out just how well when Gossip (above, performing “Heavy Cross” on Friday Night with Jonathan Ross) plays Terminal 5 tonight.

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The Morning Benders – Mercury Lounge – April 28, 2010

April 29th, 2010

The Morning Benders - Mercury Lounge - April 28, 2010

Photos courtesy of Jennifer Macchiarelli | www.jennylow.com

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Hole – Terminal 5 – April 28, 2010

April 29th, 2010

Hole - Terminal 5 - April 28, 2010

Photos courtesy of Sean O’Kane | seanokanephoto.com

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Try to Win Tickets to Themselves/Buck 65 on Sunday

April 28th, 2010

The Northern California musical duo Themselves—rapper Adam Drucker (Doseone) and producer Jel (Jeff Logan)—got started in the late ’90s, bringing heady lyrics to underground hip-hop. They’ve since put out three full-length albums, the most recent of which, CrownsDown, came out last year, following a six-year hiatus.

Richard Terfry, straight out of Nova Scotia, Canada, is a radio host, turntablist and MC who performs under the name Buck 65. He’s got a deep background in hip-hop but touches it up with blues, country, folk and rock influences. And he’s prolific, having released a slew of albums, EPs and singles since 1995.

Why is this important? Because Themselves (above, performing “Gold Teeth Will Roll”) and Buck 65 (below, doing “Dang”), along with Jel and Odd Nosdam and Stabbing Eastwood (featuring Tunde Adebimpe of TV on the Radio), play The Bowery Ballroom on Sunday. Want to go? Then hit up Eddie@BoweryPresents.com, telling him why you deserve a free Sunday night out. He’ll get in touch if you win.

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The Aptly Named Casiotone for the Painfully Alone

April 28th, 2010

Casiotone for the Painfully Alone – Mercury Lounge – April 27, 2010

(Photo: Markus Gradwohl)

(Photo: Markus Gradwohl)

What may have started out as a bet with one of Owen Ashworth’s friends about putting together a solo album using only cheap toy keyboards has turned into five albums and countless seven-inch releases 11 years later. Casiotone for the Painfully Alone played last night as a five-piece ensemble complete with a horn section, but Ashworth has retained the core Rhodes Organ melodies and his deadpan low-register delivery. Backed by the precise drumming of Nick Tamburro, from the Dead Science, along with trombone and trumpet from members of opening band Magical Beautiful, his bedroom recordings have taken on a full, epic feel. The intensely personal lyric against a bare-bones structure of simple melody still remains the hook in CFTPA’s work, but the instrumentation allows for a subtle, more complex delivery and introduces humanity back into the arrangement.

Ashworth has taken that classic one-man songwriter aesthetic and combined it with deceptively catchy melodies to embrace being trapped in mediocrity and heartbreak. On stage at Mercury Lounge he even embodied that vulnerability. You get the impression he’s lived these moments and set them to appropriately stark arrangements. Melodically, the songs aren’t necessarily dark—it’s not the plodding melancholy of Joy Division. But while the tracks are rhythmically upbeat, Ashworth’s slivers of a dark diary entry always make it through, like with “New Year’s Kiss”: “Not the way that you’d imagined it/ On a balcony with champagne lips/ But in a pantry against the pancake mix /You had your New Year’s kiss.” The simplicity of sentiment is so specific it becomes universal. His sound has evolved from the lowly thrift-store keyboards into the natural sound of a live band, which Ashworth still uses in unconventional ways, because after all, he is still writing songs the only way he knows, full of painfully awkward moments and honesty. —Jason Dean

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Great Guitar Music Comes to Radio City

April 27th, 2010


When Rodrigo Sanchez (lead guitar) and Gabriela Quintero (rhythm guitar) met as teenagers in Mexico City, they discovered a mutual musical taste and formed the thrash-metal band Tierra Acida. When that ultimately didn’t pan out (they recorded music that was never released), the duo began to learn different guitar styles. Finding the Americas stifling, they set out for Europe, landing in Dublin, where Rodrigo y Gabriela honed their fast and lively acoustic sound (incorporating some Zeppelin and Metallica along the way) in pubs and on streets. Then one-time busker Damien Rice asked them to tour with him and things eventually took off. Their most recent album, 11:11, came out last year, and Rodrigo y Gabriela continue to tour, which is what brings them to Radio City Music Hall on Thursday. You should bring yourself.

(Check out Rodrigo y Gabriela performing “Hanuman” on Lopez Tonight, above, and “Stairway to Heaven,” below.)

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Grow a Pair: Win Free Tickets to See OK Go on 4/30

April 27th, 2010

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OK Go closes out the workweek with sold-out shows at Music Hall of Williamsburg on Thursday and Friday. Want to go on Friday but don’t have tickets? Then try to Grow a Pair from The House List. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (OK Go, 4/30) and a brief message explaining the geological implications of Eyjafjallajökull’s continued eruptions and its cloud of ash. Just kidding: Tell us what you like most about OK Go’s video for “This Too Shall Place.” Eddie Bruiser, who’s gearing up for some NOLA love, will notify the winner by Thursday. Good luck.

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Enchanting Music on a Sunday Night

April 26th, 2010

Charlotte Gainsbourg – Webster Hall – April 25, 2010

charlottegainsbourg
Charlotte Gainsbourg’s sold-out show at Webster Hall was the final date of the French actress and singer’s first-ever U.S. tour—in support of her latest album, IRM. Gainsbourg opened the show with the album’s title track, a skittish beat giving way to lyrics that reflect upon her experiences inside an IRM (the French translation of an MRI machine) after a serious head injury in 2007. This near-death experience became the focus of the album, and yet with such dark subject matter, the songs are interesting, intricate and largely upbeat, in part thanks to the disc’s producer, Beck, imparting his subtle imprint.

Gainsbourg and her band translated the songs with energy and precision, enhancing numbers like the cheerful “Heaven Can Wait” and the dramatic “La Collectionneuse” with lilting violin, and using the flutter of quick hand claps to punctuate “Greenwich Mean Time.” Gainsbourg’s unique vocal style and range were as equally compelling at a delicate near whisper during “In the End” as her more assertive, smooth delivery on songs like “The Operation.”

After performing an understated cover of Bob Dylan’s “Just Like a Woman” (featured on the soundtrack of I’m Not There, in which Gainsbourg also starred), she told us of her one-time trepidation about covering the music of her father, Serge. Luckily for us, Gainsbourg had a change of heart, and we were treated to “L’Hôtel Particulier” from his iconic album, Histoire de Melody Nelson, and to close out the show, a spirited rendition of “Couleur Café” that had the crowd singing along. Though Gainsbourg’s previous hesitation to delve into her father’s material is understandable, the covers were a nice reminder of the musical roots that helped foster her evolution into the artist who had easily won us over with her own unique style. —Alena Kastin

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Hot Chip Not on Hot Seat

April 26th, 2010

Hot Chip – Terminal 5 – April 23, 2010

(Photo: Bevis Martin/Charlie Youle)

(Photo: Bevis Martin/Charlie Youle)

Hot Chip came onstage looking like Lou Pearlman’s take on a synth-pop band, each member representing a different slice of Caucasian, ranging all the way from a clean-cut suit jacket to red jumpsuits and mullets. Of course, this isn’t some packaged, one-hit wonder. Rather, in front of their second sell-out in two nights, the band arrived in support of their fourth, and perhaps best, album, One Life Stand, making them de facto elder statesmen of This Century’s Keyboard Pop.

The group opened with the urgent “Hand Me Down My Love” while the audience, some clad in glow-stick necklaces, shuffled and shifted to the beat. The set found its sea legs with the third song, “Thieves in the Night,” a propulsive and fluttering number largely about stolen moments and the pursuit of happiness. From there, Hot Chip played “Brothers” before the stupefying combination of “One Life Stand” and “Over and Over,” the latter of which sent the floor into complete vibration and the kids wearing sunglasses into an even more fully rendered euphoria.

In the most interesting turn of events, the group did a stunning cover of Shakira’s “She Wolf” as part of the encore. The high school girls with the black X’s on their hands sang the words and the hardest Hot Chip fan moved around the floor like nothing was out of the ordinary. The band closed with “No Fit State” and “Ready for the Floor,” and the disjointed guys behind their keyboards matched easily with the fresh faces in the audience, meaning you couldn’t find a shred of judgment throughout Terminal 5. —Geoff Nelson

Bowery Boston Is Up and Running

April 23rd, 2010
(Photo: Matthew J. Lee /Globe Staff

(Photo: Matthew J. Lee /Globe Staff

Karl Denson’s Tiny Universe played the first Bowery Boston show last night at Royale. Royale was previously the Roxy, and it has recently undergone extensive renovations before opening for last night’s show. The Boston Globe says, “Karl Denson’s Tiny Universe christened the club with its vibrant hybrid of jazz, funk, and rhythm and blues grooves.” Of course, this is just the beginning, and there are plenty more shows in store for Royale.

(Karl Denson’s Tiny Universe plays Brooklyn Bowl tonight and tomorrow.)

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Owen Pallett – Webster Hall – April 22, 2010

April 23rd, 2010

Owen Pallett - Webster Hall - April 22, 2010

Photos courtesy of Jennifer Macchiarelli | www.jennylow.com

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Don Giovanni Records Presents

April 22nd, 2010


Joseph Steinhardt and Zach Gajewski were attending a Boston college when they founded Don Giovanni Records in 2004. The idea was to put out hardcore music they liked, with a specialization, according to Steinhardt, in “releasing music from New Brunswick, N.J., and the surrounding area (including Brooklyn and New York City), and attempting to level the playing field between those bands and bands on larger labels.” But these guys don’t just put out music—they also bring it to you. Which means a slew of Don Giovanni bands will descend on Mercury Lounge on SaturdayScreaming Females, the Measure (SA), Barrakuda McMurder, Byrds of Paradise, Modern Hut—and SundayShellshag, Noun, Full of Fancy, Black Wine and Pregnant. So check out Screaming Females, above, performing “Boyfriend,” and then head to Mercury Lounge this weekend for a great double bill of the music you love.

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Reunited and It Feels So Good

April 22nd, 2010

The Specials – Terminal 5 – April 21, 2010

The Specials - Terminal 5 - April 21, 2010
It’s been more than 25 years since the original lineup of this influential British ska band toured the United States, and at their sold-out show at Terminal 5 last night, the reunited Specials played, sounded and dressed just as sharp (if not sharper) as I imagine they did in their early years. By the end of opening song, “Do the Dog,” from their 1979 self-titled debut album, the Specials had danced, jumped and bounced their way all over, with lead singer Terry Hall anchoring the group center stage as strobe lights flashed around him.

The Specials have always been defined by the progressive messages in many of their songs, and as the band’s black and white members jovially slung their arms around one another, singing, “Just because you’re a black boy/ Just because you’re a white/ It doesn’t mean you’ve got to hate him/ It doesn’t mean you’ve got to fight” in the song “Doesn’t Make It Alright,” it was disquieting to realize that although these words were written in the 1970s, the message still needs reinforcing. While barraging us with spot-on performances of favorites like “A Message to You, Rudy,” “Little Bitch” and “Blank Expression,” Hall’s entertaining onstage antics were a balance of petulance and humility, at one point happily singing barefoot until a bandmate playfully tossed his socks into the crowd, at which point Hall halted the song completely: “They were the last pair of socks I’ve got. Seriously, can I have my socks back?”

Yet other moments found Hall graciously thanking the fans, ducking backstage to retrieve an armful of water bottles for the crowd, thirsty and sweaty from skanking and slam dancing. The Specials closed their set with a rendition of the instructive number “Enjoy Yourself (It’s Later Than You Think).” Their energetic performance perfectly illustrated the song’s theme and should be an example for all those younger bands that perform while frowning and sluggishly strumming the entire time. The Specials have always had the right attitude, and it was exhilarating to watch them heed their own advice and enjoy themselves. —Alena Kastin

Photos courtesy of Kirsten Housel

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Spend Your Weekend with Adam Green

April 21st, 2010


Adam Green rose to prominence around the dawn of the new millennium when he dropped out of school to form the lo-fi, anti-folk Moldy Peaches with Kimya Dawson, whom he had met at a record shop in Mount Kisco, N.Y. But after putting out several albums of slow-paced tunes about adolescent angst, the band broke up—or at least went on a hiatus—in 2004 (although their song “Anyone Else but You” got some big-time play as part of the Juno soundtrack in 2007). Since then, Green (above, performing “Give Them a Token”) has put out several albums of earnest and funny music, the most recent of which, Minor Love, came out this past January. Adam Green plays The Bowery Ballroom this Friday and Saturday. Welcome him with open arms.

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The Thermals – Brooklyn Bowl – April 20, 2010

April 21st, 2010

The Thermals - Brooklyn Bowl - April 20, 2010

Photos courtesy of Mina K