Grandaddy Prove to Be Worth the Wait at Rough Trade NYCMarch 3rd, 2017
Grandaddy – Rough Trade NYC – March 2, 2017
There are albums that define an individual at a certain time of life, and for me it was Grandaddy’s The Sophtware Slump. I was a recent college graduate figuring out adulthood and working a “dream job” at my local radio station. Something about Jason Lytle’s specific lyrics laid across a series of bleeps and electronic haze struck a chord in me. I was first introduced to them when they opened for a then rising British band, Coldplay. That evening was highlighted by the special guest appearance by a barely recognizable Elliott Smith, whom Grandaddy had toured with prior. When the group disbanded back in 2006, there were morsels released in the form of a solo album by Lytle and side projects in Admiral Radley, but Grandaddy would not resurface until 2012 with a few local California gigs and select festivals in the UK. On the eve of their long-awaited fourth album, Last Place, the Golden State band played a sold-out Rough Trade NYC last night.
Opening their set with an abstract film filled with landscape juxtaposed with pixels, the quintet surfaced to the stage as if no time had passed. The crowd quickly got into it as Grandaddy opened with back-catalog gems “Hewlett’s Daughter” and “El Caminos in the West.” The evening would satisfy longtime fans, while introducing newer material like their first single from their latest, “Way We Won’t,” and follow-up single “Evermore.” The frontman was barraged with several requests midway through their set, but none of them were on the list. One fan graciously offered, “Your choice, Jason,” in which Lytle took the opportunity to segue into the spacey favorite “The Crystal Lake.”
The room erupted when the whimsical intro to “A.M. 180” signaled the audience to bop along to the melody, but it was near the end of the set that Lytle wrapped the night with an extra special bow. Going from new track “I Don’t Wanna Live Here Anymore” to the slow-burner “Jed’s Other Poem (Beautiful Ground),” he initiated the climax with a revved-up “Now It’s On.” Although the set concluded with harp-like keys on “He’s Simple, He’s Dumb, He’s the Pilot,” the enduring bandmates would return to encore with a pair, the new song “The Boat Is in the Barn” and oldie-but-goodie “Summer Here Kids.” Needless to say Grandaddy’s return was so worth the wait. Let’s hope there won’t be another decade-long hiatus. —Sharlene Chiu
Tags: Aaron Burtch, Admiral Radley, Brooklyn, Coldplay, Elliott Smith, Grandaddy, Gregg Greenwood, Jason Lytle, Jim Fairchild, Kevin Garcia, Last Place, Live Music, Music, New York City, Photos, Review, Rough Trade NYC, Sharlene Chiu, The Sophtware Slump, Tim Dryden, Williamsburg
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