At Brooklyn Steel Whitney Prove Why They Continue to Get BiggerMay 25th, 2017
Whitney – Brooklyn Steel – May 24, 2017
It’s been a whirlwind for Whitney ever since releasing their much-acclaimed debut album, Light Upon the Lake. They’ve visited New York City, crisscrossed the country, made their television debut, toured the rest of the world and returned to NYC—each time passing through an increasingly larger venue, having quickly outgrown almost all of them. For a group that began as a bedroom project, recording songs in the dead of a Chicago winter, the nonstop touring has made a good band even better: It’s been a hell of a first lap.
Last night, Whitney took over Brooklyn Steel, a venue even newer than the band. The show kicked off with a Dolly Parton cover, “Gonna Hurry (As Slow as I Can),” performed by guitarist Max Kakacek and singer Julien Ehrlich on the piano. And although the song takes some serious falsetto chops to sing, Ehrlich might be the only male singer in the world capable of nailing it. The remaining members of the six-piece then came out to perform “Dave’s Song,” It’s a glorious moment when the rest of the band kicks in alongside Ehrlich’s drums. There’s something to be said for singing drummers, and with the frontman’s tender voice, the sticks in his hand added punch to his pleas. The cheery “No Matter Where We Go” featured drum fills trading off with Kakacek’s guitar riffs. And the lovesick “Polly” finished with a piercing Will Miller trumpet solo. The performance streamed live and there were shout-outs to a pair of grandparents watching, including a grandfather, born in Brooklyn, celebrating his birthday.
The momentum shifting instrumental “Red Moon” made room for each instrument to shine, its slowdowns and buildups making way for guitar and trumpet solos. Next came the Lion cover “You’ve Got a Woman.” “It’s always a hard song to play, and we sweat a lot, so don’t take too many Instagram photos,” warned Ehrlich before jumping into it. Whitney played most of Light Upon the Lake before announcing that they’d return. The four-song encore kicked off with a brand-new tune: “It’s about partying too hard,” said Ehrlich by way of introduction. Next came what’s become a tour staple, their cover of NRBQ’s “Magnet,” followed by the theme to The Golden Girls. Ehrlich claimed that he’d have trouble with the lyrics, but the audience enthusiastically helped out, before Whitney closed with “No Woman,” pausing at the end to thank everyone before jumping back into the climactic finish. These songs have been perfected, poised yet again to be a soundtrack for those sunny golden days of summer. —Dan Rickershauser | @D4nRicks
Photos courtesy of Mike Benigno | mikebenigno.com
Tags: Brooklyn, Brooklyn Steel, Charles Glanders, Dan Rickershauser, Dolly Parton, Josiah Marshall, Julien Ehrlich, Light Upon the Lake, Lion, Live Music, Malcolm Brown, Max Kakacek, Mike Benigno, Music, New York City, NRBQ, Photos, Print Chouteau, Review, Whitney, Will Miller
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