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Lively, Timeless Music at The Bowery Ballroom

June 3rd, 2010

Dave Rawlings Machine – The Bowery Ballroom – June 2, 2010

263863059_ac5204f9ab Dave Rawlings—guitarist, producer and songwriter for artists such as Ryan Adams, Old Crow Medicine Show and his frequent collaborator, Gillian Welch—began the first of a two-show stint at The Bowery Ballroom last night performing as the Dave Rawlings Machine. Though Rawlings has appeared on many different albums in his career, the Dave Rawlings Machine’s recent album, Friend of a Friend, is, surprisingly, the first proper release under his own name, and many of his previous collaborators (including Welch) have come onboard to back him up this time.

“We’re still trying to figure out what the machine does,” said Welch, shortly after taking the stage. “We know that it wears denim,” she said teasingly, giving Rawlings’ wardrobe a once over. Literal meanings aside, the Dave Rawlings Machine’s sound is in line with much of Rawlings’ previous music, with intricate bluegrass guitar melodies, a subtle twang, delicate vocal harmonies and smooth layers of violin softening the edges. Rawlings is an intense, energetic performer, swaying and bouncing with the rhythms of his guitar, tilting its neck up and down as he plucked out intricate solos, and always smiling.

As the band tore through material from Friend of a Friend (“Ruby,” “I Hear Them All,” “Bells of Harlem”), they also incorporated renditions of folk and country classics like “This Land Is Your Land,” “Big Rock Candy Mountain” and “John Henry.” The effortless give and take between the musicians, and especially the proven chemistry between Rawlings and Welch, made for a fluid performance. Given the Dave Rawlings Machine’s musical prowess, it’s tempting to make a bad pun about the band as a “well oiled machine.” Luckily, their lively, timeless style of music deserves much more than an overused pun—and judging by their hearty applause and hollers, last’s nights’ crowd would agree. —Alena Kastin

(Dave Rawlings Machine plays The Bowery Ballroom tonight.)

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Try to Win Tickets to See Fanfarlo

December 16th, 2009

Their reputation preceded them. Fanfarlo has earned comparisons to Arcade Fire and Broken Social scene, probably because they employ overlooked instruments in the indie-rock world, like the mandolin, trumpet and violin, and because of their swelling anthems. Simon Balthazar (vocals), Leon Beckenham (trumpet), Justin Finch (bass), Cathy Lucas (violin), Amos Memon (drums) and Mark West (guitar) came together as Fanfarlo mid-decade in London. And through a series of singles, the Internet and their frenetic live shows, word of mouth got out. So people knew to see the band before they’d even heard the band. Since their debut full-length album, Reservoir, came out this year, it’s even easier to hear the band. And now you can see them because Fanfarlo (above, playing “The Walls Are Coming Down”) plays Webster Hall on Friday.

They’re definitely worth checking out. And to prove it, The House List is giving away two tickets. Fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Fanfarlo, 12/18) and a brief message explaining why you deserve to cut loose for free on Friday night. The winner will be notified by noon on Friday. Good luck.

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The XX Marks the Spot

December 2nd, 2009


In 2005, four schoolmates—Romy Madley Croft (vocals and guitar), Baria Qureshi (keyboards and guitar), Oliver Sim (vocals and bass) and Jamie Smith (beats and samples)—who shared a similar taste in music, from the Cure to the Pixies to Missy Elliott, joined together to form the XX. The band’s self-titled debut, marked by quiet vocal duets and an efficient use of samples, came out earlier this year to much acclaim. Last month, Qureshi left the band, citing exhaustion. But the show must go on, so the XX continues as a trio. They open for Friendly Fires this Saturday at Webster Hall, but that show is sold out (although you can try to Grow a Pair of free tickets). Fortunately, the XX will be back on April 22nd at Terminal 5. Check them out, above, playing “Night Time” on Later…with Jools Holland.

Album Review: “Felt” by Anchor & Braille

August 10th, 2009

Felt

Anchor & Braille’s Felt is a beautiful musical landscape of soaring vocals backed by luscious orchestration. One-man-band Stephen Christian, frontman of the much heavier Anberlin, puts his trademark falsetto over this backdrop of pianos and string instruments to create an album that’s totally different from what fans would expect, but all the while good. The disc’s lyrical nature is also a departure from Christian’s Anberlin work as it’s much more personal in nature, exploring heartache and regret—themes too intimate and too painful (according to Christian) for such a platform. The album’s first single, “Like Steps in a Dance,” is one of its best songs, with a subtle drumbeat in the background simply accompanying Christian’s voice. Other songs on the album, such as “Sing Out,” share similar dynamics but with the addition of an acoustic guitar. Produced, engineered and mixed by Copeland singer Aaron Marsh, Felt is a wonderfully stripped-down album with just the right amount of production work attached, and it’s a really good first shot at trying something different by Stephen Christian. —Kirsten Housel

(Stephen Christian, as Anchor & Braille, plays Mercury Lounge on Wednesday.)