Tag Archives: Aaron Neveu

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Woods Bring Feel-Good Music Home to The Bowery Ballroom

July 13th, 2017

Plenty of artists have, for better or worse, found inspiration in today’s headlines, much of the resulting music reflecting a dark view on the news of the day. When Woods felt compelled to enter the studio to capture the current mood, the resulting songs were much more optimistic in tone. The mini-album, Love Is Love (stream it below), recorded and released earlier this year, conveys its message in its title track. Taking their evolved sound from last year’s City Sun Eater in the River of Light (stream it below) even further, the new record is awash in pastoral psych-folk amidst upbeat jazz-funk horn fills. Woods (above, performing “Creature Comfort” in studio for KEXP FM) bring the new material and a hefty back catalog of inspired songwriting and spinout jams—and maybe some catharsis—back to The Bowery Ballroom for a Saturday night homecoming. It’ll be a family affair, with John Andrews and the Yawns (plus Cut Worms) opening. —A. Stein | @Neddyo

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Woods Take It to the Next Level

July 29th, 2013

Woods – The Bowery Ballroom – July 27, 2013


“Get ready for the harmonica,” said a friend when I told him I’d be seeing Woods at The Bowery Ballroom on Saturday. But bassist Kevin Morby brought out his mounted harmonica only once, as if in a nod to the Newport Folk Fest happening at the same time a few hundred miles away, for the sun-dappled sway of the set opener, “Pushing Onlys.” The rest of the time, the Brooklyn-based psychedelic folkies hypnotized the comfortably packed room with heavy drones and raga freak-outs, the swirling visuals of inkblots and kaleidoscopic geometry behind the stage casting a candy-colored shadow over them.

On record, Woods allow their skillful manipulation of guitar textures and tones to dominate. As with many bands, more often than not the rhythmic section is more of a means to an end than the centerpiece. Live, however, Morby and drummer Aaron Neveu led the proceedings with a relentless thumping and pounding that took the songs off Bend Beyond to the next level. The title track, “Size Meets the Sound” and “Find Them Empty,” in particular, spiraled into trance-inducing jam sessions with enough different noodlings to keep them interesting without losing the propulsive power of the bass and drums. That’s not to say the guitarists colored within the lines: On “Is It Honest?” Jarvis Taveniere thrashed out so hard during a solo that he knocked over his microphone stand, sending it spinning into the audience.

But all good things must come to an end, and after about an hour, Woods finished their set. They came back on after a mercifully brief interlude for a two-song encore, starting with the wistful acoustic number “It Ain’t Easy.” For the final song, they pulled on Real Estate bassist Alex Bleeker, whose band Alex Bleeker and the Freaks served as one of the openers. After some instrumental switches, Bleeker and Woods launched into a fairly faithful cover of “Have You Ever Seen the Rain?” with the audience joyfully singing along. —Harley Oliver Brown

Photos courtesy of Peter Senzamici | petersenzamici.com