Tag Archives: Al Doyle

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Friday Night’s Alright for Dancing

July 19th, 2012


Hot Chip burst onto the scene in 2000 with the release of the EP Mexico and its beats, acoustic guitar, piano and haunting vocals. Electronic-dance music wasn’t as big then as it is now, but the seven-piece dance-punk band out of London kept at it, touring, playing big shows at festivals and putting out more albums filled with dance music, R&B, folk and hip-hop—including their fifth, last month’s acclaimed In Our Heads, which Time Out New York calls “clever and dance-floor-ready.” With the new disc comes a new tour, and after playing the Prospect Park Bandshell as part of Celebrate Brooklyn last night, Hot Chip (above, doing “Night and Day” for Later … with Jools Holland) plays Terminal 5 tomorrow night. And if you want to go, act fast because tickets won’t last.

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New Band New Build Makes US Debut at Mercury Lounge

March 14th, 2012

New Build – Mercury Lounge – March 13, 2012

We didn’t know what to expect. How could we? Last night was New Build’s first show in the US. But the facts were promising: assorted members of Hot Chip and LCD Soundsystem playing in a side project at Mercury Lounge, the venue to catch acts with potential. If there was a time to see them, it was now. But what were we to see? The first surprise of the night came in the form of Reverend John Wilkins, a head-scratching yet excellent opener. New Build frontman Al Doyle later revealed the choice was as much about picking someone he wanted to hear as it was about proper billing. Regardless, Wilkins’s charismatic take on blues and gospel endeared him to the crowd and raised the collective mood. By the end of his set, a request for “foot stomping and hand clapping” seemed unnecessary because we were doing it all along.

Between sets it was quiet—not silent, but without house music playing in the background, the transition felt abrupt. The seven touring members of New Build eventually walked onstage to clusters of applause. Doyle, at first visibly nervous, made a passing remark about the peculiar entrance. The awkwardness hung in the air briefly, and then disappeared completely as the band’s percussionists began to play. Over the course of an hour-long set, New Build filled the cozy room with layers of rhythm and sonic texture.

At times, the sound felt like drinking a thick shake through a narrow straw: delicious yet incrementally satisfying. But New Build’s forthcoming album is a basket of treats. The first single, “Do You Not Feel Loved,” pulsed and swelled with calculated intent for the dance floor, while “Medication” was as Doyle described it, “a short poppy number.” The variety of sounds seemed natural for a band finding its footing. These are seasoned musicians, but this is new and a risk. Thankfully, they were as good as their lineage suggested. Truthfully, they were better. The bar is set high for concerts this year. —Jared Levy

Photos courtesy of Mina K

(Tonight’s New Build show at Mercury Lounge is sold out.)