Tag Archives: Bowery Ballroom

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Pond Celebrate New Album with a Pair of NYC Shows Next Week

May 4th, 2017

When you think about psychedelic rock from Perth, Australia—assuming you do think about psychedelic rock from Perth, Australia—Tame Impala probably come to mind first. And so a pair of touring members of Kevin Parker’s acclaimed outfit, Nick Allbrook (vocals, guitar and keys) and Jay Watson (guitar, vocals and drums), teamed up with Joe Ryan (guitar, bass and vocals) and Jamie Terry (keys, synths and bass) to form the psych collective Pond nine years ago in order to play with anybody they wanted. The band began releasing a host of singles, EPs and LPs in 2009, and their sixth full-length studio album, Man It Feels Like Space Again (stream it below), came out two years ago to some considerable acclaim. “Classic rock touchstones are intrinsic to Pond, but they shove them into futuristic territory—gifted musicians unafraid to indulge their flights of fancy,” said Rolling Stone. “This balance of playfulness and serious is Pond’s carnival act, but it’s their mastery of it on Man It Feels Like Space Again that makes it so damn fun—and Pond so very exciting.” Their newest album, The Weather (produced by Parker), comes out tomorrow. “The Weather is chaotic, confrontational and compelling,” says the AU Review. “Episodes of chaos are met with equal parts clarity and discovery, as we navigate through Pond’s transportive world of psychedelic rock.” And Pond (above, performing “30,000 Megatons” live for the French televison series Le Grand Journal) celebrate its release on Tuesday at Music Hall of Williamsburg and then again on Wednesday at The Bowery Ballroom. Australian singer-songwriter Kirin J Callinan opens both shows.

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You Me at Six Bring a New Album to The Bowery Ballroom on Monday

May 4th, 2017

Formed in Southeast England in 2004, You Me at Six—Josh Franceschi (vocals), Max Helyer (guitar), Chris Miller (guitar), Matt Barnes (bass) and Dan Flint (drums)—broke into the mainstream with the release of their first full-length, Take Off Your Colours (stream it below), four years later. The Guardian compared them to Fall Out Boy, adding, “The world may be ever-changing, but teenage angst is common to every generation. Surrey emo kids You Me At Six wear theirs with pride.” Earlier this year, the band (above, performing “Swear” for BBC Radio 1) put out their fifth studio album, Night People (stream it below), which finds them in darker, heavier territory. “Perhaps Night People isn’t the album we were expecting from YMAS, but it is the one they wanted (and arguably needed) to make right now. Crammed with skyscraping melodies and moments of spine-tingling poignancy, it stands them in the best possible stead for packing out stadiums and headlining festivals in the near future,” said Rock Sound. “They’ve fulfilled their side of the bargain with these 10 songs. Your move, world.” Touring America in support of their new music, You Me at Six play The Bowery Ballroom on Monday night. And the Score open the show.

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Smino – The Bowery Ballroom – May 2, 2017

May 3rd, 2017


Photos courtesy of Annie Kane | anniekane.work

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Former Vampire Weekend Member Rostam Plays The Bowery Ballroom

May 2nd, 2017

Singer-songwriter and multi-instrumentalist Rostam Batmanglij first burst onto the music scene as the guitarist-keyboardist for Vampire Weekend—he also produced the band’s first two albums. Batmanglji amicably left the group early last year to launch a solo career as Rostam. I Had a Dream That You Were Mine (stream it below), a collaborative effort with former Walkmen frontman Hamilton Leithauser, arrived last September. “Leithauser and Rostam take their flair for reimagining classic sounds with postmodern glee to new levels,” said AllMusic. And with a full-length solo album due later this year, Rostam (above, the video for his brand-new single, “Gwan”) plays The Bowery Ballroom on Wednesday. Former Dirty Projectors bassist, keyboardist and vocalist Deradoorian opens the show.

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Marty Stuart Pays Homage to California Country at Bowery Ballroom

April 27th, 2017

Marty Stuart and His Fabulous Superlatives – The Bowery Ballroom – April 26, 2017


Marty Stuart is old school country good—it’s right there in the title of his band. Raised in Mississippi, entranced with the likes of Buck Owens and Marty Robbins, Stuart came to renown as a guitarist with Lester Flatt and Johnny Cash before he broke out as a solo artist, favoring a high-energy country, roots and Americana sound that feels classic but not overly nostalgic. The essence of his 18th album, the outstanding Way Out West, is also right there in the title: Stuart loves the mythology of the American West, the panoramic dreams and wide-open-desert terrors it can evoke and the range of moods that music flavored with these things can inspire.

Lest it seem like Stuart and his crackerjack band will get lost in the cinematic sweep of things, however, they definitely don’t: They’re as fun, foot-stomping and down-to-earth good a country band as any New York City can attract. Over an hour and a half at The Bowery Ballroom last night, they plumbed the best of Way Out West and served up hefty helpings of Stuart chestnuts and roots-music staples, from ancient stuff like “I Know You Rider,” “Orange Blossom Special,” “Country Boy Rock & Roll” and Robbins’ “El Paso,” to ripping, surf-leaning instrumentals like “Mojave” and “Torpedo,” newer tunes like the honky-tonk “Whole Lotta Highway” and Stuart classics like “The Whiskey Ain’t Workin’.” They’re storytellers, string-benders, good-time Charlies who can acquit a twangy reworking of Tom Petty’s “Runnin’ Down a Dream” and make it feel like a deep cut from a Best of the Bakersfield Sound compilation.

Stuart is the proverbial “name on the door,” but it’s the Fabulous Superlatives who get at least as much of the spotlight, claiming at least one solo vocal or instrumental performance apiece. Among them, Kenny Vaughan, Harry Stinson and Chris Scruggs (yep, grandson of Earl) cover guitar, bass, drums and plenty of other things, but, like Stuart, are best described as multi-instrumentalists for how seamlessly—and how musically—they inhabit whatever they’re playing or singing. That’s key: Beneath the wisecracks and convivial joy, the foursome exhibit a deep trust and abiding gratitude for this music and their ability to play it so magnificently. —Chad Berndtson | @Cberndtson

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Shura – The Bowery Ballroom – April 25, 2017

April 26th, 2017

Shura - The Bowery Ballroom - April 25, 2017

Photos courtesy of Nick Delisi | www.nickdelisi.com

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Fenech-Soler and Knox Hamilton Play The Bowery Ballroom on Friday

April 25th, 2017

With infectious electronic indie-pop tunes, Fenech-Soler have risen out of the ashes of the MySpace era like a millennial phoenix. Hailing from Northampshire, England, they’ve consistently created catchy, captivating songs, releasing six EPs and three full-length albums since their first single, “Lies,” debuted in 2009. Two of the group’s founding members departed last year, leaving behind brothers Ross and Ben Duffy, who have been able to breathe new sonic life into Fenech-Soler, experimental enough to incorporate the essence of the band’s original sound while creating a distinctive new one to set them apart. On their third LP, Zilla (stream it above), released earlier this year, the brothers Duffy have also taken on a new image thanks to the interactive 360° video for “Conversation” (above), beautifully blending together technology and their appearance. And to support the new album, Fenech-Soler have hit the road with the Little Rock, Ark., pop outfit Knox Hamilton (below, performing “Work It Out” for Jam in the Van), known for a melting pot of influences. Their debut full-length, The Heights (stream it below), is filled with rhythmic sounds, lively drumbeats and upbeat lyrics sure to remind you of summertime adventures. See them together on Friday night at The Bowery Ballroom. —Karen Silva | @ClassicKaren

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Hurray for the Riff Raff – The Bowery Ballroom – April 20, 2017

April 21st, 2017

Hurray for the Riff Raff - The Bowery Ballroom - April 20, 2017

Photos courtesy of Silvia Saponaro | www.saponarophotography.com

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Sheryl Crow – The Bowery Ballroom – April 19, 2017

April 20th, 2017

Sheryl Crow - The Bowery Ballroom - April 19, 2017

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Miracle Legion Return to Say Goodbye at The Bowery Ballroom

April 20th, 2017

There are many paths to Miracle Legion fandom. Perhaps you found them via ’80s college radio stations that featured the band’s jangly guitar rock on heavy rotation. Or better yet, you lived near their hometown of New Haven, Conn., close to their touring circuit and the college-radio airwaves repping Connecticut’s finest. Or maybe you found out about the group because of their involvement with the fantastic and criminally underrated ’90s Nickelodeon show The Adventures of Pete & Pete, in which former Miracle Legion members starred as the semifictional band Polaris and wrote the show’s theme song, “Hey Sandy.” Or maybe it was Miracle Legion frontman Mark Mulcahy’s solo work that he’s been putting out at a steady rate ever since. Maybe a random interview with Marc Maron plugging Mulcahy’s solo album Dear Mark J. Mulcahy made you do the research and realized all these projects were connected. There are hints that fans have been along for the journey all along: a successful 2015 Record Store Day release of The Adventures of Pete & Pete soundtrack followed by a Polaris tour. Now the original band that started it all is back on tour, for the first time this millennium, with a recently released live album, Annulment (stream it below). Expect some new fans to find them along the way and begin their own journey backward into an impressively consistent catalog of songwriting that’s stood the test of time. And be there when Miracle Legion (above, performing “Screamin’” live for Paste Studios two weeks ago), playing their final shows as a band, return to Manhattan for the first time in 20 years, tomorrow night at The Bowery Ballroom. Singer-songwriter Elvis Perkins opens the show. —Dan Rickershauser | @D4nRicks

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Chaz Bundick Meets the Mattson 2 Provide Easter Treats

April 17th, 2017

Chaz Bundick Meets the Mattson 2 – The Bowery Ballroom – April 16, 2017

Chaz Bundick Meets the Mattson 2 – The Bowery Ballroom – April 16, 2017
Chaz Bundick, performing as Toro Y Moi, plays a palette of dyed-egg pastel colors: yellows, pinks and muted purples of groove. Twin brothers Jared and Jonathan Mattson, performing as the Mattson 2, are an oversized, slightly psychedelic rabbit of instrumental music. Together, they’re appropriately called Chaz Bundick Meets the Mattson 2, and they proved to be a perfect Easter treat last night for a sold-out Bowery Ballroom. More or less playing from their recently released album, Star Stuff, the trio met somewhere in the middle of their styles, which turned out to be a rather large and fertile musical space.

Although Bundick provided vocals on several songs, the set felt largely like instrumental music, relying more on mood than lyrics. And for the most part, that mood was decidedly jubilant. The stage was lit like a dance club—shafts of color through clouds of smoke, and the music pulsed with that energy. Bundick swapped between his synthesizer and a Hohner bass pretty much every other song, creating a checkerboard of sound, a playful push and pull between styles. That space between Bundick and the Mattsons was filled with modern jazz, Santana disco, drum-heavy free-form, psychedelic boogaloo and power-trio rage.

Every show has an arc and Sunday night was a one-way trajectory, each song sounding more focused and better than the previous, a constant build to an ecstatic conclusion, the album tracks thoughtfully arranged to optimize the live performance. When the end was finally reached, Bundick announcing, “No encore, we mean it,” they’d pretty much played it all, there were no Easter eggs left to uncover. —A. Stein | @Neddyo

Photos courtesy of DeShaun Craddock | dac.photography

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Maggie Rogers Returns to The Bowery Ballroom as a Performer

April 12th, 2017

Maggie Rogers – The Bowery Ballroom – April 11, 2017

Maggie Rogers – The Bowery Ballroom – April 11, 2017
When Pharrell takes an eye to an artist (and I’m not talking about his stint on The Voice), ears perk up. The celeb producer was enchanted by American songwriter Maggie Rogers’ track “Alaska” while teaching a master class at NYU last summer. Her anticipated EP, That the Light Is Fading, released back in February layers Rogers’ folk sensibilities with newly examined dance tempos she acquired living abroad. Rogers has the swagger of an Amelia Meath (Sylvan Esso) and the hymnal quality of Florence Welch (Florence and the Machine). Last night at The Bowery Ballroom, the first of two sold-out New York City shows, the singer-songwriter took center stage donning a custom white denim suit designed by Christian Joy. The room was filled with the chirping of crickets as Rogers opened with “Color Song” and her frenetic dance moves were unleashed.

After the dance-pop track “Dog Years,” the recent graduate offered a slow jam written for a crush entitled “Say It.” Wise beyond her years, Rogers pensively acknowledged not only how much has changed for her in the past year, but also the world itself. “Global grief hangs heavy as summer heat,” the first lines of “Hashtag,” rang especially true for the sunny front earlier in the day and the current political climate. She revealed that “Little Joys” was the first song she wrote in NYC and admitted the opening was inspired by Sharon Van Etten. Light on the material, a cover of Neil Young’s “Harvest Moon” was reimagined with dance beats ebbing and flowing into the folk-rock classic.

Before the final song, Rogers became teary and choked up recounting the times she had previously been to The Bowery Ballroom as an audience member. She pulled herself together, saying, “I really love making music,” and culminated the evening with the track that had left Pharrell virtually speechless. No longer a fledgling songwriter, the world awaits the next chapter of Ms. Maggie Rogers. —Sharlene Chiu

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Another Chance to See Big Wild Live in New York City

April 12th, 2017

Composer, DJ, engineer and producer Jackson Stell has been making hip-hop-influenced beats since his teenage years in Massachusetts, but he didn’t begin doing it under the name Big Wild until he’d relocated to the sunny climes of the Golden State in his twenties. Things began to take off for him once in Los Angeles—thanks to the release of several well-received singles—and the electronic musician toured with the likes of Odesza, Tycho, Pretty Lights and Bassnectar. Earlier this year, Big Wild (above, his video for “Aftergold”) released his first EP, Invincible (stream it below). “Critics have been lauding title track and first single ‘Invincible’ as being distinctly his own: lush and soaring, lithe chimes crowded out by fat brass on the chorus, hits of keys and burgeoning strings filling the in-between and the punch of Ida Hawk’s vocals atop it all,” according to Exclaim. “The track is good—really good—but second single ‘I Just Wanna’ throws down like no other, its slow, thick beat, chopped, repetitive vocals, blown-out synth breakdown and piano flourishes making it impossible to overlook.” So don’t overlook Big Wild when he plays The Bowery Ballroom on Friday night. Tennyson and IHF (Imagined Herbal Flowers) open the show. (Saturday’s appearance at Music Hall of Williamsburg is already sold out.)

Contest

Grow a Pair: Win Free Tickets to See Maggie Rogers on 4/12

April 11th, 2017

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Acclaimed singer-songwriter Maggie Rogers returns home this week to play The Bowery Ballroom tonight and Music Hall of Williamsburg tomorrow. Both appearances sold out quickly, but The House List is giving away two tickets to Wednesday’s show. Don’t have any and still want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Maggie Rogers, 4/12) and a brief message explaining your best idea of how to take advantage of this current run of warm weather. Eddie Bruiser, who’s always looking for a good idea, will notify the winner tomorrow. Good luck.

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Xenia Rubinos Stays Home to Play The Bowery Ballroom Tomorrow

April 11th, 2017

Brooklyn’s Xenia Rubinos is a talented singer-songwriter and multi-instrumentalist whose first LP, Magic Trix (stream it below), came out four years ago to a fair amount of acclaim. “She’s triumphed unambiguously: Magic Trix is a startling lightning bolt of a record,” raved Pitchfork. The big-voiced Rubinos (above, doing “Just Like I” for Audiotree TV) crafted her live show while touring in support of the album, thrilling audiences along the way with her take on rock, funk, jazz, hip-hop, Caribbean rhythms and electronics. And last spring, the energetic, engaging performer returned with her follow-up, Black Terry Cat (stream it below), again impressing the folks at Pitchfork: “Black Terry Cat is all about breaking beyond limitations. From mostly keys, drums and bass, Rubinos and her small cohort bring a funky fluidity to the bright splatters of her debut, and forge a level of inventiveness comparable to Esperanza Spalding’s recent epic, Emily’s D+Evolution.” And before she heads to Europe later this month, Rubinos plays The Bowery Ballroom on Thursday night. The Kominas and Starchild and the New Romantic open the show.