The Bowery Presents

Posts Tagged ‘Bowery Ballroom’

An Icon at The Bowery Ballroom

Thursday, December 31st, 2009

Patti Smith and Her Band - The Bowery Ballroom - 12/30/09

050331_artspattismith_vlwidecBefore she’d even stepped onstage last night at The Bowery Ballroom, for the second of three consecutive sold-out shows, Patti Smith had already had a big night. The documentary Dream of Life, which follows more than 10 years of her life and career, was making its television debut on PBS. And perhaps even more exciting, it was her 63rd birthday. Throughout the set, Smith was in great spirits, starting out with strong renditions of “Land” and “Gloria,” from her debut album, Horses. She constantly waved to the crowd, grinning, as if we were old friends, casually chatting us up about her love for doughnuts, a strange bug-related dream, her favorite toothpaste, plus many other non sequiturs. Smith’s daughter, Jesse, came out midway with a cake, and we all sang to Smith before she blew out the candles.

Although the show was a great celebration, Smith spent a significant portion of it reminiscing and honoring friends and loved ones who had passed away. In some cases, she read select passages from her forthcoming book, Just Kids, which depicted memories of them, one of which was a touching passage about her parents that set the tone for her song “Mother Rose.” Stories and songs were also devoted to Smith’s friends Robert Mapplethorpe, Jim Carroll and Vic Chesnutt, who had sadly passed just days earlier. Smith also worked in a cover of Michael Jackson’s “Billie Jean,” complete with props: She donned MJ’s signature white glove, but then put on another one, explaining, “I get two.”

That Smith’s nostalgia for her late friends would surface in the midst of this happy occasion was understandable. I am sure many of those in the crowd were missing friends and family as well, wishing they could have been there to experience her show with us. But I am certain our departed friends would have been pleased to see us last night, fans from many generations, all joyfully singing along as Patti Smith did a killer version of “Because the Night,” an excellent way to end a decade. —Alena Kastin

Grow a Pair: Win Free Tickets to See Patti Smith on 12/30

Monday, December 28th, 2009

grow_03_sm

The legendary Patti Smith is playing three sold-out shows at The Bowery Ballroom this week. Tickets obviously went quickly, but The House List is giving away two to Wednesday’s show. Want to Grow a Pair? Then just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Patti Smith, 12/30) and a brief message telling us what your favorite Patti Smith song is. Eddie Bruiser, a “Because the Night” kind of guy, will notify the winner by noon on Wednesday. Good luck.

Your Name (required)

Your E-mail Address (required)

Subject

Your Message

Harper Blynn - The Bowery Ballroom - December 17, 2009

Friday, December 18th, 2009

Harper Blynn - The Bowery Ballroom - December 17, 2009

Photos courtesy of Jen Macchiarelli | www.jennylow.com

Stellastarr* - The Bowery Ballroom - December 16, 2009

Thursday, December 17th, 2009

Stellastarr* - The Bowery Ballroom - December 16, 2009

Photos courtesy of Diana Wong | dianawongphoto.blogspot.com

The Antlers Finish the Year at Home

Wednesday, December 16th, 2009

The Antlers - The Bowery Ballroom - December 15, 2009

The Antlers - The Bowery Ballroom - December 15, 2009
As the year draws to a close, reflection is both natural and expected. The desire to contextualize events focuses our understanding of the past. Notably, in 2009, numerous bands rose to prominence by way of file sharing and blogs. These ever-expanding media outlets continue to expose music listeners to a host of new artists and groups. Among this year’s breakthrough performers, the Antlers, with their sophomore record, Hopsice, are an immediate standout.

With honest narratives and beautiful vocals, the album effectively captures the emotional toll involved with terminal illness. Consequently, the band and disc have garnered many fans and much praise. What is refreshing is that this does not appear to spoil the Brooklyn trio. During their packed show last night at The Bowery, frontman Peter Silberman earnestly and graciously proclaimed, “This is hands down the best year of my life.” It was abundantly clear that he and his bandmates, drummer Michael Lerner and keyboardist Darby Cicci, embraced their homecoming after a rigorous year of touring.

Admittedly, it felt a bit strange to see Silberman share such personal songs in the public realm. To go from the intimacy of experiencing the album on headphones to watching the Antlers live is a bit jarring. For their set, they carefully worked through the majority of Hospice, injecting distortion-saturated breaks between songs, which seemed overdone at times. But it appeared to engage the crowd throughout the show. The best moments came when Silberman’s vocals soared above the cymbal crashes and ambient melodies. The band transformed the folk-rock ballad “Two” into a powerful electric version, and much of the set shared this sonic quality, soft-to-loud musical movements. It is this dynamic that captures rise of the Antlers. —Jared Levy

Photos courtesy of Jen Macchiarelli | www.jennylow.com

Don’t Try to Grab This Bull by Its Horns

Monday, December 14th, 2009

Fiery Furnaces - The Bowery Ballroom - December 12, 2009

Fiery Furnaces - The Bowery Ballroom - December 12, 2009
It’s impossible to successfully sing along to a Fiery Furnaces show. Like foolishly climbing aboard an electric bull at a bar, no matter how well you think you can hold on, eventually, you will get thrown off. On Saturday at The Bowery Ballroom, I heard it happen to someone during a tempo-change curveball on “Charmaine Champagne,” an upbeat track from the band’s recent release, I’m Going Away. It’s a feat to keep up at all with the Fiery Furnaces’ lyrics—full of SAT words, obscure references and intricate storylines. Along with their wacky instrumentation and experimentation with musical styles (’70s smooth rock, ’60s psychedelic, angular art rock), these idiosyncrasies are what draw some people to the band and similarly alienate others.

Though focusing primarily on material from I’m Going Away, the Fiery Furnaces also worked renditions of older favorites from Widow City, Blueberry Boat, and Gallowsbird Bark into their set. As they played, brother and sister Matthew and Eleanor Friedburger barely looked at each other. Perhaps their effortless ability to navigate the music’s twists and turns can be attributed to some uncanny sibling telepathy. Matthew, on guitar and occasionally on backing vocals, sported a poker face for most of the show, even while pulling off complex guitar solos. The more expressive Eleanor stared intensely at the crowd while singing, emphatically gesturing to punctuate certain moments and enunciating those wordy lyrics with impressive accuracy.

But toward the end of the set, in the middle of an older song, Eleanor stepped away from the microphone and asked Matthew something. When he shrugged, she looked out into the crowd and asked, “Who’s the guy who requested this song? Maybe he can tell me the words to this next part.” While that person never came forward, somehow Eleanor summoned the lyrics. It was a tiny lapse in an otherwise seamless set. But it proved that if Fiery Furnaces can barely keep up with themselves, you shouldn’t even try. —Alena Kastin

Photos courtesy of Mina K

Mellow Mood

Thursday, December 10th, 2009

AA Bondy - The Bowery Ballroom - December 9, 2009

aa-bondy-acl
Prior to last night, I admittedly didn’t know much about AA Bondy other than that he was once the lead singer of the Southern grunge band Verbena, and that when they broke up, he went off on a solo career. His most recent album, When the Devil’s Loose, came out in September, and Bondy and his two accompanying musicians have been touring earnestly just about ever since. “This is how you go from Berlin to New York in 65 days, talking shit all the way,” said Bondy of the tour-ending show at The Bowery Ballroom.

Their first sounds were two minutes of a lush, ethereal instrumental opener. For the most part, Bondy and crew played intimate, well-written songs about dark topics—like on “Kill Myself When I Was Young” and “Vice Rag,” singing “Sweet, sweet cocaine/ Won’t you be all mine?” But by the third tune, a blast of harmonica, greeted with cheers, upped the room’s musical temperature. The Alabama-bred Bondy was chatty throughout. Between songs he said, “I do have to say the Crimson Tide are SEC champs, and Tim Tebow is crying at home.” Although he later admitted he didn’t care much about football except for the Tide’s “colors and Bear Bryant’s hat.”

Near the end of the set, the trio became just one as Bondy did several songs with just a guitar and harmonica. Often times, a quiet song at The Bowery is drowned out by loud conversations from the back bar. But this attentive crowd was remarkably still and silent, just taking it in. Bondy’s wingmen then returned and later Elvis Perkins in Dearland drummer Nick Kinsey, playing a marching bass drum with a cymbal attached, joined the mix. Bondy introduced “Oh the Vampyre” with: “Fuck Twilight. Having a werewolf and a vampire in the same movie is like mixing mayonnaise and Coke.” —R. Zizmor

Two Chances to See the Fiery Furnaces

Thursday, December 10th, 2009


This is the time of the year when people spend time—too much, perhaps—with their families. Well, imagine working with your sibling every day. That’s what brother and sister Matthew and Eleanor Friedberger do under the name the Fiery Furnaces. They grew up in a musical family in the suburbs of Chicago, but they started their band in, you guessed it, Brooklyn. Matthew handles the majority of the songwriting and in-studio instrumentation, while Eleanor is in charge of the vocals—but the group performs as a foursome in concert. Their debut album, Gallowsbird’s Bark, came out in 2003, and, with their garage-blues sound, the Fiery Furnaces instantly earned comparisons to the White Stripes. They’ve since released a handful of singles, a live disc and seven more studio albums (one featuring their grandmother), the two most recent of which, I’m Going Away and Take Me Round Again, came out in July and November, respectively. With plenty of new material, the Fiery Furnaces are spending their weekend in New York City, tomorrow at Music Hall of Williamsburg and on Saturday at The Bowery Ballroom. See them, above, playing “Ex Guru” in studio for KCRW and then go see them in person.

See AA Bondy Tomorrow Night

Tuesday, December 8th, 2009


Scott Bondy was a member of the early-’90s Birmingham, Ala., band Verbena. When they broke up several years ago, Bondy emerged through Verbena’s distorted-guitar, Southern-grunge sound with a new first name—AA—and a different musical focus—blues, folk and country but with his same smooth voice. He cut his first solo album, American Hearts, in home studios in Mississippi and upstate New York, and it was eventually released on Fat Possum Records. Pleased with the results, Bondy recorded another album of taut storytelling, When the Devil’s Loose, which came out in September. He’s been touring in support of the album ever since. And that tour closes tomorrow night at The Bowery Ballroom. Check out AA Bondy, above, playing “I Can See the Pines Are Coming” for the Trip Wire and then do yourself a favor and go see him play live.

Win Tickets to See Jeff the Brotherhood on 12/7

Friday, December 4th, 2009


Performing as Jeff the Brotherhood, brothers Jake (vocals and guitar) and Jamin (drums) Orrall began playing shows in Nashville in 2006. Their lo-fi “psychedelic-grunge” sound found them playing basements, bars, galleries and pretty much any other place that would have them. But pretty soon, that we’ll-play-anywhere work ethic and their take-no-prisoners attitude won the Orrall boys a loyal following. They’ve since released a full-length album, Heavy Days, on their family-run record label, Infinity Cat.

Jeff the Brotherhood, above, playing “Heavy Days,” opens for Ted Leo and the Pharmacists at The Bowery Ballroom on Sunday, which is sold out. But have no fear ’cause they also play Mercury Lounge on Monday, and it just so happens that The House List is giving away a free pair of tickets. Want to go? Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Jeff the Brotherhood, 12/7) and a brief message telling us why you deserve a free Monday night out on us. The winner will be notified by noon on Monday.

Your Name (required)

Your E-mail Address (required)

Subject

Your Message

Elvis Perkins in New York City

Wednesday, December 2nd, 2009


Last time Elvis Perkins in Dearland was in town, back in March, the show somehow ended literally underground in the JMZ subway station across the street from Bowery Ballroom. A small group of musicians—members of Dearland and opener Himalayas (who also open Saturday’s show)—played unplugged with an equally small crowd clapping, dancing and singing along as the late-night MTA platform power washers gawked. It was a show that didn’t want to end.

Since then, I’ve seen Perkins and Co. play a surprising, pitch-perfect cover of Del Shannon’s “Runaway” in the early-afternoon Tennessee sun at Bonnaroo and invite the 20-plus choir of the Shape Note Singers to join them onstage in a powerful moment at the Newport Folk Festival in August. Which is all a way of saying that it might be hard to predict what you’ll see when the band returns this weekend for gigs at Bowery Ballroom and Music Hall of Williamsburg.

I can predict music that transcends Perkins’ unique backstory, plenty of material off of the terrific Elvis Perkins in Dearland, and the just-as-strong follow-up Doomsday EP, and, if we’re lucky, another chills-inducing version of one of the best songs ever written about 9/11, “While You Were Sleeping.” Check out Elvis Perkins in Dearland, above, playing “Shampoo” for Rolling Stone. And then see them live on Saturday at Music Hall of Williamsburg. (Friday’s show is sold out.) —A. Stein

Julian Plenti - The Bowery Ballroom - November 24, 2009

Thursday, November 26th, 2009

Julian Plenti - The Bowery Ballroom - November 24, 2009

Photos courtesy of Diana Wong | dianawongphoto.blogspot.com

Two Nights of Stephen Kellogg and the Sixers

Tuesday, November 24th, 2009

Stephen Kellogg’s childhood interests in music included singer-songwriter fare, like that of Jim Croce and Cat Stevens, alongside hair-metal bands, like Bon Jovi and Mötley Crüe, which probably explains why his songs are intimate and personal while his live shows with the Sixers are energetic and passionate. Although just one band member’s name is featured in Stephen Kellogg and the Sixers, the group is definitely the sum of its parts. Like their heroes the Band (they even have a live DVD called The First Waltz), the SK6ers play a wide range of instruments: Kellogg covers guitar, harmonica and kazoo, Kit “Goose” Karlson handles keys, bass, tuba and accordion, Brian “Boots” Factor plays drums, mandolin and banjo, while Sam Getz is a guitarist, but a really good one. See Stephen Kellogg and the Sixers, above, playing “Shady Esperanto” in studio for KINK FM in Portland, Ore., and then do yourself a favor and see them play live on Friday and Saturday at The Bowery Ballroom.

Blind Pilot - The Bowery Ballroom - November 19, 2009

Friday, November 20th, 2009

Blind Pilot - The Bowery Ballroom - November 19, 2009

Photos courtesy of Greg Notch | photography.notch.org/music

Meat and Greet: Meet the Meat Puppets

Wednesday, November 18th, 2009

the Meat Puppets
CONTEST ALERT! Win special prizes from the Meat Puppets. We’ll be giving away an amazingly cool autographed poster featuring the LP cover for Meat Puppets II to two lucky winners. Two other winners will receive an autographed CD of the new Meat Puppets LP, Sewn Together, and all of the winners will get a private meet and greet with the Meat Puppets. All you have to do is purchase your ticket for the band’s show at The Bowery Ballroom on Wednesday, November 25th, ONLINE through Ticketmaster.com, and you’ll be entered for a chance to win. The winners will NEED to be at the show to receive their prizes. Existing ticket purchasers will automatically be entered in the drawing. All winners will be notified via e-mail by 6 p.m. next Monday. Good luck.

Spend the Weekend with Art Brut

Friday, November 13th, 2009

Eddie Argos of Art Brut is not kidding. That is the first thing to know: He is not kidding. At all. He is a new style of frontman in a new-style rock band, all aimed at being able to kill hype, crush backlash and traffic in an irony so deep that it finds pay-dirt seriousness. On Art Brut’s first record, the appropriately titled Bang Bang Rock & Roll, released in 2005, Argos waxed philosophical about this new approach: “And yes, this is my singing voice/ It’s not irony/ It’s not rock and roll/ We’re just talking to the kids.”

It wasn’t quite Will Ferrell’s Burgundy-isms (“Milk was a bad choice.”)—true statements that end up being funny. Argos was more in the market of convincing us that serious statements could actually be serious again. It was a challenge, how to take potentially ironic lyrics like “Modern art makes me/ Want to rock out” seriously, but anyone who has seen the band live already knows Argos is very much not kidding. Even when he is being funny, taking on the absurd rise of Kings of Leon, you get the sense that his goal is to do something more difficult: Acknowledge the absurdity of rock and roll without sneering at the kids he wants to move. All this manages to make the world safe for humor and straight faces each, but at no point is it a laughing matter. It’s just talking to the kids. —Geoff Nelson

(Art Brut plays Brooklyn Bowl tonight and The Bowery Ballroom on Sunday. See them, above, playing “DC Comics and Chocolate Milkshake,” off their newest disc, Art Brut vs. Satan, in studio for Seattle’s KEXP.)

A First Date with the XX

Thursday, November 12th, 2009

The XX/Jon Hopkins - The Bowery Ballroom - November 11, 2009

(Photo: Mina K)

(Photo: Mina K)

The XX show that sold out Mercury Lounge last night, and then subsequently The Bowery Ballroom, was one for the pretty people. It was a scene, but it was all the better thanks to the eye candy! Pretty people have good taste in music, too. Anyhow, Jon Hopkins, the opener, definitely deserves a mention because his fantastic mixing of melodies and crazy beats was unassuming, yet it totally entranced the jaded hipsters (some of whom even danced!) waiting for the headliners.

It was my first time seeing the XX live, in spite of the number of shows they have played in NYC over the last few months. At the start of their set I thought they sounded a bit forced, almost metronomic, and I kept wanting them to slip up. This distance, however, seems to be a calculated effort. Their seductive vocals are perfectly counterbalanced by the bass and synth beats, so seeing them live is, in the words of a friend, much like a first date—the initial impression is great, but the future potential is all in your imagination. This dynamic creates a very interesting energetic suspension, particularly on songs like “Basic Space,” and their closer, “Stars.” Listeners are drawn to the songs but slightly rebuffed before they can get inside them. Overall, the appeal of a band like the XX is much like the promise of a kiss (or more) at the end of the night—always something to look forward to, whether or not it actually happens. —Anna Loosli

(Jon Hopkins opens for the Asteroids Galaxy Tour tonight at Mercury Lounge.)

© 2009

"));