Tag Archives: Bowery Ballroom

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Magic Giant Headline The Bowery Ballroom Tomorrow Night

June 19th, 2017

Austin Bisnow (vocals and guitar), Zambricki Li (banjo, mandolin and fiddle) and Brian Zaghi (bass and guitar) formed the folk-revival outfit Magic Giant three years years ago in Los Angeles. Mixing acoustic instruments with electronics into a sort of folk-rave sound, the engaging trio has won over crowds with their hook-laden anthemic songs, inspiring sing-alongs wherever they play—their energetic live shows usually turning into a foot-stomping dance party, earning comparisons to Mumford & Sons and the Lumineers in the process. Magic Giant’s debut full-length, In the Wind (stream it below), dropped last month. “The band blends folk and pop in equal doses, creating killer harmonies, intriguing instrumental accompaniment, literally using any instrument they happen to find, including drums, banjo, trumpet, saxophone, harmonica, synthesizers, electric bass, cello, viola, violin, dobro, lap steel, mandolin and more,” says PopMatters. “Their sound is huge and features melodies that soar to majestic heights, and the way the album was created has a lot to do with that.” Making their way across America in support of the new tunes, Magic Giant (above, performing “Set on Fire” in studio for JBTV) headline The Bowery Ballroom tomorrow night. Local six-piece the Ludlow Thieves open the show.

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Great Good Fine OK Play Two Hometown Shows This Weekend

June 15th, 2017

Influenced by the likes of Prince, Michael Jackson and Chaka Khan, Jon Sandler and Luke Moellman—who met through a friend in common—have been deftly mixing disco, pop and synths as the Brooklyn electronic duo Great Good Fine OK (above, performing “Always” live for Baeble Music) since forming in 2013. Their newest EP, III (stream it below), arrived just after the start of the New Year. And they’re finally back in their hometown this week for a pair of shows, tomorrow at Rough Trade NYC and then at The Bowery Ballroom on Saturday night. Soulful singer-songwriter Morgxn opens each performance.

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John Moreland Converts the Masses at The Bowery Ballroom

June 8th, 2017

John Moreland – The Bowery Ballroom – June 7, 2017


John Moreland writes songs of redemption, songs written for the downtrodden that are so white hot with purpose they straddle the line between cautionary tales and gospel. Armed with a voice that conjures up how the Boss might sound after a bad night and the vindicated pessimism of Townes Van Zandt, Moreland doesn’t tug at your heartstrings as much as he eviscerates them. In his interview on the podcast Walking the Floor with Foo Fighters lead guitarist—and country music aficionado—Chris Shilett, Moreland explained that he had cut his teeth on punk and hardcore early in life, but everything had changed as soon as he heard the music of Steve Earle. After listening, Moreland quickly got it into his head that he could write songs that could equal Earle’s power and started recording and touring the country nonstop. After years of paying his dues, the Tulsa, Okla., singer-songwriter recently signed with 4AD for his third album, Big Bad Luv, and brought his tour to a packed Bowery Ballroom last night.

Will Johnson played solo to open the show. With a deep D-tuned guitar and a voice as rough as a tree trunk after a chainsaw exposed its bare wood, he mesmerized the audience with songs from his solo career as well as his criminally underrated band Centro-matic. The highlight was his meditation on loss, “Just to Know What You’ve Been Dreaming,” with the refrain “But when you’re not around, nothing makes a sound” landing like a slow moving haymaker. And then when John Moreland began, you could practically hear teardrops falling into beer glasses between the notes throughout the Bowery Ballroom. Accompanied by fellow singer-songwriter John Calvin Abney on lead guitar, harmonica and piano, Moreland ran through his songbook with efficiency, barely taking the time to address the crowd. Not that the audience needed anything more from him as everyone in the venue was completely captivated as soon as he sat down in his chair to play.

Moreland’s songs did the heavy lifting, and he showcased old favorites from In the Throes, High on Tulsa Heat as well as Luv. The best song of his main set was the new song “Lies I Chose to Believe,” which took on a new life live, stripping away the full-band arrangement and allowing his words to dig in deeper than they could on record. Moreland’s brief encore consisted of two songs from his breakthrough, In the Throes, “Break My Heart Sweetly” and “I Need You to Tell Me Who I Am,” which had the crowd clamoring for more. After the show, the audience quickly formed a massive line heading down to the merch table on the first floor. It was easy to see that if anyone had never heard of Moreland before this show, they had just been converted. —Patrick King | @MrPatKing

 

 

 

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Brother Ali – The Bowery Ballroom – May 31, 2017

June 1st, 2017


Photos courtesy of DeShaun Craddock | dac.photography

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Reeve Carney Returns to NYC to Headline The Bowery Ballroom

May 31st, 2017

Singer-songwriter Reeve Carney (above, performing “Truth” for Balcony TV, and, below, covering “Hallelujah”) grew up in the West Village equally interested in music and acting. So it’s as likely you’d know him for starring in Spider-Man: Turn Off the Dark on Broadway or as Dorian Gray on Penny Dreadful as you would for touring as part of Jonny Lang’s band or fronting the L.A. quartet Carney, mixing pop and rock with what AllMusic calls “California psychedelia and Southern-styled stomp.” Last year, Carney—the man, not the band—put out his debut solo album, the pop- and blues-infused Youth Is Wasted (stream it below). And his North American tour in support of it brings him back to New York City to play The Bowery Ballroom tomorrow night.

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Kevin Morby Sells Out The Bowery Ballroom Ahead of New Album

May 25th, 2017

Kevin Morby – The Bowery Ballroom – May 24, 2017


Kevin Morby’s upcoming album, City Music, is an ode to this country’s metropolises, especially New York City. Fulfilling a “dream come true,” he played a packed Bowery Ballroom on Wednesday night, featuring many songs from the new record and filling them with the tangled, contradictory energy of the city. Morby opened with the title track, singing, “Oh that city music, oh that city sound,” two guitars jostling like taxis down an avenue, the music setting the audience in that liminal space between sway and dance before finally kicking into a double-time, double-energy finish that pushed things over the edge. The rest of the show seemed to teeter like this, Morby and the band itself like a city between night and day, romance and stoicism, dreams and reality.

Morby got his start in Woods and it felt appropriate that his band was made up of musicians who either came from other groups or are on their way to solo careers, including Nick Kinsey (Kinsey) on drums, Meg Duffy (Hand Habits) on lead guitar and Cyrus Gengras on bass. Together they were formidable, as equally comfortable creating hypnotic soundscapes as they were unleashing full-on guitar jams. The highlights featured all facets and more, like “Destroyer,” “Harlem River” and “I Have Been to the Mountain,” each opening into a variety of surprises, funky or thoughtful or full-on psychedelic. As inspired as the band was, Morby’s songs stood on their own and “Beautiful Strangers,” played solo “for Manchester,” resonated with every lyric.

I couldn’t have been the only one in the sold-out room who picked up on shades of Bob Dylan and Lou Reed in Morby’s songwriting and voice as he sang songs about New York City, like “Parade” and the album-closing “Downtown’s Lights,” in New York City. So, it was not a surprise, but no less satisfying when he covered a song by each, closing the set solo on a Dylan-birthday tribute of “Tonight I’ll Be Staying Here with You” and finishing the three-song encore with a cover of Velvet Underground’s “Rock and Roll.” For the latter, Morby brought out Sam Cohen on third guitar, creating an appropriately city-sized noise to end the night. —A. Stein | @Neddyo

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A Reunited Piebald Play Music Hall of Williamsburg Tomorrow Night

May 24th, 2017

Travis Shettel (vocals and guitar), Andrew Bonner (bass), Aaron Stuart (guitar) and Luke Garro (drums)—ultimately replaced by Luke Garro—were in high school outside of Andover, Mass., when they formed the emo, post-hardcore band Piebald more than 20 years ago, combining “a goofy sense of sarcasm and wit with big, fuzzy guitars and hooks aplenty,” according to Stereogum. They quickly became a prominent presence in Boston’s indie-rock scene thanks to their upbeat live performances. Piebald (above, doing “American Hearts”) put out five studio full-lengths, the last of which, Accidental Gentleman (stream it below), came out 10 years ago, before amicably breaking up in 2008 (playing one of their last shows at The Bowery Ballroom). They briefly got together to play Bamboozle in 2010, but last year they returned with a reunion tour, and as part of an East Coast run, Piebald play Music Hall of Williamsburg tomorrow night.

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Delta Rae – The Bowery Ballroom – May 22, 2017

May 23rd, 2017


(Delta Rae play Music Hall of Williamsburg on 8/15, tickets on sale tomorrow at noon.)

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Nick Hakim Celebrates New Album at The Bowery Ballroom

May 18th, 2017

Nick Hakim – The Bowery Ballroom – May 17, 2017


Brooklyn-based Nick Hakim grew up in Washington, D.C., and matriculated from the famed Berklee College of Music before settling in New York City. He has a throwback feel to his vocals, with R&B grooves and good ol’ Motown sensibilities. Jazz influences are also heard, which makes sense as he recently completed a short residency at the Blue Note. And his pair of EPs, Where Will We Go, Pt. 1 and Pt. 2, have garnered considerable praise. Hakim’s upcoming full-length album, Green Twins, was born in a Brooklyn bedroom, and he’s described its influences as “if RZA had produced a Portishead album.”

Last night—two days before his LP’s release—Hakim graced the stage of The Bowery Ballroom. Opening with the title track, he quickly enraptured fans as his mellifluous voice lulled the room. The singer-songwriter managed to dip into his older material, producing “Cold” and the crowd-pleasing “I Don’t Know.” Hakim had lost his glasses and remarked that he couldn’t see, but who needs to see when you have an R&B voice that transmutes hefty doses of soul. Guitarist Joe Harrison took the “oldie” away with a soaring solo.

Midway through the set, pianist Jake Sherman offered up a heavily Auto-Tuned rendition of the Beatles“Yesterday.” The remainder of the performance was largely an introduction to his soon-to-be release, from the lilting “Needy Bees” to “Farmissplease,” which had the audience bopping to the percussion. There would not be an encore, but it’s plain to hear that the the Brooklynite’s neo-soul styling’s ushered in a unique take for this summer’s soundtrack. —Sharlene Chiu

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Holy Fuck Close Out Run of Shows Thursday at The Bowery Ballroom

May 17th, 2017

Without using laptops or programmed backing tracks, Toronto electronic-rock ensemble Holy Fuck—currently Brian Borcherdt (keys and effects) and Graham Walsh (keys and effects) with Matt McQuaid (bass) and Matt Schulz (drums)—have been getting fans to the dance floor with their (often improvised) lo-fi electronic performances since forming back in 2004. Holy Fuck’s first recorded work, an eponymous LP (stream it below), came out a year later. “In a style of music that’s mostly created by pressing buttons and manipulating touch screens, the drummer-powered, live-in-the-studio feel of Holy Fuck provides both musical excitement and textural variety missing from most similar electro-dance albums,” per AllMusic. Last year, Holy Fuck (above, performing “Tom Tom” for KEXP FM) released their fourth full-length—the first since 2010. “Here we have Congrats, a record which sees them perfectly, finally, in balance between their jazzy, wiggy madness and their strangely melodic sensibilities,” gushed Drowned in Sound. “It’s good to have you back, Holy Fuck, and it’s a relief to say that the six-year wait for Congrats is most definitely worth it. For all their weirdo mangled machine noise, it feels like they’ve reached a beautiful plateau, a perfect crossroads between all their disparate elements, finely tuned and full of vigour.” They close out their May tour on Thursday night at The Bowery Ballroom. Toronto trio Odonis Odonis open the show.

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Bishop Briggs – The Bowery Ballroom – May 9, 2017

May 10th, 2017


(Bishop Briggs plays Music Hall of Williamsburg tonight.)

Photos courtesy of DeShaun Craddock | dac.photography

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North Mississippi Allstars Play The Bowery Ballroom Tomorrow Night

May 10th, 2017

In baseball, you’ve got your all-stars and you’ve got your veteran journeymen. In Southern rock, you’ve got North Mississippi Allstars (above, performing “Rollin’ and Tumblin’” for Jam in the Van), who after two decades of nearly constant round-the-world-several-times-over touring, playing and recording—together and apart—collaborating with other musicians or just straight-up, are still in the upper echelon of the genre. The brothers Dickinson, Luther and Cody, show no signs of losing their edge, back with their potent, swampy blues on their upcoming album Prayer for Peace, out next month. They return to The Bowery Ballroom Thursday night, and you should expect the wily moves of a crafty veteran and the long-ball power of the game’s best. —A. Stein | @Neddyo

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Pond – Music Hall of Williamsburg – May 9, 2017

May 10th, 2017


(Pond play The Bowery Ballroom tonight.)

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Pond Celebrate New Album with a Pair of NYC Shows Next Week

May 4th, 2017

When you think about psychedelic rock from Perth, Australia—assuming you do think about psychedelic rock from Perth, Australia—Tame Impala probably come to mind first. And so a pair of touring members of Kevin Parker’s acclaimed outfit, Nick Allbrook (vocals, guitar and keys) and Jay Watson (guitar, vocals and drums), teamed up with Joe Ryan (guitar, bass and vocals) and Jamie Terry (keys, synths and bass) to form the psych collective Pond nine years ago in order to play with anybody they wanted. The band began releasing a host of singles, EPs and LPs in 2009, and their sixth full-length studio album, Man It Feels Like Space Again (stream it below), came out two years ago to some considerable acclaim. “Classic rock touchstones are intrinsic to Pond, but they shove them into futuristic territory—gifted musicians unafraid to indulge their flights of fancy,” said Rolling Stone. “This balance of playfulness and serious is Pond’s carnival act, but it’s their mastery of it on Man It Feels Like Space Again that makes it so damn fun—and Pond so very exciting.” Their newest album, The Weather (produced by Parker), comes out tomorrow. “The Weather is chaotic, confrontational and compelling,” says the AU Review. “Episodes of chaos are met with equal parts clarity and discovery, as we navigate through Pond’s transportive world of psychedelic rock.” And Pond (above, performing “30,000 Megatons” live for the French televison series Le Grand Journal) celebrate its release on Tuesday at Music Hall of Williamsburg and then again on Wednesday at The Bowery Ballroom. Australian singer-songwriter Kirin J Callinan opens both shows.

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You Me at Six Bring a New Album to The Bowery Ballroom on Monday

May 4th, 2017

Formed in Southeast England in 2004, You Me at Six—Josh Franceschi (vocals), Max Helyer (guitar), Chris Miller (guitar), Matt Barnes (bass) and Dan Flint (drums)—broke into the mainstream with the release of their first full-length, Take Off Your Colours (stream it below), four years later. The Guardian compared them to Fall Out Boy, adding, “The world may be ever-changing, but teenage angst is common to every generation. Surrey emo kids You Me At Six wear theirs with pride.” Earlier this year, the band (above, performing “Swear” for BBC Radio 1) put out their fifth studio album, Night People (stream it below), which finds them in darker, heavier territory. “Perhaps Night People isn’t the album we were expecting from YMAS, but it is the one they wanted (and arguably needed) to make right now. Crammed with skyscraping melodies and moments of spine-tingling poignancy, it stands them in the best possible stead for packing out stadiums and headlining festivals in the near future,” said Rock Sound. “They’ve fulfilled their side of the bargain with these 10 songs. Your move, world.” Touring America in support of their new music, You Me at Six play The Bowery Ballroom on Monday night. And the Score open the show.