Tag Archives: Broken Social Scene

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The House List Is Heading Back to SXSW

March 8th, 2011


March has begun, which means a few things: We change the clocks soon, the NCAA Tournament is fast approaching and The House List is headed back to SXSW next week. We’ll be setting up camp again at IFC’s Crossroads House on Sixth and Brazos, and we’ll be keeping you up to date with everything happening 3/16-18. We’ve got a great lineup of interviews and performances, including Brett Dennen, Portugal. The Man, Lupe Fiasco, Young the Giant, City and Colour, Little Dragon, Emmylou Harris, Fitz and the Tantrums, Liz Phair, Sharon Van Etten, the Rural Alberta Advantage and Wild Flag. And we’ll have links to live streams, interviews and plenty of photos. So make sure you tune in! In the meantime, check out Broken Social Scene, above, playing “Texico Bitches” at last year’s SXSW.

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Watch Broken Social Scene’s Entire Show from Last Week

January 25th, 2011


Broken Social Scene (above, doing “Water in Hell”) is known far and wide for their big sound and great live performances, and they certainly didn’t disappoint last week at Terminal 5. Those in attendance were blown away, as was the online audience. And since it was such a stellar night, we want you to have the chance to relive it—or see it for the very first time. Either way, head to our YouTube channel and check out this entire show!

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Broken Social Scene Electrifies Terminal 5

January 19th, 2011

Broken Social Scene – Terminal 5 – January 18, 2010

Broken Social Scene - Terminal 5 - January 18, 2010

Last night, Broken Social Scene, the seasoned Canadian indie-rock collective, broadcast their show from Terminal 5 to an Internet-wide YouTube-viewing audience. On backlit screens around the world, I imagine small but impassioned groups of fans connected to the stream, speakers turned up and eyes fixed on the performance. As digital music forces record companies to amend outdated practices perhaps this is the new fan experience: concerts from the comfort of your own home. Nothing else seems to be sacred, so the live show is the next logical step for digital revamping. But the experience of a concert, the “being there” quality ranging from sound to the energy of the crowd, is irreproducible. Just ask anyone who was at Terminal 5 last night.

Over nearly two-and-a-half hours, Broken Social Scene dug deep into their expansive catalog. While the majority of the set covered the band’s most recent album, Forgiveness Rock Record, “Guilty Cubicles,” “Cause = Time” and “Fire Eye’d Boy,” from their first three albums, respectively, stood alongside newer songs with equal if not greater passion and interest. Even “Canada vs. America,” a rarely played track from EP to Be You and Me, was revived in part due to the rise of the Tea Party, according to frontman Kevin Drew.

Drew, the band’s cofounder along with bassist Brendan Canning, ostensibly stole the show. For “Lover’s Spit,” he solitarily played the introduction on keyboard, and at the close of “Superconnected,” the showstopper dedicated to a friend’s passing, Drew strummed out the song on electric guitar. He even got the big rock and roll moment on “Ungrateful Little Father” when he dove into the crowd. But, ultimately, the night belonged to those onstage and although Drew joked that each of their songs sounds like the end of the show, the band actually closed with a wonderful cover of Smokey Robinson’s “Ooh Baby Baby” (with the opener, Brooklyn’s Here We Go Magic) and a subdued version of “Stars and Sons.” These songs, an encore after the end of the stream, further proved that “being there” is worth the price of admission. —Jared Levy

Photos courtesy of Gregg Greenwood | www.gregggreenwood.com

Tune In to Broken Social Scene Tonight at Terminal 5

January 18th, 2011


Broken Social Scene takes the stage tonight at Terminal 5, and if you’ve had the good fortune to see them before, you already know that with their big-band sound and high-energy performances, they’re a don’t-miss band. Some tickets are still available, but if you can’t be there in person—or don’t live in New York City—you’re in luck because this show will stream live beginning at 9 p.m. on our own Youtube channel. Make sure you don’t miss out on any of the action!

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Grow a Pair: Win Free Tickets to See Broken Social Scene on 1/18

January 17th, 2011

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Just because the Broken Social Scene show at Terminal 5 tomorrow night will stream live on our very own Youtube channel doesn’t mean you shouldn’t be there in person. So The House List is giving away two tickets. Want to Grow a Pair? Then just fill out the form below, including your full name, e-mail address, which show you’re trying to win tickets to (Broken Social Scene, 1/18) and a brief message explaining why Rex Ryan’s boastful chatter has been good for the Jets. Eddie Bruiser, who’s headed to Pittsburgh, will notify the winner tomorrow. Good luck.

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Don’t Miss Broken Social Scene Next Tuesday

January 11th, 2011

The Canadians are coming! The Canadians are coming! Broken Social Scene plays Terminal 5 next Tuesday. And if you’ve seen them before, you already know their shows, packed with that great big-band sound, are not to be missed. But if for some reason you do have to miss this one, you’re in luck because the show will stream live on The Bowery Presents’ very own Youtube channel beginning at 9 p.m.

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Big Band, Big Sound, Big Night

September 20th, 2010

Broken Social Scene – SummerStage – September 18, 2010

Broken Social Scene - SummerStage - September 18, 2010
Labor Day has come and gone, but summer technically lives on. The weather cooperated on Saturday, and an outdoor party in Central Park with Broken Social Scene providing the soundtrack was a brilliant idea. Bathed in red light and wasting no time, the Toronto collective launched into “KC Accidental,” the kind of anthem with which normal rock bands close their big-time NYC gigs. Of course, BSS is no normal rock band, and sometime between the blistering three-guitar start and the pogoing, fist-pumping finish, the number of musicians onstage doubled, with horn players and guitars everywhere you looked.

Later on, after an especially powerful “Cause = Time,” frontman Kevin Drew introduced himself to a horn player he said he’d never met. “This type of thing happens all the time in Broken Social Scene,” he exclaimed, and no doubt it does. The music was a magnet for more music and more musicians to make it. And there were enough on hand for a tour de force middle section of “Art House Director,” “Hotel” and “Romance to the Grave.” The latter was perfectly atmospheric and well served by the Sam Prekop’s vocals. In the opening slot, his band, the Sea and Cake, was a perfect foil. Their sound was slim and clean, a late-summer breeze floating on Prekop’s vocals and Archer Prewitt’s drifting guitar. Their bandmate John McEntire was an honorary BSS member for the night, providing double drumming on highlight after highlight.

The sound was big and when coaxed by the soundman to throw caution to the wind and just pay the fine for excessive volume, Drew and Co. didn’t require any arm-twisting, screaming out “Superconnected” with plenty of Andrew Whiteman guitar solos. Pushing up against curfew, even the encore was larger than life: four songs—each of which would have done the trick on its own—anchored by Whiteman’s beautiful “Looks Just Like the Sun.” Summer may have saved its best for last. —A. Stein

Photos courtesy of Gregg Greenwood | www.gregggreenwood.com

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Broken Social Scene – Webster Hall – May 7, 2010

May 10th, 2010

Broken Social Scene - Webster Hall - May 7, 2010

Photos courtesy of Gregg Greenwood | www.gregggreenwood.com

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SXSW – Friday

March 19th, 2010
Zooey Deschanel

Zooey Deschanel

Only one more day left at the IFC Crossroads House, and today will be tough to beat. The interesting Aussie music collective the Middle East led off the day. M. Ward and Zooey Deschanel—She & Him—played with a backing band in the early afternoon. The sun was shining all day. People spilled out of work early, plus there are so many people in from out of town. So the IFC Crossroads House was packed all day. And everyone was pretty excited for Broken Social Scene. As always, they were great live, but they also proved to be hilariously entertaining. We headed back out to see other bands around town, and then we returned for the Whigs. I’d seen them play after Dawes at Lambert’s a couple of days ago. Just like then, the power trio killed it. Definitely check them out the next time you can. And you can check them out—plus all of the other action—tonight on IFC at 10 p.m. —R. Zizmor

Photo courtesy of Chris Reddish

The Bowery Presents Heads to Austin, Tejas

March 16th, 2010

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We’re bringing music to the Crossroads House in conjunction with the IFC, above, plus we’ve got our own showcase on Thursday night at Emo’s, below. Don’t be a stranger. Come check us out!

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Still Life Still Takes Residency at Mercury Lounge This Month

January 5th, 2010


After making their NYC debut at this past October’s CMJ Music Marathon, Still Life Still is returning with a residency at Mercury Lounge, playing four nights in January, beginning tomorrow, when they open for Des Roar—plus headlining the early show on the 13th, opening for Freelance Whales on the 20th and opening the late show for Blip Blip Bleep on the 29th. The Toronto quintet, musically reminiscent of Arts and Crafts labelmate Broken Social Scene, put out both their first EP, Pastel, and LP, Girls Come Too, last summer. And now they’re bringing that music here this month before heading out on a U.S. tour with Wild Beasts (including a show at The Bowery Ballroom on February 26th). Check out Still Life Still playing “Pastel,” above, and then do your best to see then in person this month.

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Five Questions with…Amy Millan

November 4th, 2009
Amy Millan

(Photo: Courtesy Arts & Crafts/Finn O’Hara)

Amy Millan is a singer and guitarist best known for her work with the bands Broken Social Scene and Stars. But she’s also plenty accomplished on her own. Her first album, the roots-rock-filled Honey from the Tombs, came out in 2006. And she released her second solo effort, the spare Masters of the Burial, in September. As is usually the case, an accompanying tour has followed, which brings her to Mercury Lounge tomorrow night. But we wanted to hear what she had to say before then, and Millan—who claims her biggest nonmusical talent is “making soup”—was nice enough to answer Five Questions for The House List.

What’s the best part of playing New York City?
The first time I came to New York many years ago, I knew its reputation as being rude. I found it to be the opposite. It’s extremely friendly compared to say, Toronto. People don’t live in fear, so it’s easy to have random chats about random topics with strangers, if you aren’t an asshole.

What’s your favorite place in New York City to hang out? And do you ever feel like you could live here?
Angel’s Share, Central Park, Babbo to name a few. If I ever become a millionaire, I will definitely get a flat and spend more time there.

Do you have to be depressed to write a sad song? Do you have to be in love to write a love song? Is a song better when it really happened to you?
There is a current of all emotion that you can dip your fingers into at any time if you wish to. There is a world sadness that is ever-present. So no, I don’t find I need to feel depressed to write a sad song. As with the last question, love is everywhere. Even in the gutter. It’s all happening to me. Even if it’s my reaction to someone else’s story, it’s still being interpreted by my feelings.

Your after-party is at Hi-Fi, the Avenue A bar known for its endless jukebox, and The House List gives you a buck. Which three songs are you playing?
“Lovely Day” by Bill Withers, “Only You Babe” by Curtis Mayfield and “The Whole World” by OutKast.

It’s 4 a.m. and last call has come and gone. What’s your next move?
Well if for some insane, drug-related reason I was not already in bed, then out the guitars would come and we would sing until the sun came up. —R. Zizmor