Tag Archives: Brooklyn

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Mutemath – Brooklyn Steel – September 20, 2017

September 21st, 2017


Photos courtesy of Joe Papeo | www.irocktheshot.com

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The Horrors – Rough Trade NYC – September 18, 2017

September 19th, 2017


Photos courtesy of Dana (distortion) Yavin | distortionpix.com

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Tei Shi Plays a Hometown Show at Music Hall of Williamsburg

September 19th, 2017

Singer-songwriter Valerie Teicher grew up in Bogotá, Colombia, and Vancouver, B.C., before heading to Boston to attend the prestigious Berklee College of Music. She’s since brought her keen pop sensibilities to Brooklyn, recording and performing as Tei Shi. And after gaining notice with the release of several singles and a pair of EPs, her acclaimed debut full-length, Crawl Space (stream it below), was released this past March. “Loaded with vocal hooks, sassy, R&B-infused performances and textured, groove-powered tunes, it’s a hypnotic set that’s definitely got its own thing going on,” says AllMusic. “Her bijou brand of left-field R&B shares space with Chairlift or Little Dragon,” adds the Observer. Now out on the road in support of the LP, Tei Shi (above, performing “Say You Do” live in studio for KEXP FM) comes home to play Music Hall of Williamsburg on Wednesday night. Los Angeles singer-songwriter and multi-instrumentalist Lawrence Rothman opens.

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Catch the Tallest Man on Earth with yMusic Live at Pioneer Works

September 18th, 2017

Although diminutive in stature, Kristian Matsson is the Tallest Man on Earth with a booming voice that commands even the biggest of stages. The Swede has a knack for luring in listeners with his delicate, composed songs that are often accompanied by just a guitar or a piano. It’s no wonder Justin Vernon plucked him out of relative obscurity to tour with him in 2008, an opening slot that led to the first solo Tallest Man on Earth American tour. Since then the singer-songwriter has produced four studio full-lengths and his latest release is a gem of an EP with the chamber ensemble yMusic, aptly titled The Tallest Man on Earth with yMusic (stream it below). The album revisits material from Matsson’s There’s No Leaving Now (stream it below) and The Wild Hunt (stream it below) LPs, as well as a cover of Joan Baez’s “East Virginia.” Matsson first played with the genre-straddling collective back at the 2015 Eaux Claire Festival in Wisconsin. (Watch the Tallest Man on Earth performing “Rivers” with yMusic, above.) He has no plans to release a new long-player this year or to do much touring, but he will make a rare live appearance with yMusic at Pioneer Works on Wednesday and Thursday (the latter is already sold out). —Sharlene Chiu

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Middle Kids – Music Hall of Williamsburg – September 16, 2017

September 18th, 2017



Photos courtesy of Mike Benigno | mikebenigno.com

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Joseph Entertain Music Hall of Williamsburg with New Music

September 18th, 2017

Joseph – Music Hall of Williamsburg – September 15, 2017


Sisterly vocals aren’t exactly a new thing. In fact, there’s already the Andrew Sisters, the Secret Sisters, First Aid Kit, the Staves, Haim and plenty more. So what’s another band of sisters to add to the ever-growing group? The sisters Closner—Natalie, Allison and Meegan—formed a trio when then solo Natalie (now Schepman) recruited her twin sisters to join her on the new project that birthed Joseph. Hailing from Portland, Ore., their namesake also comes from the band’s home state and the town where their grandfather lived. The sisters swung into Music Hall of Williamsburg on Friday night after a recent release of their Stay Awake EP earlier this month.

Against a backdrop featuring the band’s name, the siblings charged the stage with “All,” off the latest release, followed by the soaring harmonies of “Lifted Away.” The EP was played in its entirety, as well as several tracks from their sophomore full-length album, last year’s I’m Alone, No You’re Not. Whether intentional or not, the sisters dressed differently, perhaps to reveal their unique personalities: Allison in an oversized white button down and lined pants; Meegan in all black cropped top and high-waisted pants; and Natalie in a flowing blouse and ripped jeans. This mesh of fashion could be translated in their music from the dance-pop “SOS (Overboard)” to the bittersweet ballad “I Don’t Mind,” sung to aching perfection by Meegan. Natalie shined on protest-worthy “White Flag,” emphatically stamping her feet to the chanting chorus.

Newer material like “50, 60, 80” was welcomed, while two covers especially enraptured the crowd. A rendition of Tears for Fears“Everybody Wants to Rule the World” was in response to our current state of affairs. Natalie explained in an interview to NPR: “In all honesty, it feels like the house is falling down around us, but the lyric ‘holding hands while the walls come tumbling down’ resounds in our minds. We hope that our music can be a force of togetherness when it seems like everything’s trying to divide us.” The sisters added their own lyrics to the ’80s hit to bring positivity to our embattled nation: “Make the most of freedom and pleasure/ All I know is take care of each other/ An open door, a seat at the table, there’s enough to go around.” After opening the show, Bailen returned to the stage for a closing cover of the Rolling Stones“Moonlight Mile,” and the sisters put the night to bed with an encore of “Sweet Dreams.” —Sharlene Chiu

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Mutemath Bring New Album to Brooklyn Steel on Wednesday

September 18th, 2017

Influenced by the soulful sounds of the ’60s and ’70s and alternative rock of the past (think: Air, Radiohead, New Order), Mutemath (above, doing “War”) formed a decade-and-a-half ago in New Orleans. The band—now Paul Meany (vocals and keys), Jonathan Allen (bass) and Todd Gummerman (guitar)—has since been equally known for engaging live performances and their recorded output, including full-lengths, EPs and live releases. Their fifth studio long-player, Play Dead (stream it below), came out earlier this month, and their tour in support of it rolls through Kings County to play Brooklyn Steel on Wednesday night. Franklin, Tenn., four-piece Colony House and Toronto quartet Romes open the show.

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Two Chances to Catch the Horrors at Rough Trade NYC Next Week

September 15th, 2017

Inspired by garage rock, post-punk and New Wave, Faris Badwan (vocals), Joseph Spurgeon (drums), Joshua Hayward (guitar), Tom Cowan (keys) and Rhys Webb (bass) formed the Horrors more than a decade ago in Essex, England. Their debut full-length, Strange House (stream it below), officially announced their arrival upon its release in 2007. “The Horrors bring a dose of dark glamour to an increasingly anodyne British alternative music scene too heavily indebted either to Oasis and the Libertines, or earnest post-punk,” opined PopMatters. “They blend their twin influences of early ’80s Goth and ’60s garage to startling effect.” The Horrors (above, performing “So Now You Know”) have remained busy touring and recording ever since. The band’s fifth album, the aptly titled V—which, according to the Guardian, “drags their grand, gothic, garage-y noise from the shadows and recasts it in throbbing electronics, drum-machine pulses and the most fully formed pop of their career”—drops next Friday, but you won’t have to wait that long to hear the new tunes because the Horrors play Rough Trade NYC on Monday and Tuesday.

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Aussie Trio Middle Kids Play Music Hall of Williamsburg on Saturday

September 14th, 2017

After a solo stint, singer Hannah Joy joined forces with guitarist Tim Fritz and drummer Harry Day to form the deliciously addictive Middle Kids. In the spring of 2016, their debut single, “Edge of Town” (above, performed on Conan), made an impressive impact, garnering praise from none other than Elton John and heavy play on Triple J in their native Australia. The three have since released a self-titled debut EP (stream it below) earlier this year and have been busy touring Australia, America and Europe. Back in April, Rolling Stone shortlisted the group as one of the 10 New Artists You Need to Know, describing their sound as “heartfelt, clever ruminations at the intersection of indie rock and alt-country.” NPR listeners also placed the group on the recent “Your Favorite New Artists of 2017 (So Far).” So don’t sleep on your chance to catch this rising act before they release their forthcoming debut album. Middle Kids play Music Hall of Williamsburg on Saturday night. Singer-songwriter and multi-instrumentalist Ski Lodge opens. —Sharlene Chiu

 

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Spend the Weekend with the Afghan Whigs in New York City

September 14th, 2017

The Afghan Whigs formed while still in college and launched out of Cincinnati in the mid-’80s, making the kind of amped-up garage rock that would earn them comparisons to the likes of the Replacements and Dinosaur Jr.—and gain them a cult following thanks to what AllMusic calls frontman “Greg Dulli’s tortured, angst-ridden tales of broken relationships and self-loathing.” They released six albums between 1988 and 1998 before amicably breaking up three years later. But you can’t keep a good band down, and so the Afghan Whigs (above, performing “Algiers” for KEXP FM) returned in 2012. Their seventh long-player, Do the Beast (stream it below), arrived two years later. “Do to the Beast leaves you emotionally wrought. Where Dulli had previously played the sleaze we reveled in living vicariously through, here he has us choking back tears for him, the violent aggressor,” said the Line of Best Fit. “The album has an air of closure, the Whigs pull out all their musical stops and Dulli seems to find an end, albeit not the happiest one.” And this past May, the band put out another well-received full-length, In Spades (stream it below). “Bolstered again by the louche and ravaged voice of singer Greg Dulli,” said Pitchfork, “the latest from the indie rock icons is delightfully stuffed with romance and rancor.” Having just launched a new tour, the Afghan Whigs come to The Bowery Ballroom on Friday to play In Spades in its entirety followed by a second set and then hit Brooklyn Steel on Saturday. Former New Yorker Har Mar Superstar opens both shows.

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Big Thief Close Out Two-Night Run Back at Home in Brooklyn

September 13th, 2017

Big Thief – Music Hall of Williamsburg – September 12, 2017

Big Thief, a local Brooklyn band, have done a lot in two years, from releasing a debut album, Masterpiece, in spring 2016 to dropping their follow-up LP, Capacity, just this past June. Lead vocalist Adrianne Lenker’s song delivery anchors the band, while guitarist Buck Meek, bassist Max Oleartchik and drummer James Krivchenia provide the exclamation marks. They’ve been touring nonstop this summer in support of the latest release, including their recent debut at the Newport Folk Festival and a swing through Europe.

Last night, Big Thief played the second of two shows this week at Music Hall of Williamsburg. Lenker wore denim overalls, while Meek favored a more traditional tweed vest and pants combo. The band had the crowd rapt early as they offered up two favorites, the slow-burning “Masterpiece” and the longingly aching “Shoulders.” There was little banter from the soft-spoken lead singer, but her musical voice said enough.

Lenker’s attempts to fill the space between numbers became odd ruminations on dinner, so instead she stuck to her plaintive songs to charge the room. A preemptive surge of applause greeted the first chords of “Mythological Beauty,” and the second album’s title song earned an equally fine reception. The set concluded with the delicate lullaby “Orange,” which was followed by an encore with a guitar-less Lenker crooning “Mary.” —Sharlene Chiu

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Roger Waters – Barclays Center – September 11, 2017

September 12th, 2017


(Roger Waters plays Barclays Center again tonight and then NYCB LIVE: Home of the Nassau Veterans Memorial Coliseum on Friday and Saturday.)

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Blanck Mass Brings New Music to Rough Trade NYC on Thursday

September 12th, 2017

Benjamin John Powers is known as half of the English experimental drone duo Fuck Buttons. But he’s been doing his own electronic project as Blanck Mass (above, the official video for “Please”) since an ambient, droning eponymous debut full-length (stream it below)—recorded in his apartment and inspired by Carl Sagan and Ennio Morricone— arrived in 2011. “The shadow of his other band always feels like it’s on his shoulder, but that tension between his past and present guises is what makes this work so well,” said Pitchfork. “Blanck Mass is all about Power excavating new domains while still working wit.” The third Blanck Mass LP, World Eater (stream it below), dropped this past spring, winning over AllMusic: “Considering his legacy, it’s all the more impressive that Power found even more challenging places to go with his music, but World Eater’s focused chaos is some of his finest work yet.” In the middle of his North American tour, Blanck Mass plays Rough Trade NYC on Thursday night, and Egyptrixx opens the show.

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Grow a Pair: Win Free Tickets to See Jordan Rakei on 9/15

September 12th, 2017

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Soulful-singer-songwriter Jordan Rakei has a new album that comes out next Friday, and he’s coming to Brooklyn to launch his tour in support of it, beginning with two appearances at Rough Trade NYC this Friday. Tickets still remain to see the late show, but if you want to hit the early one, which is already sold out, you just might have to try to Grow a Pair of tickets from The House List. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Jordan Rakei, early) and a brief message explaining what you like so much about the New Zealand–born musician. Eddie Bruiser, a huge fan of the Kiwis, will notify the winner by Friday.

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Don’t Miss Public Service Broadcasting at Music Hall of Williamsburg

September 12th, 2017

On paper, Public Service Broadcasting’s music might sound like a gimmick: They compose and perform sweeping instrumentals around bits of spoken word taken from historical audio recordings—archival tapes, newsreels, propaganda. Their 2015 album, The Race for Space (stream it below), featured a variety of tracks that covered the early history of space travel, and their newest, Every Valley (stream it below), charts the coal industry in South Wales. In practice, these songs prove the London trio, operating as J. Willgoose, Esq., Wrigglesworth and JF Abraham, to be expert documentarians. The music tells compelling stories, finding modern-day relevance and emotional hooks in the brief historical snippets delivered in a soaring post-rock package. Public Service Broadcasting (above, performing “Gagarin”) will bring their history-steeped instrumentals to Music Hall of Williamsburg tomorrow night. They’ll be rocking songs about space and coal and much more. And who knows, you just might learn something and have a good time. —A. Stein | @Neddyo