Tag Archives: Bryce Dessner

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The National Hit the Big Time Tonight at Barclays Center

June 5th, 2013

The National are on a hot streak. But wait, let’s take a step back first. Although frontman Matt Berninger, guitarists Aaron and Bryce Dessner, drummer Bryan and bassist Scott Devendorf first began making music together in Cincinnati, upon relocating to our fair city, they’ve become the quintessential New York City band—appearing at Mercury Lounge more than 10 times, playing the first shows at both Music Hall of Williamsburg and Terminal 5, and doing an exceptional residency at the Beacon Theatre. And while their first four albums are beloved, it was their fifth, High Violet, which started to gain them more recognition. And now, back to that hot streak: On May 20th, the quintet performed “Don’t Swallow the Cap” on Late Show with David Letterman, above, the night before their sixth album, Trouble Will Find Me (stream it below), was released to near universal acclaim. The band celebrated its release the next day with three intimate shows, capped off by another appearance at a very sold-out Mercury Lounge. The buzz built even further with the National’s festival-closing performance at the inaugural Boston Calling the following weekend. And now they’ve officially hit the big time as the Brooklyn band plays the biggest venue in that borough, Barclays Center, tonight. Not only shouldn’t you miss it, but you should also arrive early enough to see Youth Lagoon.

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Great Music for a Worthy Cause

May 20th, 2013

Philip Glass, Real Estate and Friends – Music Hall of Williamsburg – May 19, 2013


The Big Sur Brooklyn Bridge Festival, a weeklong series of events organized around Williamsburg by the Henry Miller Memorial Library in Big Sur, Calif., brought together iconic modern composer Philip Glass along with a well-curated bevy of local musical talents at Music Hall of Williamsburg last night for the festival’s closing concert. Many of the evening’s performers cited the influence and inspiration that Glass’s music has had on their own—and this is perhaps most apparent in the music of pianist and composer Nico Muhly, who performed movements from his dynamic composition “Drones & Piano” with the help of violinist Tim Fain, violist Nadia Sirota and guitarist Bryce Dessner, of the National, who took a cue from the others and used a bow on the strings of his guitar.

Citing Glass’s ability to “do so much with so little,” Dessner also performed a solo guitar improvisation wherein he drew sound from his electric guitar without ever touching the strings. Holding his guitar upside down, Dessner masterfully manipulated the instrument utilizing distortion pedals and feedback, banging and scraping the neck of the guitar on the floor, and using his hands to tap out rhythms on the back, managing to craft an impressively cohesive piece, sans strings.

Rounding out the evening’s contributors were Real Estate, doing a melodic, mellow performance, and wry-pop songwriter Sondre Lerche, who self-deprecatingly asked, “What am I doing here?” while treating the crowd to a lively set that included “Sleep on Needles,” which the singer noted was a song Glass seemed to enjoy during sound check. With the rest of the artists having set the mood for the arrival of Philip Glass, the composer was warmly welcomed onstage, and began by collaborating with Fain for a rendition of “Pendulum.” Glass then brought out everyone else to perform “The Chase,” from his opera Orphée, announcing somewhat amazed: “We actually figured a piece that we can all play together.” Indeed, like much of Glass’s work, the up-tempo piece was hypnotic and lively, and had a unique edge due to the electric-guitar heavy band. For the encore, Glass appeared alone at his piano, closing the show with the fittingly titled “Closing.” The song was spare and beautiful, and along with the tributes from the other performers, an example of his singular talent and profound influence. —Alena Kastin

 

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Sharon Van Etten and Friends Play Town Hall Tomorrow Night

November 14th, 2012

Like many before her, Sharon Van Etten came to New York City from New Jersey in order to make music. And despite her East Coast upbringing, Van Etten sings of Middle American—universal, even—themes, but she does so in her uniquely powerful voice. The talented singer-songwriter has put out three folkie albums, including this year’s acclaimed Tramp, which Rolling Stone says “plays like a female version of Beck’s Sea Change.” The album was a bit of an all-star affair, with appearances by the National’s Aaron and Bryce Dessner, Wye Oak’s Jenn Wasner and a host of others. And when Van Etten (above, doing “Give Out” for Minnesota Public Radio) plays Town Hall tomorrow night, she’ll be joined by Aaron Dessner and Wasner, plus Thurston Moore, John Moloney, the Antlers’ Peter Silberman and Megafaun’s Brad Cook.