Tag Archives: Can

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Courtesy Tier Put On a Commanding Show at Rough Trade NYC

August 17th, 2017

Courtesy Tier – Rough Trade NYC – August 16, 2017

(Photo: Daniel Cavazos)

How best to describe Brooklyn trio Courtesy Tier? Blues-adelic is probably a good place to start: These guys work up a woozy, potent racket that can veer Hendrix-ian or Zeppelin-esque and get plenty gnarly—but always in service of sturdy melodies. That they’ve been compared to bands like Meat Puppets, Morphine and Chris Whitley in his Rocket House era isn’t so much that they resemble any of them as much as they similarly put a bit of mess into familiar sounds, making them an acquired taste that, once acquired, feels eminently immediate, alive and embraceable.

Courtesy Tier have been kind of a shape-shifter, growing into what they’re supposed to be. Guitarist-ead vocalist Omer Leibovitz and drummer Layton Weedeman have been the guts of the band for about eight years, and in that time they’ve expanded to as many as six players and collapsed back down to a duo on more than one occasion. The lineup’s seemed to be fluid, but last year, Courtesy Tier settled into their current identity as a three-piece, with bassist Alex Picca aboard as a permanent third member. Out of that chrysalis came their first full-length album, the superb Everyone’s OK, much of which was the focus of their headlining spot last night at Rough Trade NYC.

Courtesy Tier played a commanding show, this night deftly organized around standouts like “Childish Blues,” with its slovenly, ’70s-blues-rock-meets-Nirvana vibe, “Cold,” more of a roiling rock and roller that builds to a shattering metallic guitar climax, and “When You Were Young,” an eased-into but still spiky groove more reminiscent of the pre-pop Black Keys. Courtesy Tier had new songs too, including a cover of Can’s “Vitamin C,” which wrapped a stabbing refrain of “You’re losing/ You’re losing/ You’re losing/ You’re losing/ Your vitamin C” in scuffed pop. It was another reminder that, at the intersection of guitar-heavy power-trio blues and a number of other potential jumping off points, they’re really on to something, without being too fussy about what to call it. It’s Brooklyn-y, in a good way, and perfect for these jittery times. —Chad Berndtson | @Cberndtson

 

 

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Power Trio Earthless Headline The Bowery Ballroom Tomorrow Night

December 12th, 2016

Influenced by krautrock, Japanese psychedelia and heavier rock bands like Led Zeppelin and Black Sabbath, Isaiah Mitchell (guitar), Mike Eginton (bass) and Mario Rubalcaba (drums) formed the (primarily) instrumental power trio Earthless (above, performing “Uluru Rock” earlier this year) a decade-and-a-half ago in San Diego. Their most recent release, Acid Crusher/Mount Swan (stream it below), came out earlier this year. “Forget traditional structure, the verse-chorus-riff stuff that your parents instilled in you. Forget the jams the Grateful Dead laid out or the way the Allmans did witchy stuff over at the Fillmore. Forget the way that Can could take you deep inside the music. Forget all that and then brace yourself when it kicks in overtime via your genetic memory. It’s like déjà vu all over again,” raves PopMatters. “Earthless is stoned. Immaculate.” And they are currently working their way up the East Coast to play The Bowery Ballroom tomorrow night. Psychedelic five-piece Ruby the Hatchet open the show.