Tag Archives: Christopher Owens

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Haim Pack Webster Hall

September 4th, 2013

Haim – Webster Hall – September 3, 2013


The iconic long blonde locks of Californian lasses have been idolized in music from the Beach Boys to Girls (Christopher Owens). However, a trio of brunette sisters, Este, Danielle and Alana Haim, might be changing the West Coast lexicon. Playing collectively as Haim, these siblings evoke R&B into folk-pop heavy compositions. While fans await the release of their full-length album, Days Are Gone, later this month, the sisters headlined a sold-out Webster Hall last night. Having been to quite a few sold-out shows at the venue, I’ve never seen the rafters so overfilled with onlookers or a bottleneck at the entrance for the floor. The sisters definitely took notice, exclaiming “This is the craziest thing.”

Haim treated the crowd early on with fan faves “Better Off” and “The Wire.” The latter was reminiscent of M. Ward’s “Never Had Nobody Like You” with a noticeably similar rollick. There was no doubt that when Danielle’s guitar shredded the familiar chords of Fleetwood Mac’s “Oh Well” that this wasn’t any ordinary rendition. Her skills confirmed why the likes of Jenny Lewis and Julian Casablancas asked the middle Haim sister to tour with them. Early ’90s R&B influences were best heard on “Falling,” where the audience joined in to sing “Don’t stop, no one’s ever enough/ I’ll never look back, never give up/ And if it gets rough, it’s time to get rough/ But now I’m falling.”

The youngest Haim, Alana, couldn’t withhold her glee from announcing the gig was better than her 21st birthday to jumping around onstage to incite the front row. As the set neared its end, Danielle commanded for “the ceiling to fall down,” as she barreled into “Forever” and Este’s heavily laid basslines caused an eruption of claps. The trio returned for a one-song encore and delivered a venomous “Let Me Go.” The evening concluded with the sisters in a drum triangle, beating down on the skins as if they were taiko performers. There’s no question that Haim stamped their names on New York City. —Sharlene Chiu

Photos courtesy of Peter Senzamici | petersenzamici.com

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Christopher Owens Lets His Music Talk for Him

January 23rd, 2013

Christopher Owens – The Bowery Ballroom – January 22, 2013


Maybe you’ve heard the fable of one Christopher Owens. Reared in the Children of God cult and later “rescued” by Texan oil tycoon Stanley Marsh III, Owens now resides in San Francisco, where he formed the recently disbanded Girls. As if his fortunes weren’t promising enough, he was announced as the face of the Yves Saint Laurent spring/summer campaign. And although he’s concluded his work with Girls, Owens’ solo album, Lysandre, remains confessional, telling the story of a French woman he fell in love with while on tour with his former band.

Playing his latest album completely in order last night, Owens shuffled onto the stage at The Bowery Ballroom with a band of seven. Parking himself in a seat, he wore a suit and tie for the occasion. As those in attendance held their breath for Owens’ first words, his simple “hey” would set the tone for the night. There was little chitchat, and in its place were the repetitive chords of “Lysandre’s Theme.” Bouncing from reflective narrative with “A Broken Heart” to upbeat “Here We Go Again,” Owens let his songs do the talking. He earnestly sang, “What if everybody just thinks I’m a phony/What if nobody ever gets it/Well, some people never get anything/And I shouldn’t care what people think” on “Love Is in the Ear of the Listener.” In response, onlookers offered shouts of encouragement. Singing pensively about the dissolution of his French romance on “Everywhere You Knew,” a lone lighter was raised in the crowd.

For the encore, Owens and Co. returned for a set of covers starting with the first song he ever learned to play, Cat Stevens’ “Wild World,” followed by Donovan’s “Lalena.” With the freezing temperatures, Simon & Garfunkel’s lyrics “Where the New York City winters aren’t bleeding me” from “The Boxer” were quite appropriate. Topping it off, Owens resurrected the Everly Brothers’ “Let It Be Me” and Bob Dylan’s “Don’t Think Twice, It’s All Right.” Flowers were passed to the front row and Owens pulled out his iPod to record the audience’s applause. This was a memorable evening for him as well as those who braved the arctic chill to hear him. —Sharlene Chiu

 

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Two Nights of Christopher Owens at The Bowery Ballroom

January 18th, 2013

Make no mistake, Christopher Owens has led an interesting life. He spent much of his childhood traveling, as a member of Children of God, before finding his way to Amarillo, Texas, as a 16-year-old and then later making a home in San Francisco. It was there that he paired up with JR White to form Girls and make reverb-drenched ethereal pop music. But last summer Owens announced he was leaving the band to do his own thing, which turned out to be his solo debut, Lysandre (stream it below). As the LP is named after a French girl Owens once fell in love with several years ago, it should be no surprise that it’s filled with ambitious, intimate, revealing songs. “There’s a certain amount of storytelling with this album,” Owens tells Spiritualized frontman J. Spaceman in Interview, “and I felt like I had to make it quite specific to the person and to what actually happened.” Watch him, above, discussing the album and performing for Pitchfork TV and then go see him live at The Bowery Ballroom on Monday and Tuesday.