Tag Archives: CMJ

cat_preview

Our CMJ Music Marathon Shows This Week

October 12th, 2015

Screen Shot 2015-10-09 at 1.25.57 PM

The 35th annual CMJ Music Marathon kicks off tomorrow and lasts through Saturday. And The Bowery Presents has you covered each night—and during the day on Saturday. Check out the showcases at our venues—plus Pianos—this week (that aren’t already sold out).

Tuesday
Mercury Lounge: Firekid

Rough Trade NYC: Paradigm, Am Only and the Windish Agency present Vaults, Methyl Ethel, Gilligan Moss, Steven A Clark, Leikeli47 and No Wyld

Wednesday
Mercury Lounge: CMJ Official Showcase with Oberhofer, Superfood, Bird Dog, Frankie and Marlon Williams

Thursday
Rough Trade NYC: Rough Trade presents John Grant, Ezra Furman, Georgia, Shopping and Hooton Tennis Club

Rough Trade NYC: BBC Introducing & PRS for Music Foundation present Clean Cut Kid, the Big Moon, Pretty Vicious, Georgia and the Jacques

Friday
Rough Trade NYC: Bella Union and Iceland Airwaves present Mammut, Doomsquad, Landshapes, Fufanu and DJ Flugvel og Geimskip

Mercury Lounge: Ruen Brothers, Susto and Zachary Cale

Rough Trade NYC: Aquarium Drunkard presents: No Jacket Required with Protomartyr, Omni, Lemon Twigs, Drinks, Yoko and the Oh No’s, Mothers, Car Seat Headrest and Modern Vices

Saturday
Pianos (beginning at noon), FREE: the Lemon Twigs, Whitney, Methyl Ethyl, Bayonne, Aquilo, Mild High Club, Ben Abraham, Fraser A Gorman, Zachary Cale, Hooton Tennis Club and Car Seat Headrest

Rough Trade NYC: Levitation & Alisa Loog present Ringo Deathstarr, Shannon and the Clams, Drinks, Mild High Club, Whitney

Mercury Lounge: MezzoForte presents Lev,  Powwowwer, Pompeya, Sphynx, Young Empires, Teen Commandments, Velo and Holiday Mountain

cat_reviews

Steve Gunn Headlines a Great Showcase at Mercury Lounge

May 19th, 2014

Steve Gunn – Mercury Lounge – May 18, 2014

steve-gunn_500px
Last night Mercury Lounge hosted the kind of show you’ll easily find during CMJ week, but is rare most of the rest of the year. Beyond Beyond Is Beyond Records have put out a steady stream of fascinating, enigmatic music over the past couple of years, and there was no reason to expect anything less in the live version with multiple acts on the same bill. Things got rolling with the acoustic duo Worthless. There seemed to be a resonant theme with reverberating six- and 12-string guitars, echoing vocals and stark shadows formed by the LCD projector. It was a crunchy sound, slightly comforting, very engaging. Devonian Gardens followed, and at various times they featured a harp, a flute, finger cymbals, a harmonica and a possibly intentional aqua blue–instrument scheme. At this point, things began to simmer as Drippy Eye Projections filled the stage with swirling bubbles of light. Given all that, the set was actually heavy duty rather than cutesy esoteric, characterized mostly by a pounding bass drum and not-much-less-pounding electric bass. There were plenty of frisky little space jams, off-kilter vocal harmonies, weirdo-psych-punk ragers tied one end to the other and, on average, about one hair-on-your-chest guitar solo per song.

The penultimate slot went to Prince Rupert’s Drops, guitarist Leslie Stein began the set wondering if they would get a trippy backdrop as well. (As if she had to ask!) Still, they hardly needed the visuals to get the brains turning, immediately charging into psychedelic territory led by Chad Laird’s slow-drip bass grooves. The set was a mix of old and new material, the newer stuff characterized by an exciting, darker edge. One of these featured some fancy overlapping guitar riffs, the band showing a new level of skill and maturity. A tune introduced as the “mellow” number for the night began as a dreamy sitar-esque jammer before flipping into a nicely played crescendo jam, drums, bass, guitars and organ working together. Altogether, the material showed a nice mix of both prog and psych rock, most songs featuring several sections or movements with Laird and Steve McGuirl on drums leading them from one to the next smoothly. The set closed with a 10-minute version of “Run Slow,” a long raging jam combining of old Genesis and Led Zeppelin.

Steve Gunn isn’t actually on the BBIB label, but he still perfectly capped off the bill. Playing solo acoustic, he announced things would be mellow but that it was OK because it was Sunday night. (Someone probably should have informed the rest of the bands, but then again, we all have different definitions of mellow and Sunday appropriate.) Gunn’s Sunday night was filled with gorgeous acoustic guitar playing: exotic reverberations, beautiful tones and compelling narratives. He opened with a long meandering thing that drifted in and out of verses and guitar excursions, like a helium balloon filled with blues music that floated halfway across the globe and up into the outer shells of the atmosphere. Although all the songs felt like instrumental pieces with sung verses layered on top, the one true instrumental was a highlight. It was a stunning bit of acoustic music, almost-over-the-top decadent, the room totally saturated with the sound of his guitar. If some of the strings were out of tune, he somehow worked this to the music’s advantage, only enhancing the otherworldly affect. It was a perfect ending to a night of great music. —A. Stein

 

 

 

cat_reviews

A Top Five Look Back at 2013

January 10th, 2014


Ten days into the New Year, The House List looks back at 2013 with some Top Five lists.

My Top Five Favorite Shows
1.
The Postal Service, Barclay Center, June 14
My decade-belated live date with the Postal Service finally culminated at Barclays Center, where rabid fans, like myself, roared as Ben Gibbard and Jimmy Tamborello hit the stage. As if acting out lyrics from “Nothing Better,” Gibbard and Jenny Lewis shimmied close for the duet. Old friends reunited onstage never felt so good.

2. Haim, Webster Hall, September 3
I was late to this bandwagon, as fellow House List contributor Alex Kapelman shortlisted Haim last year for his Top Five Bowery Presents Shows of the Year. I knew I was in for a good one when I could barely find a spot in the rafters to catch the three sisters, who charmed with their onstage banter and wicked musicianship

3. Jessie Ware, The Bowery Ballroom, January 17
Straight off her Jimmy Fallon taping backed by the Roots, the British songstress elated the crowd with her effortless, down-to-earth stage demeanor. Her star quickly rose with American audiences, as she sold out shows at Webster Hall, Music Hall of Williamsburg and Irving Plaza throughout the year. I was glad to have caught her earlier in the more intimate venue.

4. Basia Bulat, Bowery Ballroom, November 23
I’ve been a fan of Basia Bulat since I heard her cover Sam Cooke’s “Touch the Hem of His Garment.” This show on a cold night wasn’t sold out, which made me a little sad since she’s quite the talent. But those who were there were enraptured by her prowess on autoharp to the point that you could hear a pin drop during her solos.

5. Daughter, Bowery Ballroom, April 30
Somehow Elena Tonra manages to disguise heartbreak behind soulful lyrics and melody. She has a knack for turning happy dance songs into somber endeavors. The band mashed-up Bon Iver and Hot Chip’s “Perth/Ready for the Floor” that evening. Check out Tonra’s somber retake of Daft Punk’s hit “Get Lucky” for further proof. —Sharlene Chiu

My Top Five Shows I Never Thought I Would See
1. Desaparecidos, Webster Hall, February 26

Desaparecidos (and really any Conor Oberst project) were my bread and butter back in the early aughts, and for a while they seemed to be a one-off, a politically minded side project firmly planted in the past. Fortunately (and unfortunately) the global state of affairs remains messed up enough for the band to regroup to write protest songs for a new decade. It was a nostalgic, sweaty and inspired performance.

2. Shuggie Otis, Music Hall of Williamsburg, April 19
Shuggie Otis began putting out music in the mid-’70s, followed by a long period of laying low. Content to groove along to songs like “Ice Cold Daydream” at home, I never really thought about the possibility of a Shuggie Otis tour in 2013. But when I found out, I was there. And “Ice Cold Daydream” is even better in person.

3. The Flamin’ Groovies, The Bowery Ballroom, July 6
Instead of discovering the Flamin’ Groovies in a smoky San Fran club in the ’60s, I was introduced to their catchy psychedelia on a Nuggets compilation more than 30 years later. Who’d have thought they’d still be going strong in 2013 and that I’d be dancing right alongside some old school fans at this fun summer show.

4.  John Prine, Beacon Theatre, September 26
John Prine has been active since the early ’70s, but unlike Shuggie Otis, he never really went away, writing and recording songs at a steady pace throughout the years. But I still always thought of him as an artist too legendary for me to see in person—or that tickets would be too out of reach. But John Prine put on an amazing show, highlighting his singular skills as a songwriter and storyteller.

5. The Julie Ruin, Music Hall of Williamsburg, October 25
I was late to the party for the original riot-grrl movement, but I became an admirer of Bikini Kill frontwoman Kathleen Hanna during her time in Le Tigre. She’s dealt with some debilitating health issues in the past few years, but I had no doubt she’d continue to make art and music. So I was happy to learn of her latest project, the Julie Ruin, and her energetic show did not disappoint. —Alena Kastin

My Top Five Shows
1. Yo La Tengo, Town Hall, February 16

I don’t like to pick a favorite, but my last.fm account tells me I’ve listened to Yo La Tengo more than any other band since 2007. At Town Hall, they performed an acoustic set and an electronic one, doing two versions of “Ohm,” my favorite song of the year. And then I ran into Tim Heidecker from Tim & Eric’s Awesome Show, Great Job! Had the Red Sox not won the World Series, this would’ve been my favorite night of the year.

2. Killer Mike/El-P, Webster Hall, August 14
I don’t care what anyone says: The best two rap albums of 2012 came from Killer Mike and El-P. And in 2013 they topped them, coming together as one entity, Run the Jewels. The night included a set from El-P, a set from Killer Mike and a combined set with both. El-P’s ingenious production plus Killer “I bleed charisma” Mike equals one concert I will never forget.

3. Foxygen, The Bowery Ballroom, October 21
With Foxygen it occasionally feels like shit could fall apart at any moment. And sometimes it does. But when their shows don’t come unhinged they deliver that sweet thrill of relief, like narrowly avoiding a car crash. And on this Halloween-themed night, the band made a weird show even weirder with homemade costumes and pseudo spooky vibes.

4. Steve Earle, Music Hall of Williamsburg, May 8
You can just tell some people are genuine, and Steve Earle is certainly one of them. Forever wearing his heart on his sleeve, that same energy bleeds right into his music, which he played alongside what he’s calling “the best band he’s ever had.”

5. Meat Puppets, Mercury Lounge, April 4
Not only are the Meat Puppets still kicking (after living through some serious shit), but also they’re thriving. And as much as I respect their legacy, seeing them play for more than two hours with the intensity you’d expect of a band 20 years their junior makes me respect them that much more. Long live the puppets of meat! —Dan Rickershauser

My Top Five Shows
1. Dessa, Union Hall, May 5

There are few performers I feel can move mountains with their vocal chords, and Dessa is one of them. This performance was an eruption of defiant lyrics and bold beats. A sizable crowd of young girls knew all of her lyrics, giving the show a chant-like feel. The only female member of Minnesota’s Doomtree collective practically vibrates with energy, and it’s completely contagious.

2. Kishi Bashi, Irving Plaza, September 12
Kishi Bashi sounds even better live than he does recorded. And he delivered a dazzling set with profuse vocal looping and an excellent backing band. Kauro Ishibashi has a supercharged, effusive aura, and his music embodies that persona. This set took a rowdy turn that involved crowd surfing, strobe lights and an outright jam session.

3. Panama Wedding, CMJ Music Marathon
I happened upon newcomers Panama Wedding three different times during CMJ: Initially, opening for NONONO at Mercury Lounge on the first night. Since the band had only released one song, “All of the People,” I was eager to see what would unfold onstage. Their set was so tight that I caught the fantastical pop group the following night at Pianos and then again at a showcase at Santos Party House.

4. You Won’t, Rockwood Music Hall, October 30
The live iteration of You Won’t is a spectacle to behold. I watched eagerly as Josh Arnoudse and Raky Sastri wielded a slew of instruments with ease, quickly fascinating the audience. The duo took their jaunty music into the audience a couple of times to break the barrier and enlisted some extra vocal support by encouraging us to all to sing along.

5. James Blake, Terminal 5, November 6
In this spellbinding live performance, complete with plenty of vocal looping and haunting electronica, James Blake made a cavernous room filled with people feel intimate. And that he’s such a dapper-looking fellow only helps boost his appeal. I’m still transfixed by this performance nearly two months later. James Blake’s music has some serious lasting effects. —Schuyler Rooth

My Top Five Shows with Regard to Lights, Visuals and Production
1. Umphrey’s McGee, Brooklyn Bowl, January 20

Kick-ass creative lighting
and Brooklyn Bowl don’t usually go hand in hand, but Umphrey’s McGee lighting guru Jefferson Waful turned the room into a thing of beauty.

2. Föllakzoid/Holydrug Couple, Mercury Lounge, March 21
What better way to enjoy some old school psychedelic music than with some old school liquid projections courtesy of Drippy Eye.

3. Plaza: Portugal. The Man, Irving Plaza, May 20
Freakin’ lasers!

4. The Flaming Lips/Tame Impala, Terminal 5, October 1
It was almost as fascinating to watch the Lips’ spectacle getting set up as it was to see it in action—confetti, strobes, LEDs and, well, pretty much everything. And Tame Impala’s projections were no slouch either.

5. Phish, Atlantic City Boardwalk, October 31, November 2
Phish’s fall tour found lighting director Chris Kuroda playing the Willy Wonka of eye candy all over the East Coast. —A. Stein

My Top Five Albums
1. Phosphorescent, Muchacho
I’d only seen Phosphorescent once before listening to Muchacho for the first time. And while much of Matthew Houck’s previous work is country-tinged (not that there’s anything wrong with that), this album, ostensibly about a breakup, covers more territory, from the meditative sounds of “Sun, Arise (An Invocation, an Introduction)” and “Sun’s Arising (A Koan, an Exit)” to the jammy, driving “Ride On/Right On” to softer fare, like “Muchacho’s Tune,” all centered on Houck’s evocative voice. I still can’t stop listening to it.

2. Foxygen, We Are the 21st Century Ambassadors of Peace & Magic
Foxygen’s third full-length, We Are the 21st Century Ambassadors of Peace & Magic, comes off as a loving mash note to ’70s rock. You’ll hear bits of the Rolling Stones, Velvet Underground and David Bowie, but the album expertly manages to sound like something whole and new rather than something derivative.

3. White Denim, Corsicana Lemonade
Upon the first couple of listens, I found White Denim’s latest, Corsicana Lemonade, to be too singer-songwriter-y, but I continued to give it a chance, and it opened up to something much bigger, with genre-hopping songs like “Let It Feel Good (My Eagles)” and “Pretty Green”—not to mention some searing guitar parts—grabbing me by the throat.

4. Futurebirds, Baba Yaga
Admittedly, I didn’t know anything about Futurebirds, out of Athens, Ga., before writing a preview of their late-May show at The Bowery Ballroom. But while listening to their second LP, Baba Yaga, as I wrote, I became totally enamored of the album—half twangy Southern rock and half spacey reverb.

 5. Kurt Vile, Wakin on a Pretty Daze
I love Kurt Vile’s Wakin on a Pretty Daze so much, that I can’t believe it’s only No. 5. Labeling it stoner rock, as many have done, is lazy. Although I supposed me calling it laid-back rock isn’t any better. But the fact of the matter is there might not ever be a better album to listen to while walking the streets of New York City with headphones in your ears. —R. Zizmor

cat_preview

CMJ Showcase – Mercury Lounge – October 18, 2013

October 21st, 2013

Yuck

Photos courtesy of Dana Kandic | www.danakandic.com