Tag Archives: Conor Oberst

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Desaparecidos Deliver a Noble Message

February 27th, 2013

Desaparecidos – Webster Hall – February 26, 2013


Desaparecidos, the post-hardcore/punk band formed by Bright EyesConor Oberst in the early 2000s, have recently reunited and taken their politically charged show on the road, appearing before a sold-out crowd at Webster Hall last night. Initially inspired by anger at the state of world affairs during the George W. Bush presidency, Desaparecidos’ return can be seen as a clear message that the world is in just as dire straights (if not worse) than it was when Oberst wrote the band’s early songs. Desaparecidos’ new material treads on some similar thematic territory as 2002’s Read Music/Speak Spanish: the evils of capitalism, materialism and an unjust war—with new songs specifically targeting such topics as discriminatory immigration policies in Arizona (“MariKKKopia”) and the plight of the 99 percent (“The Left Is Right”).

While addressing the crowd, Oberst acknowledged that undertones of pessimism and sarcasm run through the sentiments of their songs, but he expressed a hope to rattle people out of their own apathy. A noble message, though to witness the throngs of people in the crowd passionately screaming along with lyrics like “I want to pledge allegiance to the country where I live/ I don’t want to be ashamed to be American,” from “The Happiest Place on Earth,” it seems possible that Oberst may be largely preaching to the (angry, disenfranchised) choir. Even so, if Desaparecidos can use their biting lyrics and heavy guitar lines to incite and inspire their fans to become more involved in political discourse and activism, all under the guise of letting loose at a pretty great rock show, it would seem that their reunion has accomplished its goals. —Alena Kastin

Photos courtesy of Mina K

(Desaparecidos play Wesbter Hall again tonight.)

 

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Conor Oberst Doesn’t Disappoint

November 26th, 2012

Conor Oberst – Carnegie Hall – November 21, 2012


Outside Carnegie Hall last Wednesday, scalpers were offering tickets for Bright Eyes the night before Thanksgiving. What the what? Bright Eyes at Carnegie Hall? ’Twas true, as one Conor Oberst headlined a sold-out Stern Auditorium. From musical wunderkind to revered label chief, the 32-year-old’s long career was on full display in the famed hall’s confines. Covering material largely from his band, Bright Eyes, Oberst was dressed to the nines with a Calla lily boutonniere adorning his breast pocket and began his set solo with “The Big Picture.” Crooning the last line of the song from Lifted or The Story Is in the Soil, Keep Your Ear to the Ground, his vocals reverberated throughout the hall.

Joined by multi-instrumentalist Ben Brodin, Oberst introduced new material early on with “Common Knowledge.” Getting comfortable, he joked that it was great to kick back in a venue that reminded him of shows back in his hometown of Omaha, Neb. Adding more company on the vast stage, Oberst called upon Rachel Cox to accompany him on “Classic Cars,” and long-term Bright Eyes member, Nate Walcott, sneaked onstage unbeknownst to Oberst until Walcott seated himself with trumpet in hand for “Southern State.” The number was thoroughly enhanced with classical keys from the black Steinway, which was one of the most expected instruments at the hallowed venue. Having played “At the Bottom of Everything” in 2004 for the Tibet House Benefit Concert, Oberst revealed it wasn’t his first time performing at Carnegie Hall.

Women play a big part in Oberst’s songwriting canon, which was also the case with “You Are Your Mother’s Child,” a new song. With James Felice on accordion, Oberst continued his female-inspired musings, playing “Ten Women,” a song he described as being careful what you wish for. The oldie “Laura Laurent” was a fan favorite, although its material sadly chronicles Oberst’s struggles with his depression-stricken ex. Not to enshroud the setting with too much emo, he picked up the tempo, dedicating the Monsters of Folk ditty “Map of the World” to fellow Bright Eyes member Mike Mogis, who was absent for the night. Oberst rocked out as his long locks whipped with every guitar strum. Not to leave fans wanting more, his encore included “Lua,” with Cox filling in for Gillian Welch, “Make War,” and the Felice Brothers crew on “Waste of Paint,” leaving no one disappointed as they exited the lush, grand venue. —Sharlene Chiu

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Such a Night

May 14th, 2012

M. Ward – Webster Hall – May 11, 2012


It felt like summer had just arrived in New York City on a warm Friday night. Things were even hotter inside sold-out Webster Hall when M. Ward descended on to the stage as the “Post-War” interlude slowly grooved. Those in the crowd cheered as he dug into the older album Post-War, early into the show, and then sang along to “Poison Cup” and “Chinese Translation.” Ward was packing oldies but goodies to please longtime followers (pre–She & Him). He even delved deeper into his catalog, touching upon “Fuel for Fire” from Transistor Radio. Although the singer-songwriter let his tunes speak for him most of the show, Ward confessed, “It’s still early in the night, but you’re my favorites.”

Upon cheers he sang, “New York, I’m falling into a deep, deep depression.” But those lyrics from “Pure Joy,” the last track on his latest, A Wasteland Companion, were the opposite of what he was feeling. Chris Scruggs added the melodic reverb of the lap steel on “Clean Slate,” another off his latest. Ward’s twangier rendition of “Magic Trick” had quite a few couples dancing. And he treated the audience to a few covers, like John Fahey’s “Bean Vine Blues, No. 2,” Buddy Holly’s “Rave On,” which appears on his last record, Hold Time, and Daniel Johnston’s “To Go Home.”

Rachel Cox provided backing vocals for “I Get Ideas,” and also stepped in for Zooey Deschanel on the rollicking Budweiser-selling “Never Had Nobody Like You.” There was no doubt there would be an encore and Ward sure didn’t disappoint. He unveiled a sweet take on “Such a Night,” made famous by Elvis Presley, followed by a floor-shaking cover of Chuck Berry’s “Roll Over Beethoven.” The latter was a special Record Store Day–release B-side. While the longtime live favorite would have been enough, Ward brought out one of his Monsters of Folk cohorts, Conor Oberst, to end the night with “Vincent O’Brien.” —Sharlene Chiu

Photos courtesy of Mina K

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Spend Two Evenings with Monsters of Folk

November 3rd, 2009

Conor Oberst and Mike Mogis (of Bright Eyes), Jim James (of My Morning Jacket) and M. Ward have put together their significant talents to form Monsters of Folk and to record a terrific self-titled album (stream three songs here) that has taken them out on the road and earned them favorable comparisons to the Traveling Wilburys and Crosby, Stills and Nash. They recently played Neil Young’s Bridge School Benefit, and tonight they’re performing on Late Night with Jimmy Fallon. But if you want to see these MoFos in person—playing a mix of originals, covers and songs from their respective catalogs—you’re got two chances: They play United Palace on Friday and the Beacon Theatre on Sunday.

(Check out the the video for “The Right Place,” above.)

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Beware of Monsters of Folk!

September 15th, 2009

Monsters of Folk
Like Godzilla or that thing from Cloverfield emerging from the East River, the Monsters of Folk are descending upon our fair city (United Palace on November 6th and the Beacon Theatre on November 8th). Although these monsters—singer-songwriter and guitarist M. Ward, Bright Eyes’ singer-songwriter and guitarist Conor Oberst and multi-instrumentalist and producer Mike Mogis and My Morning Jacket’s singer-songwriter and guitarist Jim James—are far more talented than scary. This supergroup formed in 2004, and they finally have an album, Monsters of Folk, coming out next week. The tour begins next month, and you should expect at least a two-and-a-half-hour “musical event” consisting of well-crafted material from the album, covers and original My Morning Jacket, Bright Eyes and M. Ward tunes, plus a whole lot of guitar. But don’t just take out word for it, check out this American Songwriter interview with the four-headed beast. And if you want to get on this ride, get in line ’cause tickets are going fast.

(Check back with The House List next week for some more Monsters of Folk info.)