Formed in Austin, Texas, in 1965, the 13th Floor Elevators were psychedelic pioneers, influencing the likes of the Grateful Dead and Janis Joplin, “led by outsider genius Roky Erickson, who combined offbeat spiritualism with crude R&B,” according to Allmusic. “Many have cited them as the first true psychedelic rock band, and if they weren’t, they certainly predated most of the San Francisco bands that gave the sound a global audience. The Elevators played a bracing fusion of garage rock and genre-defying musical exploration powered by Roky Erickson’s feral vocals and rhythm guitar.” Erickson and his bandmates were known as vocal proponents of mind-expanding drugs, and when the frontman was arrested in Texas for the possession of just one joint, he pleaded insanity rather than go to jail for up to a decade. Erickson spent three-and-a-half years in a mental institution and was subjected to electroshock therapy and Thorazine treatments before being released in 1972. He eventually became a notable recluse along the lines of Syd Barrett, Brian Wilson, Daniel Johnston and Skip Spence. But Erickson (above, performing “Don’t Shake Me Lucifer” and “Two Headed Dog”) still occasionally found time to record and even tour. His most recent solo release, True Love Cast Out All Evil (stream it below), backed by Okkervil River, came out in 2010. “A tumultuous history hasn’t stopped the former 13th Floor Elevator from achieving greatness,” said NME. And Pitchfork added: “On this affecting and ultimately triumphant album, Erickson comes out on top.” His new tour launches today, and Erickson plays Rough Trade NYC on Tuesday and Wednesday. L.A. experimental rockers Death Valley Girls open both shows.
Tag Archives: Daniel Johnston
M. Ward – Celebrate Brooklyn – August 7, 2012
The nights are cooler now. After months of record-breaking heat, dusk is finally a time for relief. It makes evening activities tranquil and comfortable. It gives us opportunities to enjoy the outdoors. And if you sit under the cover of trees at the Prospect Park Bandshell, there are few better late-summer events than a Celebrate Brooklyn concert. They create a special environment by pairing live music with a beautiful setting. So last night, at the final ticketed show of the season, we got it all: the perfect scenery, weather and lineup of acts.
M. Ward, the night’s highly anticipated headliner, came on after some prompt stand-up by Wyatt Cenac and a hushed set by Yo La Tengo. Ward, a unique American musician, mixes elements of rock, folk and blues along with his melodic yet gravelly voice and creates something all his own. His guitar work is magnificent too. During “Rollercoaster” he evoked the namesake’s unbalanced feeling with an effective slippery riff. And in other places, he was simply the full package—masterful songwriter and spot-on performer.
“Chinese Translation,” from the album Post-War, is a clever piece of imaginative folklore concerning an inquisitive protagonist and a sagacious elder. It was also made all the better by Ward and his band’s light touch. They knew how to blow the lid off at times, like during “Primitive Girl,” but the quiet moments were my favorites. An encore violin-and-keyboard duo of Daniel Johnston’s “Story of an Artist” was beautiful and apropos. Ward slyly dedicated the song to “the artists in Brooklyn.” He surely knew his audience and played perfectly for the moment. —Jared Levy
Tags: A Wasteland Companion, Celebrate Brooklyn, Daniel Johnston, M. Ward, Photos, Post-War, Prospect Park Bandshell, Review, Wyatt Cenac, Yo La Tengo
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