Tag Archives: Dirty Projectors

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Phoenix Plays the Garden

October 15th, 2010


Three guys, Thomas Mars (vocals), Deck d’Arcy (bass) and Chris Mazzalai (guitar), began playing garage rock in a suburban basement in the ’90s. It’s a familiar story you’ve heard from countless other bands. The main difference in this case is that the group began outside of Paris rather than, say, Detroit or Milwaukee. Around that same time, Mazzalai’s older brother, Laurent Brancowitz (also a guitarist), was in another trio, Darlin’. That band released several songs, which Melody Maker described as “a bunch of daft punk.” Not too much later Brancowitz’s bandmates split to form Daft Punk and he joined his brother’s musical outfit, Phoenix. The now quartet got started covering Hank Williams and Prince in French bars, but they kept working their way up and people began to notice. They added synthesizers to the mix and put out several well-received albums, but it was their fourth studio effort, Wolfgang Amadeus Phoenix, that put them in the mainstream. Since then Phoenix (above, performing “1901” on Late Show with David Letterman) has sold out increasingly larger rooms, and now they’re playing the big one, Madison Square Garden next Wednesday. Not only should you be at this show, but make sure to get there early enough to see Dirty Projectors and Wavves, too.

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Dirty Projectors – Terminal 5 – September 11, 2010

September 13th, 2010

Dirty Projectors - Terminal 5 - September 11, 2010

Photos courtesy of Brian C. Reilly | www.briancreilly.com

(Dirty Projectors open for Phoenix at Madison Square Garden on 10/20.)

Contest

Grow a Pair: Win Free Tickets to See Dirty Projectors on 9/11

September 7th, 2010

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Dirty Projectors, the Brooklyn-based experimental-rock sextet, play Terminal 5 this Saturday, and The House List is giving away two tickets. Want to go? Then try to Grow a Pair. It’s easy: Just fill out the form below, including your name, e-mail address, which show you’re trying to win tickets to (Dirty Projectors, 9/11) and a brief message explaining how you plan to take advantage of the remaining days of summer. Eddie Bruiser, who’s looking for some good ideas, will notify the winner by Friday. Good luck.

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Dirty Projectors Sell Out

November 23rd, 2009

Dirty Projectors – Music Hall of Williamsburg – November 21, 2009

Dirty Projectors - Music Hall of Williamsburg - November 21, 2009

(Photo: Jared Levy)

This month New York magazine featured Dirty Projectors in the cover story “Brooklyn’s Sonic Boom.” While the piece broadly expounded on the virtues of Brooklyn’s music scene, Dirty Projectors were labeled the archetype of “inventiveness and risk-taking.” Since the release of their 2009 album, Bitte Orca, the band has received many similar accolades. Originally the group represented frontman Dave Longstreth’s solo work. But Dirty Projectors expanded to include Amber Coffman (vocals, guitar), Angel Deradoorian (vocals, keyboard, samples, guitar, bass), Brian McOmber (drums), Nat Baldwin (bass) and Haley Dekle (vocals).

On Saturday night at Music Hall of Williamsburg, Dirty Projectors played the third of four sold-out New York City shows. Tune-Yards, the moniker for Merrill Garbus’s solo work, played the role of opener to perfection. Occasionally accompanied by a bassist, Garbus created the illusion of a band using ukulele, drums and multiple looping pedals. Her intensely passionate vocals, marked by a timbre similar to Nina Simone’s, left an indelible impression. A singular, strong yelling of the lyric “There is a natural sound that wild things make when they are bound” from the song “Hatari” was perhaps the highlight of the night.

Up next, Dirty Projectors displayed their virtuosity. I think a concert experience is highlighted by the ability to observe how musicians create their sound. So I was delighted to witness the intricate composition that defines their music. Using complex vocal arrangements, fractured Afro Pop riffs and fierce drumming, the band played many of their recent songs as well as some new material. Coffman boogied down to the R&B-influenced “Stillness Is the Move,” and “When the World Comes to an End,” a sonically engaging up-tempo song, closed out the night. With intensity, focus and brilliant musicianship, it’s no wonder that Dirty Projectors are the talk of the town. —Jared Levy

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The Rain Can’t Put a Damper on TV on the Radio’s Central Park Show

June 8th, 2009

TV on the Radio/Dirty Projectors – SummerStage – June 5, 2009

TV on the Radio

TV on the Radio

Friday night, despite the inclement weather, Dirty Projectors and TV on the Radio played to a faithful crowd of rain-soaked onlookers at SummerStage. Though their two monikers suggest technical difficulty, the show went off almost without a hitch. Led by Dave Longstreth, Dirty Projectors, the constantly fluctuating outfit, has hit its stride in its current formation, churning out tunes that shuttle from a cappella to free jazz to afrobeat without missing a step. The group’s X-factor lies in the vocal contributions from Angel Deradoorian, Amber Coffman and Haley Dekle. Their tight, otherworldly harmonies had no trouble rising above Longstreth’s Graceland riffs and Brian Mccomber’s erratic drum beats. The set included several cuts from the upcoming Bitte Orca, out tomorrow. Highlights included the new and stellar “Cannibal Resource” and “Stillness Is the Move.”

TV on the Radio began its set just as the last sunrays filtered through the western skyline. The band launched into an hour-long set, opening with “Love Dog,” while front man Tunde Adibempe split his time between dancing a samba-like rhythm and manning the loop pedals. As the technologically synesthetic name suggests, TVOTR does not constrain itself to conventional instrumentation. For much of the set, guitarist David Sitek played with chimes hung from the tuning peg of his high-E string, occasionally colliding them with Jaleel Bunton’s cymbals. The band played cuts from its three studio albums, evenly dividing the material among each. The show ended with a spectacular rendition of Return to Cookie Mountain’s “A Method.” Adibempe banged on a cymbal plucked from Bunton’s drum set while Sitek thumped on a drum with two shakers, sending rainwater flying. As the last electronic bursts fizzled, Adibempe voiced a thank you to New York with a shout-out to Brooklyn in particular. —Theo Spielberg