Tag Archives: Drive-By Truckers

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Drive-By Truckers Raise a Passionate, Poignant Racket on Friday Night

February 13th, 2017

Drive-By Truckers – Westbury Theater – February 10, 2017

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In their earlier days, Drive-By Truckers were tagged alt-country, Southern rock and even country rock, but let’s call them what they are: no-bullshit rock and roll, anxious and unfiltered, and on their best nights, one of the best live bands of the last two decades. Still more remarkable is that despite major lineup changes, they seem to get better and better, the old songs aging gracefully but with more than a bit of veteran grizzle, and the new songs finding darkness, humor and poignancy in quotidian angst without sounding topical for topical’s sake or shading (too far anyway) into rock-protest sanctimony. Truckers characters are people you know: lived-in, loaded and lumpy. Their problems are your problems. Their shots at redemption are understandable and their failures disappointing.

This mature balance—the ability to be present and unflinchingly direct about news making matters of the age without being thin or pedantic—is so crucial to the current Truckers tour, filled with set lists that focus heavily on last year’s American Band, their most overtly political album. In Westbury, Patterson Hood, Mike Cooley and Co. gave us hails of guitar, clattering drums and passionate vocals that came from somewhere deep to frame stories of shootings in Oregon on a beautifully sunny day (“Guns of Umpaqua”), an ill-fated Mexican teenager (“Ramon Casiano”) and the long-lingering ghosts of the Civil War (“Surrender Under Protest”). Some of these songs (“Darkened Flags on the Cusp of Dawn” or “What It Means,” which addresses racism head-on) didn’t require much interpretation. Many were loud, with a sticking finger in your chest, although still others, such as Cooley’s “Once They Banned Imagine,” included acoustic guitars and had the world-weariness of protest-folk without decoupling from the band’s rambling, gnarly rock-ness. And it’s worth noting that politically potent Truckers tunes with a “to hell with this crap” edge aren’t anything new: “Puttin’ People on the Moon,” played fourth, is more than a decade old and its small-town family tragedy has never felt more acute. Same deal with “Sinkhole,” the Truckers’ epic of social class, murder and family values.

As they’ve gotten leaner—the band is now Hood, Cooley, drummer Brad Morgan, multi-instrumentalist Jay Gonzalez and bassist Matt Patton—Drive-By Truckers have gotten meaner, filling more space with paint-peeler guitar solos and working up huge, rambunctious rackets. What’s never quite changed is how they pace a show—peaks and valleys of hard-rocking defiance and melancholy resignation that eventually give way to a runaway train of concert warhorses and an explosive finale. The last 30 minutes on Friday night served up the wry-sad “Buttholeville” with a dovetail into Bruce Springsteen’s “State Trooper,” along with “Zip City” and “What It Means.” “Love Like This,” Hood’s fist-pumping “Let There Be Rock” (greasy with the saluted nostalgia of the Truckers’ many forebears, from AC/DC to the Replacements) and the anthemic “Shut Up and Get on the Plane.” Hood told us there would be no encore—they haven’t played any on this tour, choosing to barrel through rather than pause, lest any of the loaded tension dissipate too soon—and the Truckers left with “Grand Canyon” and its protracted guitar meltdown. It was ragged and right, as the Truckers always are. —Chad Berndtson | @Cberndtson

 

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Houndmouth Headline a Terrific Lineup at Terminal 5 on Saturday

April 21st, 2016

Matt Myers (vocals and guitar), Zak Appleby (vocals and bass), Shane Cody (vocals and drums) and Katie Toupin (vocals and keys) formed the folk-rock-Americana quartet Houndmouth in the Louisville, Ky., suburb New Albany, Ind. Their first LP, From the Hills Below the City (stream it below), arrived in 2013. “Simple pleasures abound on the debut album from Indiana quartet Houndmouth: pure, true harmonies, precise playing, familiar themes about being lost and losing in America,” according to the Guardian. “Even the recording is lovely.” While out on the road, the band picked up new fans each night on tour thanks to their upbeat live shows filled with shared vocals and instrument swapping. Houndmouth (above, performing “Darlin’” live in studio for KEXP FM) returned last year with their sophomore release, Little Neon Limelight (stream it below). Per NPR Music: “Quite a bit of Houndmouth’s reputation has been built on exuberant live shows and the Greek chorus effect of all four voices joining in hale and hearty harmony during nearly every refrain. They tap those sensibilities in even more vital ways on Little Neon Limelight, with a youthful devotion to shaggy, swinging, big-screen storytelling that distinguishes their work from many of their more confessional, serious-minded peers.” With Toupin’s recent departure, they’ve added Caleb Hickman (keys), Drew Miller (horns) and Graeme Gardiner (horns)—and that six-piece is coming our way, on Saturday at Terminal 5, with two excellent singer-songwriters, Rayland Baxter and Lucy Dacus, opening the show.

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Drive-By Truckers Turn Up All the Way at Music Hall of Williamsburg

March 7th, 2016

Drive-By Truckers – Music Hall of Williamsburg – March 6, 2016

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(Drive-By Truckers play Music Hall of Williamsburg again tonight and there are very few tickets remaining.)

Seems hard to believe that Drive-By Truckers have been doing their thing for 20 years now, and it’s even harder to believe that they’ve been able to maintain the same high level of rocking over that period. Judging by their limit-testing, sold-out show at Music Hall of Williamsburg last night, there is really only one level that they can operate at, and that is turned up all the way. They took the stage shortly after 9, facing the audience, arms raised, triumphant for the musical victories of the last two decades and the one they were about to declare over the amped full house. The Truckers opened the set with “Tornadoes,” off their The Dirty South album from 2004, lead singer Patterson Hood’s distinctive Southern voice already competing with everyone in the crowd singing along at the top of their lungs.

While the backdrop behind the band was the cover art for their 2014 release, English Oceans, the set list covered an even distribution of their vast catalog. “Sink Hole” was an early highlight, showing off the Truckers’ ability to mix layered storytelling with three-guitar Southern-rock rage, both the lyrics and the jamming more complicated than they might appear at first. Hood’s voice is perfect for spinning yarns, and he took several opportunities to go off on tangents, whether it be talking about sneaking out to see Bruce Springsteen when he was a kid or remotely yelling at his mother (and maybe, by extension, the rest of the country), “Mama, if you’re listening on the Internet right now … if you vote for Donald Trump, you’re going to a fucking nursing home!” New songs off an upcoming album fit right in with the old material, “Ever South” was particularly strong with an extragroovy kick from the bass and electric piano.

By the set’s closeout section, the guitars were turned up all the way and the crowd was good and rowdy. Drive-By Truckers rewarded their energy with a sprawling six-song encore that added an extra 30 minutes to the performance. And “Let There Be Rock” seemed to encapsulate the room’s mood, a song for those who would rock out for more than two hours on a Sunday night without worry about the Monday to come, almost everyone in the audience pumping their fist as they sang along with Hood. The band finished with “Angels and Fuselage,” which built to one last droning jam before each band member left, one at a time, triumphant once again, another victorious night in a long career filled with them. —A. Stein | @Neddyo

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Two Nights of Jason Isbell and Craig Finn This Week

May 19th, 2015

For many, Jason Isbell first rose to fame during his six-year tenure as lead guitarist in Drive-By Truckers. And although he initially went solo with the release of the bluesy, punk-tinged Sirens of the Ditch (stream it below) in 2007, Isbell (above, performing “Cover Me Up” for Austin City Limits) really broke through into the mainstream with his fourth solo album, the universally acclaimed Southeastern (stream it below), done without his backing band, the 400 Unit, out in 2013. “Listeners are able to hear an unfiltered representation of this Alabamaian prodigy, and the results are so stellar it’s not hyperbole to say that he could be his generation’s answer to Steve Earle,” gushed A.V. Club. His next album, Something More Than Free, lands in July, but you can hear a single from it now.

Singer-songwriter Craig Finn has been the frontman of the swaggering Hold Steady for more than a decade. And while the band is rightfully known for their literate songs and energetic live shows, Finn (below, doing “Jackson” for KCMP FM) has still found time to do some solo work— performing and recording music. His well-received full-length, Clear Heart Full Eyes (stream it below), arrived in 2012 to plenty of love. The LP “finds the songwriter looking for a change of sonic scenery that feels more like a vacation from his other work than a departure, with the singer maintaining his identity as a songwriter as he adapts to a more distinctly country sound,” according to AllMusic. Don’t miss Jason Isbell and Craig Finn tonight at the Space at Westbury and tomorrow at the Capitol Theatre.

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A Top Five Look Back at 2014

December 31st, 2014

Colourful 2014 in fiery sparklers

Top Five Albums
1. The War on Drugs, Lost in the Dream
2. Total Control, Typical System
3. Run the Jewels, Run the Jewels 2
4. Coldplay, Ghost Stories
5. Parquet Courts, Sunbathing Animal —Charles Steinberg

Top Five Memorable Shows
1. Feist, Tarrytown Music Hall, 4/10
When I heard Feist was doing a tiny solo acoustic tour, I forked over ducats for this one. There were bits of stand-up-like banter with the audience as she stripped down the material. But what really made the night was a mini-reunion with former bandmate (and ex) Kevin Drew as they dueted on the Broken Social Scene classic “Lover’s Spit.”
2. (tie) Rhye, Webster Hall, 2/21
This performance was a bit misleading because although singer Milosh and producer Robin Hannibal are the members in Rhye, the latter member doesn’t tour. But Milosh’s ethereal voice really is the heart and soul of the pair, and it shone greatest for the hit “Open.” His deceptively androgynous voice sounds at times like Sade or even Antony Hegarty.
(tie) Max Richter, The Bowery Ballroom, 12/7
When I saw that the German-British composer was playing Bowery, I had to hop to it. As Richter usually plays symphony concert halls, it was an interesting choice to play such a smaller venue. The Ballroom felt like a recital hall with the audience entranced. What can I say: I’m a sucker for artists playing unorthodox venues.
3. Glass Animals, The Bowery Ballroom, 7/7
I was recently reminded of this concert when my yoga instructor played “Gooey” in class. Pretty fitting, right? In addition to infectious dance melodies, frontman Dave Bayley’s gangly limbs flayed erratically that evening, bringing to mind another dude named Thom Yorke. The two lads have great music and dance moves to boot. Coincidence? I think not.
4. Phox, Knitting Factory, 7/22
The buzz swirling around this Wisconsin band post-SXSW had me tuned into their album all spring and into the summer. Frontwoman Monica Martin was definitely a bit tipsy, but that didn’t detract from her lush vocals or onstage camaraderie. (Check out Schuyler Rooth’s review of their Mercury Lounge gig.)
5. (tie) Mr. Little Jeans, Rough Trade NYC, 5/10
Opening for Sohn, Norwegian singer Monica Birkenes, aka Mr. Little Jeans, overshadowed the headliner for me. It’s rare when that happens, but this lady has a knack for übercatchy dance-pop songs that streamed through my head all summer. She mentioned how she often came here as a child and was really craving a good slice of pizza. What’s not to love?
(tie) Alvvays, Rough Trade NYC, 7/28
New York City summers are packed with free outdoor gigs throughout the boroughs, but this in-store performance with Alvvays stood out amongst the rest. Their infectiously happy songs illuminated the dark back room of Rough Trade but had folks departing into the night with an extra bounce in their step. —Sharlene Chiu

Top Five Just a Man and His Guitar Solo Sets (chronological order)
1.
Dustin Wong (opening set), The Bowery Ballroom, 4/21
2. Plankton Wat, Trans Pecos, 5/8
3. Steve Gunn, Mercury Lounge, 5/18
4. Willie Watson, Mercury Lounge, 5/21
5. Leif Vollebekk (opening set) The Bowery Ballroom, 11/21 —A. Stein | @Neddyo

Top Five Memorable Shows
1. Sylvan Esso, Rough Trade NYC, 9/11
Both my favorite album and my most memorable live show of 2014 came from Sylvan Esso. Amelia Meath and Nick Sanborn possess unwavering emotive energy, and every single lyric and beat has sunk into my psyche . I saw the duo perform live twice this year, most recently at their headlining show at Rough Trade NYC. The duo’s erudite electronica boosted the audience as they performed the entirety of their self-titled debut album plus and few clever covers.
2. Broods, Mercury Lounge, 3/3
Comprised of New Zealander siblings Caleb and Georgia Nott, Broods blend melodic melancholia with sparkling synths and glitchy beats. After getting wrapped up in their self-titled debut EP, I simply had to see them live. Broods played their first NYC show to an incredibly enthusiastic sold-out crowd at Mercury Lounge.
3. Hozier, The Bowery Ballroom, 5/13
Hozier’s rich voice and ardent lyrics sit front and center in his compositions. When he headlined The Bowery Ballroom back in May, he was flanked by equally talented musicians who created dazzling harmonies with choral echoes and rock hooks. Hozier and his bandmates mesmerized the audience, including me.
4. Dan Croll, The Bowery Ballroom, 4/17
Dan Croll’s brand of pop is highly addictive, and his live show is equally intoxicating. He fuses lilting pop, wonky electronica and tribal beats and tops it all off with clever lyrics and airy vocals.
5. Kishi Bashi, The Bowery Ballroom, 6/4
Kishi Bashi has what so many musicians seek, and that is an astounding live presence. It’s as if this guy belongs onstage. Kishi Bashi played back-to-back sold-out New York City shows this past June and stunned audiences with his whimsical finesse and astute lyrics. This picture and my review prove that Kishi Bashi’s live performance is one big euphoric dream sequence. —Schuyler Rooth | @Schuylerspeak

Top Five Albums
1. Under the Pressure, the War on Drugs
Channeling Dylan and Springsteen beneath Adam Granduciel’s vocals and personal struggles to stunning effect, this Philly six-piece put out, for me, far and away the top album of the year.
2. Benjamin Booker, Benjamin Booker
From the very first listen, Benjamin Booker’s self-titled debut sounds familiar, not like you’d previously heard its influences, but rather you’d actually already heard this album. The music is lived in and alive and a joy to listen to again and again.
3. 77, Nude Beach
Eighteen songs that sound like the love children of late-’70s Tom Petty and Elvis Costello. You’ll smile the whole time you listen to it.
4. Dancin’ with Wolves, Natural Child
Recording for the first time as a five-piece, and moving away from gritty garage rock to
a more full-band bluesy country sound (with a side of boogie), these Nashville boys took a huge step forward.
5. Morning Phase, Beck
Six years removed from his previous offering, Beck’s slow-building emotional relative of Sea Change captures you from the very first note. —R. Zizmor | @Hand_Dog

Top Five Memorable Shows
1. Pearl Jam, I Wireless Center (Moline, Ill.), 10/17
Playing a small (for them) venue (for the first time) on a Friday night in the middle of nowhere, Pearl Jam put on the best show by any band I’ve seen in the past four years. They performed No Code in its entirety and covered Pink Floyd, John Lennon, Van Halen and Neil Young. Frontman Eddie Vedder put it best, comparing the appearance to a blind date: “You get there and she opens the door, and it’s like, she’s hot!”
2. My Morning Jacket, One Big Holiday (Riviera Maya, Mexico), 1/29
I could’ve chosen any of MMJ’s performances from this run, but the last night was the longest show and it particularly stood out thanks to the perfect weather, the we’re-on-vacation-in-the-middle-of-winter party vibe and carefully chosen covers (including Jim James singing, “Something, something, something” in “Rock the Casbah.”)
3. the War on Drugs, The Bowery Ballroom, 3/20
I absolutely loved, loved, loved Under the Pressure and was extremely excited to hear it live. The War on Drugs did not disappoint, plus they even threw in a stellar rendition of “Mind Games” to boot. (As an added bonus, the night began with Drive-By Truckers at Terminal 5 and closed with green sauce and salt-baked goodness at New York Noodletown.
4. Jonathan Wilson, Music Hall of Williamsburg, 2/14
It was a Friday night and Valentine’s Day. But if you were expecting something quiet and romantic, you’d have been way off. Jonathan Wilson and Co. delivered 16 jammed-out (but not self-indulgently) songs over the course of two-and-a-half hours.
5. Deer Tick, Allen Room, 3/6
As part of the American Songbook series, Deer Tick played an incredibly intimate, seated show in front of a wall of windows revealing Columbus Circle below. It was one of those moments that makes you grateful to live in New York City. —R.Z.

 

 

 

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A Special Night of Southern Rock with Drive-By Truckers on Friday

October 20th, 2014

Drive-By Truckers – Beacon Theatre – October 17, 2014

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In all its majestic glory, the Beacon Theatre has a way of making rock shows feel special. As the go-to venue for any local Allman Brothers Band show (and reportedly their final one), this may hold especially true for Southern rock. It was certainly the case on Friday. Following a fantastic opening set from the Alabama soul outfit St. Paul and the Broken Bones, there wasn’t a single butt sitting in one of the venue’s seats. And it was pretty much that way for the next several hours as Drive-By Truckers performed. “Today’s one of those days where your real life exceeds the life you dreamed of,” said Patterson Hood.

Drive-By Truckers are a band that never seems to stop gaining momentum. And if these aren’t the group’s golden years, there still hasn’t been a time when they’ve had more loyal fans. Led by Hood and Mike Cooley, two songwriters who seem to keep getting better, DBT brought out everything you’d expect, leaving no stone unturned: Great songs about Southern tragedies, “Puttin’ People on the Moon” from Hood and “Uncle Frank” from Cooley, to fan favorites like “Women Without Whiskey” to deep cuts like “Runaway Train,” from Cooley and Hood’s first band, Adam’s House Cat.

Of course, there were also the rousing sing-alongs, like the one that accompanied “Hell No, I Ain’t Happy.” Hood added in an epilogue of “I’m fuckin’ happy” at the end, as if to let everyone know that the song wasn’t a real-time account. There were some epic tales of Hood family history leading into “Box of Spiders,” a song about Hood’s great grandmother, who loved going to strangers’ funerals. The night closed with “Grand Canyon,” off their latest album, English Oceans, and then one by one everyone in the band waved goodnight and exited the stage. —Dan Rickershauser

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A Friday Night Rock Show with Drive-By Truckers at Beacon Theatre

October 15th, 2014

Patterson Hood and Mike Cooley founded Drive-By Truckers in Athens, Ga., in 1996. Over the years the two musicians—plus nuanced lyrics and plenty of guitar—have been the constant while the lineup around them has changed. An early Internet presence allowed the band to gain new fans before they’d ever seen the Truckers live. But following several years of steadily touring, the group released the double album Southern Rock Opera (stream it below) and things really took off from there. Since gaining wider acclaim the Truckers (above, playing “Shit Shots Count”) have served as the backing band on albums by Bettye LaVette and Booker T. Jones in addition to putting out fine discs of their own, including 2011’s Go-Go Boots (stream it below) and this year’s English Oceans (stream it below). The Guardian, in a rave review, says it’s “full of their familiar Southern rock: soul and brass occasionally adorn storytelling songs, which attempt to right wrongs and champion the worker against the Man. However, sharing singer-songwriting duties equally between founders Patterson Hood and Mike Cooley for the first time has brought out the best in both.” Drive-By Truckers are now out on the road in support of their tenth album and, alongside the terrific Birmingham, Ala., seven-piece soul outfit St. Paul and the Broken Bones, they play the Beacon Theatre on Friday night.

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Kick Off Your Weekend with Lee Bains III & the Glory Fires

July 16th, 2014

Lee Bains III is no stranger to New York City. In fact, he studied literature at NYU. But four years was enough, and the lure of the South, specifically his hometown, Birmingham, Ala., was too strong. So he returned to his roots and four years ago teamed up with the Glory Fires—Eric Wallace (guitar), Adam Williamson (bass) and Blake Williamson (drums)—to make Southern rock with a punk ethos. Their first album, There Is a Bomb in Gilead (stream it below), was released in 2012. AllMusic said Bains “knows how to tell a good, compelling story with an interesting set of characters, and he successfully walks a fine line between letting his literate instincts have their day and keeping these stories unpretentious and realistic.” Additionally: “This is a band worth watching, and an album that deserves your attention.” Lee Bains III & the Glory Fires (above, performing “There Is a Bomb in Gilead” for BreakThru Radio) gained further attention thanks to an opening slot on tour with Alabama Shakes. And now the quartet has returned with a heady follow-up, Deconstructed (stream it below). According to NPR, “This isn’t a new space for Southern rock; in many ways, it is Southern rock, made by rebel sons who question that identity from the Allman Brothers through Skynyrd and on to Drive-By Truckers…. Lee Bains III & the Glory Fires are intense enough to fully refresh the legacy they’ve joined.” Out on the road in support of their excellent LP, they play Mercury Lounge on Friday night. Local five-piece Brooklyn What open the show.

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Drive-By Truckers Impress with New Music at Terminal 5

March 21st, 2014

Drive-By Truckers – Terminal 5 – March 20, 2014

Drive-By Truckers - Terminal 5 - March 20, 2014
There are exceptions, but many of the best rock bands tend to be led by two heads, working with an energy that falls somewhere between collaboration and friendly competition. Drive-By Truckers have 18 years under their belt with not a bad album to their name. This has a heck of a lot to do with a friendship and musical partnership that’s even older than the band: Mike Cooley and Patterson Hood have really come to terms with being the songwriting yin and yang of their band.

Much of the praise heaped upon the band’s 10th full-length release, English Oceans, remarked on how the songwriting contributions between the two had moved toward a 50/50 split. This is felt in their live shows maybe even more so, with the two trading singing duties on every other song. It’s hard to prefer one over the other, and if you’re tortured enough to make that decision than you can consider yourself a true Drive-By Truckers fan. Their set last night at Terminal 5 began with three new songs, “Primer Coat,”The Part of Him” and “Til He’s Dead or Rises.”

“Lookout Mountain” was the perfect transition from Hood’s graveled vocals into a sludgy guitar jam. How exactly he’s been able to tour for nearly 20 years singing the way he does without spitting out blood at the end of every show is one of Southern rock’s greatest mysteries, but it also provides one of the genre’s rawest voices, a perfect accompaniment to the band. DBT classics “Ronnie and Neil,” “The Living Bubba” and the sing-along friendly “Hell No I Ain’t Happy” must be particularly taxing on his vocals. Hood’s voice has made it this long, as has the band, through turmoil, lineup changes and everything in between. But they can’t let it die now, ’cause they got another show. —Dan Rickershauser

Photos courtesy of JC McIlwaine | jcmcilwaine.com

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Double Your Pleasure with Drive-By Truckers and Blitzen Trapper

March 19th, 2014

Patterson Hood and Mike Cooley founded Drive-By Truckers in Athens, Ga., in 1996. Over the years the two musicians—plus nuanced lyrics and plenty of guitar—have been the constant while the lineup around them has changed. An early Internet presence allowed the band to gain new fans before they’d ever seen the Truckers live. But following several years of steadily touring, the group released the double album Southern Rock Opera (stream it below) and things really took off from there. Since gaining wider acclaim the Truckers (above, playing “Shit Shots Count” on Conan) have served as the backing band on albums by Bettye LaVette and Booker T. Jones in addition to putting out fine discs of their own, including 2011’s Go-Go Boots (stream it below) and the recently released English Oceans (stream it below). The Guardian, in a rave review, says it’s “full of their familiar Southern rock: soul and brass occasionally adorn storytelling songs, which attempt to right wrongs and champion the worker against the Man. However, sharing singer-songwriting duties equally between founders Patterson Hood and Mike Cooley for the first time has brought out the best in both.” Drive-By Truckers are now out on the road in support of their new album, alongside Americana-infused rockers Blitzen Trapper, and you can see them both tomorrow night at Terminal 5.

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A Double Dose of Southern Rock This Weekend

March 13th, 2013

Patterson Hood and Mike Cooley founded Drive-By Truckers in Athens, Ga., in 1996. Over the years the two musicians—plus nuanced lyrics and plenty of guitar—have been the constant while the lineup around them has changed. An early Internet presence allowed the band to gain new fans before they’d ever seen the Truckers live. But following several years of steadily touring, the group released the double album Southern Rock Opera and things really took off from there. Since gaining wider acclaim the Truckers (above, playing “Let There Be Rock”) have served as the backing band on albums by Bettye LaVette and Booker T. Jones in addition to putting out fine discs of their own, including 2011’s Go-Go Boots (stream it below). But to really experience this band, you need to see them live, which you’ve got two chances to do this weekend when Drive-By Truckers—and Old 97’s—play Capitol Theatre on Friday and The Wellmont Theatre on Saturday.

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Drive-By Truckers – The Wellmont Theatre – June 11, 2011

June 13th, 2011


Photos courtesy of JC McIlwaine | www.jcmcilwaine.com

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Rock Out with Drive-By Truckers on Saturday

June 8th, 2011


Patterson Hood and Mike Cooley founded Drive-By Truckers in Athens, Ga., in 1996. Over the years the two musicians—plus nuanced lyrics and plenty of guitar—have been the constant while the lineup around them has changed. An early Internet presence allowed the band to gain new fans before they’d ever seen the Truckers live. But following several years of steadily touring, the group released the double album Southern Rock Opera and things really took off from there. Since gaining wider acclaim the Truckers (above, playing “This Fucking Job” on Late Show with David Letterman) have served as the backing band on albums by Bettye LaVette and Booker T. Jones in addition to putting out fine discs of their own, including this year’s Go-Go Boots. But to really experience this band, you need to see them live, which works out great because you can do just that on Saturday night at The Wellmont Theatre.

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Grow a Pair: Win Free Tickets to See Drive-By Truckers on 12/31

December 29th, 2010

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Drive-By Truckers are playing Terminal 5 on New Year’s Eve. And if you want to end 2010 with a great (free) night of music, then try to Grow a Pair of tickets from The House List. It’s easy. Just fill out the form below, including your full name, e-mail address, which show you’re trying to win tickets to (Drive-By Truckers, 12/31) and a brief message explaining your New Year’s resolution for 2011. Eddie Bruiser will notify the winner tomorrow. Good luck!

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Spend New Year’s Eve with The Bowery Presents

December 27th, 2010

New Year’s Eve is coming soon, and if you don’t want to be making last-minute plans, figure out what you want to do that night right now. If you’re unsure of what to do, have no fear ’cause we’ve got two great suggestions. Drive-By Truckers (above doing “Used to Be a Cop” off their upcoming disc), have a new album, Go-Go Boots, out next year but they’re playing Terminal 5 on Friday. (Thursday’s Brooklyn Bowl show is sold out.) And Passion Pit (below, performing “Sleepyhead”) closes out 2010 in style on Friday at The Wellmont Theatre. (Their show there the night before is sold out.) Choose wisely. But, of course, you can’t go wrong with either!