Troy Andrews is a trombone player from way back (although he also more than capably handles the trumpet, organ, drums and more). He graduated from the same New Orleans high school music program as Branford and Wynton Marsalis and Harry Connick Jr. Having grown up in a musical family in NOLA’s Treme neighborhood, Andrews, despite only being 31, has already been playing the trombone for more than 25 years. Getting his start at such a young age earned him the name Trombone Shorty: He first played Jazz Fest, taking the stage alongside Bo Diddley, when he was only four. And these days, he’s got the honor of closing out America’s best festival every year. But it’s Andrews’ talent, not his age (or his height), that’s the reason Trombone Shorty (above, covering the Meters’ “It Ain’t No Use” live in studio for KCRW FM) has toured the world, playing an exhilarating combination of funk, hip-hop, jazz and rock—not to mention working alongside the likes of Foo Fighters and Lenny Kravitz. His fourth studio album, Parking Lot Symphony (stream it below), and first on Blue Note Records, arrived this past April, earning him comparisons to Stevie Wonder and Earth, Wind & Fire. AllMusic said he “fully embraces the organic ’70s-style R&B he’s heretofore only touched on.” Further adding that the album is one of his “most balanced productions, equal parts New Orleans R&B sophistication and loose, block-party fun.” That fun is what makes Trombone Shorty such an engaging, don’t-miss entertainer and performer. Catch him live at Terminal 5 on Friday and Saturday. L.A. four-piece Vintage Trouble open both shows.
Tag Archives: Earth Wind & Fire
Pomplamoose – The Bowery Ballroom – September 24, 2014
There is an art to covers—a balancing act, if you will, between reinvention and cheesy imitation. The Californian couple of Jack Conte and Nataly Dawn, aka Pomplamoose, have tackled a slew of artists ranging from Beyoncé to Eden Ahbez and have garnered a large fan base from their YouTube videos. It’s difficult to pin down the duo to a genre, as the two float between pop, jazz, blues, punk and folk. Whether doing covers or their own original songs, the pair infuses jauntiness to every melody they tackle. In front of a sold-out crowd at The Bowery Ballroom last night, Conte and Dawn kicked off the night fittingly with the introductory “Hey, It’s Pomplamoose.” Dawn announced the night would be a dance party as she barreled into Lady Gaga’s “Telephone.” For the doo-wop sway of “Bust Your Knee Caps,” references to the Italian mafia rang through the lyrics but the bouncy cadence had the fans singing the chorus to the end of the ditty.
The evening turned toward covers from a “Lorde 2Pac Beck Mashup” to Eden Ahbez’s “Nature Boy,” after which the backing band exited to leave the couple front and center. While Dawn attended to some battery issues with her earpiece, Conte proceeded to entertain the crowd with stories from their tour. As they ad-libbed through the technical hiccup, their personalities shined through. Fueled by a crowdsourcing engine Patreon, Pomplamoose aren’t signed to a label, and they produce largely through funds from their patrons, a few in attendance last night. Some covers (Mark Owen’s “Makin’ Out” and Pat Ballard’s “Mister Sandman”) hit stronger than others (Beyoncé’s “Single Ladies (Put a Ring on It)” and the Beatles’ “Come Together”).
Dawn’s playful vocals shown through on “If You Think You Need Some Lovin’” and telegraphed a resemblance to Feist and Inara George of the Bird and the Bee. Conte playfully called for a James Brown “hit me” moment egging on the band to “Another Day.” He continued the frivolity on “Get That Body Back” by asking the audience to part ways to create a circle that he proceeded to occupy by “going crazy” in and recruiting fan upon fan to join him. To top it off, both Conte and Dawn stage dived and crowd surfed before ending the set with the timely cover of Earth, Wind & Fire’s “September.” Returning to the stage, Pomplamoose encored with “Centrifuge,” while an accordion was being located. That fine instrument would put the icing on the cake for the evening as Dawn lulled the crowd with Édith Piaf’s “La Vie en Rose.” —Sharlene Chiu
Tags: Beatles, Beyoncé, Earth Wind & Fire, Eden Ahbez, Édith Piaf, Feist, Inara George, Jack Conte, Lady Gaga, Mark Owen, Nataly Dawn, Pomplamoose, Review, the Bird and the Bee
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