Tag Archives: Edward Sharpe & the Magnetic Zeros

Contest

Grow a Pair: Win Free Tickets to See Edward Sharpe on 7/23

July 20th, 2010

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Good news: Edward Sharpe & the Magnetic Zeros play three shows in NYC this week. Bad News: They’re all sold out. But since we don’t want to end with bad news, The House List is giving away two tickets to see the band at Webster Hall this Friday. Want to go? Then try to Grow a Pair. Just fill out the form below, including your name, e-mail address, which show you’re trying to win tickets to (Edward Sharpe, 7/23) and a brief message explaining why you deserve to go. Eddie Bruiser, a large-band fan, will notify the winner by Friday. Good luck.

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See Edward Sharpe & the Magnetic Zeros on Sunday Night

August 28th, 2009


Two years ago, Ima Robot frontman Alex Ebert formed the freewheeling 11-piece ensemble Edward Sharpe & the Magnetic Zeros. Their debut EP, Here Comes, came out this past May. But then, just two months later, they released their first full-length album, Up from Below. And the band has steadily toured ever since, including a very well received Mercury Lounge show earlier this month. Fortunately, they’re back—at Music Hall of Williamsburg on Sunday night. And what’s a better way to end your weekend than dancing along to a band playing upbeat, high-energy rock and roll?

Check out Edward Sharpe & the Magnetic Zeros, above, playing “40 Day Dream,” the first song off Up from Below, and then download the MP3 here.

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Sprawling, Freewheeling Music on a Friday Night

August 10th, 2009

Edward Sharpe & the Magnetic Zeros/the XX – Mercury Lounge – August 7, 2009

Edward Sharpe and the Magnetic Zeros
It’s not every band that schleps its own upright piano onto the Mercury Lounge stage with them…or has a tall blonde in evening wear playing an accordion for that matter. Then again, Edward Sharpe & the Magnetic Zeros aren’t just any band. Falling somewhere in the spectrum between Rusted Root and the Polyphonic Spree, their show was more like communal living through music, a tribal ritual rather than a rock concert. High energy and positive vibes flowed from percussion, guitars, bass, piano and vocals, as well as ukulele, trumpet and, yes, an accordion, which were all eagerly consumed by the crowd. Was that eight people onstage? Nine? 10? Frankly, there was no border—the band extended all the way to the back of the room with the audience playing its part with sing-alongs and masterful clap-along breakdowns in many of the songs. With microphones planted all over the stage, harmonies came from anywhere and everywhere. This was irony-free Free to Be…You and Me: The more upbeat, the better it sounded.

The XX played an earlier set that was plagued by sound problems. The quartet dressed almost entirely in head-to-toe black, and their music was a surprising drug. Narcotic melodies lay softly on a bed of drum machines and synthesizers like something out of a tripped-out prom scene in a John Hughes film. Tunes were short-lived and punctuated by Explosions-in-the-Sky-esque guitar riffs. And then the amp gave out altogether. —A. Stein