The Bowery Presents

Posts Tagged ‘Elvis Perkins in Dearland’

Elvis Perkins in New York City

Wednesday, December 2nd, 2009


Last time Elvis Perkins in Dearland was in town, back in March, the show somehow ended literally underground in the JMZ subway station across the street from Bowery Ballroom. A small group of musicians—members of Dearland and opener Himalayas (who also open Saturday’s show)—played unplugged with an equally small crowd clapping, dancing and singing along as the late-night MTA platform power washers gawked. It was a show that didn’t want to end.

Since then, I’ve seen Perkins and Co. play a surprising, pitch-perfect cover of Del Shannon’s “Runaway” in the early-afternoon Tennessee sun at Bonnaroo and invite the 20-plus choir of the Shape Note Singers to join them onstage in a powerful moment at the Newport Folk Festival in August. Which is all a way of saying that it might be hard to predict what you’ll see when the band returns this weekend for gigs at Bowery Ballroom and Music Hall of Williamsburg.

I can predict music that transcends Perkins’ unique backstory, plenty of material off of the terrific Elvis Perkins in Dearland, and the just-as-strong follow-up Doomsday EP, and, if we’re lucky, another chills-inducing version of one of the best songs ever written about 9/11, “While You Were Sleeping.” Check out Elvis Perkins in Dearland, above, playing “Shampoo” for Rolling Stone. And then see them live on Saturday at Music Hall of Williamsburg. (Friday’s show is sold out.) —A. Stein

Elvis Perkins in Dearland - The Bowery Ballroom - March 25, 2009

Thursday, March 26th, 2009

elvis-perkins-in-dearland1

Elvis Perkins has one of those voices. It’s some combination of Buddy Holly and Bob Dylan, and the better you can hear it, the more you’ll enjoy it. That was the case last night at The Bowery Ballroom. As the set continued, and the sound in the room coalesced around his vocals, the music bordered on irresistible. Perkins also has quite a voice in the other meaning of the word. His perspective is also a combination of Holly and Dylan: a joyful sneer. It takes a certain voice to sing, “Black is the color of a strangled rainbow,” as Perkins bellowed during the single “Shampoo,” off his sophomore self-titled effort.

But the opener—Kenny Wolleson’s whacked-out marching band, the Himalayas—really elevated the music. No fewer than 20 strong (mostly horns), they set the tone early, mashing good-times beats with my-brain-hurts soundscapes before marching into the crowd and up into the balcony. Various members of the collective later popped up in the Dearland set, punctuating the songwriting with commas, semicolons and plenty of exclamation points.

It’s always good to have one of those songs in your back pocket that gives you goose bumps from the first note ’til the (always-too-soon) end. Elvis Perkins in Dearland saved their hair-raiser for last: a gorgeous “While You Were Sleeping” with a trombone and some reeds to elevate it to that next level. Then, exiting concertgoers met up with Wolleson and Co., jamming in the streets, the music uncontained. A small crowd filed into the subway station, resonating horns against the innards of the city, until finally dissipating. —A. Stein

© 2009

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