Tag Archives: Esperanza Spalding

cat_preview

Xenia Rubinos Stays Home to Play The Bowery Ballroom Tomorrow

April 11th, 2017

Brooklyn’s Xenia Rubinos is a talented singer-songwriter and multi-instrumentalist whose first LP, Magic Trix (stream it below), came out four years ago to a fair amount of acclaim. “She’s triumphed unambiguously: Magic Trix is a startling lightning bolt of a record,” raved Pitchfork. The big-voiced Rubinos (above, doing “Just Like I” for Audiotree TV) crafted her live show while touring in support of the album, thrilling audiences along the way with her take on rock, funk, jazz, hip-hop, Caribbean rhythms and electronics. And last spring, the energetic, engaging performer returned with her follow-up, Black Terry Cat (stream it below), again impressing the folks at Pitchfork: “Black Terry Cat is all about breaking beyond limitations. From mostly keys, drums and bass, Rubinos and her small cohort bring a funky fluidity to the bright splatters of her debut, and forge a level of inventiveness comparable to Esperanza Spalding’s recent epic, Emily’s D+Evolution.” And before she heads to Europe later this month, Rubinos plays The Bowery Ballroom on Thursday night. The Kominas and Starchild and the New Romantic open the show.

cat_preview

Xenia Rubinos Closes Tour at Home at Mercury Lounge Tomorrow

September 30th, 2016

Brooklyn’s Xenia Rubinos is a talented singer-songwriter and keyboardist whose first LP, Magic Trix (stream it below), came out three years ago to a fair amount of acclaim. “She’s triumphed unambiguously: Magic Trix is a startling lightning bolt of a record,” raved Pitchfork. The big-voiced Rubinos (above, doing “Just Like I”) crafted her live show while touring in support of the album, thrilling audiences along the way with her take on rock, funk, jazz, hip-hop, Caribbean rhythms and electronics. And this spring, the energetic, engaging performer returned with her follow-up, Black Terry Cat (stream it below), again impressing the folks at Pitchfork: “Black Terry Cat is all about breaking beyond limitations. From mostly keys, drums and bass, Rubinos and her small cohort bring a funky fluidity to the bright splatters of her debut, and forge a level of inventiveness comparable to Esperanza Spalding’s recent epic, Emily’s D+Evolution.” Before she heads to Europe in late October, Xenia Rubinos plays Mercury Lounge tomorrow night. Ela Minus opens.

cat_preview

Esperanza Spalding Brings Acclaimed New Music to the Apollo Theater

April 13th, 2016

The deck was stacked against her. The Best New Artist Grammy had never before been awarded to a jazz artist. Plus Bieber Fever was in full effect, and it wasn’t just Justin Bieber—all of the other nominees, Drake, Florence and the Machine and Mumford & Sons, were inarguably more famous than she. But nevertheless, 26-year-old Portland, Ore., native Esperanza Spalding strode up to the podium to collect her award in 2011. By that point, she’d already been playing music for more than 20 years. Spurred on by seeing Yo-Yo Ma play the cello on Mister Rogers’ Neighborhood when she was just four, the precocious Spalding took up the violin when she was five. Not content with one instrument, she next conquered the oboe and clarinet before discovering the upright bass in high school. And if all of that weren’t enough, the talented performer began writing lyrics, and she could sing in English, Portuguese and Spanish. After spending time at Berklee College of Music, Spalding began touring in support of other musicians. And then upon graduation, she started teaching at the famed music school and recording her own albums. The third, Chamber Music Society (stream it below), caught people’s attention, eventually netting her that surprise Grammy. But it’s been her sixth studio full-length, Emily’s D+Evolution (stream it below), out last month, that’s returned Spalding (above, performing “Good Lava” on The Late Show with Stephen Colbert) to the spotlight, winning nearly universal praise. “Esperanza Spalding’s new recording, Emily’s D+Evolution, is an astonishing beauty, a set of a dozen songs that artfully and persuasively bridge genres. It is simultaneously the most forward work of the singer and bass player in the way it combines her musical influences with coherent and powerful lyrics and a project that feels rooted in a 1970s sensibility—reminding us of a time when pop, soul, jazz, rock, and singer-songwriter tradition were in constant dialogue,” according to PopMatters. “Because Spalding’s individual strengths as a fleet singer and superb instrumentalist are so perfectly set in these songs, they do not sound like throwbacks, however. Emily’s D+Evolution is a recording only Spalding could have made, and it shouts with invention, confidence and style.” Currently working her way down the East Coast, Spalding plays the world-famous Apollo Theater tomorrow night.

cat_preview

Spend Saturday Night with Esperanza Spalding

May 19th, 2011


The deck was stacked against her. The Best New Artist Grammy had never before been awarded to a jazz artist. Plus Bieber Fever was in full effect, and it wasn’t just Justin Bieber—all of the other nominees, Drake, Florence and the Machine and Mumford & Sons, were inarguably more famous than she. But nevertheless, 26-year-old Portland, Ore., native Esperanza Spalding strode up to the podium to collect her award. By that point, she’d already been playing music for more than 20 years. Spurred on by seeing Yo-Yo Ma play the cello on Mister Rogers’ Neighborhood when she was just four, the precocious Spalding took up the violin when she was five. Not content with one instrument, she next conquered the oboe and clarinet before discovering the bass in high school. And if all of that weren’t enough, the talented performer began writing lyrics and she could sing in English, Portuguese and Spanish. After spending time at Berklee College of Music, Spalding began touring in support of other musicians. And then upon graduation, she started teaching at the famed music school and recording her own albums. The third, Chamber Music Society, caught people’s attention, eventually netting her that surprise Grammy. Check out Esperanza Spalding, above, performing Stevie Wonder’s “Overjoyed” and then go see her play live at Town Hall on Saturday.