Tag Archives: Friday Night Lights

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Explosions in the Sky Electrify Terminal 5

September 23rd, 2016

Explosions in the Sky – Terminal 5 – September 22, 2016

Explosions in the Sky – Terminal 5 – September 22, 2016
Texas band Explosions in the Sky are masters of for providing the soundtrack for pivotal moments in film and television. They are most commonly associated with Friday Night Lights, both the film and the television series, but their music also has graced documentaries, video game promos and a slew of major motion pictures. With their seventh studio album, The Wilderness, a departure from scoring TV and film has afforded the music to sit on its own without football victories or dramatic human narratives to cast scenes. The songs remain empty vessels for listeners to create memories rather than fabricated ones from celluloid. For this instrumental band, the live orchestrations truly take flight in any venue, but it was especially vibrant last night at a sold-out Terminal 5.

What could be described as one of their mellower songs, the title track from their latest opened the evening against an intro of melodic keys. The stage setup was sandwiched between floodlights toward the back and strobe lights in the front, which swayed throughout the performance. Blue streams of lights bathed the quintet as the percolating sound of effects of “The Ecstatics” demonstrated an almost waterfall-like feeling, and laser-like red beams replicated acid rain for “Greet Death.” The performance teetered between harmony and chaos, where lighting was the sixth man of the band. Pulsating floor lights exclaimed the crescendo that welcomed “With Tired Eyes, Tired Minds, Tired Souls, We Slept,” and fittingly a prism wall of light highlighted “Colors in Space.” The group saved the best for last offering crowd favorite “Your Hand in Mine” followed by the noisy “Disintegration Anxiety,” before ending with “The Only Moment We Were Alone,” as the shredding of guitars came to an abrupt halt timed perfectly to a cloak of darkness. —Sharlene Chiu

Photos courtesy of Brian C. Reilly | www.briancreilly.com

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The Bowery Ballroom as a Recital Hall for a Night

December 8th, 2014

Max Richter – The Bowery Ballroom – December 7, 2104

Max Richter – The Bowery Ballroom – December 7, 2104
Renowned composer-producer Max Richter graced New York City for a rare performance of his soundtrack for HBO’s The Leftovers, paired with his classic album, The Blue Notebooks, last night at The Bowery Ballroom. Richter’s music should resonate with cinephiles as his compositions have accompanied such films as Waltz with Bashir, Stranger Than Fiction, Prometheus and Shutter Island. It’s no wonder that HBO tapped the German-born British composer to score The Leftovers. The show’s producer Damon Lindelof (Lost) and director Peter Berg (Friday Night Lights) sought out Richter after hearing his score for a Broadway production of Macbeth.

Last night the esteemed Lower East Side venue was filled with melodious harmonies seeping into the crevasses that are normally reserved for rock and pop outfits. Clad in a black turtleneck, Richter took his place behind the piano as the American Contemporary Music Ensemble filed onstage. Opening the evening with “The Leftovers Piano Theme,” the band played the entire soundtrack. All in all the audience was rapt on the sumptuous notes. Through the set, uncertain applause was offered, as folks were not completely sure when pieces concluded. There was no doubt when the crescendo of strings came to a halting stop on “Afterimage 3” for an uproar of claps to follow. Richter confessed he never thought he’d perform the soundtrack live, but he was happy he had.

The performance of The Blue Notebooks was in honor of the album’s 10th anniversary. Tilda Swinton read the excerpts from Franz Kafka’s and Czeslaw Milosz’s works on the original recording. But at The Bowery Ballroom, Sarah Sutcliffe did the honors as Richter dabbled with sound effects on his iMac. Despite bows from the composer and ensemble upon the album’s conclusion, they returned to encore with “Autumn Music 2.” This unorthodox evening turned the venue into a concert recital hall, leaving fans with an indelible music memory. —Sharlene Chiu

Photos courtesy of Charles Steinberg