Tag Archives: Ginuwine

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An Eclectic Craig David Dance Party at Music Hall of Williamsburg

January 20th, 2017

Craig David Presents TS5 – Music Hall of Williamsburg – January 19, 2017

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It was the summer of 2000 and I was gallivanting in Copenhagen as an exchange student. What I distinctly remember was the insane amount of the Europop that year, and a unique voice, Craig David’s, rang out amongst those omnipresent groups. His blend of R&B mixed with dubstep anchored his first album, Born to Do It. He never fully translated in America to my dismay, but David sold out the Brooklyn debut of his TS5 party at Rough Trade NYC last October. TS5 began as a house party in his penthouse in Miami, Tower Suite 5, and it’s no surprise that it has blown up into a hot ticket. His beginnings on the decks to his top-charting songs set up David as the perfect hybrid of MC and singer.

Commanding a sold-out Music Hall of Williamsburg last night, David opened with oldies “Rewind” and “Fill Me In.” His hybrid skills were on full display as he seamlessly moved from his ballad “Walking Away” to TLC’s “No Scrubs.” David continued, proclaiming, “We getting rotten,” before dropping a series of old school anthems ranging from House of Pain’s “Jump Around” to Chaka Demus & Pliers “Murder She Wrote.” He moved everyone in the packed venue through decades of popular music daring to follow Destiny Child’s “Say My Name” with Ginuwine’s “Pony.”

The latter end of the set produced tracks largely from David’s latest release, Following My Intuition, including the Dave Tozer–produced “Warm It Up,” first single “One More Time,” and the Blonde collaboration, “Nothing Like This.” David expressed his gratitude to fans who have followed him for 16 years, rolling it back one more time for “7 days” before concluding the evening with a cover of Justin Bieber’s “Love Yourself” and his viral hit “Fill Me In/Where Are Ü Now,” a mashup of his classic blended with Diplo and Skrillex’s knotted beats. —Sharlene Chiu

 

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Lo-Fang Delights Mercury Lounge Crowd on Saturday Night

November 3rd, 2014

Lo-Fang – Mercury Lounge – November 1, 2014

Lo-Fang - Mercury Lounge - November 1, 2014
The classically trained singer-songwriter Matthew Hemerlein produces lush soundtrack-worthy music under the moniker Lo-Fang. Most recently, he had been tapped to perform his cover of the Grease favorite “You’re the One That I Want” in a Chanel No. 5 short film starring supermodel Gisele Bündchen and directed by Academy Award–winning Baz Luhrmann. Not bad company to keep. With a slew of influences from R&B to electronica, it should be noa surprise that Hemerlein’s debut album, Blue Film, was written over a three-year globetrotting journey across Cambodia, London, Nashville, Tokyo and Bali. After making his New York City debut at Mercury Lounge earlier this year, the L.A.-based producer returned to the venue for a sold-out performance on Saturday night.

Those in the crowd waited in the chilly rain but were quickly heated up by the singer’s theatrics. Opening with “Silver,” from his newly released Every Night mixtape, Hemerlein literally kicked off his shoes to work his magic not only on the violin but also on the multitude of pedals beneath his feet. The ladies front and center were in for a treat as Hemerlein lunged closer for the throbbing “Light Year.” Wooing the opposite sex further, Hemerlein covered BOY’s “Boris,” serenading, “You owe me/ Your lips I’m gonna give tips/ And I heard your boyfriend is out of town?” Plenty of his admirers would have happily run away with him. On the title track, he even broke out some push-ups to work out his guns for further flexing throughout the evening. With Lo-Fang’s dramatics checked, his classical training shown through on “#88” as he lithely wove Andrew Bird–like violin plucks into his falsetto.

Nearing the end of the set, Hemerlein returned down the path of seduction for “When We’re Fire,” as his gyrations, straight out of Magic Mike, would make Channing Tatum and Matthew McConaughey blush. And when this reviewer was mistakenly taking notes, the singer cheekily reprimanded me by pocketing my phone. Boy wants all eyes on him. Lesson learned. To punctuate the evening, Lo-Fang dug deep into the late ’90s with Ginuwine’s “Pony” for a fitting final fling. But despite his female admirers’ desire for more, they were left hot and bothered into the crisp evening air. —Sharlene Chiu

Photos courtesy of Mina K