The Bowery Presents

Posts Tagged ‘Gomez’

Gomez - Terminal 5 - June 1, 2009

Tuesday, June 2nd, 2009
(Photo: Gregg Greenwood)

(Photo: Gregg Greenwood)

As the Gomez show began last night at Terminal 5, singer-guitarist Ian Ball thanked the crowd, an ardent group of fans covering a surprisingly large range of ages, for coming out to the band’s third New York City appearance in just two months. He later added: “We’re gonna play some stuff we haven’t done before” to the delight of those in the comfortably filled room.

Ball and singer-guitarist Ben Ottewell stayed in their respective places onstage while the other band members, singer-bassist Paul Backburn, drummer Olly Peacock and guitarist-keyboardist Tom Gray rotated around them switching instruments depending on the song. Backburn specifically shone bright like an expert utility infielder, moving from bass to keys to percussion and even to a melodica.

Set list

Set list

The music expertly shifted back and forth between mellow mood and dance party throughout the show as the band mixed in sing-along fan favorites like “See the World” with older songs—like “Whippin’ Piccadilly” and a stellar “Tijuana Lady”—and new cuts—like “Airstream Driver” (Ball sang the kazoo parts as they’d been left on the bus) and “Sunset Gates.” While most of the tunes were pretty tight, the band took time to jam out “Pin One Down” with a great flourish of guitars working together, separately and together again. The three-song encore, the crowd-pleasing “We Don’t Know Where We’re Going,” “Sunset Gates” and “How We Operate” sent the audience, smiling, out into the calm, still Monday night. —R. Zizmor

Gomez - Music Hall of Williamsburg - April 3, 2009

Monday, April 6th, 2009
(Photo: Jay Blakesberg)

(Photo: Jay Blakesberg)

It was like a perfect storm, really. The economy is in the toilet. Jobs are disappearing. We changed Presidents and the world still hates us. And if that weren’t enough, it had been raining all day. Basically, it was just another long week in a string of them. The audience, it seemed, just wanted to let loose.

But indie English bands have long weeks, too. Gomez had already played a record-release concert for their sixth studio album, A New Tide, at The Bowery Ballroom on Tuesday. And just three nights later, they were already back in town, at Music Hall of Williamsburg, to finish their East Coast tour—their 13th show in only 15 days. The band, it seemed, just wanted to let loose.

“It’s the last night of the tour, so I have to have a good fucking time,” pronounced Tom Gray (vocals, guitar and keys). And with that Gomez launched into the first song of the night, “Shot Shot.” It was the beginning of a barn burner. The music was expertly played, and the show was filled with great voices—as Gray, Ian Ball (vocals and guitar) and Ben Ottewell (vocals and guitar) took turns singing lead and harmonizing perfectly all night long—plus densely layered instrumentals—anchored by the talented rhythm section of Paul Blackburn (bass) and Olly Peacock (drums)—and, at times, a flurry of four guitars as the band stretched out several songs, jamming to the crowd’s delight.

The guys in the band seemed loose and carefree. And their happiness came across as they covered a wide swath of their musical history, from older tunes like “Revolutionary Kind” and “Rhythm & Blues Alibi” to songs from the new disc, like “Little Pieces” and “Win Park Slope.” It seemed like there was a competition between the band and the audience to see who could have the most fun. But in the end, on a Friday night in Brooklyn, everybody was a winner. —R. Zizmor

Check Out Tonight’s Opening Bands

Tuesday, March 31st, 2009

Recession Buster: Black Joe Lewis offers free cuts to any Honeybear.

Recession buster: Black Joe Lewis offers free cuts to any Honeybear.

These days, we’re forced to stretch each dollar as far as possible. And those clams spent on entertainment should be no exception. For this reason, along with the fact that there are some kick-ass openers at tonight’s shows, The House List urges you to arrive early tonight.

If you’re lucky enough to have a ticket to tonight’s sold-out Gomez show at The Bowery Ballroom, make an effort to see the support act, Black Joe Lewis & the Honeybears. The Austin, Texas-based outfit plays some downright funky soul with sex-charged lyrics that will keep a wiggle in your step and a smile on your face.

Just up the block, the hottest new export from Portland, Ore., Blind Pilot, will play at a sold-out Mercury Lounge. And you guessed it—you’ll want to get there early too because with their intelligent power pop, the main-support act, L.A. band the Broken West, reminds us that late-’90s music wasn’t half bad. (Also appearing at Mercury Lounge: Gringo Star and the Static Jacks.)

Finally, more adventurous concertgoers heading to The Wellmont Theatre tonight won’t want to miss the Low Anthem. Their delicate folk musings are the ideal complement to headliner Ray LaMontagne’s acoustic-pop perfection.

Alberta Cross

Thursday, March 12th, 2009

alberta-cross

In the second opening slot last night at a sold-out Bowery Ballroom, Alberta Cross, with their brooding brand of rock and roll, continued to prove why they are a band not to miss when they come to your town. Playing a mix of tracks from their self-produced EP, The Thief & the Heartbreaker—released in 2007—and newer songs, possibly destined for their debut album, to be released later this year, Alberta Cross firmly took hold of the room for their entire 45-minute set.

When Swede Petter Ericson Stakee (guitar and vocals) and East Londoner Terry Wolfers (bass) met in a bar several years ago, they bonded over their love of the blues, country and ’70s rock. And that certainly comes across in several of their slow-building songs. While Alberta Cross exhibit shades of guitar-rock bands like Neil Young and Crazy Horse, and some ethereal bits of early Pink Floyd, their music is a breath of fresh air. Similar, in a sense, to when the Band was putting out music that didn’t sound like any of their contemporaries. But it wasn’t all guitar rock. On a gospel-tinged tune the guitars were replaced with an organ, piano and the audience enthusiastically clapping along.

The band seemed as pleased with the crowd as the crowd was pleased with them. Petter took time to address the audience, pointing out “the guy who traveled the farthest to be here. From South America!” And before the last song, he said, “If you want a track to dance to, this is probably it.” No doubt, he was right. Alberta Cross opens for Gomez at Music Hall of Williamsburg on Friday, April 3rd. Do your best to check them out. —R. Zizmor

© 2009

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