Tag Archives: Heartless Bastards

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The Acoustic Elegance of Heartless Bastards

July 25th, 2011

Heartless Bastards – Mercury Lounge – July 23, 2011


“A bird shit on my head when I parked coming here. I hope that means it’ll be a really great show,” the brilliant Erika Wennerstrom shared with the crowd. Perhaps if birds shit on bands more often those bands would sound as good as Heartless Bastards did at Mercury Lounge on Saturday night. Known for playing much larger venues, the group, comprised of Wennerstrom (vocals-guitar), David Colvin (drums), Jesse Baugh (bass) and Mark Nathan (guitar), took the intimacy to a whole new level, performing an all-acoustic set. There is something really special about a show like this. Sure, electric rocks, but the simple elegance of acoustic brings music back to the basics. There are no gimmicks or glitz, just real, honest tunes.

Wennerstrom’s soulful voice is unlike any others. Hers is velvety and rich and the words she sings are beautiful, sad, vulnerable and empowering. It’s like she feels out each note as if discovering it for the first time. The quartet’s musicality was remarkable. Guitars twanged and the upright bass added a timeless allure. Talented singer Heidi Johnson, harmonizing sweetly with Wennerstrom, joined in on some of the group’s newer songs.

From “Could Be So Happy,” off the 2009 album The Mountain, to “Runnin,” from 2006’s All This Time, each melody was heartbreaking but also filled with hope. After many cries for “more Bastards!” the band returned to the stage and finished with the powerful ballad “The Mountain.” Heartless Bastards create the type of music that makes you thankful to be alive and to be able to feel love, loss and life. Those in the audience appeared grateful as they swayed and held onto one another. More than once, however, someone shouted, “I love you, little bastards,” reminding us all to lighten up and have fun. —Kristen Ferreira

Contest

Grow a Pair: Win Free Tickets to See Heartless Bastards on 7/23-24

July 19th, 2011

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Heartless Bastards are coming to town to play two sold-out shows at Mercury Lounge on 7/23 and 7/24. And since it’s so hot and humid, The House List wants to give you some cool music, which means we’re giving away two tickets to each show. Want to go? Try to Grow a Pair. Just fill out the form below, including your full name, e-mail address, which show you’re trying to win tickets to (Heartless Bastards, 7/23 or 7/24) and a brief message explaining what you like about acoustic music. Eddie Bruiser, a surefire acoustic fan, will notify the winners by Friday. Good luck.

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These Bastards Are All Heart

July 15th, 2010

Heartless Bastards – Music Hall of Williamsburg – July 14, 2010

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If you were looking for in-your-face, fist-pumping rock and roll last night, you could’ve done far worse than Heartless Bastards at Music Hall of Williamsburg. In the wild jangle of electric guitars, wrecking-ball bass playing and heavy horsepower drumming, the true secret weapon was Erika Wennerstrom’s vocals, which seemed to be transported from beyond the grave—her compact frame channeling some long-passed, soulful blues legend. While other bands might build to a climax of dueling guitars at maximum decibels, the Bastards’ tension release came from Wennerstrom’s voice filling all of Music Hall like air in a balloon. Her “ooohs” during “Witchy Poo” had more energy and urgency than most frontmen could possibly consider.

Midset, Heartless Bastards were joined by a violin player who at first brought the volume to I-may-need-earplugs levels before making way for some acoustic numbers. The drummer left the stage, transforming the band into a living-room outfit. Bass player Jesse Ebaugh switched to banjo for an excellent version of “Had to Go.” Once the group returned to full strength, the home stretch of the show was an exercise in endurance rock and roll, with each song outdoing the previous in energy, length and volatile interplay. Ebaugh’s pedal steel work on “The Mountain” was a revelation. It was the highlight of the night, and you had to wonder why he only played the steel for one song. The encore featured Peter Pisano (of opener Peter Wolf Crier) singing in trio format with Wennerstrom and Ebaugh on a lovely “Be So Happy,” rounding out a 90-minute set that made the still-wanting-more crowd so happy indeed. —A. Stein