Tag Archives: Iris Dement

cat_reviews

Kyle Morton Goes Solo at Rough Trade NYC on Friday Night

January 23rd, 2017

Kyle Morton – Rough Trade NYC – January 20, 2017

83-atlg
The path from band member to solo career can often lead to a clear separation from the former, but Kyle Morton of Typhoon has managed to avoid that divide. Rather his solo album was birthed while he was working on the group’s next major release. It’s not surprising that Morton had qualms touring alone when there are 11 members in Typhoon. In an interview, Morton confessed his nervousness of going it alone: “I’m learning a lot more self-reliance, since I’m out here traveling by myself. I never really wanted to tour by myself because it seemed kind of daunting. But there’s something kind of nomadic and cool about it.” And so the frontman arrived solo onstage before a welcoming crowd at Rough Trade NYC on Friday evening.

Covering a large portion of his debut album, What Will Destroy You, Morton expertly mixed new material with Typhoon fan favorites throughout the set. His singing cadence, which resembled Conor Oberst’s on “Poor Bastard,” was especially punctuated by the morbid, melancholic lyrics. The crowd quickly joined in on the Typhoon track “Belly of the Cavern” by stomping along to provide percussion before echoing the refrain “I will be good though my body be broken” on “Common Sentiments.” Morton joked that one really only had to sing that bit to be part of the band, which endeared him to the audience even more. The mention that his wife, Wild Ones lead singer Danielle Sullivan, was in attendance served as a teaser for an inevitable duet.

Before she would take the stage, Morton sweetly dedicated “My Little Darlin’ Knows My Nature” to Sullivan. Shining a new light on the familiar “Artificial Light” and “Prosthetic Love,” the stripped-down Typhoon songs highlighted the painstaking lyrics that can get lost in the hefty band’s weight. When the words “last song” provoked grumbles, the songwriter discarded the pseudo exit of an encore to remain onstage, calling upon his wife to join him on a new Typhoon song. And if that weren’t enough to appease the crowd, the pair covered the John Prine and Iris Dement duet “In Spite of Ourselves” to cap off the night. —Sharlene Chiu

cat_reviews

Music as Medicine on Saturday Night at Rough Trade NYC

August 18th, 2014

Bobby Long/Dawn Landes – Rough Trade NYC – August 16, 2014

83-etxl1
It had been one of those weeks when upsetting news and disturbing images across the world seemed to fill an even greater percentage of our consciousness than usual—the kind of week that requires some good, honest music to remind you that there are still beautiful things out there. And thankfully, on Saturday night, Rough Trade NYC hosted a bill filled with acts that were just what the doctor ordered. A band to keep your eye on, Brooklyn upstart Bird Dog, opened the show with intelligent songwriting and innovative genre blending. The band hopped among styles easily: a close approximation of a country honky-tonk, a Latin groove machine and a radio-ready pop group in quick succession. And terrific guitar playing and touches of violin impressively punctuated great songs like “Holiday Season” and “Read My Letter.”

Dawn Landes, a one-woman prescription for whatever ails you, played the middle set. Her newest album, Bluebird, comes off like a newly found timeless classic, filled with golden-era country-inflected folk songs. As luck would have it, Robert Ellis, who also has a best-in-class album out this year, joined her. With Landes leading the way with her sweet-tea voice and easy-to-love charm and Ellis chiming in with an occasional harmony and quick acoustic-guitar fills, the duo melted away worries and evaporated strife. The set was full of highlights, from the cover of the sweetly humorous John Prine/Iris Dement duet “In Spite of Ourselves” to the gorgeous trio (with friend Lauren Balthrop singing harmony) on “Twilight.” But my favorite moment was when Landes sang the new album’s title track, a few minutes of perfection.

Bobby Long, who is from NYC by way of London, closed out the night singing folk the old fashioned way—just a man and his guitar onstage. With hair covering his eyes and a heavy dose of Brit humor, Long was introspective with his music. Songs were introduced with quick jokes and “true story” anecdotes, but seemed to grow in his playing, with vivid emotional imagery and broader themes. Singing solo allowed Long to expand his vocals, repeating choruses each time with different emphasis, filling in nicely with bits of fingerpicked guitar. I thought the set highlight was “Kill Someone”—about “fucking assholes”—which was prefaced with a description of Long’s sister’s ex-husband. His jokey introduction of “serious song, no clapping” made way for a piece with real anger that gave it a lively energy. Long described it as “hitting him with lyrics” as opposed to the real-life swing and a miss that his dad tried to lay on the jerk. That song might have had much more of an impact, but when passionately sung by Long it was a damn good one regardless, which counts for something. If only all the world’s problems could be solved with a great song. —A. Stein