Tag Archives: Jack White

cat_reviews

All Hail the Queen

January 24th, 2011

Wanda Jackson – Music Hall of Williamsburg – January 21, 2011

15
Wanda Jackson has been singing and playing guitar since racking up hits as a girl in the ’50s. She’s toured with (and dated) Elvis and most recently collaborated with Jack White on her new album, The Party Ain’t Over. On Friday night at Music Hall of Williamsburg, the dapper black-and-pink-clad Third Man Band warmed up onstage while the sold-out crowd eagerly awaited the Queen of Rockabilly. As White wailed out a funky, dirty guitar riff, Jackson, petite and smiling, appeared, sporting a sparkly, fringed white jacket and black bouffant hairdo. “New York City!” she cried out in her spunky Southern lilt. “Are you ready to rock? I sure am!” She began her old hit “Riot in Cell Block 9” and the crowd started to dance. Brooklyn, too, was ready to rock.

Jackson’s voice, brassy and throaty, punctuated here and there with a delicate little growl, was in fine form as she ran through a mix of hits from the ’50s and ’60s (“Mean, Mean Man,” “Fujiyama Mama”) alongside tracks off the new album (including a cover of Amy Winehouse’s “You Know I’m No Good”). The singer was good-humored and a bit feisty during song breaks, praising White’s guitar playing (affectionately calling him “sweetie”) and her two backup singers (“how do ya’ll like my little cupcakes over here?”). “I saw Elvis do this once in Vegas,” quipped Jackson, referring to a lyric sheet she used for one number. “I said if it’s good enough for the King, it’s good enough for the Queen.”

Although there was plenty of talk of White being a “savior” of rock and roll back when the White Stripes first emerged, perhaps only now, after his fruitful collaboration with Jackson, is this notion truly appropriate. Over all these years, Jackson has never stopped singing and performing, but White’s imprint on her new recordings may help generations of music fans rediscover (or discover) this powerhouse—someone who was really there back when rock and roll first took shape. Wanda Jackson’s spirited performance with the Third Man Band this weekend made it clear that classic rock and roll is here to stay. —Alena Kastin

Photo © 2011 Eric Van’t Zelfden/Lobo Jones Photography. All Rights Reserved.
http://lobojonesphoto.blogspot.com
| Flickr

(Wanda Jackson plays The Bowery Ballroom on 2/24.)

cat_reviews

The Dead Weather – The Bowery Ballroom – April 14, 2009

April 15th, 2009

The Dead Weather - The Bowery Ballroom - April 14, 2009
Jack White is hard to pin down. He channeled bluesy riffs with the White Stripes, and then moved in a different direction with the Raconteurs’ full-band sound. And now, White’s the drummer in the lean, loud Dead Weather, playing their first public show anywhere, last night at The Bowery Ballroom.

When the Kills opened a few dates for the Raconteurs, the Kills front woman, the captivating Alison Mosshart, and White and Raconteurs bassist Jack Lawrence recognized a shared musical sensibility. They decided to add Dean Fertita—who plays guitar and keys with the Queens of the Stone Age and had previously toured with the Raconteurs—to the mix to record an album, Horehound, to be released in June.

Live, the Dead Weather have a bold, garage-rock sound that Little Steven would love. They were most engaging when both Mosshart—her voice purring and powerful—and Fertita teamed up on guitar to go along with Lawrence’s thumping basslines and White whaling away on the drums. And although White is a talented drummer, the band really brought the thunder during the last song of the hour-long set, when Lawrence subbed in behind the drum kit, allowing White to move front and center to share a microphone with Mosshart, their faces just inches apart, while his nimble fingers feverishly flew across his guitar. They’re just getting going right now, but do yourself a favor and see the Dead Weather when they begin touring in June. —R. Zizmor

Photos courtesy of Michael Jurick | music.jurick.net