James Blake – Music Hall of Williamsburg – December 1, 2014
James Blake is like a fine wine: His live performances get better over time. Last night at Music Hall of Williamsburg, the English singer drew complete silence as he opened the show, his entrancing hum casting a spell over the audience, making anyone in the room with testosterone turn all gooey on the inside. I have boobs, so I’m already made that way, and as a result, I completely melted all over the floor.
In case you’ve forgotten what it’s like to feel a full range of human emotions, witnessing James Blake live will remind you. It’s a psychological roller coaster of feels, from the pure joy of hearing his crystallizing vocals to the overwhelming sadness of his slow-burning piano ballads. Blake’s soul-crushing rendition of Joni Mitchell’s “A Case of You” still jerks a tear (or 50) from my eyes every time I hear it, damn it. Then there’s the part when you feel anger, jealousy and spite, because seriously, how can one human be that talented?
Blake showcased his diversity as a producer and as a singer-songwriter while bouncing across genres, from deep house into trap before whipping into piano solos on “Limit to Your Love,” “A Case of You” and “Overgrown.” One of the best things about the show was seeing the enjoyment on Blake’s face, resonating throughout his performance. But the night’s real highlights were “Retrograde,” which had the entire crowd humming and cooing, and then the encore of “The Wilhelm Scream,” leaving everyone on a total high. —Pip Cowley | @PipCowley