Tag Archives: John Prine

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Brooklyn Country Music Hits The Bowery Ballroom

February 6th, 2013

The Lone Bellow – The Bowery Ballroom – February 5, 2013


Remember how Bon Iver’s heartbreak record, For Emma, Forever Ago, became part of indie-rock lore, straight from a Wisconsin cabin into an awkward Grammy speech? Zach Williams, lead singer of the Lone Bellow, may give Justin Vernon a run for his money with his own self-titled album. Williams was encouraged by a friend to write when his wife suffered a near-paralyzing fall from a horse. And early journal entries became the foundation for songs that grace his album. Williams has said of his work, “We write songs from personal experiences in our lives. Tragedy, hope, betrayal and redemption ebb and flow throughout this record.” He and his band even went up to a cabin in upstate New York to film a video for “Two Sides of Lonely.”

With mandolinist Kanene Pipkin and guitarist Brian Elmquist, the Lone Bellow created a robust hug of harmonies around the audience of The Bowery Ballroom on a chilly Tuesday evening. The band sauntered onstage to the Everly Brothers’ “Wake Up Little Suzy,” and the audience joined in with uproarious cheers and applause as they began their set with “You Can Be All Kinds of Emotional.” Williams offered “another sad country” as an introduction to “Two Sides of Lonely,” in which one onlooker yelled, “Make me cry!” A cadence of hand claps erupted for the rollicking favorite, “Green Eyes and a Heart of Gold.” In a playful interlude, Williams and Co. covered Mariah Carey’s “Always Be My Baby” and bits of Brian McKnight’s “Back to One.” Returning to a country croon, the Bellows continued with “Bleeding Out” and a steel-pedal accompanied “Looking for You.” Williams proposed a new song, with opening chords similar to Blackstreet’s “No Diggity,” which (you guessed it) they played. It seems as though the Lone Bellow has quite the repertoire of ’90s R&B tunes.

As the end of the night neared, “Teach Me to Know” closed the set with the group’s fans singing along. For an encore, the Lone Bellows covered John Prine’s “Angel from Montgomery” before finishing with “The One You Should’ve Let Go,” and The Bowery Ballroom was transformed into the set of Nashville, with feet stomping and the crowd chanting: “Come on, my love / I’m not the one that you were looking for / I’m not the shoulder you should cry on / I am the one you should’ve let go.” But despite those lyrics, the Lone Bellow won’t be let go anytime soon. —Sharlene Chiu

(The Lone Bellow play the Beacon Theatre with Brandi Carlile on 3/22 and 3/23.)

 

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Such a Night

October 4th, 2012

Love for Levon: A Benefit to Save the Barn – Izod Center – October 3, 2012


Levon Helm is a towering figure in American music and the main reason a band, well the Band, that was actually four-fifths Canadian could be considered quintessentially American. After Helm was diagnosed with cancer, he began hosting Midnight Rambles at his home barn/studio—ridiculously intimate affairs filled with music that kept onlookers smiling for days. And despite Helm’s passing, it was clear that the barn and the Rambles would continue. But, of course, there are bills to pay. So last night at the Izod Center, a monumental group of performers—those who had worked with the Band, performed with Helm or appeared at one of those fabled Rambles—gathered to pay tribute to the musical icon and help raise money to finally pay off the barn.

There were far too many talented people involved to list everyone, but the night started with a bang as Warren Haynes, backed by the Dirt Farmer Band, did a rousing version of “The Shape I’m In” before Gregg Allman joined him for a riveting “Long Black Veil.” From there a cavalcade of stars, including Bruce Hornsby, Jorma Kaukonen, Marc Cohn, the Wallflowers and Allen Toussaint, appeared. Lucinda Williams said, “God bless, Levon Helm. His spirit lives on,” after concluding “Whispering Pines.” And then the fist set closed with John Hiatt and Mike Gordon doing a lively “Rag Mama Rag.”

And while that first set was particularly great, the second one was something special. Highlights included Ray LaMontagne and John Mayer on “Tears of Rage,” the Dierks Bentley–led “Chest Fever,” with Garth Hudson laying down the winding “Genetic Method” organ intro, and Larry Campbell eliciting a big crowd response to the “Drink all day, rock all night” line in “Tennessee Jed” as Mayer rode shotgun on guitar. Then somehow the ante got upped once again. First, a jammy “Up on Cripple Creek” with Joe Walsh and Robert Randolph (“Jersey boys are here,” proclaimed Walsh), and then the house band ceded the stage to My Morning Jacket.

The five-piece launched into “Ophelia,” with the crowd throatily singing along, and “It Makes No Difference” before bringing out Roger Waters and G.E. Smith for “The Night They Drove Old Dixie Down.” Of course all of this was just a lead up to the night’s inevitable conclusion, everyone onstage for “The Weight.” Longtime Levon Helm Band members Campbell, Teresa Williams and Amy Helm rightfully took the first verse, accompanied only by Campbell’s guitar. And then Mavis Staples sang, and then Allman and Haynes. And then Grace Potter, Eric Church, John Prine, Jim James and everyone else took turns trading verses across the stage, before turning to Waters, center stage, singing, “You know I’m a peaceful man,” with smiles everywhere. It was hard to tell who was having more fun, the people in the crowd or those onstage. It was just one of those nights. —R. Zizmor

Photos courtesy of Joe Papeo | www.irocktheshot.com

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Love for Levon: A Benefit to Save the Barn

October 2nd, 2012

Sometimes you want to see an all-star lineup of musicians performing together, and other times you want to support a great cause. But with tomorrow’s Love for Levon: A Benefit to Save the Barn at the Izod Center, you can actually do both. American icon Levon Helm may be gone, but his musical legacy and studio, home to the Midnight Ramble, remain. And so we’re all trying to pay off the barn together. The star-studded Love for Levon lineup includes Roger Waters (who counts the Arkansas Razorbacks baseball cap Helm gave him among his most treasured possessions), My Morning Jacket, Gregg Allman, Garth Hudson, Joe Walsh, Bruce Hornsby, Mavis Staples, Allen Toussaint and John Prine—plus a host of others, and maybe even some surprises, too. This is most certainly one not to miss.

(Want to go to the show, but don’t know how to get there? Rocks Off NYC is running a bus to and from the show.)

 

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A Legend Comes to Governors Island

September 8th, 2010


After serving in the army, John Prine became an Illinois postman. During this time, he began performing anywhere he could. It was clear he was a talented singer-songwriter, but oftentimes even the talented need a break. His first came when a friend of Prine’s brought Kris Kristofferson to see him play. “That’s how I got discovered,” said Prine. Another bit of serendipity of equal importance found Chicago Sun-Times movie critic Roger Ebert catching one of his shows. The next day he wrote about Prine, titling the article “Singing Mailman Who Delivers a Powerful Message in a Few Words.” Since then, the prolific musician has released a slew of music and has had many of songs covered by people who are more famous, but certainly not more talented. Let’s face it: John Prine (above, playing “Angel from Montgomery”) is a legend. Do your best to see him on Friday at The Beach at Governors Island.