Tag Archives: Justin Bieber

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An Eclectic Craig David Dance Party at Music Hall of Williamsburg

January 20th, 2017

Craig David Presents TS5 – Music Hall of Williamsburg – January 19, 2017

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It was the summer of 2000 and I was gallivanting in Copenhagen as an exchange student. What I distinctly remember was the insane amount of the Europop that year, and a unique voice, Craig David’s, rang out amongst those omnipresent groups. His blend of R&B mixed with dubstep anchored his first album, Born to Do It. He never fully translated in America to my dismay, but David sold out the Brooklyn debut of his TS5 party at Rough Trade NYC last October. TS5 began as a house party in his penthouse in Miami, Tower Suite 5, and it’s no surprise that it has blown up into a hot ticket. His beginnings on the decks to his top-charting songs set up David as the perfect hybrid of MC and singer.

Commanding a sold-out Music Hall of Williamsburg last night, David opened with oldies “Rewind” and “Fill Me In.” His hybrid skills were on full display as he seamlessly moved from his ballad “Walking Away” to TLC’s “No Scrubs.” David continued, proclaiming, “We getting rotten,” before dropping a series of old school anthems ranging from House of Pain’s “Jump Around” to Chaka Demus & Pliers “Murder She Wrote.” He moved everyone in the packed venue through decades of popular music daring to follow Destiny Child’s “Say My Name” with Ginuwine’s “Pony.”

The latter end of the set produced tracks largely from David’s latest release, Following My Intuition, including the Dave Tozer–produced “Warm It Up,” first single “One More Time,” and the Blonde collaboration, “Nothing Like This.” David expressed his gratitude to fans who have followed him for 16 years, rolling it back one more time for “7 days” before concluding the evening with a cover of Justin Bieber’s “Love Yourself” and his viral hit “Fill Me In/Where Are Ü Now,” a mashup of his classic blended with Diplo and Skrillex’s knotted beats. —Sharlene Chiu

 

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Esperanza Spalding Brings Acclaimed New Music to the Apollo Theater

April 13th, 2016

The deck was stacked against her. The Best New Artist Grammy had never before been awarded to a jazz artist. Plus Bieber Fever was in full effect, and it wasn’t just Justin Bieber—all of the other nominees, Drake, Florence and the Machine and Mumford & Sons, were inarguably more famous than she. But nevertheless, 26-year-old Portland, Ore., native Esperanza Spalding strode up to the podium to collect her award in 2011. By that point, she’d already been playing music for more than 20 years. Spurred on by seeing Yo-Yo Ma play the cello on Mister Rogers’ Neighborhood when she was just four, the precocious Spalding took up the violin when she was five. Not content with one instrument, she next conquered the oboe and clarinet before discovering the upright bass in high school. And if all of that weren’t enough, the talented performer began writing lyrics, and she could sing in English, Portuguese and Spanish. After spending time at Berklee College of Music, Spalding began touring in support of other musicians. And then upon graduation, she started teaching at the famed music school and recording her own albums. The third, Chamber Music Society (stream it below), caught people’s attention, eventually netting her that surprise Grammy. But it’s been her sixth studio full-length, Emily’s D+Evolution (stream it below), out last month, that’s returned Spalding (above, performing “Good Lava” on The Late Show with Stephen Colbert) to the spotlight, winning nearly universal praise. “Esperanza Spalding’s new recording, Emily’s D+Evolution, is an astonishing beauty, a set of a dozen songs that artfully and persuasively bridge genres. It is simultaneously the most forward work of the singer and bass player in the way it combines her musical influences with coherent and powerful lyrics and a project that feels rooted in a 1970s sensibility—reminding us of a time when pop, soul, jazz, rock, and singer-songwriter tradition were in constant dialogue,” according to PopMatters. “Because Spalding’s individual strengths as a fleet singer and superb instrumentalist are so perfectly set in these songs, they do not sound like throwbacks, however. Emily’s D+Evolution is a recording only Spalding could have made, and it shouts with invention, confidence and style.” Currently working her way down the East Coast, Spalding plays the world-famous Apollo Theater tomorrow night.