The Bowery Presents

Posts Tagged ‘Kevin Devine’

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Reunited and It Feels So Good

Monday, November 2nd, 2009

The Get Up Kids - Music Hall of Williamsburg - November 1, 2009

The Get Up Kids
While bands like KISS have devalued the real significance of reunion tours, there are still acts like the Get Up Kids willing to prove that not all reunion tours are half-assed attempts at moneygrubbing. Taking the stage to the tongue-in-cheek intro music of Prince’s “1999,” the Get Up Kids wrapped up a three-night stay in New York City with a sold-out show at Music Hall of Williamsburg. Following a now commonly brilliant set from hometown boy Kevin Devine, the Get Up Kids made, surprisingly, their first-ever appearance in Brooklyn. More than just a trip down memory lane, the show was filled with energy not normally seen on reunion tours.

Mixing in everything from the ubiquitous “Holiday” to B-side “Anne Arbour,” the band played for more than an hour to the delight of the raucous crowd. Lead singer Matt Pryor’s voice sounded remarkably similar to the recordings on the band’s watershed album, Something to Write Home About, released a decade ago. But the group also had to tread new ground during the set (thanks to guitarist Jim Suptic’s allergic reaction to his Tin Man costume from their Halloween show). Left voiceless, Suptic’s vocals were picked up by keyboard player James Dewees, who jokingly apologized about how his low range would make his new parts sound “too screamo.”

After a stage-dive-inducing performance of “I’m a Loner Dottie, a Rebel…” during the encore, Pryor asked if the audience wanted a “slow song or a rock song.” When the crowd screamed for the latter, one more vocal substitution was needed. Pryor grinned his way through “Ten Minutes,” normally sung by Suptic, and admitted he had never sung it before. —Sean O’Kane

Kevin Devine - The Bowery Ballroom - April 24, 2009

Monday, April 27th, 2009

Kevin Devine - The Bowery Ballroom - April 24, 2009Just over a year ago, Kevin Devine headlined his first show at The Bowery Ballroom with a long, emotion-filled set. And just a handful of shows there later, he has become something of a regular: His shows sell out (and fast), his family attends and those in the crowd always check their distractions at the door so they can offer their total attention to one of New York City’s newest musical sons.

Unlike that first show in January of last year (which featured more pin-drop moments than most New York City shows will ever see), Devine’s performance on Friday highlighted his backing group, the Goddamn Band. The night served as the official CD-release show for his newest album, Brother’s Blood, which even Devine admitted during the set relies heavily on his band.

Devine and the Goddamn Band ruled the stage for almost two hours, playing much of the new album, due out tomorrow, including the eerie spine-tingler “Carnival” and the ultracatchy pop of “I Could Be with Anyone.” Devine’s shouts and screams were a perfect complement to Mike Strandberg’s brilliant lead guitar, Brian Bonz’s vocals (he also served as the opener), Russell Smith’s guitar, and bassist Chris Bracco and drummer Mike Skinner’s pressing rhythms.

The intense and bombastic points in the set (capped by the heart-wrenching growl of the title track, “Brother’s Blood”) were wonderful, but the night was special because of those pin-drop moments, as fleeting as they were. Devine finished the night with “Ballgame,” a performance that sucked the crowd’s breath out of its collective lungs, leaving the room so silent not even the clinking of glasses rang out from the bars in the back. —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com

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