Tag Archives: Kevin Drew

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Broken Social Scene to the Rescue at Brooklyn Steel on Wednesday

October 5th, 2017

Broken Social Scene – Brooklyn Steel – October 4, 2017

In “getting the band back together,” the siblings in The Blues Brothers are compelled to get all of the original members, no less will do, in order to rekindle the old magic. I imagine Kevin Drew and Brendan Canning going through similar adventures every few years as they search Toronto to round up Andrew Whiteman, Charles Spearin, Justin Peroff and the rest of Broken Social Scene. In the movie, the reunion is to save an orphanage, and while now there’s no orphanage to save, per se, it does lately feel like our collective national psyche has been orphaned—and who better to save it than these guys? Or, as Drew put it midway through their sold-out show at Brooklyn Steel last night: “When your country gets fucked up, Broken Social Scene shows up … that’s what we do.” And show up they did, delivering a powerful, jubilant, cathartic set, the band, indeed back together.

The healing vibes were flowing from the beginning with a punchy opening one-two of “KC Accidental” and “7/4 Shoreline,” guitars layered upon guitars and then, at just the right moment, a blast of horns materializing to provide the exclamatory oomph. “We’re not a rock band, we’re a family!” proclaimed Drew later in the night, putting to words the unique, sibling-love energy coming from the stage. Even when squeezing two, three and sometimes four guitar parts into their songs, the sound was big and loving without getting too messy. A mid-set pairing of “Stars and Sons” and “World Sick” showed off the ensemble’s range: joyous, raucous bounce followed by more subtle, heartfelt rocking, the latter lingering with beautiful cascades of guitar in both the intro and outro.

While it’s been a few years since Broken Social Scene’s last proper tour—and the band and crowd were both filled with nostalgia last night—plenty of new material still seamlessly fit into the set. “Skyline,” dedicated to Tom Petty, felt especially purposeful and charged, quietly building to another horn-led climax. The new record is titled Hug of Thunder, and that’s exactly what the show felt like, an emotional release in voluminous guitars, bass, drums and more. During the encore, the hugs became literal, Drew dropping down into the crowd to sing “Lover’s Spit” and giving a genuine embrace to as many people as he could along the way as he sang, sincerely, if not reassuringly, “Making it work takes a little time.” —A. Stein | @Neddyo

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Broken Social Scene – Music Hall of Williamsburg – July 21, 2016

July 22nd, 2016

Broken Social Scene - Music Hall of Williamsburg - July 21, 2016

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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A Top Five Look Back at 2014

December 31st, 2014

Colourful 2014 in fiery sparklers

Top Five Albums
1. The War on Drugs, Lost in the Dream
2. Total Control, Typical System
3. Run the Jewels, Run the Jewels 2
4. Coldplay, Ghost Stories
5. Parquet Courts, Sunbathing Animal —Charles Steinberg

Top Five Memorable Shows
1. Feist, Tarrytown Music Hall, 4/10
When I heard Feist was doing a tiny solo acoustic tour, I forked over ducats for this one. There were bits of stand-up-like banter with the audience as she stripped down the material. But what really made the night was a mini-reunion with former bandmate (and ex) Kevin Drew as they dueted on the Broken Social Scene classic “Lover’s Spit.”
2. (tie) Rhye, Webster Hall, 2/21
This performance was a bit misleading because although singer Milosh and producer Robin Hannibal are the members in Rhye, the latter member doesn’t tour. But Milosh’s ethereal voice really is the heart and soul of the pair, and it shone greatest for the hit “Open.” His deceptively androgynous voice sounds at times like Sade or even Antony Hegarty.
(tie) Max Richter, The Bowery Ballroom, 12/7
When I saw that the German-British composer was playing Bowery, I had to hop to it. As Richter usually plays symphony concert halls, it was an interesting choice to play such a smaller venue. The Ballroom felt like a recital hall with the audience entranced. What can I say: I’m a sucker for artists playing unorthodox venues.
3. Glass Animals, The Bowery Ballroom, 7/7
I was recently reminded of this concert when my yoga instructor played “Gooey” in class. Pretty fitting, right? In addition to infectious dance melodies, frontman Dave Bayley’s gangly limbs flayed erratically that evening, bringing to mind another dude named Thom Yorke. The two lads have great music and dance moves to boot. Coincidence? I think not.
4. Phox, Knitting Factory, 7/22
The buzz swirling around this Wisconsin band post-SXSW had me tuned into their album all spring and into the summer. Frontwoman Monica Martin was definitely a bit tipsy, but that didn’t detract from her lush vocals or onstage camaraderie. (Check out Schuyler Rooth’s review of their Mercury Lounge gig.)
5. (tie) Mr. Little Jeans, Rough Trade NYC, 5/10
Opening for Sohn, Norwegian singer Monica Birkenes, aka Mr. Little Jeans, overshadowed the headliner for me. It’s rare when that happens, but this lady has a knack for übercatchy dance-pop songs that streamed through my head all summer. She mentioned how she often came here as a child and was really craving a good slice of pizza. What’s not to love?
(tie) Alvvays, Rough Trade NYC, 7/28
New York City summers are packed with free outdoor gigs throughout the boroughs, but this in-store performance with Alvvays stood out amongst the rest. Their infectiously happy songs illuminated the dark back room of Rough Trade but had folks departing into the night with an extra bounce in their step. —Sharlene Chiu

Top Five Just a Man and His Guitar Solo Sets (chronological order)
1.
Dustin Wong (opening set), The Bowery Ballroom, 4/21
2. Plankton Wat, Trans Pecos, 5/8
3. Steve Gunn, Mercury Lounge, 5/18
4. Willie Watson, Mercury Lounge, 5/21
5. Leif Vollebekk (opening set) The Bowery Ballroom, 11/21 —A. Stein | @Neddyo

Top Five Memorable Shows
1. Sylvan Esso, Rough Trade NYC, 9/11
Both my favorite album and my most memorable live show of 2014 came from Sylvan Esso. Amelia Meath and Nick Sanborn possess unwavering emotive energy, and every single lyric and beat has sunk into my psyche . I saw the duo perform live twice this year, most recently at their headlining show at Rough Trade NYC. The duo’s erudite electronica boosted the audience as they performed the entirety of their self-titled debut album plus and few clever covers.
2. Broods, Mercury Lounge, 3/3
Comprised of New Zealander siblings Caleb and Georgia Nott, Broods blend melodic melancholia with sparkling synths and glitchy beats. After getting wrapped up in their self-titled debut EP, I simply had to see them live. Broods played their first NYC show to an incredibly enthusiastic sold-out crowd at Mercury Lounge.
3. Hozier, The Bowery Ballroom, 5/13
Hozier’s rich voice and ardent lyrics sit front and center in his compositions. When he headlined The Bowery Ballroom back in May, he was flanked by equally talented musicians who created dazzling harmonies with choral echoes and rock hooks. Hozier and his bandmates mesmerized the audience, including me.
4. Dan Croll, The Bowery Ballroom, 4/17
Dan Croll’s brand of pop is highly addictive, and his live show is equally intoxicating. He fuses lilting pop, wonky electronica and tribal beats and tops it all off with clever lyrics and airy vocals.
5. Kishi Bashi, The Bowery Ballroom, 6/4
Kishi Bashi has what so many musicians seek, and that is an astounding live presence. It’s as if this guy belongs onstage. Kishi Bashi played back-to-back sold-out New York City shows this past June and stunned audiences with his whimsical finesse and astute lyrics. This picture and my review prove that Kishi Bashi’s live performance is one big euphoric dream sequence. —Schuyler Rooth | @Schuylerspeak

Top Five Albums
1. Under the Pressure, the War on Drugs
Channeling Dylan and Springsteen beneath Adam Granduciel’s vocals and personal struggles to stunning effect, this Philly six-piece put out, for me, far and away the top album of the year.
2. Benjamin Booker, Benjamin Booker
From the very first listen, Benjamin Booker’s self-titled debut sounds familiar, not like you’d previously heard its influences, but rather you’d actually already heard this album. The music is lived in and alive and a joy to listen to again and again.
3. 77, Nude Beach
Eighteen songs that sound like the love children of late-’70s Tom Petty and Elvis Costello. You’ll smile the whole time you listen to it.
4. Dancin’ with Wolves, Natural Child
Recording for the first time as a five-piece, and moving away from gritty garage rock to
a more full-band bluesy country sound (with a side of boogie), these Nashville boys took a huge step forward.
5. Morning Phase, Beck
Six years removed from his previous offering, Beck’s slow-building emotional relative of Sea Change captures you from the very first note. —R. Zizmor | @Hand_Dog

Top Five Memorable Shows
1. Pearl Jam, I Wireless Center (Moline, Ill.), 10/17
Playing a small (for them) venue (for the first time) on a Friday night in the middle of nowhere, Pearl Jam put on the best show by any band I’ve seen in the past four years. They performed No Code in its entirety and covered Pink Floyd, John Lennon, Van Halen and Neil Young. Frontman Eddie Vedder put it best, comparing the appearance to a blind date: “You get there and she opens the door, and it’s like, she’s hot!”
2. My Morning Jacket, One Big Holiday (Riviera Maya, Mexico), 1/29
I could’ve chosen any of MMJ’s performances from this run, but the last night was the longest show and it particularly stood out thanks to the perfect weather, the we’re-on-vacation-in-the-middle-of-winter party vibe and carefully chosen covers (including Jim James singing, “Something, something, something” in “Rock the Casbah.”)
3. the War on Drugs, The Bowery Ballroom, 3/20
I absolutely loved, loved, loved Under the Pressure and was extremely excited to hear it live. The War on Drugs did not disappoint, plus they even threw in a stellar rendition of “Mind Games” to boot. (As an added bonus, the night began with Drive-By Truckers at Terminal 5 and closed with green sauce and salt-baked goodness at New York Noodletown.
4. Jonathan Wilson, Music Hall of Williamsburg, 2/14
It was a Friday night and Valentine’s Day. But if you were expecting something quiet and romantic, you’d have been way off. Jonathan Wilson and Co. delivered 16 jammed-out (but not self-indulgently) songs over the course of two-and-a-half hours.
5. Deer Tick, Allen Room, 3/6
As part of the American Songbook series, Deer Tick played an incredibly intimate, seated show in front of a wall of windows revealing Columbus Circle below. It was one of those moments that makes you grateful to live in New York City. —R.Z.

 

 

 

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Kevin Drew Proves He’s Still Got It at The Bowery Ballroom

April 29th, 2014

Kevin Drew – The Bowery Ballroom – April 28, 2014

KD
It had been a couple years, so I’d kind of forgotten what kind of live presence Kevin Drew has. But last night at The Bowery Ballroom, the Broken Social Scene frontman quickly reminded everyone of the captivating live show he can put on, colluding with the giddy crowd along the way. He opened with “Mexican Aftershow Party” playing piano, his strong voice as distinctive as ever, with the band surrounding his vocals with electronic beeps and an ethereal hum. But for much of the show, Drew played acoustic guitar, giving the songs off his new album, Darlings, a stripped-naked feel. But it was his band—an excellent ensemble in the spirit of BSS, led by Charles Spearin on bass—that provided the shimmering, flowing and beautiful music for Drew to swim around in. And along with his lyrics and personality, the effect was like skinny-dipping in an ocean of sound: half profound, half profane.

The show hit on most of the new material with many highlights along the way. As the set continued, Drew began to open up with anecdotes and asides, drawing in the audience. “Good Sex” was preceded by a short bit about his dad, who’s his business manager, asking whether Drew can sing a “love song that’s not about semen,” leading him to singing, “I fucking love you” before Spearin charged in with some curvaceous boogie bass bombs. Yes, there were plenty of NSFW moments in Drew’s show, but it made it all seem more real and, ironically, more heartfelt. Continuing on that theme, and throwing some red meat to the BSS faithful, the band played “Fucked Up Kid,” off 2007’s Spirit If…, contrasting Drew’s new, quiet keyboard-driven sound with plenty of big guitar rock.

Judge musicians by their talent, the songs they sing and the other talented musicians who will gladly play with them: Drew proved himself on all counts on Monday night. But it was the communal connection with the crowd that elevated the performance to something special. From the edge of the stage during “My God,” Drew sang, “What are you dreaming about now?” as the band curtained him with a dreamy backdrop before the singer jumped to the floor, calling in everyone closer and having them raise their arms, like the audience had swallowed him as he sang. (Drew later hugged concertgoers and had them say a little bit about themselves as if hosting a talk show. Sure it was corny, but it was an honest connection and a powerful moment.) The final charge of the 100-plus minute set included a moving solo acoustic new song possibly called “Skylar,” a guest appearance from opener Andy Kim and at least one more foray into the crowd. Near the end, Drew obliged various Broken Social Scene requests, bouncing around some sing-alongs before settling on a solo acoustic version of “It’s All Gonna Break,” which often served as the big, long rock-out set closer for BSS shows. But last night, it was a rowdy but real sing-along filled with plenty of expletives, poetic lyrics and glorious anthemic moments. It encapsulated Drew and the night perfectly, the crowd reminded once again that, oh, yes, he’s still got it. —A. Stein

Photos courtesy of Charles Steinberg | charlesolivierphoto.com

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Broken Social Scene’s Brendan Canning Plays Mercury Lounge Tomorrow

January 23rd, 2014

Singer-songwriter and multi-instrumentalist Brendan Canning is most well known as one
of the founding members, alongside Kevin Drew, of the music collective Broken Social Scene. And although the much-loved Canadian rockers are on hiatus, Canning has remained incredibly busy, working on a variety of projects, from composing a movie soundtrack to recording his second solo full-length album, You Gots 2 Chill (stream it below). Filled with fingerpicked acoustics and soulful, tranquil music, the LP, despite arriving last October, is the perfect soundtrack for right now. AllMusic calls it a “decidedly unassuming collection of psych-tinged, indie/electro soft-rock daydreams that are tailor-made for snowy, hungover, late-January afternoons.” And Canning (above, performing “Never Go to the Races” for Exclaim! TV) comes to town to play the early show tomorrow night at Mercury Lounge.