Tag Archives: Lower East Side

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Don’t Miss Juliana Hatfield on Thursday Night at Mercury Lounge

April 24th, 2017

Singer-songwriter and multi-instrumentalist Juliana Hatfield has had a long, distinguished career in alternative rock, doing time with the Lemonheads, Blake Babies, Some Girls, Minor Alps and the Juliana Hatfield Three in addition to her much-acclaimed work as a solo performer. And despite thinking her songwriting career was on hiatus, or perhaps even finished, she found herself inspired by last year’s presidential election: “All of these songs just started pouring out of me. And I felt an urgency to record them.” As a result, Hatfield (above, her video for new single “Short Fingered Man”) has a new album, Pussycat, out on Friday, and she celebrates its arrival with a pair of shows this week at Mercury Lounge—the first on Wednesday night, which is already sold out, and then again on Thursday. Singer-songwriter Laura Stevenson opens each performance.

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Hurray for the Riff Raff – The Bowery Ballroom – April 20, 2017

April 21st, 2017

Hurray for the Riff Raff - The Bowery Ballroom - April 20, 2017

Photos courtesy of Silvia Saponaro | www.saponarophotography.com

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Sheryl Crow – The Bowery Ballroom – April 19, 2017

April 20th, 2017

Sheryl Crow - The Bowery Ballroom - April 19, 2017

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Miracle Legion Return to Say Goodbye at The Bowery Ballroom

April 20th, 2017

There are many paths to Miracle Legion fandom. Perhaps you found them via ’80s college radio stations that featured the band’s jangly guitar rock on heavy rotation. Or better yet, you lived near their hometown of New Haven, Conn., close to their touring circuit and the college-radio airwaves repping Connecticut’s finest. Or maybe you found out about the group because of their involvement with the fantastic and criminally underrated ’90s Nickelodeon show The Adventures of Pete & Pete, in which former Miracle Legion members starred as the semifictional band Polaris and wrote the show’s theme song, “Hey Sandy.” Or maybe it was Miracle Legion frontman Mark Mulcahy’s solo work that he’s been putting out at a steady rate ever since. Maybe a random interview with Marc Maron plugging Mulcahy’s solo album Dear Mark J. Mulcahy made you do the research and realized all these projects were connected. There are hints that fans have been along for the journey all along: a successful 2015 Record Store Day release of The Adventures of Pete & Pete soundtrack followed by a Polaris tour. Now the original band that started it all is back on tour, for the first time this millennium, with a recently released live album, Annulment (stream it below). Expect some new fans to find them along the way and begin their own journey backward into an impressively consistent catalog of songwriting that’s stood the test of time. And be there when Miracle Legion (above, performing “Screamin’” live for Paste Studios two weeks ago), playing their final shows as a band, return to Manhattan for the first time in 20 years, tomorrow night at The Bowery Ballroom. Singer-songwriter Elvis Perkins opens the show. —Dan Rickershauser | @D4nRicks

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Sam Outlaw Brings a Taste of California Country to Mercury Lounge

April 19th, 2017

Former ad-sales executive Sam Morgan has been doing business as the California-country singer-songwriter Sam Outlaw (above, performing “Love Her for a While” for WFUV FM) since his debut studio album, Angeleno (stream it below), arrived in 2015, featuring cameos from My Morning Jacket keyboardist Bo Koster and Dawes frontman Taylor Goldsmith, among others. “As an album, Angeleno holds up time and time again,” said American Songwriter. “For anyone who feels similarly disenchanted about country music, Outlaw’s songs—closely bound to tradition, endlessly romantic—are the perfect remedy.” His second full-length, Tenderheart (stream it below), came out last Friday. Vulture makes comparisons to Gram Parsons, Ryan Adams and James Taylor, adding: “Tenderheart is the sound of Angeleno’s budding artist finding his voice and crafting a work as great as his killer country nom de plume. Two years after shaking his life up to chase a dream of country stardom, Sam Outlaw is sitting on one of the genre’s best albums of the year. It’s never too late to heed your calling.” Check out Sam Outlaw live at the early show Thursday night at Mercury Lounge. Virginia singer-songwriter Dori Freeman opens.

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Chaz Bundick Meets the Mattson 2 Provide Easter Treats

April 17th, 2017

Chaz Bundick Meets the Mattson 2 – The Bowery Ballroom – April 16, 2017

Chaz Bundick Meets the Mattson 2 – The Bowery Ballroom – April 16, 2017
Chaz Bundick, performing as Toro Y Moi, plays a palette of dyed-egg pastel colors: yellows, pinks and muted purples of groove. Twin brothers Jared and Jonathan Mattson, performing as the Mattson 2, are an oversized, slightly psychedelic rabbit of instrumental music. Together, they’re appropriately called Chaz Bundick Meets the Mattson 2, and they proved to be a perfect Easter treat last night for a sold-out Bowery Ballroom. More or less playing from their recently released album, Star Stuff, the trio met somewhere in the middle of their styles, which turned out to be a rather large and fertile musical space.

Although Bundick provided vocals on several songs, the set felt largely like instrumental music, relying more on mood than lyrics. And for the most part, that mood was decidedly jubilant. The stage was lit like a dance club—shafts of color through clouds of smoke, and the music pulsed with that energy. Bundick swapped between his synthesizer and a Hohner bass pretty much every other song, creating a checkerboard of sound, a playful push and pull between styles. That space between Bundick and the Mattsons was filled with modern jazz, Santana disco, drum-heavy free-form, psychedelic boogaloo and power-trio rage.

Every show has an arc and Sunday night was a one-way trajectory, each song sounding more focused and better than the previous, a constant build to an ecstatic conclusion, the album tracks thoughtfully arranged to optimize the live performance. When the end was finally reached, Bundick announcing, “No encore, we mean it,” they’d pretty much played it all, there were no Easter eggs left to uncover. —A. Stein | @Neddyo

Photos courtesy of DeShaun Craddock | dac.photography

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Little Hurricane – Mercury Lounge – April 13, 2017

April 14th, 2017

Little Hurricane - Mercury Lounge - April 13, 2017

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Dance with Louis Futon at Tomorrow’s Late Show at Mercury Lounge

April 14th, 2017

“Don’t let their punny name (and boyish good looks) fool you, the Philly-based duo of Tyler Minford and Logan Zoghby make seriously good music—a refreshingly funky blend of R&B, jazz and more electronically inclined elements,” raved Interview a couple of years back. Minford has since gone solo, creating official remixes for big names like Mos Def, Logic, G-Eazy, Future and Wiz Khalifa. But he insists that “genres don’t define me.” An eponymous EP (stream it below) arrived two years ago. “Philly producer Louis Futon has dropped off his self-titled EP, and simply put—it’s quite good,” said Hypebeast. “The electronic producer delivers on four original and undeniably entertaining tracks, as three remixes also join the party.” He’s been working on new material, and you can see him at the late show tomorrow at Mercury Lounge. NYC singer-songwriter Sam Setton opens.

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Another Chance to See Big Wild Live in New York City

April 12th, 2017

Composer, DJ, engineer and producer Jackson Stell has been making hip-hop-influenced beats since his teenage years in Massachusetts, but he didn’t begin doing it under the name Big Wild until he’d relocated to the sunny climes of the Golden State in his twenties. Things began to take off for him once in Los Angeles—thanks to the release of several well-received singles—and the electronic musician toured with the likes of Odesza, Tycho, Pretty Lights and Bassnectar. Earlier this year, Big Wild (above, his video for “Aftergold”) released his first EP, Invincible (stream it below). “Critics have been lauding title track and first single ‘Invincible’ as being distinctly his own: lush and soaring, lithe chimes crowded out by fat brass on the chorus, hits of keys and burgeoning strings filling the in-between and the punch of Ida Hawk’s vocals atop it all,” according to Exclaim. “The track is good—really good—but second single ‘I Just Wanna’ throws down like no other, its slow, thick beat, chopped, repetitive vocals, blown-out synth breakdown and piano flourishes making it impossible to overlook.” So don’t overlook Big Wild when he plays The Bowery Ballroom on Friday night. Tennyson and IHF (Imagined Herbal Flowers) open the show. (Saturday’s appearance at Music Hall of Williamsburg is already sold out.)

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Grow a Pair: Win Free Tickets to See Maggie Rogers on 4/12

April 11th, 2017

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Acclaimed singer-songwriter Maggie Rogers returns home this week to play The Bowery Ballroom tonight and Music Hall of Williamsburg tomorrow. Both appearances sold out quickly, but The House List is giving away two tickets to Wednesday’s show. Don’t have any and still want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Maggie Rogers, 4/12) and a brief message explaining your best idea of how to take advantage of this current run of warm weather. Eddie Bruiser, who’s always looking for a good idea, will notify the winner tomorrow. Good luck.

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The Octopus Project Bring New Music to Mercury Lounge Tonight

April 11th, 2017

They say everything’s bigger in Texas, a statement that certainly rings true for the big-ass sound of Austin’s very own psychedelic slingers the Octopus Project. Think of them as the poppier stepchild of fellow Texans the Butthole Surfers. Their strain of psychedelia seems designed to not just expand your consciousness but to blast holes through it. Officially a band since 1999, the Octopus Project (above, performing “Sharpteeth”) have been fine-tuning their sound with each release ever since. Their latest, Memory Mirror (stream it below) out last Friday, is their first proper release since 2013’s Fever Forms (stream it below). Memory Mirror has the troupe of multi-instrumentalists at their shape-shifting best, with their rhythmic, arpeggiating sonic assaults firing into the cosmos like a well-oiled machine. Recorded with the help of legendary Flaming Lips producer Dave Fridmann, the album shares a mission statement with the Lips in seeing just how far pop music can venture into the weird while still holding on to its hooks (answer: very far). The album highlights everything you’d expect and then some from the seasoned vets of trippiness. It has the bliss-inducing bleeps and bloops of “Understanding Fruit,” the rapid-fire guitar shreds and diced-up vocals of “Woah, Mossman!!,” the bowel-punching bass booms of “Ledgeridge,” the grime beats laying down the foundation for “Small Hundred.” The band heads to Mercury Lounge tonight, with Brooklyn’s Brothertiger opening. So prepare your psyches and strap in for the ride. —Dan Rickershauser | @D4nRicks

 

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Xenia Rubinos Stays Home to Play The Bowery Ballroom Tomorrow

April 11th, 2017

Brooklyn’s Xenia Rubinos is a talented singer-songwriter and multi-instrumentalist whose first LP, Magic Trix (stream it below), came out four years ago to a fair amount of acclaim. “She’s triumphed unambiguously: Magic Trix is a startling lightning bolt of a record,” raved Pitchfork. The big-voiced Rubinos (above, doing “Just Like I” for Audiotree TV) crafted her live show while touring in support of the album, thrilling audiences along the way with her take on rock, funk, jazz, hip-hop, Caribbean rhythms and electronics. And last spring, the energetic, engaging performer returned with her follow-up, Black Terry Cat (stream it below), again impressing the folks at Pitchfork: “Black Terry Cat is all about breaking beyond limitations. From mostly keys, drums and bass, Rubinos and her small cohort bring a funky fluidity to the bright splatters of her debut, and forge a level of inventiveness comparable to Esperanza Spalding’s recent epic, Emily’s D+Evolution.” And before she heads to Europe later this month, Rubinos plays The Bowery Ballroom on Thursday night. The Kominas and Starchild and the New Romantic open the show.

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Son Volt Bring a True Sound to The Bowery Ballroom on Friday Night

April 10th, 2017

Son Volt – The Bowery Ballroom – April 7, 2017

Son Volt – The Bowery Ballroom – April 7, 2017
The Bowery Ballroom was packed on Friday night as fans eagerly waited for alt-country pioneers Son Volt to take the stage. Jay Farrar and Co. were in town for two sold-out weekend appearances supporting their new album, Notes of Blue, which finds the band mixing their rough-around-the-edges heartland anthems with a more bluesy sound. Opening the show, singer-songwriter Anders Parker eased the crowd into the night with a set of slow-burning ballads and fiery rockers. He said that a new album called The Man Who Fell from Earth arrives this week, describing it as a somber affair with Parker backed by just a pedal-steel guitar and a string trio. But he and his band opted to put some muscle behind the new material live, suitably spreading out the songs with guitar solos reminiscent of Neil Young in all of his ragged glory.

When Jay Farrar walked onstage and stepped up to the microphone to sing, “Today’s world is not my home” in his whiskey-soaked croon there was no mistaking what he meant. Ever since the dissolution of his partnership with Jeff Tweedy in the seminal alt-country band Uncle Tupelo in the mid-’90s, Farrar has been making records with Son Volt that strive for a similar gold standard: records that seem like they’ve been etched into stone and remain timeless if not out of step with the times. The new album was given the lion’s share of the set, but Son Volt managed to weave in some old favorites including the majority of their classic debut album, Trace, which, two years ago, was reissued for its 20th anniversary.

The band’s encore found them reaching deep for some Tupelo classics and Trace’s opening track, “Windfall,” which inspired the biggest crowd sing-along as the chorus “May the wind take your troubles away” rang crystal clear from the choir of flannel-clad fans raising their drinks toward the sky. Just when we thought it was over, and the audience began to thin out, the band returned to the stage for one more encore and played an exuberant cover of the Rolling Stones’ “Happy.” It was a real cherry on top of an already perfect night of rock and roll. —Patrick King | @MrPatKing

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Jain – The Bowery Ballroom – April 6, 2017

April 7th, 2017

Jain - The Bowery Ballroom - April 6, 2017

Photos courtesy of Mina J

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Jonathan Richman Returns for Two Nights at The Bowery Ballroom

April 6th, 2017

Singer-songwriter Jonathan Richman took up the guitar at the age of 15 and was playing in public just a year later. He relocated from Boston to New York City in 1969, but his music didn’t get a lot of love, so he headed back north and formed the influential protopunk band the Modern Lovers. Wanting a quieter sound, Richman eventually turned the Modern Lovers into an acoustic group, most notable for their doo-wop sound and the funny lyrics that would remain a hallmark of his later solo work. Richman earned the most attention his career would get thanks to the Farrelly brothers featuring him and his music as a comedic Greek chorus in There’s Something About Mary. And although that flick came out nearly 20 years ago, punk-rock OG turned modern-day troubadour Richman (above, performing “When We Refuse to Suffer” and “That Summer Feeling”) remains as busy as ever. He’s currently touring with drummer Tommy Larkins, and together they play The Bowery Ballroom on Sunday and Monday.