Tag Archives: Lower East Side

Contest

Grow a Pair: Win Free Tickets to See Jaymes Young on 7/27

July 25th, 2017

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Jaymes Young’s debut full-length dropped about a month ago, and the Seattle singer-songwriter comes through New York City this week in support of it to play The Bowery Ballroom on Thursday night. The show sold out in advance, but The House List is giving away two tickets. Don’t have any and still want to go? Try to Grow a Pair. It’s easy: Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Jaymes Young, 7/27) and a brief message explaining why you’re looking forward to August’s arrival. Eddie Bruiser, who’s looking forward to a long vacation next month, will notify the winner by Thursday. Good luck.

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Thurston Moore Group – The Bowery Ballroom – July 21, 2017

July 24th, 2017


Photos courtesy of Silvia Saponaro | www.saponarophotography.com

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Jesse Malin and Juliana Hatfield Play The Bowery Ballroom on Saturday

July 21st, 2017

Singer-songwriter and guitarist Jesse Malin (above, performing “Meet Me at the End of the World” for Paste Studios) has been a fixture on the downtown music scene—as a bandleader and a solo artist—since the ’80s. The prolific performer’ recent release, an EP, Meet Me at the End of the World (stream it above), came out at the end of June. And on Saturday night at The Bowery Ballroom, he teams up with another singer-songwriter and guitarist with a new album, Juliana Hatfield (below, performing “I Wanna Be Your Disease” also for Paste Studios), whose Pussycat (stream it below) was inspired by last year’s presidential election: “All of these songs just started pouring out of me. And I felt an urgency to record them.” Matthew Ryan opens the show.

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RAQ Play Late After Phish at Mercury Lounge on Friday and Saturday

July 20th, 2017

The guys in RAQJay Burwick (bass and vocals), Chris Michetti (guitar and vocals), Todd Stoops (keys and vocals) and Scotty Zwang (drums)—formed the experimental, improvisational jam band in Burlington, Vt., at the turn of the century. They’ve been winning over fans ever since thanks to their complex song structures and quirky-yet-accessible lyrics. And with Phish kicking off 13 dates at Madison Square Garden beginning tomorrow night, RAQ (above, doing “Beauregard”) will be handling late-night duties on Friday and then again on Saturday at Mercury Lounge.

 

 

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Thurston Moore Comes Home to Play The Bowery Ballroom on Friday

July 19th, 2017

When New York City music icons Sonic Youth broke up—or at least went on hiatus—in 2011, no one really knew what to expect of the group’s members. But, fortunately, we didn’t have to wait too long to find out that vocalist-guitarist Thurston Moore would remain busy, musically speaking. He’s worked with Yoko Ono and he’s done his own thing with a pair of bands, with Chelsea Light Moving and the Thurston Moore Group, alongside Deb Googe on bass, Steve Shelley on drums and James Sedwards on guitar. Moore (above, recording “Transcendent Transaction”) released Rock n Roll (stream it below) earlier this year to some considerable acclaim. The “new solo LP evokes the hippie leanings that were always at the heart of Sonic Youth,” says Pitchfork. “With some of his most joyous lyrics to date, Moore uses outer aggression to achieve inner bliss,” while Spin calls it: “His most transportive solo record yet.” Now based in London, Moore comes back home to NYC to play The Bowery Ballroom on Friday night.

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Ages and Ages Play Mercury Lounge with Skyway Man Tomorrow

July 19th, 2017

On Ages and Ages’ newest album, Something to Ruin (stream it above), the Portland, Ore., band takes upbeat and inspiring choral pop to some dark places. Oh, you know, just the collapse of Western civilization, done in by consumerism and neglect. Their music retains its uplifting openheartedness, a modern-day gospel with a progressive spirit. Ages and Ages (above, performing “As It Is” for WFUV FM) bring their communal energy—shared vocals, thoughtful melodies and an abundance of handclaps—to Mercury Lounge on Thursday. The early show will kick off with Skyway Man (below, doing “We Both Have Nothing to Fear”), the creative effort of Nashville, Tenn., singer-songwriter James Wallace. He’ll be playing music from the recently released Seen Comin’ from a Mighty Eye (stream it below), an under-the-radar sci-fi folk epic recorded with Matthew E. White in his Spacebomb Studios. The combined bill will be rife with excellent songs, some unique sounds and plenty to contemplate: past, present and future. —A. Stein | @Neddyo

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The Cactus Blossoms Keep Mercury Lounge Cool on a Hot Night

July 13th, 2017

The Cactus Blossoms – Mercury Lounge – July 12, 2017


Honky-tonk noir anyone? Well you’re in luck because Minnesotan brothers Jack Torrey and Page Burkum are serving up just what you’re craving as the Cactus Blossoms. They resemble a blend of vintage sibling pairs, with the harmonies of the Everly Brothers and the bittersweet waltz of Santo & Johnny’s “Sleep Walk.” It’s not surprising that the two made their national-TV debut on the recently rebooted Twin Peaks: The Return, playing the melancholic “Mississippi” as the third-episode outro. After a string of Midwestern dates opening for Jenny Lewis, the duo returned Stateside following a quick European tour to grace Mercury Lounge with a late-night session on Thursday.

Playing to a sold-out crowd, Torrey hit the stage last apologizing for the late start as he was locked in the bathroom. Thankfully freed, the reunion produced an evening of sweet Southern charm as the Cactus Blossoms played a large portion of their debut full-length album, You’re Dreaming. The title track had the crowd soaring to the brothers’ harmonies, followed by the eerily haunting track featured on Twin Peaks. Drummer Alex Hall literally wheeled up to the stage with suitcase in hand to relieve his stand-in, Grant. Turns out Hall’s flight had been delayed 12 hours. But the consummate professionals rolled with the punches, noting that as musicians, it’s rare when things go as planned.

The Cactus Blossoms treated devoted fans to cuts from their back catalog, including the farewell tune, “Adios Maria,” which was less about a woman and more about parting with a place. After a new song, they covered the Kinks“Who’ll Be Next in Line,” paying homage to a fellow sibling pair, and dedicated “Happy Man on a Gloomy Day” to an unfortunately canceled Spain show. A previously requested “Spotlight Kisses” was happily applauded, and the country waltz of “Powder Blue” had everyone in the room swaying in delight. With the encore imminent, Torrey announced it was “too hot to rock,” instead concluding the evening with a slow one, “Travelers Paradise.” It was a fitting adieu on a steamy night. —Sharlene Chiu

 

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Woods Bring Feel-Good Music Home to The Bowery Ballroom

July 13th, 2017

Plenty of artists have, for better or worse, found inspiration in today’s headlines, much of the resulting music reflecting a dark view on the news of the day. When Woods felt compelled to enter the studio to capture the current mood, the resulting songs were much more optimistic in tone. The mini-album, Love Is Love (stream it below), recorded and released earlier this year, conveys its message in its title track. Taking their evolved sound from last year’s City Sun Eater in the River of Light (stream it below) even further, the new record is awash in pastoral psych-folk amidst upbeat jazz-funk horn fills. Woods (above, performing “Creature Comfort” in studio for KEXP FM) bring the new material and a hefty back catalog of inspired songwriting and spinout jams—and maybe some catharsis—back to The Bowery Ballroom for a Saturday night homecoming. It’ll be a family affair, with John Andrews and the Yawns (plus Cut Worms) opening. —A. Stein | @Neddyo

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The Kickback Celebrate a New Album Thursday at Mercury Lounge

July 12th, 2017

Now based in Chicago, Billy Yost (vocals and guitar), Jonny Ifergan (guitar) and Daniel Leu (bass) have been making eclectic music together since forming the Kickback close to 10 years ago. Following the release of several EPs, their catchy debut full-length, Sorry All Over the Place (stream it below), dropped two years ago. “The Kickback turn Sorry All Over the Place into a whimsical and ambitious fit of rock potpourri,” reported Consequence of Sound. “The band squeezes the pop-rock template dry, milking that broad category for its many musical riches.” Their sophomore LP, Weddings & Funerals, arrives on Friday, but the Kickback (above, doing “White Lodge” for Jam in the Van) celebrate its release a night early, on Thursday at Mercury Lounge.

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A Double Dose of Pokey LaFarge in New York City This Week

July 11th, 2017

Pokey LaFarge, born Andrew Heissler, is what you might call an old soul. You could imagine him, plucking away with that whipcrack band, at the Cotton Club or some other bygone temple of ancient, potent music, stirring up impure thoughts and a hankering for more gin or whiskey. He’s on tour again, this time behind Manic Revelations (stream it below), which fleshes out his sepia-toned blues, rockabilly and Western swing with Memphis soul and gospel elements, complete with horns—and a framing of current political themes. The first place to start is “Riot in the Streets,” which the New York Times was right in calling “like an explanation of now, delivered in an ancient language.” A St. Louis native, LaFarge (above, performing “Bad Dreams” for KCMP FM) addresses the death of Michael Brown, police victimization and media bias. “What I wanted to convey was the desperation people feel when they have been pushed to brink,” he told the Huffington Post in May. “No more talking. No more waiting. No more silence. Sometimes you have to fight.” You get him twice this week: Wednesday at The Bowery Ballroom and Thursday at Rough Trade NYC. And you can expect a healthy focus on the 10 outstanding Manic tracks with a judicious sampling of material going back to his 2006 debut. His band is the South City Three, including bass, harmonica, electric guitar, drums, clarinet, sax and trumpet, with a few other variables as they see fit. Go from there and relish the retro flavor. —Chad Berndtson | @Cberndtson

 

Contest

Grow a Pair: Win Free Tickets to See 2 Dope Queens on 7/17

July 11th, 2017

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Next Monday at The Bowery Ballroom, Jessica Williams and Phoebe Robinson (and guest comedians) will do two—early and late—live versions of their much-loved podcast, 2 Dope Queens, covering stories about sex, romance, race, hair journeys, living in NYC, Billy Joel and lots more. Both shows sold out, but The House List is giving away two tickets to the performance of the winner’s choice. Want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (2 Dope Queens, early or late) and a brief message explaining what you love so much about the podcast. Eddie Bruiser, who will check out both performances, will notify the winner by Friday. Good luck.

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Catch the Cave Singers Tomorrow Night at Mercury Lounge

July 11th, 2017

When his previous band, Pretty Girls Make Graves, called it quits in 2007, guitarist Derek Fudesco teamed up with former Cobra High drummer Marty Lund and former Hint Hint singer Pete Quirk to start a new one, the Cave Singers, to make rock music with a folk bent (think: Bob Dylan and Woody Guthrie). The Seattle three-piece had enough material for their first album, Invitation Songs (stream it below), within months of forming. A second disc, Welcome Joy (stream it below), followed two years later, and after the third, the-more-electric-than-acoustic No Witch (stream it below), was released in 2011, the trio became a four-piece with the addition of Fleet Foxes multi-instrumentalist Morgan Henderson on bass. Their first album as a quartet, the terrific Naomi (stream it below)—perhaps heavier on the rock than the folk—came out in 2013, and the Cave Singers (above, performing “That’s Why” live in studio for KEXP FM) followed that with their fifth LP, last year’s Banshee (stream it below). “The finished product shows the group understands very well what works for them,” said AllMusic. “Banshee is a smart and impressive piece of work that speaks to the mind and the soul with similar clarity.” The Cave Singers kick off their new tour tomorrow night at Mercury Lounge. Brooklyn’s LAPêCHE open the show.

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Sir Sly Bring Brand-New Album to The Bowery Ballroom on Tuesday

July 10th, 2017

Singer Landon Jacobs, keyboardist Jason Suwito and drummer Hayden Coplen formed the alternative-rock trio Sir Sly (above, performing “You Haunt Me” on Conan) five years ago in Los Angeles. Their first full-length, You Haunt Me (stream it below), came out in 2014. The band “lays down a strong foundation, announcing their presence with 11 somber yet danceable earworms that are sure to set the hype machine on overload now that listeners actually know who is making the music and anticipate the follow-up,” according to Glide Magazine. That anticipated follow-up, Don’t You Worry, Honey (stream it below), arrived just a few weeks ago, and Atwood Magazine immediately named it one of the best albums of the year, noting that they’re “expanding their musical palette through a daringly diverse, yet surprisingly concise set of songs that stays faithful to, and builds upon, Sir Sly’s unique blend of electronic, gospel and hip-hop influence.” With a new album comes a new tour, and Sir Sly headline The Bowery Ballroom tomorrow night. The D.C. trio Shaed opens.

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Mother Mother Headline The Bowery Ballroom on Saturday Night

July 6th, 2017

Supporting their newly released full-length, No Culture (stream it below), which combines everyday-life issues with self-exploration, Vancouver, B.C., synth-rock band Mother Mother (above, performing “The Drugs”) will fabulously rock the stage at The Bowery Ballroom on Saturday night (with Brooklyn pop quintet Pavo Pavo opening). The album cover itself is open for interpretation, its serious tone colliding with an in-your-face attitude devoid of any apologies. The group’s frontman and songwriter, Ryan Guldemond, isn’t afraid to put Mother Mother’s thought-provoking takes on exploring identity through culture and how it fits into our differences and similarities on display. No Culture, their sixth long-player, continues the band’s distinctive, fast-paced synth sounds. Guldemond has discovered that by opening up his writing with personal stories that it’s become even easier for fans to connect with them. The songs have always had a nostalgic, captivating element with fast tempos and catchy lyrics, and they’ve evolved with a more intense, hard rock sound. Mother Mother’s onstage energy matches their upbeat songs, like “Hayloft.” Experience if for yourself on Saturday night. —Karen Silva | @ClassicKaren

 

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VHS Collection Play a Hometown Show at Music Hall of Williamsburg

June 28th, 2017

Influenced by rock, disco and electronic music, childhood friends James Bohannon (vocals), Conor Cook (guitar) and Nils Varnderlip (synths) began making music together as the indie act VHS Collection just a few years ago right here in NYC. Their sound is “a little dark, fun, dance-y,” Bohannon told DuJour. “We’re able to filter pop-nuance through the VHS sound, but we have a good combination between dark vocals, synth and guitar.” After releasing several singles on streaming sites, they started performing live, winning over increasingly larger crowds with their energetic stage performances. The group’s EP Stereo Hype (stream it below) arrived last year and VHS Collection (above, doing “Ghost” at The Bowery Ballroom) say a full-length is on the way. But in the meantime, they return to Music Hall of Williamsbur on Thursday night. And local duo Eighty Ninety open the show.