The Bowery Presents

Posts Tagged ‘Manchester Orchestra’

My Five: Johnny Beach

Monday, July 6th, 2009
Mission accomplished

Mission accomplished

Johnny Beach is a Renaissance man. He has been in his current position as The Bowery Ballroom talent buyer for more than two years. Prior to that, he served as Mercury Lounge talent buyer for four years. But he’s been shotgunning beers for considerably longer. Check out his insight below.

The Middle East, The Recordings of the Middle East
They are called the Middle East, but they’re from Australia. (Not sure how that came about.) While they are still virtually unknown here in the States—which will all change very soon—the Middle East is starting to make a name for themselves in their homeland. Spunk Records (home of Arcade Fire, Animal Collective, the Shins, M. Ward in Australia and New Zealand) recently released their debut EP. Listen to the song “Blood” and you’ll become a believer.

The Antlers, Hospice
They self-released the best record of an NYC band so far this year, which will receive a proper release via FrenchKiss Records later this summer. This captivating three-piece band sounds completely at home on the haunting “Kettering” as well as the more rocking “Syliva” and “Two.” They’ve recently supported the Walkmen, Vetiver, White Rabbits and others, but they should be headlining shows in the not-too-distant future. Plus, these guys are improving their ability to shotgun beers.

Centro-matic, Love You Just the Same
This record is by no means a new one, but I cannot help but include it. It’s safe to say that Centro-matic is the most underrated band in America. I got to see Will Johnson play two solo sets recently and it further proves that he has one of the best voices I’ve ever heard. He is quite the prolific songwriter—in Centro-matic, South San Gabriel and also on a few records just as Will Johnson. So while you should go out and spend $150 now to buy his entire catalog, this one might be the best place to start.

Manchester Orchestra, Mean Everything to Nothing
They hail from Atlanta, and while they are still quite young, they already have some sweet beardage and are a well-oiled rock machine. They’ve toured a lot in the emo-kiddie world, but they would be equally at home opening for the likes of My Morning Jacket. Their new record is stacked with a bunch of sweet jams—check out “The Only One” and “I’ve Got Friends” and the more mellow but equally awesome “I Can Feel a Hot One.” They’ll be touring with Silversun Pickups throughout August.

Telekinesis, Telekinesis
This record has really grown on me in the past couple of months and now it’s in constant rotation. It’s basically just a 21-year-old dude named Michael Lerner, and Chris Walla from Death Cab for Cutie produced it. I saw them live for the first time recently, but became quite worried a few days before the gig when I found out the drummer sings. (I am still plagued by weekly Phil Collins nightmares.) But I was pleasantly surprised when Telekinesis pulled it off quite well. The disc is filled with sweet, straight-up-catchy pop songs. And who can argue with that?

And also my top-five beers to shotgun:

1. Tecate
2. Pabst Blue Ribbon
3. Budweiser
4. King Cobra
5. Modelo

Manchester Orchestra - The Bowery Ballroom - April 29, 2009

Thursday, April 30th, 2009

Manchester Orchestra -The Bowery Ballroom - April 29, 2009Andy Hull’s dimly lit figure loomed over The Bowery Ballroom crowd as he strummed the brooding opening notes of the six-minute “Pride.” Although it was an impressive start, it implied that Manchester Orchestra was about to play a show similar to their previous New York City performances—powerful and passionate, yet seemingly disengaged. Once the coarse song ended, however, Hull started calling audibles to his bandmates, and just one tune later, the band (and the audience) were smirking their way through a cover of Paul Simon’s “Me and Julio Down by the Schoolyard.”

The rest of Manchester Orchestra’s set loosened up with the band’s personality. They took time between songs to joke with the crowd, call out rambunctious fans and even take shots at themselves (like when guitarist Robert McDowell developed a sneezing fit). Instead of focusing on material from their week-old album, Mean Everything to Nothing, the band split time with the best from their first LP, I’m Like a Virgin Losing a Child—a move appreciated by the concertgoers, who shook the Ballroom’s floor during the screamer “Now That You’re Home.”

Still, the maturity shown in Manchester Orchestra’s new record translated to a more wholly enthralling performance. Their newest songs provided the most polished moments of the 14-song set, which lasted more than an hour. They showed they can still pump out powerful and passionate music while truly engaging the crowd. And with a chaotic, airborne-instrument performance of “Where Have You Been?” Manchester Orchestra completed one of the best shows The Bowery Ballroom will have this year. It was so good that after the band left the stage and never returned for the all-too obligatory encore, the sold-out crowd cheered and waited with the lights on until they absolutely had to leave. —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com

Manchester Orchestra Tonight at The Bowery Ballroom

Wednesday, April 29th, 2009

On the heels of its second full-length album, Mean Everything to Nothing, released just last week, the young Atlanta band Manchester Orchestra has set out on a U.S. tour through the beginning of June. That very tour reaches the Lower East Side tonight as they play The Bowery Ballroom. The show is sold out. So if you’re not fortunate enough to have a ticket, this spirited performance of “Wolves at Night” on Late Show with David Letterman will have to fill the void. The song may sound familiar because you already know the band’s debut album, I’m Like a Virgin Losing a Child, or because you recognize it from the NHL ’08 soundtrack. Either way, these up-and-comers deserve your attention.

(Video from Late Show with David Letterman, 09/06/07)

© 2009

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