Tag Archives: Meat Puppets

cat_reviews

Courtesy Tier Put On a Commanding Show at Rough Trade NYC

August 17th, 2017

Courtesy Tier – Rough Trade NYC – August 16, 2017

(Photo: Daniel Cavazos)

How best to describe Brooklyn trio Courtesy Tier? Blues-adelic is probably a good place to start: These guys work up a woozy, potent racket that can veer Hendrix-ian or Zeppelin-esque and get plenty gnarly—but always in service of sturdy melodies. That they’ve been compared to bands like Meat Puppets, Morphine and Chris Whitley in his Rocket House era isn’t so much that they resemble any of them as much as they similarly put a bit of mess into familiar sounds, making them an acquired taste that, once acquired, feels eminently immediate, alive and embraceable.

Courtesy Tier have been kind of a shape-shifter, growing into what they’re supposed to be. Guitarist-ead vocalist Omer Leibovitz and drummer Layton Weedeman have been the guts of the band for about eight years, and in that time they’ve expanded to as many as six players and collapsed back down to a duo on more than one occasion. The lineup’s seemed to be fluid, but last year, Courtesy Tier settled into their current identity as a three-piece, with bassist Alex Picca aboard as a permanent third member. Out of that chrysalis came their first full-length album, the superb Everyone’s OK, much of which was the focus of their headlining spot last night at Rough Trade NYC.

Courtesy Tier played a commanding show, this night deftly organized around standouts like “Childish Blues,” with its slovenly, ’70s-blues-rock-meets-Nirvana vibe, “Cold,” more of a roiling rock and roller that builds to a shattering metallic guitar climax, and “When You Were Young,” an eased-into but still spiky groove more reminiscent of the pre-pop Black Keys. Courtesy Tier had new songs too, including a cover of Can’s “Vitamin C,” which wrapped a stabbing refrain of “You’re losing/ You’re losing/ You’re losing/ You’re losing/ Your vitamin C” in scuffed pop. It was another reminder that, at the intersection of guitar-heavy power-trio blues and a number of other potential jumping off points, they’re really on to something, without being too fussy about what to call it. It’s Brooklyn-y, in a good way, and perfect for these jittery times. —Chad Berndtson | @Cberndtson

 

 

cat_preview

Two Chances to See Soul Asylum and the Meat Puppets

June 19th, 2015

More than three decades ago, Dave Pirner (vocals and guitar) formed Soul Asylum in Minneapolis. The band found modest success with their first five albums before blowing up big time and becoming alt-rock darlings with the release of 1992’s triple-platinum Grave Dancers Union (stream it below)—and its huge sing-along hits, “Runaway Train,” “Somebody to Shove” and “Black Gold.” Since then, although the lineup, still anchored by Pirner, has changed, Soul Asylum (above, performing “Black Gold” for Minnesota Public Radio 89.3 FM) have remained active, touring and recording. Their 10th full-length album, the well-received Delayed Reaction (stream it below), came out in 2012. Per the A.V. Club, “With Delayed Reaction, whatever lingering bewilderment and bitterness Pirner felt about success seems to have vanished. In its place is a classic Soul Asylum record: scrappy, aching and only a little worse for the wear.”

That the Meat Puppets are still around is something of a miracle. Brothers Curt (vocals and guitar) and Cris Kirkwood (bass) and Co. have been making their own brand of psychedelic- and roots-influenced punk for more than 35 years—with the occasional hiatus, breakup or prison stint getting in the way—inspiring and influencing the likes of bands like Nirvana, Soundgarden and Pavement. Like their current tour mates, Soul Asylum, the Meat Puppets (below, doing “Plateau” live in the Bing Lounge) have also remained relevant by continuing to release new music, including their 14th LP, Rat Farm, out in 2013. “It’s dizzying psychedelic country in finest Meat Puppets tradition,” according to the Independent, “full of slightly off-centre harmonies in Grateful Dead manner, and plenty of Kirkwood’s swirling, trippy guitar.” Catch both bands tomorrow night at Brooklyn Bowl and on Monday at The Bowery Ballroom.

cat_preview

Let Music Be Your Guide on Halloween

October 31st, 2014

Halloween, like New Year’s Eve, is one of those nights that can bring out the worst in people. So rather than getting stuck in parade traffic or stepping in puke on the sidewalk, let live music be your guide tonight. Sohn at Music Hall of Williamsburg and Phil Lesh & Friends at the Capitol Theatre are already sold out, but no worries, because we’ve still got plenty of other options for you:

1. At Mercury Lounge, Booga Sugar hosts their Boogaween Costume Ball, alongside Lead of Foxes and Blubba Brothers.
2. Mercury Lounge also has a late show, obviously, with Park Slope five-piece Bernardo.
3. Brooklyn Bowl has electronic duo Capital Cities with Sneaky Sound System and Night Terrors of 1921.
4. The Bowery Ballroom will have some instrumental illness with Texas quartet This Will Destroy You, plus Future Death and Silent Land Time Machine.
5. Rough Trade NYC welcomes the legendary Meat Puppets and the funny, talented troubadour Cass McCombs.
6. And Terminal 5 plays host to the Royal Family Halloween Ball featuring Lettuce and Soulive with Branx opening.

In other words, we’ve got something for everyone. So get involved.

cat_reviews

A Top Five Look Back at 2013

January 10th, 2014


Ten days into the New Year, The House List looks back at 2013 with some Top Five lists.

My Top Five Favorite Shows
1.
The Postal Service, Barclay Center, June 14
My decade-belated live date with the Postal Service finally culminated at Barclays Center, where rabid fans, like myself, roared as Ben Gibbard and Jimmy Tamborello hit the stage. As if acting out lyrics from “Nothing Better,” Gibbard and Jenny Lewis shimmied close for the duet. Old friends reunited onstage never felt so good.

2. Haim, Webster Hall, September 3
I was late to this bandwagon, as fellow House List contributor Alex Kapelman shortlisted Haim last year for his Top Five Bowery Presents Shows of the Year. I knew I was in for a good one when I could barely find a spot in the rafters to catch the three sisters, who charmed with their onstage banter and wicked musicianship

3. Jessie Ware, The Bowery Ballroom, January 17
Straight off her Jimmy Fallon taping backed by the Roots, the British songstress elated the crowd with her effortless, down-to-earth stage demeanor. Her star quickly rose with American audiences, as she sold out shows at Webster Hall, Music Hall of Williamsburg and Irving Plaza throughout the year. I was glad to have caught her earlier in the more intimate venue.

4. Basia Bulat, Bowery Ballroom, November 23
I’ve been a fan of Basia Bulat since I heard her cover Sam Cooke’s “Touch the Hem of His Garment.” This show on a cold night wasn’t sold out, which made me a little sad since she’s quite the talent. But those who were there were enraptured by her prowess on autoharp to the point that you could hear a pin drop during her solos.

5. Daughter, Bowery Ballroom, April 30
Somehow Elena Tonra manages to disguise heartbreak behind soulful lyrics and melody. She has a knack for turning happy dance songs into somber endeavors. The band mashed-up Bon Iver and Hot Chip’s “Perth/Ready for the Floor” that evening. Check out Tonra’s somber retake of Daft Punk’s hit “Get Lucky” for further proof. —Sharlene Chiu

My Top Five Shows I Never Thought I Would See
1. Desaparecidos, Webster Hall, February 26

Desaparecidos (and really any Conor Oberst project) were my bread and butter back in the early aughts, and for a while they seemed to be a one-off, a politically minded side project firmly planted in the past. Fortunately (and unfortunately) the global state of affairs remains messed up enough for the band to regroup to write protest songs for a new decade. It was a nostalgic, sweaty and inspired performance.

2. Shuggie Otis, Music Hall of Williamsburg, April 19
Shuggie Otis began putting out music in the mid-’70s, followed by a long period of laying low. Content to groove along to songs like “Ice Cold Daydream” at home, I never really thought about the possibility of a Shuggie Otis tour in 2013. But when I found out, I was there. And “Ice Cold Daydream” is even better in person.

3. The Flamin’ Groovies, The Bowery Ballroom, July 6
Instead of discovering the Flamin’ Groovies in a smoky San Fran club in the ’60s, I was introduced to their catchy psychedelia on a Nuggets compilation more than 30 years later. Who’d have thought they’d still be going strong in 2013 and that I’d be dancing right alongside some old school fans at this fun summer show.

4.  John Prine, Beacon Theatre, September 26
John Prine has been active since the early ’70s, but unlike Shuggie Otis, he never really went away, writing and recording songs at a steady pace throughout the years. But I still always thought of him as an artist too legendary for me to see in person—or that tickets would be too out of reach. But John Prine put on an amazing show, highlighting his singular skills as a songwriter and storyteller.

5. The Julie Ruin, Music Hall of Williamsburg, October 25
I was late to the party for the original riot-grrl movement, but I became an admirer of Bikini Kill frontwoman Kathleen Hanna during her time in Le Tigre. She’s dealt with some debilitating health issues in the past few years, but I had no doubt she’d continue to make art and music. So I was happy to learn of her latest project, the Julie Ruin, and her energetic show did not disappoint. —Alena Kastin

My Top Five Shows
1. Yo La Tengo, Town Hall, February 16

I don’t like to pick a favorite, but my last.fm account tells me I’ve listened to Yo La Tengo more than any other band since 2007. At Town Hall, they performed an acoustic set and an electronic one, doing two versions of “Ohm,” my favorite song of the year. And then I ran into Tim Heidecker from Tim & Eric’s Awesome Show, Great Job! Had the Red Sox not won the World Series, this would’ve been my favorite night of the year.

2. Killer Mike/El-P, Webster Hall, August 14
I don’t care what anyone says: The best two rap albums of 2012 came from Killer Mike and El-P. And in 2013 they topped them, coming together as one entity, Run the Jewels. The night included a set from El-P, a set from Killer Mike and a combined set with both. El-P’s ingenious production plus Killer “I bleed charisma” Mike equals one concert I will never forget.

3. Foxygen, The Bowery Ballroom, October 21
With Foxygen it occasionally feels like shit could fall apart at any moment. And sometimes it does. But when their shows don’t come unhinged they deliver that sweet thrill of relief, like narrowly avoiding a car crash. And on this Halloween-themed night, the band made a weird show even weirder with homemade costumes and pseudo spooky vibes.

4. Steve Earle, Music Hall of Williamsburg, May 8
You can just tell some people are genuine, and Steve Earle is certainly one of them. Forever wearing his heart on his sleeve, that same energy bleeds right into his music, which he played alongside what he’s calling “the best band he’s ever had.”

5. Meat Puppets, Mercury Lounge, April 4
Not only are the Meat Puppets still kicking (after living through some serious shit), but also they’re thriving. And as much as I respect their legacy, seeing them play for more than two hours with the intensity you’d expect of a band 20 years their junior makes me respect them that much more. Long live the puppets of meat! —Dan Rickershauser

My Top Five Shows
1. Dessa, Union Hall, May 5

There are few performers I feel can move mountains with their vocal chords, and Dessa is one of them. This performance was an eruption of defiant lyrics and bold beats. A sizable crowd of young girls knew all of her lyrics, giving the show a chant-like feel. The only female member of Minnesota’s Doomtree collective practically vibrates with energy, and it’s completely contagious.

2. Kishi Bashi, Irving Plaza, September 12
Kishi Bashi sounds even better live than he does recorded. And he delivered a dazzling set with profuse vocal looping and an excellent backing band. Kauro Ishibashi has a supercharged, effusive aura, and his music embodies that persona. This set took a rowdy turn that involved crowd surfing, strobe lights and an outright jam session.

3. Panama Wedding, CMJ Music Marathon
I happened upon newcomers Panama Wedding three different times during CMJ: Initially, opening for NONONO at Mercury Lounge on the first night. Since the band had only released one song, “All of the People,” I was eager to see what would unfold onstage. Their set was so tight that I caught the fantastical pop group the following night at Pianos and then again at a showcase at Santos Party House.

4. You Won’t, Rockwood Music Hall, October 30
The live iteration of You Won’t is a spectacle to behold. I watched eagerly as Josh Arnoudse and Raky Sastri wielded a slew of instruments with ease, quickly fascinating the audience. The duo took their jaunty music into the audience a couple of times to break the barrier and enlisted some extra vocal support by encouraging us to all to sing along.

5. James Blake, Terminal 5, November 6
In this spellbinding live performance, complete with plenty of vocal looping and haunting electronica, James Blake made a cavernous room filled with people feel intimate. And that he’s such a dapper-looking fellow only helps boost his appeal. I’m still transfixed by this performance nearly two months later. James Blake’s music has some serious lasting effects. —Schuyler Rooth

My Top Five Shows with Regard to Lights, Visuals and Production
1. Umphrey’s McGee, Brooklyn Bowl, January 20

Kick-ass creative lighting
and Brooklyn Bowl don’t usually go hand in hand, but Umphrey’s McGee lighting guru Jefferson Waful turned the room into a thing of beauty.

2. Föllakzoid/Holydrug Couple, Mercury Lounge, March 21
What better way to enjoy some old school psychedelic music than with some old school liquid projections courtesy of Drippy Eye.

3. Plaza: Portugal. The Man, Irving Plaza, May 20
Freakin’ lasers!

4. The Flaming Lips/Tame Impala, Terminal 5, October 1
It was almost as fascinating to watch the Lips’ spectacle getting set up as it was to see it in action—confetti, strobes, LEDs and, well, pretty much everything. And Tame Impala’s projections were no slouch either.

5. Phish, Atlantic City Boardwalk, October 31, November 2
Phish’s fall tour found lighting director Chris Kuroda playing the Willy Wonka of eye candy all over the East Coast. —A. Stein

My Top Five Albums
1. Phosphorescent, Muchacho
I’d only seen Phosphorescent once before listening to Muchacho for the first time. And while much of Matthew Houck’s previous work is country-tinged (not that there’s anything wrong with that), this album, ostensibly about a breakup, covers more territory, from the meditative sounds of “Sun, Arise (An Invocation, an Introduction)” and “Sun’s Arising (A Koan, an Exit)” to the jammy, driving “Ride On/Right On” to softer fare, like “Muchacho’s Tune,” all centered on Houck’s evocative voice. I still can’t stop listening to it.

2. Foxygen, We Are the 21st Century Ambassadors of Peace & Magic
Foxygen’s third full-length, We Are the 21st Century Ambassadors of Peace & Magic, comes off as a loving mash note to ’70s rock. You’ll hear bits of the Rolling Stones, Velvet Underground and David Bowie, but the album expertly manages to sound like something whole and new rather than something derivative.

3. White Denim, Corsicana Lemonade
Upon the first couple of listens, I found White Denim’s latest, Corsicana Lemonade, to be too singer-songwriter-y, but I continued to give it a chance, and it opened up to something much bigger, with genre-hopping songs like “Let It Feel Good (My Eagles)” and “Pretty Green”—not to mention some searing guitar parts—grabbing me by the throat.

4. Futurebirds, Baba Yaga
Admittedly, I didn’t know anything about Futurebirds, out of Athens, Ga., before writing a preview of their late-May show at The Bowery Ballroom. But while listening to their second LP, Baba Yaga, as I wrote, I became totally enamored of the album—half twangy Southern rock and half spacey reverb.

 5. Kurt Vile, Wakin on a Pretty Daze
I love Kurt Vile’s Wakin on a Pretty Daze so much, that I can’t believe it’s only No. 5. Labeling it stoner rock, as many have done, is lazy. Although I supposed me calling it laid-back rock isn’t any better. But the fact of the matter is there might not ever be a better album to listen to while walking the streets of New York City with headphones in your ears. —R. Zizmor

cat_preview

Meat Puppets Still Rule

April 5th, 2013

Meat Puppets – Mercury Lounge – April 4, 2013


That the Meat Puppets are even still around is something of a miracle. They’ve lived through multiple decades of adversity that have swallowed up other bands whole. One of those groups, a grunge band out of Seattle that helped the Meat Puppets gain in popularity by covering their songs on national television, has been gone for almost 20 years. The Meat Puppets’ history reads like a Behind the Music clichés grab bag, including everything from stints in prison to hard drugs and an on-again, off-again history spanning four decades. That brothers Cris and Curt Kirkwood are still even on speaking terms having lived through all this is pretty crazy.

One wouldn’t think that there’s any need for the Meat Puppets to prove anything to anyone anymore, but those crazy motherfuckers out of Phoenix are still at it, plowing through a fiery two-hour-plus set last night at Mercury Lounge, giving each song everything they’ve got and then some. Exhibit A: Cris Kirkwood’s face, home to some of the most interesting facial expressions you’ll find in rock music. Grimacing, wincing and pursing his lips like a monkey, it looked as if each bass note he slapped out hits him like a punch to the stomach. Every second got its own performance. Curt stood at the other side of the stage, effortlessly ripping through searing guitar solos like it was nothing at all. The world should reconsider any Greatest Guitarists lists without Curt’s name on it. Few people have the hand gymnastics it takes to steal guitar styles from so many different genres and toss them all into one blazing guitar solo.

The band’s set included songs from every moment of their lengthy career, including some unexpected covers. There was a surprisingly beautiful rendition of the Beach Boys’ “Sloop John B,” which bled into a near-perfect performance of their classic “Lake of Fire,” complete with a raging solo that kept picking up pace until it had nowhere else to go but to dissolve into its own unstoppable momentum. The band ended their set with “Backwater,” which included the appropriate refrains of “some things will never change.” It felt like an appropriate cap to the night’s performance. Against all odds, the Meat Puppets still fucking rule. Some things will never change indeed. —Dan Rickershauser

Photos courtesy of Peter Senzamici | senzamici.smugmug.com

Meat and Greet: Meet the Meat Puppets

November 18th, 2009

the Meat Puppets
CONTEST ALERT! Win special prizes from the Meat Puppets. We’ll be giving away an amazingly cool autographed poster featuring the LP cover for Meat Puppets II to two lucky winners. Two other winners will receive an autographed CD of the new Meat Puppets LP, Sewn Together, and all of the winners will get a private meet and greet with the Meat Puppets. All you have to do is purchase your ticket for the band’s show at The Bowery Ballroom on Wednesday, November 25th, ONLINE through Ticketmaster.com, and you’ll be entered for a chance to win. The winners will NEED to be at the show to receive their prizes. Existing ticket purchasers will automatically be entered in the drawing. All winners will be notified via e-mail by 6 p.m. next Monday. Good luck.