The Bowery Presents

Posts Tagged ‘Mercury Lounge’

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Still Going Strong After Two Decades

Thursday, September 2nd, 2010

Lou Barlow & the Missingmen - Mercury Lounge - September 1, 2010

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To say it’s impressive for Lou Barlow to be performing and creating at this consistent level for 20 years is an understatement. He reinvented lo-fi and inspired an army of four-track home-recording artists in the ’90s. He’s been a part of more than his share of pioneering indie-rock bands, all the while tempering sincere moments with an experimental sound collage. To be transported into his bedroom in those early Sebadoh tapes was an education in home recording and songwriting. He has nothing to prove but you wouldn’t have known it last night at Mercury Lounge.

Barlow is at his best unguarded with just an acoustic guitar, and that’s how the night began with a Folk Implosion classic, “Easy,” “Magnets Coil” and even “Puzzle,” off his proper solo album, Emoh. He’s always worn his emotions on his sleeve and isn’t precious about performing these early-career songs. It’s clear, when played stripped down, that the strengths of each are his vocals and how he can be both heartbreakingly intimate and punk rock in the same verse.

The Missingmen joined the reluctant Barlow, who was in good spirits, to flesh out material from his latest, Sentridoh III. They tackled the distortion-ridden tracks, swapping guitars, and inevitably Barlow’s glasses would fall off when things got thrashing. The night ended with him going back to playing solo, a ukulele on his knee and happily taking requests from the audience. It was a great balance of an entire body of incredible songwriting, acknowledging the past and looking ahead to the future. All this success hasn’t come without setbacks: Barlow has persevered through band and label breakups, recently patching up things with ex-bandmate J Mascis and recording with Dinosaur Jr. He’s proved over and over that the nice, sensitive guy can get the girl in the end…and he actually seems pretty happy about it. —Jason Dean

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The Dutchess & the Duke Are Coming Your Way

Thursday, September 2nd, 2010


Childhood friends Jesse Lortz and Kimberly Morrison had already played together in a few garage-punk groups over the years when they decided to write material together. In a nod to the Flying Dutchmen, a “deconstructionist R&B band” they’d been in, they named their new musical outfit the Dutchess & the Duke. Their sound comes off as rough-and-tumble folk and punk, and they put out their first album, She’s the Dutchess, He’s the Duke, in 2008. Their second LP, the less stark Sunset/Sunrise, was released last year. And the Dutchess & the Duke (above, doing “Out of Time”) play Mercury Lounge on Saturday night.

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A FREE Night of Garage Rock at Mercury Lounge

Wednesday, September 1st, 2010


Originally a five-piece from Cincinnati, the now three-piece Greenhornes make quality music combining garage rock, blues, the British Invasion and ’60s R&B. The band has toured nonstop (except when the guys in the group are busy with some of their many other projects, like Jack White’s the Raconteurs and the Dead Weather), which brings the Greenhornes (above, playing “Can’t Stand It”) to Mercury Lounge Friday night. And while that is good news, want to hear something even better? Thanks to Sailor Jerry, you can go for free. Just RSVP here.

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The Lowdown on Lay Low

Tuesday, August 31st, 2010


Lovísa Elísabet Sigrúnardóttir was born in London and raised in Iceland. Early piano lessons led to studying guitar and bass and then to joining bands. Eventually she began singing and decided to go out on her own under a name much easier to pronounce: Lay Low. Her mix of blues, country and folk—initially posted on MySpace—won the notice of a record label. Shortly afterward, her debut album, Please Don’t Hate Me, was released and quickly went gold. Since then, the singer’s kept busy acting in and scoring a play, working on a movie soundtrack and being a part of Benny Crespo’s Gang, but she still made time to release another disc, Farewell Good Night’s Sleep. The LP came out in the U.S. last year, and Lay Low (above, playing “By and By”) brings those new tunes to Mercury Lounge tomorrow night.

MNDR - Mercury Lounge - August 30, 2010

Tuesday, August 31st, 2010

MNDR - Mercury Lounge - August 30, 2010

Photos courtesy of Jennifer Macchiarelli | www.jennylow.com

Ninjasonik - Mercury Lounge - August 26, 2010

Friday, August 27th, 2010

Ninjasonik - Mercury Lounge - August 26, 2010

Photos courtesy of Jennifer Macchiarelli | www.jennylow.com

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See MNDR on Monday Night

Friday, August 27th, 2010


You’re probably familiar with the expression “Go West, young man.” Well, simple logic dictates that the opposite would be “Go East, young woman,” which is exactly what Amanda Warner did, in the hopes of becoming a songwriter for hire, when she ditched Oakland for NYC. But then she met Peter Wade and decided she wanted to write for herself and front her own band. And thus began MNDR (above, playing “Fade to Black” for Fearless Music). Warner and Wade uploaded four songs to MySpace last year, which later became an EP, and are currently working on a full-length album to be released next year. In the meantime, MNDR has opened for Deerhoof and Massive Attack, and you can see what the fuss is about on Monday at Mercury Lounge.

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Get to Know These United States

Thursday, August 26th, 2010


The rousing, rootsy These United States have toured steadily since forming in 2006. Of course it’s easy to do so when you’ve just about always got new music. And one thing’s for sure, these guys are prolific: In 2008, the band released two albums just six months apart, A Picture of the Three of Us at the Gate to the Garden of Eden and the more rousing Crimes, to much acclaim even though the discs cover somewhat different musical territory. Last year they put out Everything Touches Everything, and in July they released What Lasts. Led by Jesse Elliott, These United States (above, playing “I Want You to Keep Everything” for hearya.com) sometimes sound psychedelic and at other times endearingly rambling and twangy, but, regardless, they’re always fun. Find out for yourself on Saturday at Mercury Lounge.

It’s a Family Affair

Monday, August 23rd, 2010

Hacienda - Mercury Lounge - August 21, 2010

Hacienda - Mercury Lounge - August 21, 2010
Hacienda—three Villanueva brothers (Rene, on bass and vocals, Abraham, on piano and vocals, and Jaime, on drums and vocals) and one Schwebel cousin (Dante, on guitar and vocals)—caught an early break when Dan Auerbach of the Black Keys got a hold of their six-song demo. One thing led to another and eventually the band finished an album at his studio and was opening for the likes of the Black Keys and Dr. Dog and gaining wider exposure. Last year, along with My Morning Jacket drummer Patrick Hallahan, they backed Auerbach on his Keep It Hid tour.

This year, Hacienda released their second disc, Big Red & Barbacoa, and they played plenty of it on Saturday night at Mercury Lounge. With their four-part harmonies, early-Kinks intensity and surf-rock influences, the plaid-heavy San Antonio quartet played a sweaty, energetic 45-minute set of swaggering, hip-shaking rock and roll, punctuated by Schwebel’s vibrant guitar solos. Onstage, songs like “Shake Ya” and “Mama’s Cookin’” emerged more rollicking and raw than their studio versions. At one point Schwebel said, “Here’s a song for Saturday night.” And he was right. —R. Zizmor

(Hacienda opens for My Morning Jacket at Terminal 5 on October 19th.)

Photos courtesy of Sean O’Kane | seanokanephoto.com


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See the Giraffes for Free

Friday, August 20th, 2010


Looking for something fun and free to do tomorrow night? Then you’ve come to the right place because you’ve got the chance to see the Giraffes play the late show at Mercury Lounge on Saturday for free thanks to Sailor Jerry. The Brooklyn-based hard-rock band has been at it since 1998, releasing four LPs and Show, a live DVD. To say the Giraffes (above, doing “Haunted Heaven”) are committed to their music is no joke because not even an onstage heart attack has slowed down singer Aaron Lazar. But you can see for yourself if you RSVP here.

(The Greenhornes play another Sailor Jerry-sponsored show at Mercury Lounge on Friday, 9/3. RSVP here.)

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It Might Get Loud

Thursday, August 12th, 2010


Dax Riggs, out of Austin, Texas, has been a professional musician for quite some time—first in the sludge-metal Acid Bath and then, among others, Agents of Oblivion and Deadboy & the Elephantmen. But he began putting out his own music three years ago, and his third solo album, Say Goodnight to the World, came out last week. Although his songs can often contain brooding or subdued lyrics, it’s clear that Riggs likes his metal (and some cool covers). While it’s not all intensity all the time, to be sure, he can bring it. Find out just how much when Dax Riggs (above, playing “Night Is the Notion” for SPINhouse Live), along with Motel Motel, comes to Mercury Lounge for the late show on Saturday and another one on Sunday.

Looking August and Feeling October

Thursday, August 12th, 2010

Memoryhouse - Mercury Lounge - August 11, 2010

Memoryhouse - Mercury Lounge - August 11, 2010
It felt like October last night at Mercury Lounge. Certainly not because of the weather, but because the packed bill of would-be headliners smashed together made for a show pulled straight out of the CMJ Marathon. Following a raw and catchy set by Brooklyn’s Oberhofer and a breathtaking hour from Twin Sister, the top-billed Memoryhouse had big shoes to fill. But the Canadian trio didn’t miss a beat, pumping out swirling music as the crowd pushed closer and closer to the stage as the night progressed.

Despite playing one of their first local shows, the band looked and sounded like they’ve been around far longer. Completely bathed in cool light projected from the sound booth, Memoryhouse started with a slightly remixed version of “Lately (Deuxième).” Intensely memorable and sweet to the ears, it was a perfect introduction for those new to the group.

The rest of the set was filled with eerie beats like on “The Waves” and “To the Lighthouse,” another single-worthy song that was easy to get lost in. Luckily the show wasn’t completely like one from CMJ, as Memoryhouse played for more than 30 minutes, ending with a brilliantly irregular cover of My Bloody Valentine’s “When You Sleep.” —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com

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Takin’ It to the Streets

Wednesday, August 11th, 2010

Jonah Matranga - Mercury Lounge - August 10, 2010

(Photo: Kirsten Housel)

(Photo: Kirsten Housel)

Jonah Matranga has been making music for nearly 20 years, and last night’s Mercury Lounge show—on the eve of his 41st birthday—was a perfect reminder of why he’s still relevant after all these years and different projects. It basically became a by-request set with plenty of songs Matranga hadn’t recently played. He opened with “Pollyanna,” a long-time crowd favorite from his onelinedrawing days, then played a powerful new one, “This Is Who I’m Gonna Be,” and what he referred to as the previous tune’s older cousin, “Lukewarm” (from New End Original).

Matranga spoke often, explaining songs and talking about the memories each holds for him. His solo sets are always stellar because of the way he connects with those in the audience, giving them anecdotes, listening to their retorts and humbly cracking jokes about himself. Matranga’s singer-songwriter skills stem not only from his personable crowd interactions, but also from the heightened sense of emotion and urgency he throws into his music. At one moment he is quietly crooning, and the next he is red in the face, wailing into the microphone. With his eye on the clock, Matranga ended the set with songs of his choice: New End Original’s “#1 Defender,” “Definitely Definitely Definitely” (“a totally ridiculous, totally retarded” song) and “14-41” (in which he sings “you start blind, end up dumb”).

Although his time onstage was finished, Matranga wasn’t ready to end the night. Not even 20 minutes later, a crowd circled around him outside, just west of Mercury Lounge. He started with “Better Than This,” a usual staple of his set. After several more songs, two rounds of “Happy Birthday” (including one just after midnight) and a couple of buckets of water from upstairs neighbors, the set and the night ended perfectly. —Kirsten Housel

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Spend the Night with a Jewel

Friday, August 6th, 2010


Ramona Gonzalez grew up in Berkeley, Calif., as the daughter of musically inclined parents. She attended school in L.A., and once there she eventually joined some rock bands and became a multimedia artist. After creating several synth instrumentals for installation art, Gonzalez began concentrating on music, using the name Nite Jewel. Her sound is dreamy dance pop, but it’s done decidedly lo-fi: She records on an eight-track cassette recorder, and her debut full-length, Good Evening, came out last year. When playing live, Nite Jewel (above, performing “Chimera” on the Interface for spinner.com) does it as a three-piece, which you can see for yourself when—along with Violens—she plays Mercury Lounge on Monday.

Suuns - Mercury Lounge - July 21, 2010

Thursday, July 22nd, 2010

Suuns - Mercury Lounge - July 21, 2010

Photos courtesy of Abi Hassen

You Can’t Blame the Youth

Wednesday, July 21st, 2010

Robert Francis - Mercury Lounge - July 20, 2010

Robert Francis - Mercury Lounge - July 20, 2010
While sports and movie stars seem to become massively popular (and sometimes even talented) before they’re of the legal age, musicians often follow a slightly slower path (unless you’re Justin Bieber). Last night, however, Robert Francis made the case for the youngest generation of rockers during his hour-long set at Mercury Lounge.

The much-buzzed-about Francis carried himself as a mature but lighthearted 22-year-old in between songs, and the level of implied experience skyrocketed with each squealing guitar solo he loosed from his Les Paul. He was surrounded by a full complement of bandmates who supplied a range of sounds from bass and drums to organ and slide guitar. But Francis’s band didn’t contain all of the normal trappings of the folk-based sound they played so well. His pure and engaging voice was often left alone with just the slightest of harmonies eking their way through the speakers, so the set played more like a singer-songwriter sound with a lush background of music to go along with those vocal and lyrical abilities.

With the spotlight on him, Francis had the Mercury Lounge crowd in the palm of his hands while he crooned during introspective (and undeniably catchy) songs like “Junebug.” He concluded his set with one last impressive aural shift, taking his high school-dropout tune, “All of My Trains,” from pin-drop quiet to boisterous guitar solos at the end. —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com

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Nappy Roots Play the Late Show

Wednesday, July 21st, 2010


In 1995 six guys from Western Kentucky University formed the Southern hip-hop group Nappy Roots. They got their start making music at a local record shop/recording studio and soon enough, their debut disc, Country Fried Cess, came out in 1998. Watermelon, Chicken and Gritz, most notable for the hit single “Po’ Folks,” followed in 2002. They’ve since released two more albums, and their most recent—and second as a quintet—The Pursuit of Nappyness, dropped in June. Check out their new tunes and get your weekend started right when Nappy Roots (above, in their TV show reel) play the late show on Friday night at Mercury Lounge.

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