Tag Archives: Mercury Lounge

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Don’t Miss Juliana Hatfield on Thursday Night at Mercury Lounge

April 24th, 2017

Singer-songwriter and multi-instrumentalist Juliana Hatfield has had a long, distinguished career in alternative rock, doing time with the Lemonheads, Blake Babies, Some Girls, Minor Alps and the Juliana Hatfield Three in addition to her much-acclaimed work as a solo performer. And despite thinking her songwriting career was on hiatus, or perhaps even finished, she found herself inspired by last year’s presidential election: “All of these songs just started pouring out of me. And I felt an urgency to record them.” As a result, Hatfield (above, her video for new single “Short Fingered Man”) has a new album, Pussycat, out on Friday, and she celebrates its arrival with a pair of shows this week at Mercury Lounge—the first on Wednesday night, which is already sold out, and then again on Thursday. Singer-songwriter Laura Stevenson opens each performance.

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Sam Outlaw Brings a Taste of California Country to Mercury Lounge

April 19th, 2017

Former ad-sales executive Sam Morgan has been doing business as the California-country singer-songwriter Sam Outlaw (above, performing “Love Her for a While” for WFUV FM) since his debut studio album, Angeleno (stream it below), arrived in 2015, featuring cameos from My Morning Jacket keyboardist Bo Koster and Dawes frontman Taylor Goldsmith, among others. “As an album, Angeleno holds up time and time again,” said American Songwriter. “For anyone who feels similarly disenchanted about country music, Outlaw’s songs—closely bound to tradition, endlessly romantic—are the perfect remedy.” His second full-length, Tenderheart (stream it below), came out last Friday. Vulture makes comparisons to Gram Parsons, Ryan Adams and James Taylor, adding: “Tenderheart is the sound of Angeleno’s budding artist finding his voice and crafting a work as great as his killer country nom de plume. Two years after shaking his life up to chase a dream of country stardom, Sam Outlaw is sitting on one of the genre’s best albums of the year. It’s never too late to heed your calling.” Check out Sam Outlaw live at the early show Thursday night at Mercury Lounge. Virginia singer-songwriter Dori Freeman opens.

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Little Hurricane – Mercury Lounge – April 13, 2017

April 14th, 2017

Little Hurricane - Mercury Lounge - April 13, 2017

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Dance with Louis Futon at Tomorrow’s Late Show at Mercury Lounge

April 14th, 2017

“Don’t let their punny name (and boyish good looks) fool you, the Philly-based duo of Tyler Minford and Logan Zoghby make seriously good music—a refreshingly funky blend of R&B, jazz and more electronically inclined elements,” raved Interview a couple of years back. Minford has since gone solo, creating official remixes for big names like Mos Def, Logic, G-Eazy, Future and Wiz Khalifa. But he insists that “genres don’t define me.” An eponymous EP (stream it below) arrived two years ago. “Philly producer Louis Futon has dropped off his self-titled EP, and simply put—it’s quite good,” said Hypebeast. “The electronic producer delivers on four original and undeniably entertaining tracks, as three remixes also join the party.” He’s been working on new material, and you can see him at the late show tomorrow at Mercury Lounge. NYC singer-songwriter Sam Setton opens.

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Active Bird Community Bring New Tunes to Mercury Lounge

April 5th, 2017

Tom D’Agustino (vocals and guitar), Zach Slater (bass) and Andrew Wolfson (guitar and vocals) formed the band Active Bird Community while still in middle school, back in 2005. They’ve since added Quinn McGovern (drums), and the Brooklyn garage-pop outfit’s become known for creating “freshness out of classic sounds,” according to Stereogum. Their second full-length, Stick Around (stream it below), came out in March. New Noise Magazine compares Active Bird Community (above, doing “Home” for Sofar Sounds) to Pavement and Ra Ra Riot, adding “While there’s post-punk underpinnings and plenty of melodic discord, the album is rooted in a strong garage-pop feel, where the apprehension of post-college life comes through the turbulent but tense harmony.” But don’t take their word—or ours—decide for yourself when Active Bird Community play Mercury Lounge tomorrow night. Gold Connections and Soccer Mommy open the show.

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Bombadil Bring New Music to Mercury Lounge Tomorrow Night

April 4th, 2017

Influenced by Bolivian folk music—and formed more than a decade ago at Duke University—Bombadil make what AllMusic calls “both jolly and world-weary North Carolina–based indie rock with eclectic, mostly acoustic instruments.” And with a new lineup, multi-instrumentalists and vocalists Daniel Michalak, James Phillips and Stacy Harden released the band’s sixth album, Fences (stream it below), about a month ago. “Throughout, the limited instrument palette exposes songwriting full of charming melodies and gently frolicking rhythms, alongside expressions of deep affection and insecurity,” says AllMusic. “It’s a refreshingly direct presentation, and a set that makes one root for the characters as well as the band, who will hopefully stick around for more.” Catch Bombadil (above, the audio for “Not Those Kind of People”) tomorrow night at Mercury Lounge. Singer-songwriter Victoria Reed opens the show.

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Don’t Miss Vera Blue at Tonight’s Early Show at Mercury Lounge

March 29th, 2017

Sydney singer-songwriter Celia Pavey broke into the mainstream in her native country as part of the 2013 season of The Voice Australia. And in addition to putting out folkish music under her own name, Pavey’s also known for her Vera Blue project, thanks to the release of the well-received EP Fingertips (stream it below) in 2016. “Vera Blue delivers a compelling blend of electro-pop and folk-pop,” according to Renowned for Sound. “Pavey has exhibited a burgeoning maturity and artistry, and it will be neither surprising nor disappointing to hear her voice with increasing frequency.” The easiest way to up your frequency of hearing her is to go see Vera Blue (above, performing “Hold” live in studio for Triple J) tonight at Mercury Lounge. Taryn Randall’s Cote opens the show.

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The Regrettes Come to the Lower East Side and Williamsburg

March 24th, 2017

Lydia Night (vocals), Genessa Gariano (guitar), Sage Nicole (bass) and Maxx Morando (drums) formed the energetic punk-rock quartet the Regrettes a little more than a year ago in Los Angeles, and earlier this year, the band’s first full-length studio album, Feel Your Feelings Fool! (stream it below)—influenced by ’50s rockers like Buddy Holly and the Ronettes—arrived on Warner Bros. Records. According to Teen Vogue, “Their music sounds like a lively blend of lo-fi surf rock meets the Strokes with a strong female lead.” And per AllMusic, “The Regrettes thread feminism, sneering angst and ecstasy. All these intertwined emotions give the album an emotional punch that complements its musical rush, a confluence of nervy energy that could easily be interpreted as a reflection of the Regrettes’ youth. Perhaps the quartet members are all in their teens but they’re preternaturally gifted as musicians, so Feel Your Feelings Fool! offers the best of both worlds: craft that endures combined with boundless excitement.” You’ve got two chances to catch the Regrettes (above, doing “A Living Human Girl” for Jam in the Van) locally, tonight at Mercury Lounge and on Monday night at Rough Trade NYC.

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A Double Dose of Alex Lahey in New York City This Weekend

March 24th, 2017

Alex Lahey, a favorite of Australia’s influential Triple J radio, finds songwriting cathartic: “I’m not a runner at all, but I can imagine it is a really similar experience to someone that enjoys running. It’s challenging, but it’s rewarding, and there are probably a lot of endorphins at the end. I imagine it’s something like that. It’s really challenging, but it’s a challenge that I’m willing to accept.” Before it was rereleased on Dead Oceans earlier this year, the 24-year-old singer-songwriter and guitarist self-released her debut EP, B-Grade University (stream it below), last summer. In naming the Melbourne, Australia, native an Artist to Watch, Stereogum proclaimed, “Lahey charges full-speed ahead into explorations of post-collegiate career anxiety (‘Ivy League’), blissful romantic fixation (‘Wes Anderson’), and youthful indiscretions (‘Let’s Go Out’) among other adventures.” She’s even since more recently made a name for herself with several buzzed-about sets at this year’s SXSW, and now Lahey (above, doing “You Don’t Think You Like People Like Me” for Balcony TV) is amidst a swing up the East Coast, which brings her to Rough Trade NYC tonight and Mercury Lounge tomorrow.

 

 

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Jens Lekman Offers an Antidote to NYC’s Winter on Saturday night

March 20th, 2017

Jens Lekman – The Bowery Ballroom – March 18, 2017

(Photo: Andie Diemer)

(Photo: Andie Diemer)


(Jens Lekman performs live at Rough Trade NYC tonight.)

Given New York City’s week of Swedish weather, with gray days and precipitation falling within the never land between rain and snow, it must have felt like home for one of Sweden’s great pop troubadours, Jens Lekman, who, before returning to Europe, ruled the weekend here in the city, playing The Bowery Ballroom on Saturday and Music Hall of Williamsburg on Sunday—plus he’s at Rough Trade Trade NYC tonight. His Saturday show began with just him and an acoustic guitar, performing “To Know Your Mission” and “Evening Prayer,” off his latest album, the fantastic and much-acclaimed Life Will See You Now. The latter track was particularly Jens-ian, a tender yet optimistically upbeat tune about worrying and carrying for a friend going through chemotherapy.

“Who here is seeing Jens Lekman for the first time tonight?” asked Lekman to a handful of cheers. Going back all the way, he then went through every one of his local shows, even asking who was at his 2005 Mercury Lounge appearance. “I like growing older with you guys. I want this thing to last forever,” he said. The rest of the band then joined him onstage for “What’s That Perfume That You Where?” about memories triggered by a scent. After an amp malfunction that cut the song short, Lekman began again, playing through on acoustic guitar, somehow sounding even better the second time around: Nothing can hold back those danceable Lekman grooves. There’s a heartfelt warmth to his music that even permeated how he performed. For the end of “The Opposite of Hallelujah,” Lekman pantomimed the xylophone notes in front of him like falling snowflakes.

He introduced “I Know What Love Isn’t” as something he wrote during a cynical time of his life, but even this song brought forth a sense of cheeriness. Perhaps cynical New Yorkers have our taste for cynicism skewed too far to recognize the finer nuances of Scandinavian cynicism. Lekman introduced “Dandelion Seed” as the last song, realizing as he said it that the audience wouldn’t let things end there. The band returned for Lekman classics “Maple Leaves” and “A Postcard to Nina.” And when even that wasn’t enough, the affable performer returned solo yet again for “I Want a Pair of Cowboy Boots” and “Pocketful of Money.” “I’ll come runnin’ with a heart on fire,” sang the packed crowd with Lekman repeating the chorus over the audience, delivered like a high-pitched plea. There’s no better antidote to the dregs of a New York City winter than huge moments like these. —Dan Rickershauser | @D4nricks

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Jesca Hoop Proves to Be a True Original at Mercury Lounge

March 9th, 2017

Jesca Hoop – Mercury Lounge – March 8, 2017

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Jesca Hoop was once a nanny to Tom Waits’ kids, and she’s worked with everyone from Blake Mills and Stewart Copeland to Sam Beam, with whom the singer-songwriter released a gorgeous duets album in 2016 and subsequently toured. Hoop has signed to Sub Pop, and she’s a touch mystical—a vocalist and soothsayer from some faraway, possibly not terrestrial place—but she can tell a bar joke with the best of ’em. She’s accessible and impenetrable at the same time. An artist like that, you’d think, would be someone more written about than listened to, but listening to Hoop’s music is only the beginning of the larger embrace. Live, she’s quietly (and sometimes not so quietly) devastating. She formed a deep and detailed bond with an audience over the course of a 75-minute set at Mercury Lounge last night, framed by the recently released Memories Are Now, a collection of new Hoop songs that reveal more with each subsequent listen.

What do we call this? Hoop arrived as part of a four-piece band that included drums, bass, harmony vocals and other effects. Her music could sound trance-folkie, as in the opening one-two of “Songs of Old” and “Animal Kingdom Chaotic.” It could sound bittersweet and kind of country, as in “Peacemaker.” It could creep up and then, well, overcome you, as in “The Coming,” which thanks to some spectral-sounding guitar in its intro sounded distant and then was upon you. It’s cinematic—panoramic even—as Hoop created little worlds out of lyrics. “I refuse to think that my best friend’s going to hell anymore” is what might be called a classic Jesca Hoop line. So is “And now you gotta get it with what you’ve got/ With what you’ve been given or not” (from the late-in-set standout “Born To”). And so is “You say it’s impossible/ But your dumb computer says no.”

Hoop’s an artist in whom you can hear what you want to in her forbearers and potential influences. The mind drifts to Laurie Anderson, Kate Bush, Björk and plenty of others. When the mind settles, however—and you can really pause to hear and absorb the nuances when in the thrall of Hoop and band in the live setting—you feel like you’re hearing a true original. No one else quite sounds like this, and you’re thirsting for more when an unhurried set still goes by like a finger snap. —Chad Berndtson | @Cberndtson

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Arcade Fire’s Tim Kingsbury Brings His Sam Patch Project to NYC

March 8th, 2017

Following Arcade Fire’s world tour in support of their fourth studio album, Reflektor, Tim Kingsbury—the band’s guitarist and bassist—launched a side project called Sam Patch. Inspired by the likes of Fleetwood Mac, Leonard Cohen and ABBA, Kingsbury released the debut Sam Patch album, Yeah You, and I (stream it below), last month. It’s “a winning, engaging solo project full of analog synths and killer hooks,” according to PopMatters. “The songs have an innocent directness that’s welcoming and refreshing.” Kingsbury recently launched a short North American tour in support of the new tunes, which brings Sam Patch (above, the album’s second single “Listening”) to Mercury Lounge on Friday night. New York City singer-songwriter Miles Francis opens the show.

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Montreal Trio Heat Bring New Music to Mercury Lounge Tomorrow

March 8th, 2017

After doing time in other bands, Susil Sharma (vocals, guitar and synths) recorded the noisy, melodic demos that would become the original basis for the Montreal rock trio Heat, eventually joined by Matthew Fiorentino (guitar and synths) and Raphaël Bussières (bass). Their debut EP, Rooms (stream it below), arrived in 2014 and was rereleased the following year, earning the band comparisons to Pavement and the Jesus and Mary Chain. Taking a sonic leap forward, Heat (above, a video for “Lush”) returned with their debut full-length, Overnight (stream it below)—“heavy on melody and hooks, but with brash, shadowy undertones,” according to AllMusic—in January. And they play Mercury Lounge tomorrow night. NYC pop quintet Navy Gangs open the show.

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Springtime Carnivore Plays the Early Show Tuesday at Mercury Lounge

March 6th, 2017

After the breakup of prior bands, singer-songwriter and multi-instrumentalist Greta Morgan began artfully mixing psychedelia with sunny pop and folk rock as Springtime Carnivore a few years ago. A self-titled debut full-length (stream it below) came out in 2014. “This collection of warm, fuzzy indie pop, rock and psychedelic-tinged numbers represents a true new start for Morgan,” according to Paste. “The best of these songs transcend her previous work and hint toward new vistas that she’s clearly hoping to explore, and we’ll happily look in on her journey.” That journey continued with the 2016 release of Midnight Room (stream it below). The A.V. Club compared Springtime Carnivore (above, performing “Nude Polaroids” in studio for KEXP FM) to Neko Case & Her Boyfriends and Jenny Lewis and mentioned the album’s “beautiful, self-assured identity”—adding: “From the opening title track and its delicate blend of subdued synths, a brisk guitar rhythm and a lofty chorus, the record is emotionally adrift, wafting through comfortless heartbreak, warm nostalgia, and the alternative stargazing flourishes of fantasy and fatalistic wariness of delusion. The vehicle for all this is measured, glossy dream pop, polished with smooth, lush electronics and chilled with airy acoustic tones.” In mid-tour form, Springtime Carnivore plays Mercury Lounge tomorrow night. Terribly Yours open the show.

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Dead Coast – Mercury Lounge – March 2, 2017

March 3rd, 2017

Dead Coast - Mercury Lounge - March 2, 2017

Photos courtesy of Silvia Saponaro | www.saponarophotography.com