Tag Archives: Mitski

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Jay Som Thrills Sold-Out Rough Trade NYC with New Songs

June 7th, 2017

Jay Som – Rough Trade NYC – June 6, 2017


Better known by the stage name Jay Som, DIY wunderkind Melina Duterte crafts melodic, fuzzy masterpieces from her bedroom in Oakland, Calif,—and she released her debut full-length album, Everybody Works, in March to glowing reviews. NPR described it as a “gorgeous and messy intimacy [that] has the capacity to forge connections with those who might be going through similar uncertainty and tough times.” After touring with fellow Asian-American female singers Mitski and Japanese Breakfast last summer, Duterte headlined a sold-out Rough Trade NYC last night in support of her latest release.

Guitarist Oliver Pannell, bassist Dylan Allard and drummer Zachary Thomas Elsasser joined the singer onstage to open with “One More Time, Please.” Her compositions really flourished with a full band, as Allard added heavy basslines on the Fleetwood Mac–sounding “Turn Into.” Four songs in, Duterte joked that “Take It” would be the last tune, eliciting a roomful of grumbling quickly followed by laughter. The Left Coaster continued her playful banter, asking folks about who was gainfully employed and lauded them with a “sick” reply in admiration, a nice segue into the title track.

“Baybee” played up the pop influences, which perhaps were derived from her listening to Carly Rae Jepsen’s Emotion while writing her recent album. Fan fave “The Bus Song” had the packed crowd singing, “But I hate the bus,” before Duterte cooed the chorus of “Take time to figure it out.” The short but ethereal “Lipstick Stains” performed solo had the audience rapt, and the performance culminated with an encore featuring the uproarious “1 Billion Dogs,” in which Pannell and Duterte exchanged licks in a dueling guitar battle. —Sharlene Chiu

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Mitski – Brooklyn Steel – April 29, 2017

May 1st, 2017


Photos courtesy of Dana (distortion) Yavin | distortionpix.com

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Mitski Gets Right to the Point at a Sold-Out Music Hall of Williamsburg

July 28th, 2016

Mitski – Music Hall of Williamsburg – July 27, 2016

Mitski – Music Hall of Williamsburg – July 27, 2016
In the unassuming manner that parallels the approach to her craft, Mitski Miyawaki took the stage last night at Music Hall of Williamsburg with just her trusty guitar and drummer. From the sight of the sold-out crowd of onlookers tightly pressing toward the front, you’d have thought some enthralling spectacle was about to begin, yet the rapt attraction was for a lone voice that has quietly become a sensation in the indie-music universe. The quaver of that voice, tenderly riding the smartly arranged songs she’s written, had the aesthetic of nimbly skimming above the babbles and currents of her guitar, like a darting river bird just above the surface of the water. It also revealed the raw emotional investment in the conception of the lyrics it delivers—lyrics that carry things from parts of self that don’t come out in the daylight, in a voice that is speaking to people in a manner transparently identifiable and profound.

Such have been the characteristics linked to Mitski’s since she composed her first two albums as music-school projects. Now, with her newest work, Puberty 2, a personal tour de force that has everyone gushing, her songwriting’s reach has extended, firmly grabbing hold of listeners. There’s irony in the sense received that the meaning she derives from the music she plays may be greater in isolation, in an empty room and as a means to cope. But Mitski’s first address of the crowd debunked this notion: “Thank you for letting my music be part of your lives…. Thank you for giving my music meaning.”

Over steady feedback buzz running in the background, Mitski coursed through a quick set of well-chosen songs that got right to the point of her purpose. It was a reminder that amidst all of the common hoopla of live performance, the bells and whistles of display and texture and atmosphere building, all you may really need is singular emotion on a stage, communicated through a telepathic syncing of guitar-and-drum pattern. Mitski showed that engaging mixture of vulnerability with badass posturing, at one point letting down her hair as the torment of her expression reached its peak. Although these were songs distinctly from a young woman’s perspective, everyone was equally transfixed, subdued by the power of songwriting that stands on its own. Mitski is Sharon Van Etten with bruised elbows, inspiring through resilient defiance in song. —Charles Steinberg | @Challyolly


Photos courtesy of Julia Berke | juliaberkephoto.com

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Grow a Pair: Win Free Tickets to See Mitski on 7/27

July 26th, 2016

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Touring behind her acclaimed new LP, Puberty 2, Mitski plays Music Hall of Williamsburg tomorrow night. The album is terrific and the show sold out quickly. But even if you don’t have tickets, you can try to Grow a Pair from The House List. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Mitski, 7/27) and a brief message explaining your favorite song on the album. Eddie Bruiser, who’s sitting on a block of ice, will notify the winner by tomorrow.

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Mitski Brings New Music to The Bowery Ballroom

June 21st, 2016

Mitski – The Bowery Ballroom – June 20, 2016

Mitski – The Bowery Ballroom – June 20, 2016
An unlikely girl graces the cover of this month’s Brooklyn Magazine. Her name is Mitski Miyawaki and the said publication has touted her as the next big thing to take over the music world. She’s garnered a lot of fans in the press, including NPR—which offered Mitski their coveted headline slot at this year’s SXSW showcase—and NME. The singer has captured critics’ hearts with not only her deft guitar prowess but also her thoughtful, crisp lyrics. Although a nomad of sorts (she’s lived in Japan, the Republic of Congo, Turkey and China), the world traveler has called New York City home since graduating from SUNY Purchase. Fresh off the release of her fourth studio album, Puberty 2, Mitski took the stage at a sold-out Bowery Ballroom last night, donning a business-casual ensemble, consisting of a knit top and pencil skirt. She later referred to her outfit as her best attempt at a Cruel Intentions look.

Mitski blended new stuff with old pieces from her breakout album, Bury Me at Makeout Creek. Beginning with a crowd favorite, “Townie,” she quickly had the room in the palm of her hand as she introduced the newer “Thursday Girl.” The latter had her sounding a bit like an angelic Florence Welch with a guttural chorus of “Tell me no, tell me no” against drum machine–produced beats. Mitski dropped a gem with a cover of Calvin Harris’s “How Deep Is Your Love,” which she coyly stated was the only song she would sing written by a guy who makes a ton of money.

Everyone in the room sang along and swayed to single “Your Best American Girl” as the crescendoing chorus elicited the front row to head bang to the waves of riffs. With a trio of fierce screams of “Cry,” the set was punctuated with the appropriate finale song, “Fireworks.” Mitski returned solo to encore with a pair, “A Burning Hill” and “Last Words of a Shooting Star.” It’s rare when The Bowery Ballroom becomes so quiet and every person is rapt in awe. Last night was one of those rare evenings—on the summer solstice no less and during a Strawberry Moon. —Sharlene Chiu

Photos courtesy of Julia Berke | juliaberkephoto.com