Explosions in the Sky – Terminal 5 – September 22, 2016
Texas band Explosions in the Sky are masters of for providing the soundtrack for pivotal moments in film and television. They are most commonly associated with Friday Night Lights, both the film and the television series, but their music also has graced documentaries, video game promos and a slew of major motion pictures. With their seventh studio album, The Wilderness, a departure from scoring TV and film has afforded the music to sit on its own without football victories or dramatic human narratives to cast scenes. The songs remain empty vessels for listeners to create memories rather than fabricated ones from celluloid. For this instrumental band, the live orchestrations truly take flight in any venue, but it was especially vibrant last night at a sold-out Terminal 5.
What could be described as one of their mellower songs, the title track from their latest opened the evening against an intro of melodic keys. The stage setup was sandwiched between floodlights toward the back and strobe lights in the front, which swayed throughout the performance. Blue streams of lights bathed the quintet as the percolating sound of effects of “The Ecstatics” demonstrated an almost waterfall-like feeling, and laser-like red beams replicated acid rain for “Greet Death.” The performance teetered between harmony and chaos, where lighting was the sixth man of the band. Pulsating floor lights exclaimed the crescendo that welcomed “With Tired Eyes, Tired Minds, Tired Souls, We Slept,” and fittingly a prism wall of light highlighted “Colors in Space.” The group saved the best for last offering crowd favorite “Your Hand in Mine” followed by the noisy “Disintegration Anxiety,” before ending with “The Only Moment We Were Alone,” as the shredding of guitars came to an abrupt halt timed perfectly to a cloak of darkness. —Sharlene Chiu