Tag Archives: Music Hall of Williamsburg

cat_preview

Delta Rae – The Bowery Ballroom – May 22, 2017

May 23rd, 2017


(Delta Rae play Music Hall of Williamsburg on 8/15, tickets on sale tomorrow at noon.)

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

cat_preview

Pantha du Prince Brings Experimental Electronic Music to Williamsburg

May 22nd, 2017

German composer, conceptual artist and experimental-electronic producer Hendrik Weber has worked under various names for more than a decade in the music industry, but he’s most known for making “sleek, pared-down techno” as Pantha du Prince (above, performing The Triad for Boiler Room), earning acclaim from critics, raves from fans and collaborations with indie rockers thanks to what AllMusic calls his “post-punk/shoegaze-inspired approach.” Pantha du Prince’s fifth studio full-length, The Triad (stream it below), came out last year. “That’s just what this album’s got,” said the Line of Best Fit. “A heart. Mathematical, mechanical parts that once evoked landscapes, snowscapes, a view frozen in time now evoke emotions and memories. Fleshy stuff, any mistakes made with a smile. It’s that searched for human touch, something no mere tin man could create.” Pitchfork weighed in, too: “The Triad sounds more like the work of a full band than one guy with a laptop, and it’s better for it. Compositions unfurl slowly, starting as sketches before layers of instrumentation blanket one another in unpredictable ways.” Find out just how unpredictable in person, tomorrow night at Music Hall of Williamsburg.

cat_preview

Temples – Music Hall of Williamsburg – May 16, 2017

May 17th, 2017


(Temples play Music Hall of Williamsburg again tomorrow night.)

Photos courtesy of Pip Cowley | pipcowleyshoots.com

cat_preview

A Double Dose of Temples in Brooklyn at Music Hall of Williamsburg

May 15th, 2017

Five years ago, James Bagshaw (vocals and guitar) and Tom Walmsley (bass and vocals) formed Temples in the East Midlands of England, initially as a home-studio project. But as the band’s sound increased, so did it’s size, with the additions of Adam Smith (guitar, keys and vocals) and Sam Toms (drums). Thanks to several singles and EPs, Temples (above, performing “Certainly” live in studio for KEXP FM) became known for deftly mixing baroque pop, experimental psychedelia and expert songcraft. Their second full-length, Volcano (stream it below), arrived earlier this year on Fat Possum. “Volcano sounds like an album made to be played on a big stage at an outdoor festival. The sounds have been simplified, the choruses pumped up, and the vocals stripped of the reverb haze they were buried in,” says AllMusic. “The arrangements are still fully colored-in, but they are sharper and less swathed in psych pop mystery.” And before they head back to Europe later this week, Temples play Music Hall of Williamsburg tomorrow night and then again on Thursday. Atmospheric California trio Lo Moon open both shows.

cat_preview

Bishop Briggs – The Bowery Ballroom – May 9, 2017

May 10th, 2017


(Bishop Briggs plays Music Hall of Williamsburg tonight.)

Photos courtesy of DeShaun Craddock | dac.photography

cat_preview

Pond – Music Hall of Williamsburg – May 9, 2017

May 10th, 2017


(Pond play The Bowery Ballroom tonight.)

Photos courtesy of Pip Cowley | pipcowleyshoots.com

cat_preview

Pond Celebrate New Album with a Pair of NYC Shows Next Week

May 4th, 2017

When you think about psychedelic rock from Perth, Australia—assuming you do think about psychedelic rock from Perth, Australia—Tame Impala probably come to mind first. And so a pair of touring members of Kevin Parker’s acclaimed outfit, Nick Allbrook (vocals, guitar and keys) and Jay Watson (guitar, vocals and drums), teamed up with Joe Ryan (guitar, bass and vocals) and Jamie Terry (keys, synths and bass) to form the psych collective Pond nine years ago in order to play with anybody they wanted. The band began releasing a host of singles, EPs and LPs in 2009, and their sixth full-length studio album, Man It Feels Like Space Again (stream it below), came out two years ago to some considerable acclaim. “Classic rock touchstones are intrinsic to Pond, but they shove them into futuristic territory—gifted musicians unafraid to indulge their flights of fancy,” said Rolling Stone. “This balance of playfulness and serious is Pond’s carnival act, but it’s their mastery of it on Man It Feels Like Space Again that makes it so damn fun—and Pond so very exciting.” Their newest album, The Weather (produced by Parker), comes out tomorrow. “The Weather is chaotic, confrontational and compelling,” says the AU Review. “Episodes of chaos are met with equal parts clarity and discovery, as we navigate through Pond’s transportive world of psychedelic rock.” And Pond (above, performing “30,000 Megatons” live for the French televison series Le Grand Journal) celebrate its release on Tuesday at Music Hall of Williamsburg and then again on Wednesday at The Bowery Ballroom. Australian singer-songwriter Kirin J Callinan opens both shows.

cat_preview

Of Montreal Make Weird Normal at Music Hall of Williamsburg

April 28th, 2017

Of Montreal – Music Hall of Williamsburg – April 27, 2017

You’re weird! When you were a kid, that would’ve been a put-down, but nowadays, in some circles, the greater sin is being normal. No worries for Kevin Barnes, the lead genius behind Of Montreal, who showered a sold-out Music Hall of Williamsburg with their Day-Glo, bizarro resplendence last night. With a later start time, the set was the kind of happening that transpires when the normal folk are sleeping, a giant dreamlike hairy beast, a yeti in Brooklyn, marching across the stage as the band wound up “Gratuitous Abysses,” before Barnes had even taken the stage. The cosmic doo-wop sounded like eight genres mashed together, or maybe more like flipping among them so fast that it felt that way, a good primer for the sight-and-sound feast of a show that followed.

At times watching Of Montreal go through their set, many songs accompanied by a traveling troupe of performers acting out a hallucinogenic scene, each difficult to describe in words, was like watching a Saturday morning cartoon, the band maybe splitting time between their deeply psychedelic grooving and, at any moment, hopping off in a multihued van to go fight crime somewhere. The opening stretch was heavy on the synth and disco whorls, but a few songs in, Barnes picked up his guitar and the sound worked more toward a funked-up glam. The audience continuing to push closer to the stage to get into his orbit, whooping at each wardrobe change, Barnes working a new look at each third of the night.

The set list folded selections from Of Montreal’s vast and varying catalog, “Different for Girls” fueling a front-to-back dance party, “Bunny Ain’t No Kind of Rider” getting everyone to sing along in collective glee, “Gronlandic Edit”—with Barnes singing about “all the party people dancing”—was explosive fun of room-rattling bass. The last third of the performance was a nonstop blast of crowd-pleasers, with enough “Is that what I think it is, WTF?” moments mixed in to get most people in the room shaking their heads almost as much as they were shaking their bodies. The set closed, appropriately, with “The Party’s Crashing on Us,” off 2005’s The Sunlandic Twins album, which goes to show how long Barnes has been infectiously bounding around a stage with Chinese dragons and the like, in a hot-pink number, or with little clothing on at all, for that matter, as normal as can be. —A. Stein | @Neddyo

Photos courtesy of Silvia Saponaro | www.saponarophotography.com

cat_preview

Generationals – Music Hall of Williamsburg – April 25, 2017

April 26th, 2017

Generationals - Music Hall of Williamsburg - April 25, 2017

Photos courtesy of Annie Kane | anniekane.work

cat_preview

Ra Ra Riot – Music Hall of Williamsburg – April 22, 2017

April 24th, 2017

Ra Ra Riot - Music Hall of Williamsburg - April 22, 2017

Photos courtesy of Annie Kane | anniekane.work

cat_preview

Surfer Blood Bring New Music to Music Hall of Williamsburg Thursday

April 17th, 2017

Bands get formed for all kinds of reasons, but those who started Surfer Blood did it to play music as much as possible—to record an album and tour nonstop. They made a name for themselves, locally at least, during CMJ Music Marathon 2009, and then even more so with the arrival of their well-received debut, Astro Coast (stream it below), in 2010. The band “has become a standard bearer of the wi-fi lo-fi era in short order,” proclaimed PopMatters. “The highest praise you can give an album like Astro Coast is that it sounds like something completely familiar that you haven’t heard before.” Surfer Blood (above, doing “Six Flags in F or G” for KEXP FM) have remained busy touring and recording ever since. And although group has dealt with death and lineup changes, they continue to persevere. Their fourth studio album, Snowdonia (stream it below), came out this past February. “There’s a clear sense of melancholy and yearning, but there’s also optimism spilling out from the edges,” according to the Line of Best Fit. “Grief and hardship have changed Surfer Blood, there’s no denying that. But they deserve praise for making a record that still has its own joie de vivre and doesn’t completely overhaul the alphabet that has made the band a success in the first place.” See them on Thursday night at Music Hall of Williamsburg. Brooklyn trio Lazyeyes open the show.

cat_preview

Get a Dose of String Music with Mipso at Music Hall of Williamsburg

April 17th, 2017

Jacob Sharp (mandolin and vocals) and Joseph Terrell (guitar and vocals) first teamed up musically while students at UNC-Chapel Hill. Wanting to form a band focusing on bluegrass and Appalachian folk, they added Wood Robinson (bass and vocals), and two became three. With their sound still evolving, a couple of years ago, Mipso (above, performing “Coming Down the Mountain” for 89.3 FM the Current) blossomed from a trio into a quartet with the addition of Libby Rodenbough (fiddle and vocals). Their fourth LP, Coming Down the Mountain (stream it below), was released just a few weeks ago. Roots-music journal No Depression says it’s “an album of 10 tunes that explore that tender spot just past the midpoint of your 20s, where the band now resides, when you’re taking stock of the past while looking to the future. Just as in that stage of life, the album exudes a sense of wistfulness among moments of joy, a few worries amid youthful confidence. Some regrets mingle with a wide-open view of the future.” Now touring behind their new material, Mipso play Music Hall of Williamsburg on Wednesday night, and the like-minded 10 String Symphony open the show.

cat_reviews

Spafford’s Hot Streak Continues at Music Hall of Williamsburg

April 14th, 2017

Spafford – Music Hall of Williamsburg – April 13, 2017

69-og
The jam-band scene is a happy-eyed, self-sustaining beast: Young bands grow to become veteran and vanguard bands—just as they did a generation earlier in the post–Grateful Dead afterglow—and then do their part to support the next generation of improvisers and torchbearers. Fans do the same: Word of mouth does wonders for long-term support of a fledgling jam band like in no other pocket of the music scene, especially as buzz builds and what was seemingly moments ago a regional favorite is now a headliner with national buzz, collecting believers left and right.

And so, as of April 2017, goes Spafford, the Arizona-based four-piece on a true hot streak, coming off a summer tour opening for Umphrey’s McGee, and now, as evidenced by a slam-bang show last night at Music Hall of Williamsburg, well worthy of the spot atop bills. Despite mounting their first national tour less than a year ago, Spafford are a band with “future vanguard” written all over them. They played until well after midnight: two sets of shape-shifting, rigorously funky groove music that hit all the hallmarks—segues, guests (what up, Todd Stoops!), well-chosen covers that added but didn’t dominate, plus lengthy, unhurried workouts on songs with names like “Slip and Squander,” “Electric Taco Stand” and “In the Eyes of Thieves,” that last one a hot groover that emerged from a spookily psychedelic place and built to peak after hammering peak with screaming guitar.

People have grabbed on to Spafford early because there’s a lot to grab. I liked the patient builds and forward-looking improvisations, which didn’t feel like extended vamps—didn’t revel in ambient noise—and seemed to have a destination in mind even as they slowly unfolded. “America,” a chugging, panoramic road trip, was a great example. I liked their Dead cover, “Feel Like a Stranger,” soaked in keys and perfect for who the band is. I liked the filthy disco of “Ain’t That Wrong,” with Stoops spider-handing the keys. I liked “Beautiful Day,” an anthemic stroll that hit somewhere among Phish, Ben Harper and Bill Withers. It segued into “Leave the Light On” to close the second set—lilting, a little tentative, and then building into one more jammy release. I like that these guys trust one another and can demonstrate, astonishingly well sometimes, a deeply connected understanding of where they want to take a song, instead of just surrounding the guitar player and letting him cut loose every four minutes.—Chad Berndtson | @Cberndtson

cat_preview

Another Chance to See Big Wild Live in New York City

April 12th, 2017

Composer, DJ, engineer and producer Jackson Stell has been making hip-hop-influenced beats since his teenage years in Massachusetts, but he didn’t begin doing it under the name Big Wild until he’d relocated to the sunny climes of the Golden State in his twenties. Things began to take off for him once in Los Angeles—thanks to the release of several well-received singles—and the electronic musician toured with the likes of Odesza, Tycho, Pretty Lights and Bassnectar. Earlier this year, Big Wild (above, his video for “Aftergold”) released his first EP, Invincible (stream it below). “Critics have been lauding title track and first single ‘Invincible’ as being distinctly his own: lush and soaring, lithe chimes crowded out by fat brass on the chorus, hits of keys and burgeoning strings filling the in-between and the punch of Ida Hawk’s vocals atop it all,” according to Exclaim. “The track is good—really good—but second single ‘I Just Wanna’ throws down like no other, its slow, thick beat, chopped, repetitive vocals, blown-out synth breakdown and piano flourishes making it impossible to overlook.” So don’t overlook Big Wild when he plays The Bowery Ballroom on Friday night. Tennyson and IHF (Imagined Herbal Flowers) open the show. (Saturday’s appearance at Music Hall of Williamsburg is already sold out.)

Contest

Grow a Pair: Win Free Tickets to See Jain on 4/8

April 4th, 2017

grow_03_sm

Her North American tour winding down, singer-songwriter Jain comes through New York City this week to play The Bowery Ballroom on Thursday and Music Hall of Williamsburg on Saturday. Both appearances sold out well in advance, but The House List is giving away two tickets to the Brooklyn show. Want to go but don’t have tickets of your own? Then try to Grow a Pair. It’s easy. Fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Jain, 4/8) and a brief message explaining your favorite song on her debut album. Eddie Bruiser, who just listened to the LP all the way through, will notify the winner by Friday. Good luck.

Your Name (required)

Your Email (required)

Subject

Your Message