Tag Archives: Music Hall of Williamsburg

cat_reviews

A DJ Takes the Stage

January 19th, 2012

Madlib – Music Hall of Williamsburg – January 18, 2012

(Photo: Jared Levy)

“Brooklyn, wake the fuck up,” the man repeated. He moved from the middle of the pack to the front of the stage. The demand seemed out of place. The crowd, mostly still, focused on each selection. Some brought out their iPhones to identify foreign songs. Madlib, for his part, barely noticed. The “DJ first, producer second and MC last,” literally danced to his own beat. With only a few interspersed comments and saluting gestures, Madlib created a thoughtful and eclectic mix.

Pulled from his Madlib Medicine Show imprint, the set highlighted his expansive grasp of music history. “Who knew rock was black?” he asked after a string of esoteric Nigerian tracks. The selections seemed designed for education as much as enjoyment. For perspective, “Crying” by the Edgar Broughton Band played after a muffled Busta Rhymes track. And there were at least a dozen more examples of juxtapositions.

But in the middle of his set, Madlib invited recent collaborator Freddie Gibbs to the stage. And, with his time, the Gary, Ind., rapper left an unshakable impression. Opening with the Madlib-produced track “Thuggin’,” Gibbs went on to steal a blunt from the audience and the room’s collective attention. He frequently rapped, skillfully, without a beat, and he reminded the audience of his gangster past (present?). All appeared to revere or at least respect his effort. For this show, he proved worthy of Madlib’s beats and time. —Jared Levy

cat_preview

Don’t Miss Mission of Burma Tonight

January 19th, 2012


Mission of Burma began in Boston in 1979 when a group Clint Conley (bass) and Roger Miller (guitar) had been in disbanded. So they started practicing together, and soon after adding Peter Prescott (drums) the trio played its first show. Weeks later Martin Swope (tape manipulations and sound engineer), who had previously worked with Miller, filled out the band’s roster. Mission of Burma became known for solid songwriting, a unique punk-tinged sound and extremely loud live shows. The quartet’s first album, Vs., came out in 1982, and with the positive reviews it seemed like nothing could stop the band. But alas those loud shows paid a toll: Miller developed tinnitus, and after one more tour, Mission of Burma broke up in 1983. Despite only lasting four years, the band went on to deeply influence others for decades. And that would have been where this story ends, but, seemingly out of nowhere, Mission of Burma reunited in 2002—with Bob Weston replacing Swope—and went on to release several more albums (including 2009’s well-received The Sound the Speed the Light). Find out for yourself why this band has been so influential tonight at Music Hall of Williamsburg.

cat_preview

Santigold Triumphantly Returns

January 18th, 2012

Santigold – Music Hall of Williamsburg – January 17, 2012

“It’s been a long, long time, and we’re so ready,” said Santigold to a sold-out Music Hall of Williamsburg on Tuesday night. While it had indeed been a good chunk of time since the world last saw Santigold, the singer-songwriter-producer’s performance last night made for one powerful tale of her reemergence. Complete with three different sets of sparkly, glammed-out clothes, mesmerizing choreography and notable guest appearances, it was almost as if Santi’s spent the past few years off preparing for this elaborate reintroduction to the stage.

Opening with the energetic and forceful “Go,” Yeah Yeah Yeahs singer Karen O joined Santi, making for a charismatic power duo. Santigold then delivered old favorites “L.E.S. Artistes” and “Lights Out” before playing the powerful yet restrained new song “God from the Machine,” off the soon-to-be-released Master of My Make-Believe. With the help of elaborate costumes and liberal use of props, including golden pom-poms, sledgehammers, ropes and twirling umbrellas, Santi’s mesmerizing backing dancers’ moves would have upstaged anyone who lacked her overpowering stage presence.

Closing the first third of her set with “Get It Up,” Santi left the stage to her dancers before returning in a black-and-silver striped outfit to sing “Hold the Line” alongside a giant white horse. She then welcomed a big chunk of the crowd onstage to dance along with her to “The Creator.” But it wasn’t just onstage revelers getting loose—David Byrne, the legendary leader of the Talking Heads, who knows a thing or two about over-the-top, well-choreographed performances, danced along in the balcony. Opener Spank Rock later joined Santi to rap through a verse of “Shove It” before returning once more to finish the two-song encore with “B.O.O.T.A.Y.” —Dan Rickershauser

Photos courtesy of Andie Diemer | issuu.com/andiediemer/docs/portfolio

Contest

Grow a Pair: Win Free Tickets to See Portlandia the Tour on 1/21

January 17th, 2012

1

Fred Armisen and Carrie Brownstein are bringing their show, Portlandia, on the road. It’s just a six-city tour and the two dates here, on Friday at Music Hall of Williamsburg and on Saturday at The Bowery Ballroom, sold out quickly. But The House List is giving away two tickets to Saturday’s show. So if you don’t have tickets but would still like to go, try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Portlandia, 1/21) and a brief message explaining why Portlandia reminds you of Brooklyn. Eddie Bruiser, who thought the show took place in Maine, will notify the winner by Friday.

Your Name (required)

Your Email (required)

Subject

Your Message

cat_preview

Great Music for a Great Cause

January 11th, 2012


While sleeping in a Portland, Ore., hotel room, Jonathan Toubin, the DJ and proprietor of New York Night Train, was struck by a car, leaving him in critical condition. He’s receiving outstanding care and his wounds have begun to heal. But medical bills are mounting. (For updates on his condition, go to www.facebook.com/IheartJT.) In the meantime, some of his talented friends are holding a fund-raiser tomorrow night at Music Hall of Williamsburg. Proceeds will benefit Jonathan and you’ll be able to see the likes of Chain and the Gang, Five Dollar Priest, Eleanor Friedberger, Nicole Atkins, Dorit Chrysler, Shilpa Ray, An American Dream and Two Tears. Plus there will be DJs, raffles and prizes. So come out to have fun and support a great cause.

Contest

Grow a Pair: Win Free Tickets to See Givers on 1/5

January 3rd, 2012

1

Givers, the five-piece out of Lafayette, La., come our way this week to play Music Hall of Williamsburg on Thursday. And if that weren’t enough good news, The House List is giving away two tickets. Want to go? Try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Givers, 1/5) and a brief message explaining why you want to go. Eddie Bruiser, who also wants to go, will notify the winner by Thursday. Good luck.

Your Name (required)

Your Email (required)

Subject

Your Message

cat_reviews

Anarchy in the BK

January 3rd, 2012

Leftöver Crack – Music Hall of Williamsburg – January 1, 2012

(Photo: Dan Rickershauser)

New Year’s Day in New York City is a peculiar thing. After the confetti settles, the trash is removed and those with party-hard hangovers awaken to wander the streets like zombies, the city returns to its chaotic normalcy. Cue Leftöver Crack at Music Hall of Williamsburg. The NYC-based punk-rock veterans provided the perfect foil to the commercialized made-for-TV Times Square celebration that most of the world associates with New Years Eve in New York City. And there’s no better way to welcome a New Year than with a fist in the air.

There’s really no separation between Leftöver Crack, true to their egalitarian beliefs, and their audience. During the entire set, different audience members would run onstage and somersault back off into the crowd, one after another after another, like punk-rock lemmings. This kept the first few rows of the audience occupied catching—or attempting to catch—people. The rest of the crowd, and I mean the entire fucking crowd, was in a constant circle-mosh that swept up everything in its path like a tornado of human bodies. Chaotic as it sounds, Leftöver Crack provided a soundtrack that put the whole scene into its proper context.

Playing classics like “One Dead Cop,” “Born to Die,” “Gay Rude Boys Unite” and the Choking Victim cover “500 Channels,” lead singer Stza took breaks between songs to rant about everything from the BART police shooting of Oscar Grant and homophobia to police brutality and the new Muppets movie (“Disney is Tex Richman!”). His screed against private prisons was cut somewhat short, as he said, “I’m too drunk to explain this right now.” This was followed by a short impromptu rendition of Michael Jackson’s “Beat It,” which made his inability to explain the complexity of the United States’ private-prison system forgivable. The concert ended with him lying on his back onstage and guitarist Brad Logan explaining, “That’s it, you fucking killed him.” The crowd emptied to reveal several deserted shoes sacrificed to the show, the true indicator of a successful punk-rock concert. —Dan Rickershauser

cat_preview

The Second Crazy Night

December 21st, 2011

Matisyahu – Music Hall of Williamsburg – December 20, 2011


If anything, 2011 has been a year of many unsuspected news stories—leaders of countries have fallen, protests filled streets around the world and Matisyahu shaved his iconic beard. Call it the tweet heard ’round the world, as last Tuesday Matisyahu shared a picture of his newly shaven face on Twitter, leaving many fans wondering if this marked the end of his 10-year association with Chassidic Judaism. But beard or no beard, Matisyahu proved on Tuesday night at Music Hall of Williamsburg that his Jewish faith is still integral to his life, pulling out all the stops to celebrate Hanukkah on his second of eight shows scheduled to celebrate the Festival of Lights.

And what better way to celebrate the Festival of Lights than with a gigantic disco ball dreidel that splashed the Music Hall with a beautiful ocean of color, bringing everyone in the room to pull out their phones and snap pictures of this most epic of dreidels? Top it all off with the lighting of a waist-high menorah, Matisyahu twirling around the stage like a skanking ballet dancer and the general feeling of joyous revelry and you’ve got one hell of a Hanukkah celebration. With all this excitement, it may have been easy to overlook Matisyahu’s music. But the sheer dynamism of his genre-blurring set was a spectacle in itself. Jumping from moments of reggae, rap, guitar jams, dub, dubstep and back (sometimes in the same song), Matisyahu’s ability to find the intersection of these genres has long been described as his greatest musical asset. Much to his credit, Matisyahu’s drummer Joe Tomino did a superb job holding together the band through this journey of genres.

Perhaps as a result of this eclectic mix of genres, the crowd was equally eclectic—a healthy mix of dreadlocks and yarmulkes, fans both young and old of all races, backgrounds and creeds. Matis’s set featured a well-spread sampling of his seven-year career, playing favorites “King Without a Crown,” “Jerusalem” and “One Day.” He kicked off his encore beatboxing over a cellist he met in the subway on the way to the concert. Likely improvised, it was strikingly beautiful. And whatever this new beardless phase means for his spiritual development, it seems that in every other way Matisyahu still has a strong grasp on his musical virtuosity that fans from all walks of life have learned to love. —Dan Rickershauser

Photos courtesy of Dan Rickershauser

Contest

Grow a Pair: Win Free Tickets to See Matisyahu on 12/22

December 20th, 2011

1

The now beardless Matisyahu plays Music Hall of Williamsburg tonight and tomorrow, but Thursday’s show at Webster Hall is already sold out. If you don’t already have tickets, you’ve got one more chance, though, because The House List is giving away two of them. So if you’d like to go, make sure you try to Grow a Pair. It’s easy. Just fill out the form below, being sure to include your full name, e-mail address, which show you’re trying to win tickets to (Matisyahu, 12/22) and a brief message explaining why you deserve to go. Eddie Bruiser, who’s full of holiday cheer, will notify the winner by Thursday. Good luck.

Your Name (required)

Your Email (required)

Subject

Your Message

cat_preview

Spend Friday Night with Bear Hands

December 15th, 2011


The Brooklyn quartet Bear Hands—Ted Feldman (guitar), Val Loper (bass), Dylan Rau (vocals and guitar) and TJ Orscher (drums)—got started when Feldman and Rau met in college. The duo then paired up with Loper and Orscher, who had been involved in hardcore-punk bands, and they suddenly had a post-punk experimental sound. Their first EP, Golden, came out in 2007 and Bear Hands (above, playing “What a Drag” for Baeblemusic.com) eventually got a plum gig, opening for MGMT. (Rau had attended Wesleyan with that band’s Andrew VanWyngarden and Ben Goldwasser.) A proper LP, Burning Bush Supper Club, came out last year, and the band has been touring ever since. See them tomorrow night at Music Hall of Williamsburg.

Contest

Grow a Pair: Win Free Tickets to See Penguin Prison on 12/15

December 13th, 2011

grow_01_sm_trans

Although you can still get tickets to see Penguin Prison at Music Hall on Williamsburg on 12/30, the local electropop group’s show at Mercury Lounge on Thursday is already sold out. However The House List is giving away two tickets, so if you’d still like to go, you should try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Penguin Prison, 12/15) and a brief message explaining why you deserve to win. Eddie Bruiser, who’s making a list and checking it twice, will notify the winner by Thursday.

Your Name (required)

Your Email (required)

Subject

Your Message

cat_reviews

A Funky Good Time

December 5th, 2011

Charles Bradley and His Extraordinaires – The Bowery Ballroom – December 3, 2011


It takes a certain something to pull off a custom outfit with your initials in sequin on the back. You can’t really put that certain something into words, but you know it when you see it. And if you were lucky enough to be part of the sold-out Bowery Ballroom crowd on Saturday night, you saw it in all its show-stopping glory. The initials on the back were “CB” for Charles Bradley, and the grooves he and his aptly named band, the Extraordinaires, channeled were all sorts of in-the-flesh “JB.”

It isn’t every night that the Ballroom is hopping front to back with old-school soul and R&B, but Bradley had the room moving. Working the material off his acclaimed 2011 release, No Time for Dreaming, Bradley made sure there was no time even for resting, with each number deep and funky. Grooves like this are only as good as the band laying them down, and the stable of Daptone musicians backing Bradley kept things in the pocket all night.

Bradley’s voice oozed with soul and filled with lament and joy. The night’s highlight cover was a souped-up version of Neil Young’s “Heart of Gold,” with Bradley maintaining the depth of the lyrics while infusing all sorts of funkiness Young probably didn’t know existed in there. Like everything else he sang, Bradley made it his own. The sparkling sequin initials left no doubt. —A. Stein

(Charles Bradley and His Extraordinaires and the Budos Band play Music Hall of Williamsburg on 12/31.)

Contest

Grow a Pair: Win Free Tickets to See M83 on 11/23

November 22nd, 2011

1

The week of Thanksgiving is usually a fun one, and this year is no different. M83, the French purveyors of dreamy, ambient pop music, play Webster Hall tonight and Music Hall of Williamsburg tomorrow night. Both shows are already sold out, but if you’d like to go tomorrow, you just might be in luck because The House List is giving away two tickets. Interested? Then try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (M83, 11/23) and a brief message explaining what you like most about Thanksgiving. Eddie Bruiser, who’s got a serious thing for stuffing, will notify the winner tomorrow. Good luck.

Your Name (required)

Your Email (required)

Subject

Your Message

cat_preview

A Reunited Hot Rod Circuit Thrills Music Hall of Williamsburg

November 21st, 2011

Hot Rod Circuit – Music Hall of Williamsburg – November 19, 2011

(Photo: Kirsten Housel)

On Saturday night mid-2000s emo darlings Hot Rod Circuit packed Music Hall of Williamsburg with a sea of swaying fans singing every word right along with frontman Andy Jackson. The quartet, which broke up in 2007 after 10 years together, played through a great selection of songs from its handful of releases.

“Irish Car Bomb,” from 1999’s If I Knew Now What I Knew Then, “Radio Song,” off 2000’s If It’s Cool with You It’s Cool with Me, and “Stateside,” from 2007’s The Underground Is a Dying Breed, received some of the biggest responses of the night, with crowd surfers, stage divers and hands clapping in time to the music. As would be true with any reunion show from a band of this caliber, every song was a hit with the mostly mid-to-late 20s crowd, from the oldest songs to the ones that brought the band to the height of its career.

Jackson and bandmates kept the between-song banter to a minimum, laughing early on at the chorus of “New Haven” and “Toad’s Place” shout-outs from the crowd. And after stage diving became regular during more favorite songs, Jackson told a cautionary anecdote that began “One time we were on tour with Hot Water Music …” and ended with a friend pooping his pants. Although Hot Rod Circuit has released no news of an official reformation past these eight reunion shows, the band did release news of a limited edition 7″ EP that would contain two new songs and a cover of Superdrag’s “Sucked Out.” We can only hope for more. —Kirsten Housel

Contest

Grow a Pair: Win Free Tickets to See Ani DiFranco on 11/18

November 15th, 2011

grow_01_sm_trans

You know her, you love her and since Ani DiFranco is playing Music Hall of Williamsburg on Friday, the show is already sold out. But if you didn’t act fast enough and would still like to go, you do have another chance because The House List is giving away two tickets. So try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Ani DiFranco, 11/18) and a brief message explaining why you deserve a free night out on Friday. Eddie Bruiser, who would genuinely like to know your reason, will notify the winner by Friday. Good luck.

Your Name (required)

Your Email (required)

Subject

Your Message