Tag Archives: Music

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Acid Dad – Rough Trade NYC – April 22, 2017

April 24th, 2017

Acid Dad - Rough Trade NYC - April 22, 2017

Photos courtesy of Silvia Saponaro | www.saponarophotography.com

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Record Store Day – Rough Trade NYC – April 22, 2017

April 24th, 2017

Steve Earle - Rough Trade NYC - April 22, 2017

Photos courtesy of Silvia Saponaro | www.saponarophotography.com

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Hurray for the Riff Raff – The Bowery Ballroom – April 20, 2017

April 21st, 2017

Hurray for the Riff Raff - The Bowery Ballroom - April 20, 2017

Photos courtesy of Silvia Saponaro | www.saponarophotography.com

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Overcoats Sound Right at Home at Sold-Out Rough Trade NYC

April 21st, 2017

Overcoats – Rough Trade NYC – April 20, 2017

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Sisterhood runs deep between best friends Hana Elion and JJ Mitchell, a bond so strong it’s birthed a band, Overcoats. The New York City–based duo’s debut, Young, is a reverie of R&B soul folktronica coproduced by Nicolas Vernhes (Daughter, Torres, Dirty Projectors, Cass McCombs) and fellow singer-songwriter Autre Ne Veut. NPR’s Bob Boilen recently described the record as “driven by ambition and passion, not craft … the emotion in their harmonies and the space they give each other is filled with compassion.” Last night, the inseparable pair graced a sold-out Rough Trade NYC on the eve of their new EP’s release, donning white jumpsuits and silver platform boots. Microphone stands adorned with flowers and garlands of cameo silhouettes set the stage as their first headlining tour opened with the rhythmic “Smaller Than My Mother.” The crowd swayed to the lullaby of “Hold Me Close” before Elion exclaimed, “We are so fucking excited to be here.”

Covering the entirety of their album with the exception of one track (“Father”), the kindred spirits garnered much love from fans as the mutual admiration between each singer was palpable. They embraced often in between songs and danced side by side without a care in the world. When introducing the debut single “Little Memory,” Elion confessed it was the first one the girls had written together. The duo covered Hozier’s “Cherry Wine” midway through the set. Elion laid her head on Mitchell’s shoulder to preface “Siren,” as she proceeded to sing, “I feel many weights of many worlds on my shoulders.” In a speech that was carved out on the set list, Mitchell offered their gratitude to touring drummer Joao Gonzalez, Andy on sound and their agents. An overwhelming acknowledgement of the upcoming year ahead left the women truly humbled before an encore of the hymnal “Mother” and the rollicking “Leave the Light On” concluded the performance with a fever pitch of participatory claps. —Sharlene Chiu

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PJ Harvey – Brooklyn Steel – April 20, 2017

April 21st, 2017

PJ Harvey - Brooklyn Steel - April 20, 2017

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Moderat – Terminal 5 – April 19, 2017

April 20th, 2017

Moderat - Terminal 5 - April 19, 2017

Photos courtesy of Adela Loconte | adelaloconte.com

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Dance into the Weekend with Squirrel Nut Zippers and Ozomatli

April 20th, 2017

A pair of genre-spanning bands, each known for energetic, fiery live performances—the Chapel Hill, N.C. outfit Squirrel Nut Zippers (above, rehearsing “Plenty More”) and Los Angeles collective Ozomatli (below, performing “Como Vez” live in concert for Paste)—have united together to bring their music to the people. Squirrel Nut Zippers have been mashing together swing music, punk and jazz for nearly 25 years, and they’ve been celebrating the 20th anniversary of their second studio full-length, Hot (stream it below). For roughly the same amount of time, Ozomatli have been expertly blending hip-hop, Chicano rock, reggae, world music and Latin sounds, winning over fans in the process, thanks to their exceptional stage presence and recorded fare, like 2014’s Place in the Sun (stream it below), resulting in AllMusic saying the band’s “become masters of their trade, crafting a supremely engaging album that hits the musical sweet spot every time.” Their combined tour launched in March and with it winding down now, Squirrel Nut Zippers and Ozomatli come to Brooklyn Steel tomorrow night.

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Sheryl Crow – The Bowery Ballroom – April 19, 2017

April 20th, 2017

Sheryl Crow - The Bowery Ballroom - April 19, 2017

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Miracle Legion Return to Say Goodbye at The Bowery Ballroom

April 20th, 2017

There are many paths to Miracle Legion fandom. Perhaps you found them via ’80s college radio stations that featured the band’s jangly guitar rock on heavy rotation. Or better yet, you lived near their hometown of New Haven, Conn., close to their touring circuit and the college-radio airwaves repping Connecticut’s finest. Or maybe you found out about the group because of their involvement with the fantastic and criminally underrated ’90s Nickelodeon show The Adventures of Pete & Pete, in which former Miracle Legion members starred as the semifictional band Polaris and wrote the show’s theme song, “Hey Sandy.” Or maybe it was Miracle Legion frontman Mark Mulcahy’s solo work that he’s been putting out at a steady rate ever since. Maybe a random interview with Marc Maron plugging Mulcahy’s solo album Dear Mark J. Mulcahy made you do the research and realized all these projects were connected. There are hints that fans have been along for the journey all along: a successful 2015 Record Store Day release of The Adventures of Pete & Pete soundtrack followed by a Polaris tour. Now the original band that started it all is back on tour, for the first time this millennium, with a recently released live album, Annulment (stream it below). Expect some new fans to find them along the way and begin their own journey backward into an impressively consistent catalog of songwriting that’s stood the test of time. And be there when Miracle Legion (above, performing “Screamin’” live for Paste Studios two weeks ago), playing their final shows as a band, return to Manhattan for the first time in 20 years, tomorrow night at The Bowery Ballroom. Singer-songwriter Elvis Perkins opens the show. —Dan Rickershauser | @D4nRicks

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Sam Outlaw Brings a Taste of California Country to Mercury Lounge

April 19th, 2017

Former ad-sales executive Sam Morgan has been doing business as the California-country singer-songwriter Sam Outlaw (above, performing “Love Her for a While” for WFUV FM) since his debut studio album, Angeleno (stream it below), arrived in 2015, featuring cameos from My Morning Jacket keyboardist Bo Koster and Dawes frontman Taylor Goldsmith, among others. “As an album, Angeleno holds up time and time again,” said American Songwriter. “For anyone who feels similarly disenchanted about country music, Outlaw’s songs—closely bound to tradition, endlessly romantic—are the perfect remedy.” His second full-length, Tenderheart (stream it below), came out last Friday. Vulture makes comparisons to Gram Parsons, Ryan Adams and James Taylor, adding: “Tenderheart is the sound of Angeleno’s budding artist finding his voice and crafting a work as great as his killer country nom de plume. Two years after shaking his life up to chase a dream of country stardom, Sam Outlaw is sitting on one of the genre’s best albums of the year. It’s never too late to heed your calling.” Check out Sam Outlaw live at the early show Thursday night at Mercury Lounge. Virginia singer-songwriter Dori Freeman opens.

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Ahead of New Album Café Tacvba Come to Terminal 5 Tomorrow Night

April 19th, 2017

Rubén Albarrán (vocals and guitar), Emmanuel del Real (keys, guitar and vocals), Enrique Rangel (bass) and Joselo Rangel (guitar and vocals) have been doing their own unique take on alternative rock en Español since forming Café Tacvba more than 25 years ago in Mexico City. Deftly mixing Mexican folk, punk, electronic music and Latin rock, the quartet has won over fans across the world. Their most recent studio album, the well-received El Objeto Antes Llamado Disco (stream it below), came out in 2012. But with Jei Beibi due to arrive in just a few weeks, Café Tacvba (above, performing “Aprovéchate”) play Terminal 5 tomorrow night. Brooklyn’s Buscabulla open the show.

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Contest: Win Free Tickets to Keller Williams’ Grateful Grass on 4/20

April 19th, 2017

“Take my fascination with Grateful Dead songs and mix it together with my love of psychedelic improvisational bluegrass music and out burps this project,” says Keller Williams. So he’s hit the road with Jeff Austin, Danton Boller, Andy Hall and Jeremy Garrett. And this projectKeller Williams’ Grateful Grass, loose bluegrass takes on Dead tunes—comes to the Capitol Theatre tomorrow night. To make things even better, we’re giving away two tickets. To enter, fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Keller Williams’ Grateful Grass, 4/20) and a brief message explaining why you’ve got to be there. The winner will be notified by tomorrow.

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Grow a Pair: Win Free Tickets to See Chairlift on 4/22

April 18th, 2017

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Brooklyn avant-pop duo Chairlift return home for their final performance as a band on Saturday night at Brooklyn Steel. And while the show is already sold out, The House List is giving away two tickets. Want to go? Try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Chairlift, 4/22) and a brief message explaining why you just have to be there on Saturday night to say farewell. Eddie Bruiser, who will be there for the festivities himself, will notify the winner by Friday. Good luck.

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Moderat Bring Acclaimed Live Show to Terminal 5 Tomorrow Night

April 18th, 2017

Approaching a decade ago, Sascha Ring—who was making ambient, dreamy soundscapes as Apparat—teamed up with Gernot Bronsert and Sebastian Szary—already known for their rambunctious, genre-spanning techno music as Modeselektor—to form the Berlin experimental-techno trio Moderat (above, doing “Bad Kingdom” live in concert on Pitchfork TV). They’ve released a host of EPs alongside three full-lengths, including last year’s aptly titled III (stream it below). “The rich subtlety of its sound design demands repeated plays. Each time the album reveals something new. III is an album that worms its way into your day-to-day life. It’s an album that grows each time you listen to it. It’s an album than sounds different, and feels different, with each subsequent play,” gushed Clash. “III is a triumph that takes pop and redefines it, and may come to be seen as a watershed moment for the group as they hit full stride.” Another aptly titled release, the live recording Live (stream it below), arrived later in 2016. PopMatters lavished the album with praise, but added that “Live cuts out a crucial part of the Moderat live experience: the visuals. The light show and films that feature in Moderat’s concerts are essential.” Fortunately, you can get the entire experience when Moderat play Terminal 5 tomorrow night. Multimedia artist Dominick Fernow’s Vatican Shadow opens the show.

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Chaz Bundick Meets the Mattson 2 Provide Easter Treats

April 17th, 2017

Chaz Bundick Meets the Mattson 2 – The Bowery Ballroom – April 16, 2017

Chaz Bundick Meets the Mattson 2 – The Bowery Ballroom – April 16, 2017
Chaz Bundick, performing as Toro Y Moi, plays a palette of dyed-egg pastel colors: yellows, pinks and muted purples of groove. Twin brothers Jared and Jonathan Mattson, performing as the Mattson 2, are an oversized, slightly psychedelic rabbit of instrumental music. Together, they’re appropriately called Chaz Bundick Meets the Mattson 2, and they proved to be a perfect Easter treat last night for a sold-out Bowery Ballroom. More or less playing from their recently released album, Star Stuff, the trio met somewhere in the middle of their styles, which turned out to be a rather large and fertile musical space.

Although Bundick provided vocals on several songs, the set felt largely like instrumental music, relying more on mood than lyrics. And for the most part, that mood was decidedly jubilant. The stage was lit like a dance club—shafts of color through clouds of smoke, and the music pulsed with that energy. Bundick swapped between his synthesizer and a Hohner bass pretty much every other song, creating a checkerboard of sound, a playful push and pull between styles. That space between Bundick and the Mattsons was filled with modern jazz, Santana disco, drum-heavy free-form, psychedelic boogaloo and power-trio rage.

Every show has an arc and Sunday night was a one-way trajectory, each song sounding more focused and better than the previous, a constant build to an ecstatic conclusion, the album tracks thoughtfully arranged to optimize the live performance. When the end was finally reached, Bundick announcing, “No encore, we mean it,” they’d pretty much played it all, there were no Easter eggs left to uncover. —A. Stein | @Neddyo

Photos courtesy of DeShaun Craddock | dac.photography