Tag Archives: Music

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Borgore Brings New Music to Terminal 5 on Saturday Night

February 16th, 2017

Asaf Borger is a record-label owner who’s been in an Israeli deathcore band in addition to a dubstep duo, but he’s most well-known as the producer and vocalist Borgore, making an aggressive metal-influenced EDM he calls “gorestep.” He’s toured around the world and collaborated with the likes of Miley Cyrus, Waka Flocka Flame and Barrington Levy while releasing a slew of singles and EPs, the most recent of which, The Buygore Album (stream it below), came out in 2015. And with new music on the way—the album Harder arrives on Friday—Borgore celebrates its release at Terminal 5 on Saturday night. NYC’s Prince Fox and Ray Volpe, out of Charlotte, N.C., open the show.

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Grow a Pair: Win Free Tickets to See Tash Sultana on 2/17

February 14th, 2017

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Australian singer-songwriter, guitarist and looping artist Tash Sultana plays twice in New York City this week, tomorrow at Mercury Lounge and on Friday at Rough Trade NYC. Both shows are already sold out, but The House List is giving away two tickets to her second appearance. Don’t have any and still want to go? Try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Tash Sultana, 2/17) and a brief message explaining the best way to spend Sundays now that there’s no football. Eddie Bruiser, who’s got some time to kill, will notify the winner by Friday. Good luck.

(Tash Sultana returns to NYC to play The Bowery Ballroom on 10/2 and Music Hall of Williamsburg on 10/3.)

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Common Kings Bring Brand-New Music to The Bowery Ballroom

February 14th, 2017

Inspired by R&B, soul and reggae—and their Polynesian roots—JR King (vocals), Taumata Grey (guitar), Ivan Kirimaua (bass) and Jerome Taito (drums) began jamming together a few years ago while attending Orange Coast College, which led to them later forming the pop-rock four-piece Common Kings in Orange County, Calif. After putting out several EPs and singles, their impressive debut full-length, the catchy, upbeat Lost in Paradise (stream it below), arrived earlier this month. And touring behind the new tunes, Common Kings (above, their official video for “Lost in Paradise”) play The Bowery Ballroom on Wednesday night. Miami hip-hop group ¡Mayday! and big-wave surfer and reggae-pop singer-songwriter Makua Rothman open the show.

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Drive-By Truckers Raise a Passionate, Poignant Racket on Friday Night

February 13th, 2017

Drive-By Truckers – Westbury Theater – February 10, 2017

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In their earlier days, Drive-By Truckers were tagged alt-country, Southern rock and even country rock, but let’s call them what they are: no-bullshit rock and roll, anxious and unfiltered, and on their best nights, one of the best live bands of the last two decades. Still more remarkable is that despite major lineup changes, they seem to get better and better, the old songs aging gracefully but with more than a bit of veteran grizzle, and the new songs finding darkness, humor and poignancy in quotidian angst without sounding topical for topical’s sake or shading (too far anyway) into rock-protest sanctimony. Truckers characters are people you know: lived-in, loaded and lumpy. Their problems are your problems. Their shots at redemption are understandable and their failures disappointing.

This mature balance—the ability to be present and unflinchingly direct about news making matters of the age without being thin or pedantic—is so crucial to the current Truckers tour, filled with set lists that focus heavily on last year’s American Band, their most overtly political album. In Westbury, Patterson Hood, Mike Cooley and Co. gave us hails of guitar, clattering drums and passionate vocals that came from somewhere deep to frame stories of shootings in Oregon on a beautifully sunny day (“Guns of Umpaqua”), an ill-fated Mexican teenager (“Ramon Casiano”) and the long-lingering ghosts of the Civil War (“Surrender Under Protest”). Some of these songs (“Darkened Flags on the Cusp of Dawn” or “What It Means,” which addresses racism head-on) didn’t require much interpretation. Many were loud, with a sticking finger in your chest, although still others, such as Cooley’s “Once They Banned Imagine,” included acoustic guitars and had the world-weariness of protest-folk without decoupling from the band’s rambling, gnarly rock-ness. And it’s worth noting that politically potent Truckers tunes with a “to hell with this crap” edge aren’t anything new: “Puttin’ People on the Moon,” played fourth, is more than a decade old and its small-town family tragedy has never felt more acute. Same deal with “Sinkhole,” the Truckers’ epic of social class, murder and family values.

As they’ve gotten leaner—the band is now Hood, Cooley, drummer Brad Morgan, multi-instrumentalist Jay Gonzalez and bassist Matt Patton—Drive-By Truckers have gotten meaner, filling more space with paint-peeler guitar solos and working up huge, rambunctious rackets. What’s never quite changed is how they pace a show—peaks and valleys of hard-rocking defiance and melancholy resignation that eventually give way to a runaway train of concert warhorses and an explosive finale. The last 30 minutes on Friday night served up the wry-sad “Buttholeville” with a dovetail into Bruce Springsteen’s “State Trooper,” along with “Zip City” and “What It Means.” “Love Like This,” Hood’s fist-pumping “Let There Be Rock” (greasy with the saluted nostalgia of the Truckers’ many forebears, from AC/DC to the Replacements) and the anthemic “Shut Up and Get on the Plane.” Hood told us there would be no encore—they haven’t played any on this tour, choosing to barrel through rather than pause, lest any of the loaded tension dissipate too soon—and the Truckers left with “Grand Canyon” and its protracted guitar meltdown. It was ragged and right, as the Truckers always are. —Chad Berndtson | @Cberndtson

 

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Gang of Youths Kick Off February Residency on Monday Night

February 10th, 2017

Although they hail from Australia, Fiji, New Zealand and the United States, Max Dunn (bass), Jung Kim (guitar and keys), David Le’aupepe (vocals and keys), Joji Malani (guitar) and Donnie Borzestowski (drums) formed the baroque-pop five-piece Gang of Youths five years ago in Sydney. Rolling Stone called their first full-length, The Positions (stream it below)—a vivid celebration of life following some seriously dark times—an “emotionally charged debut” and made comparisons to Kings of Leon and Bruce Springsteen. Last year, Gang of Youths (above, performing “Poison Drum” for World Cafe) returned with the EP Let Me Be Clear (stream it below). “The expectation of a sophomore slump can be enough by itself to throw off the career of the most promising bands, and it would have been easy for Gang of Youths to keep churning out string-tinged rock songs,” according to Sputnik Music. “Instead … they’ve shown an insatiable thirst to keep building and transforming their sound.” Find out how they sound live when Gang of Horses play Mercury Lounge on 2/13 and 2/20 and Rough Trade NYC on 2/27.

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Shy Girls and Flamingosis End Tour at Music Hall of Williamsburg

February 8th, 2017

Dan Vidmar grew up in State College, Pa., and played in local rock bands while attending Penn State. Upon graduation, he moved to Portland, Ore., and became interested in what some call PBR&B. Some singles and a pair of EPs under the name Shy Girls led to collaborations and work with the likes of Haim, Odesza, Maxwell and Jagwar Ma. His first full-length, Salt (stream it below), arrived last month. “As soon as Dan Vidmar hits you with those soft falsettos, it’s all over,” says Nylon. “The album is soaking with smooth and sophisticated power ballads supported by a resilient force of production.”

Hailing from Morristown, N.J.—and influenced by the likes of J Dilla, Flying Lotus and vintage funk and disco—producer, beatboxer and DJ Aaron Velasquez makes funky hip-hop beats under the name Flamingosis (the name comes from a freestyle Frisbee move his dad invented). On his most recent release, last year’s Bright Moments (stream it below), he “flawlessy fuses hip-hop and funk,” according to Hype Beast. “The producer’s new album weaves smooth 1970s and 1980s samples into perfect grooves,” per MTV. Come shake your way into the weekend when Shy Girls and Flamingosis close out their tour on Friday night at Music Hall of Williamsburg.

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P.O.S Brings New Music to Rough Trade NYC and Mercury Lounge

February 6th, 2017

Rapper, singer, self-taught multi-instrumentalist and producer Stefon Alexander has been doing business as the punk-influenced underground hip-hop artist P.O.S in Minneapolis since around the turn of the century. He’s one of the founding members of hip-hop collective Doomtree, while also finding time to be part of a punk band, Building Better Bombs, and another Twin Cities collective, indie rockers Gayngs. Fortunately, P.O.S (above, performing “Sleepdrone” live in studio for KEXP FM) continues to do solo work. His fifth full-length studio album, Chill, Dummy (stream it below), which features guest vocals by Justin Vernon, came out at the end of January. A.V. Club calls it “a record about surviving, living and battling for every little thing you’ve got—something P.O.S knows his fair share about.” And Pitchfork says Alexander “is still all about his consciousness, and usefully motivated by anger. But on Chill, Dummy, he embraces a freed-up feel, with some grooves you might hear in a club.” Now out on the road, the lyrical bomb-thrower plays Rough Trade NYC tomorrow night and Mercury Lounge on Wednesday. Rappers Ceschi Ramos and Transit22 open both shows.

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The Lumineers – Madison Square Garden – February 2, 2017

February 3rd, 2017

The Lumineers - Madison Square Garden - February 2, 2017

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Icelandic Singer-Songwriter Ólöf Arnalds Plays Mercury Lounge

February 3rd, 2017

Despite her instrumental prowess—classically trained on violin and viola and self-taught on guitar and charangoÓlöf Arnalds’ calling card is her crystalline voice. She was already fairly well-known in Iceland’s music scene by the time her debut solo release, Við Og Við (stream it below), arrived in 2007, going on to win Record of the Year and Best Alternative Album at the Icelandic Music Awards. When the LP came out in the U.S. three years later, Paste declared, “Earnest, heartfelt declarations of love are a welcome change from the too-cool posturing of so much of today’s popular music. Familial affection will never go out of style; neither will deftly plucked stringed instruments, subtle orchestral swells and a songbird lilt this impossibly lovely.” The singer-songwriter has since toured with the likes of Björk, Jonathan Richman and Dirty Projectors and released several more EPs and full-players, including 2014’s Palme (stream it below). It’s “as pure as powdered snow, yet bubbling over with fairy mischief,” proclaimed AllMusic. Arnalds (above, performing an Icelandic version of “Turtledove” for the Line of Best Fit and, below, covering “Mr. Tambourine Man”) “is a weaver of ephemera, and with each new collection of music, she both defines herself and furthers her own mythology, a mythology that’s wholly intertwined with the lore of her Nordic homeland.” See her play Mercury Lounge tomorrow night. Alternative-folk trio Cold Weather Company open the show.

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Bear’s Den Leave Them Wanting More at The Bowery Ballroom

February 2nd, 2017

Bear’s Den – The Bowery Ballroom – February 1, 2017

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The British folk rock band Bear’s Den wrap gorgeous compositions with a searing banjo ribbon. It’s not a surprise that they supported fellow countrymen Mumford & Sons, as both share similar musical sensibilities. They’re also no strangers to road-tripping across America, having jumped in a Volkswagen Campervan to tour with Ben Howard, Nathaniel Rateliff and the Staves in 2014. In support of their sophomore release, Red Earth & Pouring Rain, the lads played to a sold-out Bowery Ballroom on a crisp Wednesday night. The balcony was overflowing with spectators, as folks could barely get on the floor. Although the evening featured songs from the recent release, special attention was paid to the faithful when the rarely sung and mostly back-cataloged “Sophie” was played acoustically as the audience came to a hauling silence.

Band leader Andrew Davie admitted it was likely their “second-oldest song,” and fans, new and old, were grateful. They erupted for “When You Break,” a favorite from Bear’s Den debut, Islands. A pause in the set carved time for guitarist Christof to make his traditional bottle-flip attempt. The suspense was thick as the water bottle flew in the air, and Davie bear-hugged his bandmate upon success before wailing the sea shanty “Auld Wives.” Christof strapped on the banjo for another favorite, “Above the Clouds of Pompeii,” as clapping hands and stomping feet revved up the band before they exited the stage.

There was little doubt they would not return for an encore, and they did with horn accompaniment for “Napoleon.” Davie, bassist Kevin Jones and Christof made their way into the crowd with only instruments on an acoustic rendition of “Gabriel.” Back onstage, Davie explained that throughout their tour they have been playing covers that were of local artists or about the city they were in. Simon & Garfunkel’s “The Only Living Boy in New York” checked off both those requirements. The evening wrapped up with the anthemic “Agape,” which was a fitting soundtrack to lead folks into the night and onto a new day. —Sharlene Chiu

 

 

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The Chain Gang of 1974 Kick Off the Weekend at Rough Trade NYC

February 1st, 2017

After becoming heavily influenced by Tears for Fears’ “Everybody Wants to Rule the World,” DJ and multi-instrumentalist Kamtin Mohager launched the post-funk electronic-dance project the Chain Gang of 1974 about a decade ago, earning comparisons to Daft Punk, New Order and Passion Pit with the release of Wayward Fire (stream it below) in 2011—“A bright, hook-laden, bouncy affair that takes your face and rubs it in its subwoofer big beats,” according to PopMatters—and Daydream Forever (stream it below), which per AllMusic has “even more attention to hooks and beefed-up production that thickens the pop sheen with a heavy electronic backbone,” in 2014. With new music on the horizon, the Chain Gang of 1974 (above, performing “Sleepwalking”) play Rough Trade NYC on Friday night. Bel Heir, a Philly trio, open the show.

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Grow a Pair: Win Free Tickets to See Maren Morris on 2/2

January 31st, 2017

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Acclaimed country singer Maren Morris plays The Bowery Ballroom twice on Thursday night, early and late. Both appearances are sold out, but The House List is giving away two tickets to the show of the winner’s choice. Don’t have tickets and want to go? Try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Maren Morris—choose early or late) and a brief message explaining why you’re happy for February’s arrival. Eddie Bruiser, who’s no fan of January, will notify the winner by Thursday. Good luck.

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Mogwai’s Message Is Impossible to Ignore at Town Hall on Sunday

January 30th, 2017

Mogwai – Town Hall – January29, 2017

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I can’t speak for the rest of the audience that packed Town Hall last night to bear witness to Mogwai perform their score for the documentary Atomic, Living in Dread and Promise, but anyone with any amount of identification whatsoever with humanity had to have been leveled. The 2015 documentary directed by Mark Cousins strung together archival footage of the Hiroshima and Nagasaki bombings, the disasters of Chernobyl and Fukushima, and the Three Mile Island accident, also showing the subsequent protests and revelations of the Cold War era. Mogwai performed their score for the film live to close out the Edinburgh International Festival in 2016, and have been touring with it through North America to begin 2017. With an equally impressive magnitude of output and precision of timing, they played in lockstep with the large-screen projection of the film above and behind them last night. Two touring members joined the band’s core, guitarist Stuart Braithwaite, keyboardist Barry Burns and drummer Martin Bulloch.

I think I can unequivocally say, without hyperbole, that I’ve never before been impacted by art’s power to alter consciousness, both in the aspect of being sensationally evocative and also provocative of motivation. It quickly got to a point where my eyes were fixated on the utterly devastating footage of the by-products of the inception of atomic energy. The band appeared to just dissolve into the surrounding darkness. At times during the breaks in the score that made audible the remarks of people who lived during that time and dealt directly with its consequences, all onstage seemed as though they were bowing their heads in memory and silence. The music brought together an ensemble of electric guitar, keyboards and drums in one massive, scorching onslaught, blowing up the normal paradigm of the concert experience. It was no place for children or those faint of tolerance.

In my opinion, Mogwai have now passed into a rarified class of musicians who recognize the influence harnessed in their compositions and find applications to a cause larger than their own. The performance was all the more disquieting now that we are all that much closer to something going disastrously and irreparably wrong. Our newest president and anyone remotely associated with nuclear proliferation should be strapped down and made to see this show. Absolutely, Mogwai’s performance of Atomic is an agent for a message with enormous significance, escorting it to a place where it is impossible to ignore. —Charles Steinberg | @Challyolly

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American Football – Terminal 5 – January 28, 2017

January 30th, 2017

American Football - Terminal 5 - January 28, 2017

Photos courtesy of Mina J

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Phox Say Goodbye (For Now) at Music Hall of Williamsburg

January 30th, 2017

Phox – Music Hall of Williamsburg – January 28, 2017

(Photo: Sharon Vanorny)

(Photo: Sharon Vanorny)

Amidst an indie-pop music landscape saturated with bands, the Wisconsin-based Phox spent half of a decade delighting fans with their whimsical melodies. Ascending a stage at a local festival, Boo Bash, the members played for the first time in May 2011 for what they thought would be a one-off performance. From there they became the darlings of Baraboo, Wisc., releasing the Confetti EP in 2013 and then their self-titled full-length, recorded in Justin Vernon’s studio the following year. Last fall the band announced that members had agreed to take a “hiatus” to allow for other creative pursuits, from film to graphic novels. For the occasion, the quintet embarked on their Goodbye (For Now) tour, which rolled into a sold-out Music Hall of Williamsburg on Saturday night.

Taking the stage to an opening composed by guitarist Matthew Holmen, the five-piece filed in with their phoxy lead singer, Monica Martin, clad in a shoulder-baring black top and high-waisted acid-washed jeans. She quickly began with the breezy “Leisure,” and keyboardist Matteo Roberts offered his vocals on the opening of “1936” before Martin took back the reins. The crowd participated in a chorus of “Wah oh oh” on “Evil,” which wouldn’t be the only time audience erupted. A cadence of claps was inevitable during fan-favorite “Slow Motion,” and many joined in, singing, “Everything I do, I do in slow motion.” The evening spotlighted Martin, who recently recorded the hypnotic “Equal Powers” with Jeremy Larson’s Violents.

A solo section showcased new material, including a ballad entitled “Make Believe,” and another song served as a cautionary tale about road trips with strangers. The little-sung “Laura” was hard to perform in the past Martin confessed because it was about the relationship with her mother. Saving the best for last, Phox covered the rhythmic chords of Fleetwood Mac’s “Dreams,” and Holman offered a blistering guitar solo on “Noble Heart” to punctuate the set’s end. The band would return to encore with another cover. This time it was Aaliyah’s “Are You That Somebody.” The bittersweet farewell ended with “Espeon” dedicated to Martin’s younger sister in the audience. And as it neared midnight, fans left dreaming of Phox’s swift return in the (hopefully) near future. Sharlene Chiu