The Bowery Presents

Posts Tagged ‘My Morning Jacket’

It’s a Family Affair

Monday, August 23rd, 2010

Hacienda - Mercury Lounge - August 21, 2010

Hacienda - Mercury Lounge - August 21, 2010
Hacienda—three Villanueva brothers (Rene, on bass and vocals, Abraham, on piano and vocals, and Jaime, on drums and vocals) and one Schwebel cousin (Dante, on guitar and vocals)—caught an early break when Dan Auerbach of the Black Keys got a hold of their six-song demo. One thing led to another and eventually the band finished an album at his studio and was opening for the likes of the Black Keys and Dr. Dog and gaining wider exposure. Last year, along with My Morning Jacket drummer Patrick Hallahan, they backed Auerbach on his Keep It Hid tour.

This year, Hacienda released their second disc, Big Red & Barbacoa, and they played plenty of it on Saturday night at Mercury Lounge. With their four-part harmonies, early-Kinks intensity and surf-rock influences, the plaid-heavy San Antonio quartet played a sweaty, energetic 45-minute set of swaggering, hip-shaking rock and roll, punctuated by Schwebel’s vibrant guitar solos. Onstage, songs like “Shake Ya” and “Mama’s Cookin’” emerged more rollicking and raw than their studio versions. At one point Schwebel said, “Here’s a song for Saturday night.” And he was right. —R. Zizmor

(Hacienda opens for My Morning Jacket at Terminal 5 on October 19th.)

Photos courtesy of Sean O’Kane | seanokanephoto.com


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The South Rises in Williamsburg

Monday, August 2nd, 2010

Appalachian Voices/Preservation Hall Jazz Band - Music Hall - July 30, 2010

matusbence

Appalachian Voices with the Preservation Hall Jazz Band

Two ends of the roots-music sonic spectrum were on display during Friday’s show at Music Hall of Williamsburg, as New Orleans’ Preservation Hall Jazz Band and Kentucky’s Appalachian Voices teamed up to bring a diverse night of Southern sounds to the Brooklyn landscape. Approaching its sixth decade of exploring the traditional jazz of the Crescent City, Preservation Hall opened with a rollicking 35-minute set covering such vintage classics as “Short Dressed Gal” and “Sweet Substitute.”

The Appalachian Voices singers joined the fray with Jim James grinding on a dirty “Blue Yodel No. 9” and Daniel Martin Moore guiding a gentle “Between the Devil & the Deep Blue Sea.” James closed out the collaboration by swinging a towel over his head and howling through an incendiary “St. James Infirmary,” significantly ratcheting up the intensity in the room. Inspired by the boisterous response, Preservation Hall’s Clint Maedgen immediately led the band through a more tribal and equally intense reprise to close out the set before an obviously excited crowd.

Headliner Appalachian Voices reversed the vibe with a subdued and poignant antidote to the opener’s raucous set. With James thanking the audience for remaining quiet and focusing on the evening’s messages about the beauty of Appalachia and the dangers of mountaintop removal, the quartet combined elements of folk, blues, bluegrass and jazz throughout their nearly two-hour performance. While the My Morning Jacket canon would be unavoidable, including a particularly explosive “Smokin’ from Shootin’,” rock star James often faced upstage and yielded the attention to his less-famous-but-nonetheless-worthy coconspirators, Moore and cellist Ben Sollee, the latter delighting with spiraling and occasionally funky cello solos that were met with loud ovations.

Singing of the Appalachian people, pathos abounded in stirring songs, like “Try,” “My Wealth Comes to Me,” and Lead Belly’s “Sylvie,” in which James thrillingly channeled Roy Orbison. The encore featured a droning, thunderous combination of both bands on “Dear Companion” and a driving cover of “Save the Last Dance for Me,” which sent the enthused assembly buoyantly bounding off into the Brooklyn night. —Brian Ferdman

Photo © Matúš Bence | http://idijot.tumblr.com

(My Morning Jacket plays Terminal 5 five times in October. Tickets remain available for the 10/18 and 10/19 shows.)

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Dan Auerbach Rocks Webster Hall

Thursday, November 12th, 2009

Dan Auerbach - Webster Hall - November 11, 2009

Dan Auerbach - Webster Hall - November 11, 2009
Just as Jack White has done work outside of the White Stripes, first with the Raconteurs and now the Dead Weather, Dan Auerbach, one half of the power-blues machine that is the Black Keys, also fronts a second band with a bigger sound. His backing band, the Fast Five, is made up of the San Antonio rock group Hacienda—Antonio Abraham Villanueva on keys, Dante Schwebel on guitar, Jaime Villanueva on drums and Rene Villanueva on bass—plus My Morning Jacket drummer Patrick Hallahan on drums and percussion. (Hallahan, eyes closed and mouth open, played the maracas and the triangle with the unrestrained mirth of a small child.)

Last night at a crowded Webster Hall, Auerbach and Co. made their way through Auerbach’s solo album, Keep It Hid, released in February, plus a few other songs, including a cover of Rocking Horse’s “Oh Carol.” The show began with some relatively quiet harmonizing before kicking into a higher, louder gear. They played more than an hour of a winning combo of gritty blues and dirty rock and roll, including “My Last Mistake,” “Money and Trouble” and “When the Night Comes.”

The encore began with Rene Villanueva, whose bass thumped ferociously all night, laying down a dancing bassline. As the audience enthusiastically clapped along, the band shifted into a tight blues riff that blew up into raging mayhem. When the song ended, just Auerbach remained onstage. “Thank you for coming out tonight,” he said before launching into the last song, “Goin’ Home.” The line “be thankful for all you got” drew cheers and applause. And then he finished with “So long/ I’m going/ I’m going home,” and then the crowd went wild and the stage went dark. —R. Zizmor

Photos courtesy of Sean O’Kane | seanokanephoto.com

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Spend Two Evenings with Monsters of Folk

Tuesday, November 3rd, 2009

Conor Oberst and Mike Mogis (of Bright Eyes), Jim James (of My Morning Jacket) and M. Ward have put together their significant talents to form Monsters of Folk and to record a terrific self-titled album (stream three songs here) that has taken them out on the road and earned them favorable comparisons to the Traveling Wilburys and Crosby, Stills and Nash. They recently played Neil Young’s Bridge School Benefit, and tonight they’re performing on Late Night with Jimmy Fallon. But if you want to see these MoFos in person—playing a mix of originals, covers and songs from their respective catalogs—you’re got two chances: They play United Palace on Friday and the Beacon Theatre on Sunday.

(Check out the the video for “The Right Place,” above.)

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Beware of Monsters of Folk!

Tuesday, September 15th, 2009

Monsters of Folk
Like Godzilla or that thing from Cloverfield emerging from the East River, the Monsters of Folk are descending upon our fair city (United Palace on November 6th and the Beacon Theatre on November 8th). Although these monsters—singer-songwriter and guitarist M. Ward, Bright Eyes’ singer-songwriter and guitarist Conor Oberst and multi-instrumentalist and producer Mike Mogis and My Morning Jacket’s singer-songwriter and guitarist Jim James—are far more talented than scary. This supergroup formed in 2004, and they finally have an album, Monsters of Folk, coming out next week. The tour begins next month, and you should expect at least a two-and-a-half-hour “musical event” consisting of well-crafted material from the album, covers and original My Morning Jacket, Bright Eyes and M. Ward tunes, plus a whole lot of guitar. But don’t just take out word for it, check out this American Songwriter interview with the four-headed beast. And if you want to get on this ride, get in line ’cause tickets are going fast.

(Check back with The House List next week for some more Monsters of Folk info.)

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