Tag Archives: Odd Blood

cat_reviews

Yeasayer Brings the Heat

May 5th, 2010

Yeasayer – Webster Hall – May 4, 2010

(Photo: Jared Levy)

(Photo: Jared Levy)

Warm weather is steadily settling upon the city. As the humidity rises and the days lengthen, a change in moods and minds is present on the faces of those around. Whether you gauge it from sunglasses or smiles, energy bounds from the upcoming season. And, for Yeasayer, a band that reflects this infectious spirit, a Tuesday night in early May was the perfect time to return home.

Nearly three months since their last show at The Bowery Ballroom, Brooklyn’s own Yeasayer continues to tour on the heels of their second studio album, Odd Blood. This time at Webster Hall, Seagulls and the up-and-coming duo Sleigh Bells opened. The combination of these two bands drew an impressive crowd, packing the venue early in the night. Sleigh Bells played the majority of their blog-lauded headbangers. As Chris Keating of Yeasayer pointed out, industry types attended to scout out the duo, and to their end, Sleigh Bells delivered on the blown-out beats of “Tell ’Em” and “Crown on the Ground.”

Though it is admittedly difficult to follow an act like Sleigh Bells, Yeasayer’s headlining set was expertly designed and executed. The core members—Keating on keyboard and vocals, Anand Wilder on guitars, keyboards and vocals and Ira Wolf Tuton on bass guitar and backing vocals—performed center stage with the help of two percussionists. Among such new songs as “The Children” and “I Remember,” the group also mixed in “2080” and “Sunrise,” singles from their previous album, All Hours Cymbals. Later, Webster Hall’s hanging disco ball spun along with Odd Blood’s danciest track, “O.N.E.” The lights shimmered over an appreciative crowd, mirroring the glow of Yeasayer’s joyous music. No longer must we “Wait for the Summer.” —Jared Levy

Yeasayer Brings New Music to The Bowery Ballroom

February 9th, 2010

Yeasayer – The Bowery Ballroom – February 8, 2010

Yeasayer
Brooklyn’s Yeasayer exists somewhere between an indeterminate futurism and the completely recognizable past. Like a laser-charged Krautrock band playing in British Mandate-era Palestine or like Depeche Mode performing in postcolonial Delhi, the band is undeniably synthesized, tribal and born back into the future. At a sold-out Bowery Ballroom, the reference game would prove useful as they took the stage amidst sea-sick colors and flashing lights.

Yeasayer opened with the unsettling and familiar first track from their latest record, Odd Blood, “The Children.” With vocals set in an artificially low register and pulsing, almost breathing industrial soundscapes, “The Children” was the edgy, creepy start to a set that would only equal one of the previous two descriptors. Relying heavily on material from the new album, out today, the group powered through “Love Me Girl,” “Madder Red” and “Remember,” although not necessarily in that order. There was an air of science to the exoticism, like Yeasayer had shown up to mediate sound, rather than actually produce it. Far more the medium for the cacophony than its creator, it was almost like they were the dimmer for the lights pulsing around them.

Yeasayer, the guys who used to practice in their apartment on Prospect Avenue in South Park Slope, closed their main set with “Ambling Alp” and “O.N.E,” the two singles off Odd Blood. The words of the middle of their set—from “Remember”—were still echoing around in the top recesses of The Bowery Ballroom: “You’re stuck in my mind/ All the time.” People wouldn’t forget this. And then loops peeled off into nowhere, and the band shuffled around between here and some indefinite never forever. —Geoff Nelson